Fire Tetrahedron: Journal of Poetry & Art is now accepting poetry, translations, artwork, and photography submissions for our Fall 2016 issue, a special issue focused on the theme of "gold."
Think about gold's history both as a metal and as a cultural object for people around the world. Humans have manipulated and forged it for millennia. At its heart, gold typifies the focus of Fire Tetrahedron: nature & culture twisting, shaping, & changing each other. Keep in mind, too, that creative license is encouraged, as with any theme. Even tenuous connections to “gold” may fit well in this issue.
General Each poem submitted must be no more than 40 lines long. The title is not included in the line count, nor are any blank spaces to indicate stanza or section breaks.
All entries are judged anonymously: do not include your name on the document.
Entries can be on any subject and written in any style or form.
Entrants may enter up to ten poems, subject to payment of the appropriate entry fee.
Entrants may withdraw entries from the competition, but entry fees will not be refunded.
The deadline for entries is 12:00 Midnight (GMT) Monday 7th March 2016. Any entries arriving after this time will not be considered.
The Prize is open to all writers internationally.
Entries must be entirely the work of the entrant and by submitting you are confirming that all work is your own.
Poems must be previously unpublished. Poems must not be currently entered for judgement in any other poetry competitions, nor have won or been placed (as in 2nd, 3rd, runner-up, etc.) in any other competiton.
Entries submitted posthumously or on behalf of another person will not be eligible.
The fee for entering one poem is £7; for entering two poems is £10; the fee then increases by £5 per poem up to ten poems (£50), which is the maximum allowed number of entries per poet.
The appropriate entry fee to be paid via the NCLA webstore or cheque.
Entries must be written in English.
Poems to be single-spaced and a line count noted at the top of each poem, or at the beginning of the document.
Entries must show no name, address or identifying marks other than the title. For postal entries, please include your name and contact details (ideally including an email address) on a separate covering letter.
Online entries should be a separate file for each poem entered, to be submitted online once the entry fee is paid.
The file type of online entries must be either a .doc, .docx, .rft, .pdf or .txt file.
Under no circumstances can alterations be made to poems once entered.
Worldwide copyright of each entry remains with the author, but NCLA may seek persmission to publish winning and shortlisted entries online.
Judging & results
Prizewinners will be invited to an award ceremony at Newcastle Poetry Festival on 6th May 2015.
The judges' decision is final and no individual correspondence can be entered into.
Payment: $50 plus two paperback copies, and an eBook
Rights: The Liz McMullen Show Publications requires the right to publish the original story in the above-mentioned anthology, in print, digital and audible forms, exclusively for one year after publication (exceptions made for “year’s best” anthologies) and non-exclusively thereafter. The author retains copyright.
I’m looking for essays and short stories that will make readers bust out laughing. The kind you shouldn’t read next to a sleeping partner or slumbering pet. No need to scare them awake with a bark of laughter or a case of the giggles. And yes folks, grown women get the giggles too.
Subject matter/brand of humor is up to the author: political, current events, situational comedy, dry humor, humor in the every day etc.
Guidelines: • Previously unpublished work only • LGBT* and allies are welcome to submit to this anthology • Preferred Length: • Essays: 2,000 to 4,000 Words • Short Stories: 3,000 to 4,000 Words • 12 pt. Times New Roman, double spaced • Indent for paragraphs • No spaces between paragraphs • Poorly formatted/edited submissions will not be accepted • Submit your stories in .doc or .docx here to:
thelizmcmullenshowATgmailDOTcom (Change AT to @ and DOT to .) • Multiple submissions okay, simultaneous submissions not okay • No erotica. You may include limited romantic content, but only if it’s necessary for the plot of your story. • Indicate your name and the name of the piece in both the subject heading of your email and in the word document you are submitting. • If you are using a pen name, please provide both your pen name and your legal name in your submission.
A portion of the proceeds will be donated to a charity.
Submit 1 to 3 poems on nuclear impact in the world. Poems may be previously published with first publication acknowledgement. Each poem should not exceed two pages. Email poems as a .rtf or .doc attachment to:
shabdapressATyahooDOTcom (Change AT to @ and DOT to . )
Do not include your name in the file. Email a separate cover letter as a .rtf or .doc attachment; include your name, contact information (email, telephone number), titles of poems and a brief bio. Poems will be judged blindly. Write "Nuclear Impact Anthology Poetry Submission" in the subject line.
Submit cover art for the anthology as a .jpeg file to:
shabdapressATyahooDOTcom (Change AT to @ and DOT to . )
Payment: One copy of the anthology.
Author rights: Author retains copyright of poem(s).
Nuclear Impact: Broken Atoms in Our Hands will be printed in perfect-bound print format. Thank you for participating in this project!
Bracken Magazine is a new semi-pro market for lyrical fiction and poetry, inspired by the wood and what lies in its shadows. We accept most styles of poetry, although we are somewhat biased toward the lyrical over the narrative. We accept most fiction genres, although we're biased toward magic realism. Send us your in-between-genre pieces, your heart's tears, your midnight illusions. We'll take good care of them.
Payment is 0.02/word for fiction up to 2500 words; $15/poem under 100 lines
Sink Hollow, the national undergraduate literary journal at Utah State University, is seeking provocative, resonant, polished pieces of undergraduate work for its debut issue to be published in spring 2016. We accept all original fiction, nonfiction, poetry, and art. All students currently enrolled as undergraduates at two- and four-year colleges and universities are invited to submit!
Deadline: March 1, 2016
Please visit our website for more information. Submit your work here.
The Ohio State University MFA Program in Creative Writing is seeking submissions of book-length collections of short prose for The Non/Fiction Collection Prize.
The prize carries a cash award of $1500 and publication by The Ohio State University Press. Manuscripts of 150-350 pages consisting of collected short stories, essays, or a combination of the two can be submitted along with a $25 entry fee between December 14, 2015 and February 14, 2016 via our online submission manager. All entrants receive a year’s subscription to The Journal.
America Media is proud to announce the 2015 Generation Faith Essay Contest.
America Media is seeking submissions from young writers for the first-ever Generation Faith Essay Contest. We want to hear from high school and college students interested in reflecting on the joys and challenges that come with living out (or struggling with) one's faith in the midst of real life. All entries should be true personal essays, between 800 and 1,200 words. The essays should feature strong narratives and real-life examples from the writer’s experience as a young person in the church today. Writers should think creatively and broadly about their faith experience.
The winning entry will be awarded $1000 and will be published in America. Additional entries may be chosen for publication in America. The judging panel will consist of the editors of America and The Jesuit Post.
To be eligible, you must be enrolled as a full-time high school or college student at the time of the contest deadline. Your submission must be previously unpublished (including on personal websites) and must be original work.
All entries must be submitted by 11:59 p.m. on January 10.
John Updike once said, "Creativity is merely a plus name for regular activity. Any activity becomes creative when the doer cares about doing it right, or better." At Driftwood Press, we are actively searching for artists who care about doing it right, or better. We are excited to receive your submissions and will diligently work to bring you the best in literary criticism, short fiction, poetry, graphic narrative, photography, art, and interviews.We're partial towards prose poetry and stream of consciousness prose, but open to all literary genres and styles.
2016 Colorado Prize for Poetry : $2,000 Honorarium & Book Publication
Book-length poetry manuscripts accepted now through the postmark deadline of January 14, 2016.
The final judge is Tyrone Williams. Friends & students (current & former) of the judge are not eligible to compete, nor are Colorado State University employees, students, or alumni.
The winning book-length collection of poems will be published by the Center for Literary Publishing in the fall of 2016.
The $25 entry fee includes a one-year subscription to Colorado Review (print sub to US addresses only; digital sub for non-US addresses).
Manuscripts may consist of poems that have been previously published, but the collection as a whole must be unpublished.
Manuscripts must be at least 48 pages but no longer than 100 pages.
The winner will be announced by May 2016.
The Colorado Prize for Poetry adheres to the Contest Code of Ethics, as adopted by the Council of Literary Magazines and Presses.
To submit by mail: 1. Include two title pages: first with manuscript title, your name, address, phone number, & e-mail address; second with manuscript title only. Your name should not appear anywhere else in the manuscript. Please do not include publication acknowledgments; they will not be forwarded to judges. 2. Do not send originals: manuscripts will not be returned. 3. Please enclose an SASE for contest results & a self-addressed stamped postcard for notification of the manuscript’s safe arrival. 4. Please make checks payable to Colorado Review. 5. Mail manuscripts to Colorado Prize for Poetry, Center for Literary Publishing, 9105 Campus Delivery, Colorado State University, Fort Collins, CO 80523-9105.
To submit online: 1. Please note that there is an additional $3 charge to submit online. Of this, $1.11 is a credit card fee, and the remaining $1.89 goes to the tireless, good people at Submittable. 2. The manuscript title, your name, address, phone number, and e-mail address should be in your cover letter, separate from your manuscript. Be sure your name is not anywhere in the manuscript itself. Do not include publication acknowledgments. 3. Submit here.
Questions? Please call 970.491.5449, visit our website, or send an e-mail to:
creviewATcolostateDOTedu (Change AT to @ and DOT to . )
Colorado Review is now accepting submissions for the 2014 Nelligan Prize for Short Fiction; the postmark deadline is Saturday March 14, 2016. This year’s final judge is Gish Jen. The prize is given annually for the best short story.
1. $2,000 will be awarded for the best short story, which will be published in the fall/winter 2014 issue of Colorado Review. 2. This year’s final judge is Gish Jen; friends and students (current & former) of the judge are not eligible to compete, nor are Colorado State University employees, students, or alumni. 3. Entry fee is $15 per story ($17 to submit online); there is no limit on the number of entries you may submit. 4. Stories must be previously unpublished. 5. There are no theme restrictions, but stories must be under 50 pages. 6. Deadline is the postmark of March 14, 2016. 7. Winner will be announced by July 2016. 8. All submissions will be considered for publication.
To submit online:
For an additional $2, you may submit online. The $2 goes entirely to Submittable: 79 cents is a credit card fee, and the remaining $1.11 goes to the good people at Submittable who created and maintain the software.
1. Include two title sheets: on the first, print your name, address, telephone number, e-mail address, and the story title; on the second, print only the story title. Your name should not appear anywhere else on the manuscript. 2. Enclose a check for $15 for each story. Checks should be made out to Colorado Review. 3. You may submit multiple stories in the same envelope, and a single check can be made out for the total. 4. Provide SASE for contest results. 5. Manuscripts will not be returned. Please do not enclose extra postage for return of manuscript. 6. Entries must be clearly addressed to:
Nelligan Prize – Colorado Review 9105 Campus Delivery Colorado State University Fort Collins, CO 80523-9105
creviewATcolostateDOTedu (Change AT to @ and DOT to . )
Alebrijes is seeking work that simmers just above the subconscious. We take our name from the Mexican folk-art of colorful, intricately carved figures that live, eat, and breed on the open plains of the imagination. We publish pieces that open the horizons of Existence, that cross the nocturnal borders of our souls. Give us something that bores a black-hole into our minds and pulls at our every thought.
We enjoy experimentation, surreal elements, the shattering of narrative structure, the cracks within your photographic lens. Not only do we publish pieces in English, we are friendly to works in Spanish. Give us one or the other, or a mixture of both. Send us works that carve out new territories, that dismantle metaphysics, give us that chorus of voices that reside only within you.
FICTION: We are attracted to pieces challenge us as readers, yet are absent of any pretentious leanings. Though the story and structure may be opaque, the characters should be engaging and there must be some type of underlying mechanics working beneath the narrative.
NON-FICTION: The essays we wish to publish are lyrical in nature. Please do not send us dense, academic research. We prefer work that toes the line between literature and philosophy. We enjoy Continental and Latin-American philosophy. We also have a fondness for aesthetics and critical theory.
POETRY: Form and structure is not a an issue. We enjoy the imagery and juxtaposition. We read Andre Breton alongside Shakespeare’s sonnets. Our appetite has room for Sandra Cisneros alongside Fernando Pessoa. You get the idea.
We especially welcome submissions from writers in Pittsburgh and the region, as well as from across the country, although a poem about Pittsburgh doesn’t necessarily have an edge. Our only aesthetic is quality.
Pittsburgh Poetry Review welcomes work by those often underrepresented in literary journals and other publishing ventures, including women and gender non-conformists, people of color, and members of the LGBTQIA community.
The 2016 Bristol Short Story Prize is open to all published and unpublished writers throughout the world.
Stories can be on any theme or subject and entry can be made online via the website or by post.
Entries must be previously unpublished with a maximum length of 4,000 words (There is no minimum).
The entry fee is £8 (about $12.00 USD)per story.
The closing date for entries is April 30th 2016.
Prizes: 1st £1000 (about $1,500 USD) 2nd £700 (about $1,000 USD) 3rd £400 (about $600 USD) 17 further prizes of £100 (about $150 USD) will be presented to the writers whose stories appear on the shortlist. All 20 shortlisted writers will have their stories published in the Bristol Short Story Prize Anthology Volume 9.
The 20 shortlisted writers will be invited to an awards ceremony in Bristol in October 2016 when the winners will be announced and the anthology launched. All prizes will be sent to writers unable to attend the awards ceremony.
The judging panel will be chaired by celebrated writer Tania Hershman. Tania is joined on the panel by acclaimed writer Niven Govinden, owner of award winning ,London independent bookshop, Simon Key, and Juliet Pickering, literary agent at Blake Friedmann.
Minerva Rising Literary Journal is seeking short stories, essays, poetry, creative non-fiction, flash fiction, original prints, graphic arts and photographs for our upcoming issue.
Our next theme is... Sisterhood.
“We're connected, as women. It's like a spiderweb. If one part of that web vibrates, if there's trouble, we all know it, but most of the time we're just too scared, or selfish, or insecure to help. But if we don't help each other, who will?” --Sarah Addison Allen, The Peach Keeper
Send us your best. Your polished poems, your lovely lyrics, your fables and figmentations, your epics and experiments, your flash fiction and flashes of brilliance. Creative non-fiction, yes! Short-shorts, absolutely! Song lyrics? Why not? And visual art! Photography, too! If you’re a woman and you made it and it’s creative and it’s really, really, REALLY good, we want it.
Deadline: February 1, 2016
We pay writers $50 for fiction or nonfiction prose and $35 for poetry that we select for publication.
Please visit our website for submission guidelines.
Notes from the Field is a non-fiction contest celebrating writing about vivid experience--whether abroad, at home, in your line of work, or in any other unexpected environment. Surprise us!
Submit one (1) work of creative nonfiction, five thousand words maximum. Submission must be author’s own work and must be previously unpublished. Winning and runner-up selections will be announced late January and will be published in Flyway thereafter. Alison Hawthorne Deming is serving as the contest judge.
Your cover letter should contain your name and contact information. Your name should NOT appear anywhere else on the submission. Submission Deadline: Saturday, January 2, 2016
Award Winner receives $500 and publication in Flyway Runner-up also receives publication in Flyway
Reading Fee: $12 ($15 for submission + back issue) *if you would like to submit AND receive a print back issue by mail, please submit your essay in the "back issue" submission portal*
Mantis: A Journal of Poetry, Criticism, & Translation is soliciting poetry reviews and criticism for immediate publication. We publish ~2000 word reviews of contemporary poetry in English or in translation, and other critical pieces treating issues in contemporary poetry and poetics. These include surveys of trends in contemporary poetry, interviews, theoretically oriented reflections, etc. You can submit your piece directly or a short abstract.
Specific questions can be addressed to our Reviews Editor, Armen Davoudian at:
armendATstanfordDOTedu (Change AT to @ and DOT to . )
SWEET TEA PRESS Hosted by CHICAGO STATE UNIVERSITY Department of English, Foreign Languages, Interdisciplinary Studies
95th & King is a literary magazine devoted to publishing the original work of young writers grades 7-12. We publish poetry, fiction, creative nonfiction and literary essays. Students are encouraged to submit original work in one or more category.
SPRING 2016 Call for Submissions Theme: I’m So Chicago
In this issue of 95th & King, entitled, I’m so Chicago, we invite submissions that focus on what it means to be a Chicagoan and/or what Chicago represents to you. We encourage young writers to explore the city from all perspectives. In addition to poetry, fiction and creative nonfiction, and literary essays, we invite visual submissions that capture the heartbeat of the city.
We hope that young writers will use this opportunity to [re]name the City of Big Shoulders and explore the weight that it carries. In March of 1914, Carl Sandberg described Chicago as: HOG Butcher for the World, Tool Maker, Stacker of Wheat, Player with Railroads and the Nation's Freight Handler; Stormy, husky, brawling, City of the Big Shoulders
Kanye West uses metaphor to describe his relationship with Chicago in the lyrics of Homecoming where he likens Chicago to a girlfriend that he often thinks about when he is away. Specifically, West uses the pronoun she when describing his relationship. In the following line, West uses metaphor to describe the heavy Chicago winds that are known for its razor sharp impact. West states, "...come from out of town I like to show her off. They like to act tough, she like to tow’em off. And make ‘em straighten up their hat cause she know they soft…."
Poetry submissions: 1 to 2 poems Fiction and Creative Nonfiction submissions: 1250 words maximum Literary essay submissions: 500 words maximum
All work should be submitted electronically as an MSWord document to:
95andkingATgmailDOTcom (Change AT to @ and DOT to . )
Please include a cover page with author’s first and last name, school name and address, grade, home address, telephone number, and email. Email notification will be sent at the beginning of March, 2016 to the author.
Submission Deadline: February 5, 2016 Publication Date: April, 2016
Five Oaks Press is running its winter chapbook contest "Say Elves," which doesn't imply any particular theme, just an acknowledgement of the season and a phrase from a Frost poem we like. For this contest, we are soliciting chapbooks from 16-25 pages,due 1/2/16. We read blind (meaning, we don't want to know your name during our selection process), so please remove all identifiers from your manuscripts and file titles.
For our spring chapbook contest, we chose one winner and 2 honorable mentions for publication. Five Oaks Press produces perfect-bound chapbooks (with ISBNs, available for sale on Amazon and elsewhere) and offers reading opportunities for our authors, such as hosting book launches for authors within driving distance, and also organizing off-site events at the AWP conference.We nominate for Pushcart Prizes and any other awards we can find for our authors.
$12 fee to enter the contest. (We offer a free "open reading" period in late summer/early fall.)
Postmark deadline: January 30, 2016. Submissions accepted: December 1 – January 30
The Thomas Wolfe Fiction Prize honors internationally celebrated North Carolina novelist Thomas Wolfe. The prize is administered by the Great Smokies Writing Program at the University of North Carolina at Asheville. The winner receives $1,000 and possible publication in The Thomas Wolfe Review.
The final judge is Ron Rash, author of the 2009 PEN/Faulkner Finalist and New York Times bestselling novel Serena, as well as four other prizewinning novels, four collections of poems, and six collections of stories.
Eligibility and Guidelines
The competition is open to all writers regardless of geographical location or prior publication.
Submit two copies of an unpublished fiction manuscript - short story or self-contained novel excerpt - not to exceed 3,000 words, double-spaced, single-sided pages (1" margins, 12-pt. Times New Roman font).
Author's name should not appear on manuscripts. Instead, include a separate cover sheet with name, address, phone number, e-mail address, word count, and manuscript title. (If submitting online, do not include a cover sheet with your document; Submittable will collect and record your name and contact information.)
An entry fee must accompany the manuscript: $15 for NCWN members, $25 for nonmembers.
The entry fee is per submission. You may submit multiple entries.
You may pay the member entry fee if you join the NCWN with your submission. Checks should be made payable to the North Carolina Writers’ Network.
Entries will not be returned.
The winner is announced each April.
Simultaneous submissions ok, but please notify us immediately if your work is accepted elsewhere.
To submit online, go here. Submittable will collect your entry fee via credit card ($15 NCWN members / $25 non-members).
To submit by regular mail:
Thomas Wolfe Fiction Prize Great Smokies Writing Program Attn: Nancy Williams One University Hts. UNC Asheville, NC 28804
Questions? Please contact Nancy Williams at nwilliamATuncaDOTedu (Change AT to @ and DOT to . )
A Quiet Courage is an online literary journal that considers and publishes microfiction and poetry that is 100 words or less in length.
We seek your absolute best writing.
No deadlines, submissions rolling. No submission fees.
We are a non-paying market.
We consider writing in Spanish too, with exact English translations.
Submit your absolute best, most polished work.
We have a special affinity for Holocaust-related writing, but we consider writing about all kinds of subjects and topics.
A Quiet Courage welcomes submissions from diverse writers, including (but of course not limited to) LGBTQIA writers, writers with disabilities, writers of color, and traditionally marginalized and/or underrepresented writers.
For more information and for exact submission guidelines, please visit ourwebsite.
Sugared Water seeks image-dense works dealing closely with identity, self, and the journey. Though our current reading period has no set theme, we regularly enjoy poems and short essay or fiction with a little folklore involved.
3-5 poems at a time considered. Up to 4,000 words in prose (micro & flash essay & fiction very much wanted). Art, illustrated/visual essay, sequential art, & comics also considered. November 1, 2015 - January 1, 2016.
Our issues are handbound in editions of 100 to 150 (hand-printed covers)—this is both a lit mag & collectible art object. Print only (for now).
If we could candy words, we’d eat them to bellyaches every afternoon. We carry journals and collect chapbooks like Smaug ripping through a gold-sequin disco. If we’re lucky enough to leave something behind that enriches the dialogue of writerly types around the world, so much the better. Send us your stuff—we’ll only hoard it for a little while.
Kalyna Review- a celebration of language and translation Call for submissions for Spring 2016 issue
How do we know what we know? It seems like an absurd, abstract question. At its most basic we know because we sense the world, feel the creep of warm sunlight at dawn, hear the gradually accumulating chorus of birds. Yet our perceptions are filtered through the sleek, estranging mesh of language, of ideas. There is our native language and the translated literature that we read.
Kalyna Review is looking for articles and creative work that explores how language creates the personal universe we each inhabit. We are also interested in marginalised and minority European languages, the languages of peoples who throughout most or all of their history had no state. We are seeking:
--articles of 1000 words exploring issues relating to translated literature. --Poems of up to 100 lines which creatively use language to reinvent the world --Flash fiction of 100-150 words
The review began as a poetry journal but aims to expand its scope and to act as a bridge between cultures.
Poems No more than 3-5 poems per submission, but we have no objection to further submissions, even if we do not accept your initial submission.
Prose Ideally, for online publications, we would like no more than the equivalent of 5, A4 size pages per piece. However, we are considering a future anthology of longer pieces. If you have any longer pieces of work you would like us to consider for this, please include these in your email.
Translations We welcome work from anywhere in the world. We would particularly like to see work from languages not usually translated into English. For written work, please submit the work in the original language and English.
Our experience has taught us that, due to the differences in language, the translation of your work may not be a 'like for like' translation. We would prefer to see poems that are interesting and well written English versions, rather than slavishly following the original.
Photography/Artwork Please send any photography/artwork via JPEG. If accepted, we will contact you to supply a high resolution digital format if necessary.
General Guidelines Email submissions only. Please include written work in the body of your email. Please also include a covering letter with a short biog. and, if you would like, a photograph - photographs are not compulsory.
Acceptance/notification We aim to let you know within one month of receipt or as soon as possible thereafter.
editorATkalynareviewDOTcom (Change AT to @ and DOT to . )
Call for Poetry: Woman Made Gallery Literary Series Theme: Law and Disorder Date: Sunday, February 7, 2015 / 1:00 – 3:00 p.m. Place: 685 N Milwaukee Ave, Chicago IL
In science or nature, laws are principles that govern natural phenomenon. They imply an order to things. Except for the uncertainty principle and the law of entropy, which suggest that disorder is natural or inevitable.
Human laws are created by those in power to govern, control, regulate, or impose order. Disorder arises when laws are broken or challenged.
And then there are those designated to enforce order. Where those who break the law are brought to “justice.”
But one needn’t look far to find instances in which the enforcers break the law, instances of injustice imposed by those in power.
We are looking for poetry that interrogates law and disorder wherever it can be found.
Please send 4 – 6 poems on the theme ALONG WITH a 50 to 75 word bio, IN THE BODY OF AN E-MAIL to:
poetryATwomanmadeDOTorg (Replace AT with @ and DOT with .)
by January 1, 2016 at 11:59 pm.. We will make every effort to inform those chosen of our decision within a week.
Although we can't afford to pay readers, this is a great opportunity to sell books and read with other talented people in a very special environment.
Selections will be made with an eye to assembling a program that represents a diversity of poets, styles, and approaches to the theme.
Selected poets MUST be available to read in person.
Read more about poetry events at Woman Made Gallery here.
Bone Bouquet seeks to publish the best new writing by female-identified poets, from artists both established and emerging. We are especially interested in work that breaks with tradition, creating new forms by dwelling in thought rather than seeking epiphany.
We accept submission of poetry, poetry reviews, and poetics statements--see each category for details. We only accept submissions via Submittable; emailed submissions will be deleted unread.
Simultaneous submissions are fine, as long as we are notified when work is accepted elsewhere. Please make a note of withdrawals using Submittable's "add a note to this submission" function. It is difficult to track emails about this matter; please do not email about withdrawals.
Bone Bouquet only accepts previously unpublished work; we request first electronic rights, and would like to archive your work on the site. Please note that your work first appeared in Bone Bouquet if it is reprinted elsewhere on the web or in print.
Submissions are OPEN for reviews, poetics statements and poetry! Through January 9, 2016, we are charging a $3 fee for poetry submissions. Other categories remain free. On January 10, 2016 no-fee poetry submissions will re-open.
Questions can be directed to:
bonebouquetATgmailDOTcom (Change AT to @ and DOT to . )
Stymie Magazine is re-launching in early 2016 and is currently seeking submissions of fiction and nonfiction related to the highly subjective theme of sports and games. Examples of writing that might fit into our literary niche include BALDUR’S GATE II by Matt Bell, ENTER YOUR INITIALS by Brian Oliu, “Birds in the House” by Kevin Wilson, many of the essays of David Foster Wallace, “The Swimmer” by John Cheever, the sort of work published by THE SOUTHERN REVIEW and HOBART in their semi-regular baseball issues, etc.
In short, we’re interested on great writing with a focus on sports and games as defined by you the writer.
To submit, please visit our submissions page here.
Fellowship Opportunity for Boston Area Emerging Writers
The Writers’ Room of Boston, Inc. (WROB) is a nonprofit organization that has been dedicated to supporting the creation of new literature for over 25 years by providing a secure, affordable work space and an engaged community to established and emerging writers in Boston.
Every year, The Writers’ Room of Boston awards fellowships to four emerging writers living in the Boston area who lack sufficient funds to secure a quiet place to develop their work. Fellowship recipients receive full membership to The Writers’ Room for 12 months (March through February) at no cost. Fellows receive a reduced rate for membership for another 12 months following the fellowship period. All fellows and members enjoy 24-hour access to a T-accessible light-filled work space in the Financial District of downtown Boston and the opportunity to be part of an encouraging community of serious writers.
Awards for the Emerging Writers Fellowship Program are based on the quality of a submitted writing sample, a project description, a CV or resume, and a statement of need. The Fellowships are open to writers working in any genre or form. Fellows must be committed to using the Room on a regular basis throughout the 12-month period, to writing a minimum of 6 blog posts for our website, and to assisting with WROB readings and events.
For more information about the WROB Emerging Writers Fellowship Program, or to learn how you can become a member, please visit our website.
Applications for Fellowships are due on January 15, 2016. Applications for regular membership are open all year. --
The Writers' Room of Boston 111 State Street, Fifth Floor Boston, MA 02109 617.523.0566
Sundress Publications is pleased to announce the continuing Wardrobe project. As a part of Sundress’s ongoing commitment to female and female-identified authors, Sundress Publications is accepting submissions for a new feature called The Wardrobe.
Each month, Sundress receives a large amount of submissions from female authors to become The Wardrobe author of the month. Sundress presents a list of all participating authors and presses, and once a week, their editors promote a single author, reprinting a selection of work from her published collection.
Thus, if you are the author of a book you would like to be part of The Wardrobe, please forward an electronic copy of the book (PDFs preferred), author bio, photo of the cover, and a link to the publisher’s website to:
wardrobeATsundresspublicationsDOTcom (Change AT to @ and DOT to . )
In addition, we request that one print copy be mailed to:
Sundress Academy for the Arts
ATTN: The Wardrobe
195 Tobby Hollow Lane
Knoxville, TN 37931
All submissions, regardless of whether they are selected for our “Best Dressed” feature, will be linked in a monthly roundup. Submissions to The Wardrobe will remain eligible for “Best Dressed” selection for one year. Hard copies will become a permanent part of the Sundress Academy for the Arts library and be made available for review by our editors and/or affiliate journals.
For the complete details and rules, please see the Sundress website.
If you have any questions or concerns, you can contact Sundress at:
wardrobeATsundresspublicationsDOTcom (Change AT to @ and DOT to . )
Call for Submissions: Curious Specimens January 1st – April 1st
Sundress Publications is seeking submissions for Curious Specimens, a Wunderkammer-themed e-anthology.
We want your Wonder Room’s creepiest inhabitants—think the Mütter Museum, reanimated Fiji Mermaids, and all creatures caught between life and death.
While we’d love to see your poetry and flash fiction, we also welcome ephemera. Send us excerpts from taxidermy pamphlets, specimen lists, and medical notes.
May your most unsettling work find a home with us: bottled, hand-labeled, and doused in formaldehyde.
Please submit no more than 3-5 poems or 2 flash fiction pieces as an attachment to
anthologyATsundresspublicationsDOTcom (Change AT to @ and DOT to . )
with the subject line Curious Specimens_LAST NAME. Include a brief cover letter and bio.
Work must be previously unpublished. Simultaneous submissions are welcome, but please let know immediately if your work is accepted elsewhere. Expect to be notified by late summer if one of your pieces has been chosen for inclusion.