Saturday, May 27, 2023

Call for Submissions: Samjoko Magazine

 Samjoko purchases first worldwide English-language serial and electronic rights from the date the contract is signed and paid for up until 6 months after publication date.

After initial publication date, Samjoko Magazine will maintain non-exclusive rights to publication. Paid submissions must not use the intellectual property of any other author or company.

Just To Clarify: your work will not appear, and will not have appeared, in any other available format (blogs and public forums included) until 3 months after the release date of the story in Samjoko Magazine. After 3 months, we’ll retain ongoing non-exclusive distribution rights, but you can self-publish your work or sell your story to another paying market.

Each piece we acquire will be published on samjokomagazine.com in an electronic seasonal issue. We may also excerpt pieces for promotional purposes. The author retains all other rights.

We pay up to 6 months after publication through PayPal only. Payment projected to happen sooner. Current payment is $20 per accepted submission, though we hope to increase this with greater support from readers.

Cover letter should have contact information, PayPal email, and author’s bio less than 100 words.

Email subject should read: [SUBMISSION: Title of Story (genre & word count) by Author’s Name]

Example - SUBMISSION: The Grey Wolf (FICTION - 3200) by Lauren Hill

See below for detailed submission guidelines. Submissions that do not follow the guidelines will be deleted unread.

Notification of receipt and rejections will be form letters to save time.

There will be no personal responses except in the case of general queries and acceptances.

Submission Guidelines

Cover Letter must be added in the email of each submission. Keep it brief, but let us know that you’re human. List only your must recent publications.

Submissions that do not follow guidelines will be deleted unread. 

Samjoko is non-genre genre specific. Please read our magazine to see what we publish.  

Writing Competition: 128 Lit International Chapbook Contest

Submissions are OPEN from May 15th through July 31st.

A winner and finalists will be announced in November 2023.

Award: $1,200, plus publication in print.

There will be a panel of judges that includes Mona Kareem, Saddiq Dzukogi, and Jacques Fux.

The 128 LIT International Chapbook Contest (between 20 & 40 pages) is for both poetry and prose. If individual pieces have been published elsewhere, that's ok but the manuscript may not have been published as a whole before.

Prose will include fiction, essayistic pieces, and hybrid/cross-genre works. It's fine if there is a combination of artwork/images and text as long as you're aware that chapbooks will all be printed in black and white.

Translated manuscripts must be accompanied by the piece(s) in the original language(s). If translators are submitting, they also must have sufficient permissions from the author & publisher to translate and to have the entire manuscript published by 128 LIT.

We ask that all text, where possible, is in Times New Roman size 12 font. Prose pieces should also be double-spaced.

There will be a $18 reading fee that helps contribute to covering some administrative costs of running the platform.

Submit your entry here.

Call for Submissions: Women Speak

CALL FOR WRITTEN WORK

"Women Speak"

15th Anniversary Volume

The Women of Appalachia Project will celebrate its 15th Anniversary beginning March 2024. Submit your work for inclusion in the15th Anniversary Women Speak Anthology.

PUBLISHED BY SHEILA-NA-GIG EDITIONS 

SUBMISSION DEADLINE: JUNE 29 & 30

 ELIGIBILITY:

• Women residing in or having strong ties to any of the 420 Appalachian counties are eligible to submit. Also women whose ancestors identified as Appalachian.

• Entrants must be at least 16 years or older.

• Media accepted include poetry OR short story, essay, memoir (max. 2500 words) OR song. ORIGINAL WORK ONLY.

• Musicians must email audio MP3 format files of each piece submitted to: womenofappalachia@gmail.com.

• Previously unpublished work is preferred or please note first publication.

• Work previously read/performed in this exhibition may not be re-submitted.

Writers may enter a maximum of three (3) poems OR (3) songs OR one (1) short story OR 1) essay or memoir, MAX 2500 WORDS.

Both fiction and non-fiction will be considered. Do not mix genres.

​ SUBMISSIONS:

A WORD document only

Use Times font, 12 pt., single spaced:
At the top of the page-

1. type your name

2. your address


3. next, the title of your piece 


4. next, flow the body of your work/pieces

Provide a 50-word, third person bio in the box provided. A cover letter is not required.

ACCEPTANCE:

Writers/poets/musicians who are accepted will be notified by email by September 15, 2023.

EVENT DATES: (performances)

March 16, 2024 Clarksburg-Harrison Library, Clarksburg, WV

March 21, 2024: Poetry in the Boro, Murfreesboro, TN

April 6, 2024: Berea College, KY, sponsored by the Loyal Jones Appalachian Center

April 13, 2024: Fairmont State University, Fairmont WV

May 17, 2024: Dairy Barn Art Center, Athens OH

June (TBD) ETSU, Johnson City, TN

For those who find travel difficult, a virtual reading in February 2024, sponsored by WOAP and Sheila-Na-Gig Editions.

(NOTE: Additional reading venues will very likely be added to this list)

AGREEMENT:
Submission of your application and document(s) shall constitute your agreement to comply with all conditions set forth in this prospectus.

We believe that all women are capable, courageous, creative and inspired.

Submit your work here.

Call for Submissions: Catamaran Literary Reader

Catamaran accepts fiction, poetry, creative nonfiction, and visual art. Themes we are especially interested in are science and nature writing, creativity and the artistic process, personal journey and travel, and innovation. Any setting is fine, but the West Coast is of particular interest.

By submitting your work to Catamaran, you grant us first North American serial rights, and the nonexclusive right to archive your work online for an indefinite period of time. We may also choose to nominate published work for awards for recognition in the Best American anthologies, the Pushcart Prize, and others. The author retains all other rights.

Catamaran is distributed to bookstores and subscribers quarterly. Catamaran seeks to provide a channel for you to share your creative work with the general public. We offer two complimentary contributor copies upon publication. We would like to consider your submission for two consecutive quarterly issues of Catamaran after you have sent us your work, so please allow up to six months for a decision.

The Catamaran Poetry Prize for West Coast Poets is open for submissions from November to April, and is for book length collections of poetry. Full guidelines are outlined in the submission. Submission to the poetry prize comes with a one year subscription to Catamaran.

Note: We do charge a small submission fee equal to the cost of mailing a flat rate USPS envelope as we don't accept submissions by mail, only online. The fee covers our costs associated with maintaining the online submission site and supports our work.

But if the online submission fee will pose a significant economic burden, writers may seek a waiver of the fee (for the poetry prize, the fee is equal to the cost of a one year subscription to the magazine you receive, and cannot be waived). To seek a waiver, please email us at 

editor@catamaranliteraryreader.com 

with your request and reasons for seeking a waiver.

Submit your work here.

Call for Submissions: A Thin Slice of Anxiety

A Thin Slice of Anxiety is always interested in reading submissions from both seasoned and emerging writers.

We are especially interested in the following genres:

Poetry.
Fiction.
Flash Fiction.
Creative Non-Fiction.
Responses to current events in politics and culture.
Philosophical essays and social commentary.
Art and literary criticism.
Book reviews.
Interviews with writers, artists, scholars, activists, and community leaders.

We are also now accepting photography and art pieces:

There is no cap on photography/art submissions.
Photography/art submissions are always open on a rolling basis.
The grittier and more creative, the better.
Title your collection.

Please follow the guidelines listed below. Submissions that do not follow these guidelines will not be considered for publication.

For all submissions, please email:

athinsliceofanxietysubmissions@gmail.com 

and include the following in the email body:

- Name (as you would like printed)
- Email address
- Title(s) (brief descriptions welcome)
- 3rd person bio (please limit to 100 words)
- Author website (as applicable)
- Author Facebook, Twitter, and Instagram links (as applicable)
- Author Photo (recommended, 600 x 600 pixels preferred)

Content should be emailed as an attachment (.doc, .docx, .txt, pdf, .rtf, or pasted in the body of your email, 12 point Times New Roman preferred, double spaced preferred. For photography/art we prefer high-resolution JPEG or PNG files). All personal information as requested above should be in the email body or as a separate attachment.

Please indicate the type of submission and author first and last name in the email title (i.e. Fiction – John Doe)

We also accept simultaneous submissions, but we ask that you please let us know immediately if your work is accepted elsewhere. We prefer previously unpublished material, but may accept previously published material as long as the author owns the copyright and provides appropriate attribution.

Please allow up to 90 days for a response. If you do not hear back from us after this time, please feel free to place your work elsewhere. We will try our best to respond to all submissions.

At this time we are unable to provide monetary compensation for accepted submissions. (We hope to change this in the future). All funds currently go towards the administrative costs of running the site. We will, however, actively promote you on social media.

Thank you for your interest in A Thin Slice of Anxiety

Call for Submissions: Milk Candy Review

Please send us your beautifully weird, lyrical flash fiction pieces of up to 750 words.

Sorry, we don’t accept previously published pieces or poetry. We are happy about all the alliteration in that last sentence, though.

***

Submissions may be sent to:

milkcandyreview@gmail.com

Please attach submissions as a Word doc. or docx. file or paste into the body of the e-mail. Please do not send PDF files or Google docs. Feel free to include a short bio in the body of your e-mail. Submit only one story at a time. 

***

You should receive a response within a week. If you do not, please query.

If your story is accepted, please do not ask us to wait until you hear back from another journal. If you ask us to do that, we will rescind your acceptance.

If we have declined your submission, please wait three months before resubmitting.

Do not resubmit a previously declined piece unless we request you do so.

***

We ask for first-time publication rights. All other rights belong to the contributor.

Please visit our website for more information.

Call for Poetry Submissions on Theme of "From the Spiritual to the Sacred": Poetica Magazine

Our editors seek works that courageously acknowledge, challenge, and celebrate modern life, while embracing spirituality and exploring the divine, regardless of cultural or religious background. We look for accessible poems that infuse fresh perspectives into age-old traditions and address the pressing issues of our time through a lens of faith. Our evaluation is based on the writer's mastery of language, capacity to captivate readers, and depth of meaning.

Poetica Magazine is a globally inclusive literary publication that is freely accessible to all. We take pride in publishing original works by writers from diverse backgrounds, who delve into the complexities of the human experience and our relationship with the divine.

Poetica Magazine is committed to publishing literary works of exceptional merit from both established and emerging writers. As part of our mission to expand our platform and offer more opportunities for writers to showcase their work, we invite you to support us by donating in honor or memory of a loved one. When donating, please include your contact information so that we can properly acknowledge your contribution.

  • We consider an unlimited number of submissions by a single writer.
  • Please submit one poem, wait for our reply, and present new works.
  • Do not include any identification in submitted documents, as these readings will be blind.
  • We are only interested in poetry; the editors will not consider all others.
  • Use Times New Roman #11 - single space (we do not reject for incorrect format).
  • We cannot accept corrections after submission, withdraw and resubmit the correct version.
  • We do not consider translations and previously published works in print and e-editions.
  • We often reply within a day and up to two months and carefully consider each submission.

The selecting editors will acknowledge each submission.

Important note about poetry format:

As an online magazine, the majority of our readers read from devices
and we have found that unusual spacing doesn't translate from desktop to device.

Submissions Considered: March 1st - August 31 

Submission Fee: $3.00 per submission 

Paid via SUBMITTABLE

Call for Submissions on Theme of "Parents": Ilanot Review


 Submission period: June 1, 2023-July 31, 2023

  • Only one submission per reading period, please! Multiple submissions (including submissions to multiple genres) will be automatically disqualified.
  • Submission fees: Submissions are free until June 14 or until Submittable’s submission caps are reached, whichever comes first.
  • After that, we charge a submission fee of $3.
  • Translations are free throughout the submission period.
  • The Ilanot Review is a volunteer operation. All funds go towards web hosting fees and Submittable service fees.
  • We will consider simultaneous submissions but ask that you retract your work immediately if it is accepted for publication elsewhere.
  • If your work appears in our current or previous issue, we kindly ask that you refrain from submitting to our upcoming issue.
  • Please include a short bio (50-100 words) with your submission.
  • We welcome unpublished translations of original work, provided the translator has obtained permission from the author. Please include a copy of the original work with your submission.
  • We welcome work that challenges conventions of form, style, and content.

Categories: Poetry: Up to 5 poems, not to exceed 7 pages. Please submit all work + bio in a single Word file, with each poem beginning on a separate page. Please include your name and contact information on each page.

Fiction: One story of up to 1500 words, or up to 3 flash pieces, no longer than 1500 words total.
Creative Nonfiction: One essay of up to 3000 words, or up to 3 flash pieces, no longer than 1500 words total.

Comics, Photo Essays, Visual Narratives: Please submit a single document or up to 6 image files (all files must be included in a single submission).

Art and Photography: Artwork submitted to this category will be considered for inclusion within the journal’s pages and as cover art.

Translations: We welcome unpublished translations into English from any language, provided the translator has obtained permission from the author. See above for word limits for each genre. Please include a copy of the original work with your submission.

Submit your work here.

Saturday, May 20, 2023

Call for Submissions on Theme of "Fracture": The Saltbush Review

For our fourth issue we are seeking submissions of poetry, fiction, and creative non-fiction of up to 3,000 words on the theme of ‘Fracture.’ Shorter works are also welcome, as are works that challenge genre boundaries.

Submissions are limited to one piece per writer. Creative interpretations of the theme are welcome. For a sense of what we publish, have a look at our previous issues here: https://saltbushreview.com/ 

Submissions are open to all, but we particularly welcome work from South Australian and regional writers, emerging writers, First Nations and POC writers, the LGBTQI+ community, and writers with a disability.

Please send in submissions in a Word document using Times New Roman size 12 font and 1.5 line spacing by the 16th of June 2023. Please also include a 50 word biographical statement. If you have a connection to South Australia, please specify this in your bio. Simultaneous submissions are allowed, but please notify us immediately if your work is accepted elsewhere. Submissions are currently open via Submittable.

The Saltbush Review is proud to announce that we have received funding from Arts SA and that we are able to pay authors for publication of their work in our next issue. We pay AUD$150 per piece of fiction and non-fiction and AUD$100 per poem or piece of flash fiction.

We look forward to reading your writing!

Submit your work here.

Call for Submissions on Theme of "Enchantment": Conjunctions

We will accept submissions for our fall 2023 print issue, Conjunctions:81, Numina: The Enchantment Issue, via Submittable from Thursday, May 25 – Monday, June 5, 2023. All submissions will also be considered for our weekly online magazine.

Note: If you miss the Submittable window, we are also open for submissions by postal mail year-round. Please see below for instructions.

ONLINE MAGAZINE

Submissions are open year-round by postal mail for our biannual print issues and weekly online magazine, which is not subject to thematic restrictions. Please see below for instructions.

HOW TO SUBMIT

Submissions are open year-round by postal mail. To submit via mail, please send your manuscript to our editorial office (address below) with a brief cover letter including your name, address, and email. In order to receive a response, you must include a self-addressed envelope stamped with sufficient postage for our reply and for return of your manuscript (if requested). Do not send submissions by any delivery method that requires a signature.

Address mail submissions to: 

Bradford Morrow, Editor
Conjunctions
21 E 10th Street, 
#3ENew York, NY 10003
 
While we can’t predict exactly when an issue will close to new work, we typically read into August for our fall issues and into February for our spring issues.
 
Submissions will also be accepted electronically via Submittable twice a year, during our fall and winter reading periods. Please check back here or follow us on Facebook and Twitter or subscribe to our newsletter for the earliest information about our reading periods for each issue.
 
If you'd like to submit to Conjunctions outside of our fall and spring Submittable periods, please submit via postal mail.

WHAT TO SUBMIT

Conjunctions publishes short- and long-form fiction, poetry, creative nonfiction, and hybrid texts. We do not publish academic essays or book reviews.

All submissions must be in English and previously unpublished. We will consider works in translation for which the translator has secured the rights.

Although we have no official restrictions regarding word count, most of the manuscripts we select for publication are under eight thousand words long. For poetry submissions, we suggest sending half a dozen poems, depending on length.

We strongly suggest that writers new to Conjunctions read our recent issues to acquaint themselves with our publications. Subscriptions are available here.

Call for Submissions: The Bluebird Word

Thank you for your interest in publishing work with The Bluebird Word. We launched in February 2022 as an online journal that publishes poems, flash essays and flash fiction. We welcome submissions year-round. We publish monthly compilations of new writing which are featured throughout the month. New work is posted frequently, averaging three to four times a week.

We use Submittable for submissions and are charging a nominal fee to cover those administrative costs. Please check Submittable for open calls.

What we are looking for

We are especially interested in supporting and showcasing work from new and emerging writers (emerging defined as writers with fewer than five publications across all genres). That said, we seek submissions from writers across all cultural backgrounds and experience levels. Anyone is free to submit to us! Poetry – up to three (3) poems per submission

Flash nonfiction – up to 1,000 words
Flash fiction – up to 1,000 words
What we accept

Almost any topic is game. We seek writing that tells a unique story and lets the reader reflect and linger.

At this time, submissions must be in English. All submissions must be new writing.

What we do not accept

All voices are welcome. And while we read almost any topic, The Bluebird Word will not tolerate writing which fosters or promotes discrimination, hatred or violence.

We do not accept previously published work (i.e. from other online or print publications, personal blogs, websites or social media).

How to submit

To submit to The Bluebird Word, please use Submittable. Please submit to only one category at a time. In Submittable, attach your submission (.doc or .docx) within the form. We highly recommend .doc or .docx to ensure proper formatting.

Please include a short (50 words max) third-person bio along with your work.

Simultaneous submissions are fine, but please let us know if your work is accepted elsewhere as soon as possible.

Once you hear back from us on your submission, please wait 45 days before submitting new writing.

More information and submission portal here.

Call for Poetry Submissions: Pedestal Magazine

For Pedestal 92 (new content added in June 2023), editors will be accepting submissions of poetry. No restrictions on theme, style, length, or genre. Please submit up to 5 poems and include all work in a single file.

Open for submissions: May 8 – June 4.

Payment: $50 per accepted poem.

Pedestal Magazine publishes reviews of full-length poetry collections (we are no longer able to review chapbooks). Most of our reviews are selected and handled in-house by staff reviewers; however, if you are interested in submitting a title for possible review, or would like to review a specific title, please query at:

pedmagazine@carolina.rr.com

Submission portal here.

Call for Submissions: Radon

Radon welcomes short story and poetry submissions containing elements of anarchism, transhumanism, dystopia, or science fiction.

We publish every January, May, and September.

Submissions accepted year-round.

Simultaneous subs are welcome.

Reprints taken if writer has rights.

We accept flash fiction and short story submissions up to 3,000 words. Radon pays a semi-professional rate of 1¢ per word for original work and .5¢ for reprints.

For quicker processing, please use a submission style similar to the modern manuscript format. We ask that you utilize single-spacing. You are not required to place your address or any identifying information on your cover letter.

Poetry

Please submit up to five poems in a single Word document. There is no line limit. Radon pays a semi-professional rate of $10 per original poem and $5 for reprints.

We request single-spaced formatting using a standard 12pt font such as Times New Roman, Calibri, or Lato.

The poetry editor prefers free verse poems with narrative elements. Page and spoken word poems are equally welcome.

Are you an artist?

Radon is looking for evocative art to showcase on our website and in our published volumes. We pay $50 for issue cover art, $30 for back cover art, and $20 for art used on our site.

Please use our Submittable system to submit your art, accessible via the Submit button on this page. Due to ethical concerns, we do not accept AI-generated artwork at this time.

As an online publisher, we request digital artwork that is at least 300 DPI. Cover art submissions should fit in a 5.5 x 8.5 aspect ratio.

We kindly request a third person bio that is 100-words or shorter in your Submittable cover letter.

Author rights:

For original work, Radon asks for first English digital rights and non-exclusive, indefinite archival rights.

Authors published in Radon cannot be accepted into the issue immediately following, but may submit after this period.

Submit your work here.

Call for Submissions: Jokes Literary Review

Jokes Review is a literary journal based in Northern California. We seek to promote writers and artists whose work just took a wrong turn and went ever-so-gracefully off the deep end. Jokes Review is released biannually online and and occasionally in print. We also regularly publish essays on our online Journal and we publish a nonfiction book series, Fair-Minded Fraud and Forgery.

Things we like: outsider art, urban legends, rants, rogue journalism, humor, manifestos, subversive imaginations, bizarro fiction, low brow/high brow mixtures, street art, dangerous ideas, jokes.

Writers we like: Richard Brautigan, Ottessa Moshfegh, George Saunders, Donald Barthelme, Zadie Smith, Rabelais, Ishmael Reed, Alfred Jarry, Louis-Ferdinand Celine, Laurence Sterne, Christopher Hitchens, Opal Whiteley, James Joyce, Hunter S. Thompson, Robert Anton Wilson, John Waters, Joan Didion, Robert Coover, William Burroughs, JP Donleavy, Terry Southern.

SUBMIT to jokes review

Send submissions to: 

jokesliterary@gmail.com (in the body of an email or as an attachment).

Your submission should include contact info and a short third-person bio.

Simultaneous submission are welcome, but let us know if the work is picked up elsewhere.

Submit to our blog, jokes journal

Follow the instructions above for submitting to Jokes Review.

We’d love to see submissions of art collections, book reviews, or any sort of literary curiosity. Basically, send us anything, really. We’ll check it out.

Writing Competition for Canadian Writers: Nora Heaslip "Best Canadian Short Fiction" Competition

Screenshot of Exile Editions' flyer for the NewPages May 2023 eLitPak Newsletter

The inaugural Nona Heaslip $15,000 “Best Canadian Short Fiction” Competition and Award in memory of Morley Callaghan.

On Monday, November 14, 2022, we opened the all-new “Best Canadian Short Fiction” competition.

Closes Friday, June 30, 2023.

All genres and styles considered.

• A story’s length is not to exceed 6,000 words.

• There is no restriction on the number of submissions, subject matter, or style.

Each story submitted requires a $35.00 fee.

• Each story submitted will receive a one year/4-issue subscription to our Exile Quarterly ($35.00 value).

• The winner and four additional finalists will appear in issues of EXILE Quarterly in 2024.

• You can enter electronically via Submittable.

• Or via a Mail-in submission form here.

Writing Competition: Apple in the Dark

screenshot of Apple in the Dark's eLitPak flyer for their inaugural Flash Fiction Contest

Closes on Wednesday, May 31, 2023 11:59 PM PDT

Documents must not have identifying information. Word limit: 1,500. Multiple entries are welcome, though you'll need to submit a new entry and pay the fee for each piece. Submission window: March 1 to May 31, 2023.

Apple in the Dark is reading for its first-ever flash fiction contest. Pieces must be no longer than 1,500 words. Submission window: March 1 to May 31. 

$6 entry fee. 

$150 first-place prize. Winner and some finalists will be published in 2023.

Submit your entries here.

Sunday, May 14, 2023

Call for Submissions: Epiphany: A Literary Journal

Submissions are currently OPEN for our Fall/Winter 2023 print issue in the categories of fiction, poetry, nonfiction, and art. We will stop taking submissions on June 30th at 12AM EST. All submissions will receive a free digital subscription with the code included in our initial response letter.

Submissions are also currently OPEN for work to be published exclusively online at Epiphany. 

We hope that when you read Epiphany, you'll get a sense of the great variety of stories, poems, essays, and genre-bending work that we like, and the recurring themes to which we keep returning. We hope that you'll enjoy and connect with the work of your fellow writers, and that you'll feel you're a valued part of our community, rather than just another lonely writer sending your beloved work out into some unsympathetic void.  We hope you'll see what makes us different. We hope you'll feel you have a stake in our endeavor.

Submission Fee: $5.00 

Payments:

Fiction: $175 and two copies of journal

Poetry: $75.00 and two copies of journal

Nonfiction: $175 and two copies of journal

Art: $200 inside magazine; $300 for cover

Flash: $25.00

All contributors receive free digital subscription.

More information and submission portal here.

Call for Submissions: Reader Beware

Submissions for our 3rd issue are open from April 15th to May 31st, 2023!

 At Reader Beware, we want to see pulp horror of all kinds – think Friday the Thirteenth, Psycho Goreman, and Glorious. Think Junji Ito, Grady Hendrix, and Eric LaRocca. We want your creepy gorefests! Don't be afraid to get explicit with it, just don't send us anything too mean-spirited. Gore is great, peril and torment are great–continuing the horror tradition of fetishistically brutalizing women is not.

Stories

We accept short stories of up to 5000 words at a rate of one cent per word.

Poetry

We accept up to three pages of poetry per author at a rate of five cents per line.

 Comics

We accept up to ten pages of comics at a rate of five dollars per page.

Send Us Your Work

Send us your story/poem/comic as a file attachment (.docx for stories and poems, png/pdf for comics) to:

readerbewaremag@gmail.com 

In the body of the email, write the name you wish to be credited as and any content warnings you deem necessary.

Call for Submissions: Forms Anthology

Forms Anthology: Call for Submissions

Beth Gylys and Dustin Brookshire are delighted to announce a call for submissions for their forthcoming co-edited forms anthology to be published by Harbor Anthologies in October 2024.

What we are looking for:

Forms. We want your villanelles, sestinas, duplexes, ghazals, pantoums, erasures (black out poems), centos, sonnets, rondels, golden shovels, odes, and prose poems. Impress us with your strictest use of the form, but also dazzle us with broken form. One of our goals is to provide a wide variety of examples of each form, from those that adhere strictly to the parameters to those that turn the form on its nose.
 
Do’s to consider: Our motto is that a form and its subject should marry in such a way that they feel meant to be. Whether rigidly adherent to a traditional form or taking a form off the rails in some way, convince us that the poem you’ve written is inextricably linked to how you’ve written it.
 
Previously published poems will be considered; please provide information on where the poem first appeared and be certain that you retain rights to your work.
 
Submission Guidelines:

All submissions must be sent via email to:
 
 
In the subject line, please include your first and last name followed by each form that is included in your submission. (Please list the forms in the order that they appear in your submission.)
 
An individual poet may only submit one submission of no more than 8 poems in one Microsoft Word document. (PDFs will also be accepted; however, please note submissions in Microsoft Word are preferred.)
 
Do not submit poems pasted in the body of an email.
 
An individual poet’s submission can be a blend of forms or all one form.
 
A submission packet should not exceed 20 pages.
 
Poems should be single spaced and in Times New Roman font.
 
The Microsoft Word document should be named as the poet’s first and last name. Each page of the submission should include the poet’s name.
 
Please include a brief 50 word max bio in the body of your email.
 
All submissions must be received by 11:59pm (EST) on July 15, 2023
 
Payment:

Contributors will receive one copy of the anthology as payment for the acceptance of their work. 
 
About the editors:

Beth Gylys (she/her) is an award-winning poet and Distinguished Professor at Georgia State University. Her fifth book of poems (a collaboration with the poets Cathy Carlisi and Jennifer Wheelock), The Conversation Turns to Wide-Mouth Jars, was published in August 2022 and recently named a Book All Georgians Should Read in 2023. Her fourth collection, Body Braille, also received that honor in 2021. Her third collection Sky Blue Enough to Drink was chosen as finalist for the Georgia Author of the Year. She has also published two chapbooks, Balloon Heart (winner of the Sam Quentin chapbook prize) and Matchbook and has another chapbook (After My Father) forthcoming. Awarded a MacDowell Fellowship and residencies in Spain and France, she has published poems in many journals and anthologies including the Kenyon Review, Boston Review, the New Republic, Ploughshares, the Southern Review and the Best American Poetry blog. A cat lover (who resides in Atlanta with her 18-pound rescue kitty, Mr. Argus Possum-puss--Argus) and a runner who hasn’t met a pizza she didn’t like, her husband Tom, who teaches Hinduism and Buddhism at Mercyhurst University, lives in Pennsylvania with their recently adopted 11- year-old Labrador retriever and their 14-year-old cranky Siamese cat.

Dustin Brookshire (he/him) is the author of the chapbooks Never Picked First For Playtime (Harbor Editions, 2023), Love Most Of You Too (Harbor Editions, 2021) and To The One Who Raped Me (Sibling Rivalry Press, 2012). He is the co-editor of Let Me Say This: A Dolly Parton Poetry Anthology (Madville Publishing, 2023). His work has earned him both a Pushcart and Best of the Net nomination and has been published in numerous publications and anthologized in Divining Divas: 100 Gay Men on their Muses (Lethe Press, 2012) and The Queer South: LGBTQ Writes on the American South (Sibling Rivalry Press, 2014). Dustin is the curator of the Wild & Precious Life Series, founder/editor of Limp Wrist, founding chapter president of the South Florida Poets (a chapter of the Florida State Poetry Association), program director for Reading Queer, and a founding member of FLAWN (Florida Local Artist & Writers Network). Find him online at dustinbrookshire.com.

Call for Submissions: Apex Magazine

Our magazine is an SFWA-certified professional market. Co-editor-in-chief: Jason Sizemore

Co-editor-in-chief: Lesley Conner
Special Fiction Editor & Reprints: Maurice Broaddus
Nonfiction Editor: ZZ Claybourne
Flash Fiction Editor: Rebecca E. Treasure

ORIGINAL SHORT FICTION GUIDELINES

1) Submit your work in Shunn Standard Manuscript Format (Modern or Classic). Your manuscript should be in DOC, DOCX, RTF, or ODT file format. Inclusion of mailing address and phone number is not required.

2) Maximum word length is a firm 7,500 words. Anything more will be auto-rejected.

3) Payment for original fiction is $.08 per word up to 7,500 words. Minimum of $50.

4) If we podcast your story, additional payment is $.01 per word up to 7,500 words.

5) If the work you are submitting is an English translation, please include the translator name and email address either in your cover letter or within your manuscript. By submitting, you are verifying in good faith that you have the right to have your translated work published in Apex Magazine.

6) Apex Magazine welcomes and encourages submissions from writers of all races, color, religion (creed), gender, gender expression, age, national origin (ancestry), disability, marital status, sexual orientation, and military status.

We want diverse voices. We value diverse voices. Saying that, please be aware that we do not collect any information that might clue our editors to any of these attributes other than your name, email, and cover letter before any decisions are made regarding your submission.

7) Ready to submit your work? Head over to our Moksha account and upload your story!

https://apexbookcompany.moksha.io/

Stories submitted by email or sent via the postal service will be disposed of unread.

ORIGINAL FLASH FICTION GUIDELINES (Writing Competitions)

1) Submit your work in Shunn Standard Manuscript Format (Modern or Classic). Your manuscript should be in DOC, DOCX, RTF, or ODT file format. Inclusion of mailing address and phone number is not required.

2) We continue to keep our focus on literary genre fiction: horror, science fiction, and fantasy. We do not accept multiple submissions or simultaneous submissions. Winner will be published as an exclusive on our Patreon before appearing in Apex Magazine. Winners will be asked to wait an issue cycle before submitting again (Eg. October/November winners will be asked to wait until February/March to submit).

3) Maximum word length is a firm 1,000 words. Anything more will be auto-rejected. While there is no minimum word count, please be aware we are looking for complete stories, not vignettes.

4) Payment for original fiction is $0.08 per word up to 1,000 words. Minimum of $10.

5) If the work you are submitting is an English translation, please include the translator name and email address either in your cover letter or your manuscript. By submitting, you are verifying in good faith that you have the right to have your translated work published in Apex Magazine.

6) Apex Magazine welcomes and encourages submissions from writers of all races, color, religion (creed), gender, gender expression, age, national origin (ancestry), disability, marital status, sexual orientation, and military status. We want diverse voices. We value diverse voices. Saying that, please be aware that we do not collect any information that might clue our editors to any of these attributes other than your name, email, and cover letter before any decisions are made regarding your submission.

7) We do not accept reprints. Our policy on work published to Patreon is that the story will be treated as a reprint.

8) Stories rejected from our flash fiction contest are ineligible for submission to Apex Magazine. However, you can submit different stories to the magazine and the flash contest simultaneously.

9) Apex Magazine‘s Flash Fiction Contest is themed. If your story does not meet our monthly theme, it will be rejected.

10) Ready to submit your work? Head over to our Moksha account and upload your story!

https://apexbookcompany.moksha.io/ 

REPRINTS

We do not accept unsolicited reprints.

Writing Competition: The Orison Chapbook Prize

Each year from April 1 – July 1 we accept submissions of chapbook manuscripts (20 – 45 pp.) in any genre (poetry, fiction, nonfiction, drama, or hybrid) for The Orison Chapbook Prize, judged by Orison Books founder and editor, Luke Hankins.

The winner will be awarded publication, a $300 cash prize, and 20 copies of the chapbook, in addition to a standard royalties contract.

Deadline: July 1, 2023

Entry Fee: $15.00

Current or former students of the judge, or anyone with a close personal relationship with the judge, are not eligible to submit. In the event that the judge does not select a winner, all entry fees will be refunded to the entrants. All finalist manuscripts will be considered for publication under a standard royalties contract.

About the Judge:

Luke Hankins is the founder and editor of Orison Books. He is the author of two full-length poetry collections, Radiant Obstacles and Weak Devotions; a poetry chapbook, Testament; an essay collection, The Work of Creation; and a volume of translations from the French of Stella Vinitchi Radulescu, A Cry in the Snow & Other Poems. Hankins is a graduate of the Indiana University MFA program, where he held the Yusef Komunyakaa Fellowship in Poetry. His poems, essays, and translations have appeared in numerous publications, including 32 Poems, American Literary Review, The Collagist, Image, Linebreak, New England Review, New Poetry in Translation, Pleiades, Poetry International, Verse, West Branch, World Literature Today, and The Writer’s Chronicle, as well as on the American Public Media radio program “On Being.”

Orison Books seeks to publish spiritually-engaged poetry, fiction, and nonfiction of exceptional literary merit. In our view, spiritual writing has little to do with subject matter. Rather, the kind of work we seek to publish has a transcendent aesthetic effect on the reader, and reading it can itself be a spiritual experience. Such work is not merely about spiritual contemplation, but itself leads the reader into profound contemplation. It is not merely about the sublime, but itself has a sublime effect on the reader. It is not merely about the mystery of being, but itself heightens the reader’s sense of the mystery underlying the fabric of our daily lives.

The poet Gjertrude Schnackenberg, in an interview with Jonathan Galassi, articulated a perspective on literature that resonates with our mission, and her words are worth sharing: “When I said that poetry tries and wants to make contact with reality, that is, with uttermost-being (truth, God, whatness, somethingness-nothingness, chaos-order)—to the Veda seers, the vibrating void; to the eighth-century Chinese poets, that-which-is-self-engendering; to mathematicians, a veil of numbers; to the Jewish mystics, the En-Sof; to Christian mystics, the indwelling of God and emanation of Christ in all things; to the animal kingdoms on earth, the starry night; to contemporary physicists, the excitation of superstrings; to cosmologists, the residue of an explosion of something to whose pre-explosion existence there is perhaps, as my friend Elaine Scarry once said to me, ‘no door’—I am referring very specifically and particularly to the material we are made from, this animated-in-us matter which we, in turn, express such a passionate drive to know (and which, in turn, has evolved a way to be known, through us, and is the source and object of our wonder and compulsion).”

Orison Books seeks to be broad, inclusive, and open to perspectives spanning the spectrums of spiritual and religious thought, ethnicity, gender identity, and sexual orientation.

Orison Books titles have been reviewed or featured in The New York Times Book Review, Publishers Weekly, Poets & Writers, Foreword Reviews, Booklist, The Jewish Review of Books, The Chicago Tribune, The Millions, The Rumpus, The Washington Independent Review of Books, Poetry Daily, Pleiades, River Teeth, Beloit Poetry Journal, and many other places. Poems from our books have twice been featured in The New York Times Magazine, and our books have won the Chicago Review of Books' CHIRBy Award, the Foreword INDIES Book of the Year Award, and the Texas Institute of Letters’ Bob Bush Memorial Award, and also have been named finalists for The Kate Tufts Discovery Award, The National Jewish Book Award, The Balcones Fiction Prize, The New Mexico Book Award, and The Paterson Poetry Prize.

We do not consider self-help, how-to, or “inspirational” manuscripts.

Self-published manuscripts are considered previously published and are not eligible for submission in any category. 

Orison Books is committed to running ethical and transparent contests. Current or former students of a judge, or anyone with a close personal relationship with that judge, are not eligible to submit in the category in question. Judges also never see author names until after they have made their selections. Orison Books also undertakes never to extend contest deadlines, except in the case of technical problems or other events that would prevent submitters from entering the contest by the original deadline.

​We release all titles in print, and fiction and select nonfiction titles in both print and e-book formats. When possible, we offer a small advance on royalties for all books accepted for publication through our open submission periods, and a cash prize as well as a standard royalties contract for manuscripts selected as contest winners.

Enter here.

Call for Submissions: borrowed solace

Deadline: June 30, 2023

borrowed solace is open to submissions for several months at a time, twice a year. We post on our website when we are open for submissions, so please check back for updates. Please do not submit any fiction, nonfiction, poetry, or art when we are closed for submissions. . Any submissions received when we are closed will not be considered for publication and you will need to resubmit when submissions reopen.

We publish one themed issue and one unthemed issue per year. Our themes are generally vague and can be interpreted many ways, but still, submissions received leading up to the publication of a themed issue must in some way fit with the theme. If you have questions about a theme or specific issue, please contact us by emailing us at the email listed on the “Contact” page above.

We prefer stories that do not include excessive violence or erotica. If you wish to include such things in your story, it needs to have a purpose – prove to us that it is significant to the story or characters and it won’t be a problem. We do not accept any work with racial slurs or political commentary.

We accept stories and/or poems if you have submitted them in the past to us as long as they are different and refreshed from the last time. We may ask you to resubmit your work to an upcoming journal for future possibilities.

We do not accept reprints or tolerate plagiarism. Simultaneous submissions are welcome, but please withdraw your submission if it is accepted elsewhere. To do this, log into our submissions manager and click on “Withdraw a Submission.” If you submitted multiple pieces and wish to withdraw only a certain piece, contact us by emailing us at the email listed on the “Contact” page above.

At this time, we are unable to monetarily pay our contributors. If your submission is chosen for publication in borrowed solace, you will be paid in digital contributor copies of the journal, and our undying gratitude for allowing us to be a platform for sharing your work!

More information here.

Call for Submissions: The Pensive

Submit to The Pensive

Deadline: Year-round

We welcome poetry, fiction, and creative nonfiction submissions from emerging writers of all backgrounds and situations. Before sending us your work, please read the following guidelines.

  • We are looking for unpublished pieces that are compelling, immersive, and beautifully written.
  • We do not accept anything substantially written by an artificial intelligence.
  • While we welcome works on any topic, we do not publish erotica, diatribe, or literature with excessive swearing, explicit sex, or intense violence.
  • The maximum word count is roughly 4000 words.
  • Because the pieces we accept are mostly written by emerging writers, we work with the authors to make revisions and edits, ensuring that the pieces we publish are of the best possible quality. The feedback we give is similar to what you would receive in a writing workshop, and most of the suggestions will not be mandatory. Please be willing to listen and to improve your writing where necessary.
  • We accept simultaneous submissions, but please notify us if your piece is accepted elsewhere before we respond with our decision.
  • We do not require any reading fees. We simply ask that when you submit your document, you also happily let us subscribe you to our email subscription list.
  • Send your submission as an attached document (.doc or .docx file) or in the body of the email to
submissions@thepensieve.site 
  • Write “Pensieve Submission” in the subject line. We will let you know within three months if your writing is accepted.
  • If you become a published author with us, you will retain full rights over your work, meaning you may publish it again elsewhere as long as you cite The Pensieve as the place of first publication. We do not currently pay our authors.
Thank you for your interest in The Pensieve. We look forward to hearing from you!

Call for Submissions: Abraxas Review

Banner for Abraxas Review inaugural issue call for submissions


currently accepting submissions

Have a story you’ve been chewing on? A poem you’ve been mulling? A draft hanging out in the basement, ready to be set free into the world? Photography and art that’s ready for a grand entrance? Send it to us! Abraxas Review invites submissions between may 1 - july 1. We love reading work that strikes an intentional, but subtle message—work that haunts us, that keeps us thinking about it after we’ve read it. We seek poetry and prose with arresting emotional impact that’s achieved not by contrived figurative language, but language that surprises while serving a larger purpose. Send us your work that is authentic without being performative, that’s experimental without being pretentious and speaks to the humanity in all of us. Challenging genres and pushing boundaries is great fun, but we look for writing that’s inviting and accessible for an everyday reader rather than requiring lengthy explication in order to be understood. Get fancy, get weird, have fun—but do it with purpose!

Abraxas Review publishes once per year in September. We are currently accepting submissions for poetry, narrative nonfiction, short fiction, photography, and art.

submission deadline: july 1, 2023

Submit your work here.

Saturday, May 6, 2023

Call for Submissions: Guernica

Thank you for your interest in submitting to Guernica. We publish poetry, essays, reportage/journalism, criticism, and fiction, and we offer honoraria of $50 for poetry, $100 for original essays, and $150 for original fiction and for reportage/journalism.

You'll find guidelines for poetry, nonfiction, and fiction below. Our reading times are, on average, 12-16 weeks, though they can be longer. We're an all-volunteer staff, and we're grateful for your patience. And yes, we read every submission — so it's greatly appreciated if you withdraw work that is accepted elsewhere.

We do not accept or review: interviews, book reviews, flash or genre fiction, pitches of any kind for any genre, or submissions of any kind from publicists.

We only accept:electronic submissions using the Submittable system; no emails, please.

  • one submission at a time; no multiple submissions.
  • original, previously unpublished manuscripts. Your work must not have been published elsewhere, including on your personal website, blog, or social media channels. Translations may have previously appeared in their original languages, but not in English.
Simultaneous submissions are acceptable, as long as you immediately withdraw your submission and notify Guernica that your piece has been accepted elsewhere.

Please note:Guernica will hold exclusive print and digital rights to your published piece for 90 days, after which you will retain the rights; your story will remain on our website in perpetuity.
 
We are an all-volunteer organization. Allow at least sixteen weeks for a response. 

Please take care to submit to the correct section. If you submit to the wrong category, you will receive an automatic rejection when we reach your work, and you'll be instructed to resubmit (where you'll join the back of the queue).

Thank you for your interest in Guernica! We look forward to reading your work.
 
Submittable link here.

Call for Submissions: Menagerie Magazine

Menagerie publishes fictions, essays, and poems. We believe in sentences so sharp they draw blood, the strange and inexplicable, the wild and weird and uncanny, words in thickets, clusters, and flocks, pieces that move us beyond caring what others think about said pieces.

Things we like: fictions ala Borges, Link, Calvino, & Sparks; weird lyric essay; engagements with the environment and natural world; poems that explode form; bricolage, masala, & sagul sagul; forays into the omnipresent information-saturated online architecture we live in.

Things we don’t: lukewarm prose, sentences bereft of emotion, formulaic attempts at being on trend, conformity, pat endings, sentiment-drenched rhyming poems, neat and orderly stories.

We care about writers and artists. That means if you’ve entrusted your work to us, you’ll get a response. And we pay $50 per acceptance (e.g. one piece of prose or 1-3 poems). Because it’s important we value what you’ve made. Menagerie is open year round; subs are free till we hit our monthly cap, so get in early. Tip Jar subs are always open.

We’ll do our level best to promote your work, pairing each piece with original artwork, and providing social posts you can use on your own channels. It’s our hope that Menagerie will serve as an accelerator for bringing your work into the world and getting it noticed.

We observe the following guidelines:

  • Simultaneous submissions are allowed.
  • Please submit to only one category at a time.
  • Poetry submissions may include 3-5 poems at once.
  • Stories and essays should be no more than 5K.
  • Please expect a response time of 30-60 days.

In short: if you’ve written something and don’t know what to call it, we want to see it. Our menagerie is vast and unending, and contains all size and shape of curios.

Perhaps yours will soon be one of them.

Submission link here.

Call for Submissions: Twenty-two Twenty-eight

Twenty-two Twenty-eight accepts submissions of poetry, fiction, non-fiction essays, visual art, music, and videos. Response times are usually one to three months. All submissions must be in English and must be previously unpublished except for videos and music. We accept simultaneous submissions; however, we ask that you promptly notify us if your work has been accepted elsewhere. Below are the submission guidelines for each specific category, formatting instructions, payment information, and other submission details.

Fiction and non-fiction: short stories and a wide variety of non-fiction are welcome. No graphic violence, graphic sex, or political pieces. Word Count: 500-2000.

Poetry: please submit 5-7 poems unless very long, then 1-2 (you be the judge). No graphic violence, graphic sex, or political pieces. Please note that we accept poems as a set (i.e. we do not pay $30 for each poem). 

Book review requests: if you would like us to review your book, please send us a quick synopsis of your book. If we decide to review it, we will ask you to send us a copy. We only accept digital copies. Please send it as a .pdf, .mobi, or .epub.

Visual art: please submit 6-10 images. They can be drawings, paintings, sculptures, photography, craft, or digital art. Include a brief biography of yourself and a brief statement regarding your work. Also include info for each piece such as size, medium, etc. Photo of artist is optional. Note: please no graphic violence, graphic sex, or political pieces.

Video/music: please submit video or music via Youtube link. Also, include a brief bio and brief statement regarding video/music submitted. Music from all genres are welcome. Note: video can be a vlog, lecture, dance, or movie. We're very open-minded. Please keep length for video/music to 20 minutes or under. Note: please NO graphic violence, graphic sex, or political pieces.

With all submissions: every submission must include a brief bio. We strongly encourage that you provide a photo with your bio. Including a photo is optional except for music submissions. You may want to include in your bio any social media or business links. Please include contact information, including phone number and mailing address (so we can mail you your check if your piece has been accepted. We promise no spam and that all of your contact information will never be shared.)

Our publication rights policy is as follows: First World Publication Rights, meaning that we are buying the right to be the first publication to post your work. Six months of exclusivity: after six months of publication you are free to have your work published anywhere. The right to keep your work on our website in perpetuity: this allows us to stay in line with print publications. Meaning, once we publish your work, it stands in perpetuity as though it were in print. For visual art and music, we only reserve the right to keep your submission on our website in perpetuity.

Payment: we pay $30.00 for all accepted submissions. We pay either by check or by PayPal. For international submissions, we are only able to send money via PayPal.

Format requirements: for writing submissions, please submit your work in an attachment in a .docx or .pages file. For visual art submissions, please submit your images in a .jpg, .jpeg, or .png file. For video/music submissions, please put the URL link in the main body of the email.

Please send all submissions to:

submissions@twentytwotwentyeight.com

Writing Competition: 13th Annual BOA Short Fiction Prize

The 13th Annual BOA Short Fiction Prize

April 1 - May 31, 2023

Judge: BOA Publisher Peter Conners

Winner Receives: Book publication by BOA Editions, Ltd. in spring 2025
$1,000 honorarium

Since its founding in 2010, the BOA Short Fiction prize has been awarded to ten of the most exciting and unique voices in American fiction. As with all BOA fiction titles, our prize-winning short story collections are more concerned with the artfulness of writing than the twists and turns of plot. It is our belief that short story writing is a valuable and underserved literary form that we are proud to support, nurture, and celebrate.

Submissions are invited only through Submittable or by post mail. We do not have the staff capacity to read or respond to manuscripts that are submitted by fax or email.

*Submission fee: $25

More information and submission portal here.

Writing Competition: 2023 Boulevard Poetry Contest

$1,000 and publication awarded for the winning group of three poems by a poet who has not yet published a book of poetry with a nationally distributed press.

Rules
  • All entries must be postmarked by June 1, 2023 or submitted online by midnight CT.
  • Entry fee is $18 per group of three poems and $18 for each additional group. Fee includes a one-year subscription. Make checks payable to Boulevard.
  • Author's name, address, and telephone number, in addition to the titles of the three poems, should appear on the first page.
  • Cover sheets are not necessary.
  • No manuscripts will be returned.
  • Simultaneous submissions are allowed, but previously accepted or published work is ineligible.
  • The poems may be a sequence or unrelated.
  • All entries will be considered for publication and for payment at our regular rates.
  • Entries will be judged by the editors of Boulevard magazine.
  • No one editorially or financially affiliated with Boulevard can enter the contest.
  • The winning poems will be first announced on the website and then published in the following issue of Boulevard.
  • Send typed manuscript(s) to Boulevard Emerging Poets Contest, 3829 Hartford Street, St. Louis, MO 63116 or submit online.

Submit your entry here.

Call for Submissions on Theme of "Mother": Hot Pot Magazine

Hot Pot Magazine logo image 

Thank you so much for considering us! We are currently open for issue five submissions in categories: poetry, prose, and visual art. Our soft theme for this issue is mother — whatever the word means to you, from parents to objects that raised you. Issue four submissions are due by May 20th.

Please attach as many pieces as you’d like, written works in .pdf and visual works through .png, followed by a third-person biography. Address your email to:
 
 hotpotmagazine@gmail.com 
 
with the genre as the subject, and your first and last name. Please do not send us any extremely violent or sexual pieces.

Prose: less than 2000 words per piece

Poetry: under 200 lines per piece

Visual Art: open genre

If you are accepted, Hot Pot Magazine asks for First North American publishing and archival rights. All rights revert back to the author upon publication.

We allow previously published pieces and simultaneous submissions. But please just let us know where the piece was first published so we can properly credit them.

Our current response time is within two weeks.

Call for Submissions from ESL Writers: Tint Journal

Flyer for Tint Journal's Fall 2023 Issue call for submissions

Deadline: May 31, 2023

What kind of submissions does Tint accept?

  • We accept original fiction and nonfiction creations by ESL writers (= all writers who have learned or acquired the English language after being fluent in another language), including short prose, flash as well as poetry. In view of the diverse backgrounds of our contributing writers, any subject matter which does not violate our values of acceptance and inclusivity is welcome. For text examples, see our current issue or visit our archive.
  • Please submit only previously unpublished pieces. If you have a previously published piece that fits our mission, please contact us via:
 info@tintjournal.com.
  • Translations will not be accepted. Your text has to be an original creation in English. However, the work can feature words or passages in other languages.
  • Please only submit one piece per category (short story, creative nonfiction, flash fiction, flash nonfiction, poetry) at a time.
  • For creative prose (short story or creative nonfiction), please submit a piece (short story or creative nonfiction) between 1,000 and 4,000 words.
  • For flash (fiction or nonfiction), please submit a piece that does not exceed 800 words.
  • For poetry submissions, please submit one poem only. If the poem has subsections, mark them clearly in your document. A poem should not exceed four C4, A4 or Letter pages in length.
More information and submission link here.

Call for Submissions: Does It Have Pockets

Does It Have Pockets logo for call for submissions

We are looking for fiction, creative non-fiction, and poetry. We also welcome pitches for columns (monthly or quarterly), interviews, book reviews, and other literary adjacent projects. Of particular interest are hybrid and cross-genre works that straddle the lines of classification.

Some specifics:
  • Simultaneous submissions are fine, but please let us know in your cover letter. We appreciate timely notification if a piece under consideration has been accepted elsewhere.
  • We will be glad to look at previously published work (reprints) as long as: 1. you have the rights, 2. it has been at least 24 months since published elsewhere, and 3. you provide the prior publication credit at submission.
  • Poetry: 3-5 poems
  • Fiction: up to 5K words
  • CNF: up to 5K words
  • Flash fiction is welcome and you may send 3-5 flash pieces (up to 5K words) in a single document.
  • Pitches: For periodic features or one-off interviews, reviews, etc., please use the pitch submission option. Explain your idea, intended frequency, and your intended audience. Pitch submissions are, of course, free.

All rights remain with the author before, during, and after publication. We request non-exclusive permission to feature your work on our site, our social media channels, archives, and special projects (anthologies, collections, etc).
Submissions fees for literary works are $3 and is used for artist payments and administrative costs (Submittable, website, etc.).

If published, we pay $10 per group of poems, story, or essay. Features/columns/reviews will receive $5 per issue. We understand this is nowhere near what writers deserve, and we will raise rates as soon as we are able. 

Submit your work here.