Saturday, September 28, 2024

Writing Competition: The Test Site Poetry Prize

Interim Test Site Poetry Prize flyer

2024 will be the seventh year of The Test Site Poetry Series. Thanks to a generous gift, we’re delighted to announce that in 2024 and going forward, Interim will choose two winning books for the series—one title publicized as the winner of The Test Site Poetry Series and the other as the Betsy Joiner Flanagan Award in Poetry. Both winners will receive $1,000 and their books will be published by the University of Nevada Press.

Interim editors and poets Claudia Keelan and Andrew S. Nicholson serves as series editors. The winning book will be chosen by Claudia Keelan and an advisory board, which includes poets Sherwin Bitsui, Donald Revell, Sasha Steensen, and Ronaldo V. Wilson.

We're looking for manuscripts that engage the perilous conditions of life in the 21st century, as they pertain to issues of social justice and the earth. The winning book will demonstrate an ethos that considers the human condition in inclusive love and sympathy, while offering the same in consideration of the earth. Because we believe the truth is always experimental, we'll especially appreciate books with innovative approaches.

Along with Witness and The Believer, Interim is affiliated with Black Mountain Institute and housed in the Department of English at the University of Nevada, Las Vegas. Established by the late Wilber Stevens in 1944, Interim is one of the longest-running "little" literary magazines in the country.

Please submit manuscripts through:

Submittable https://interimmagazine.submittable.com/submit

with a $25 reading fee.

The deadline for submissions is December 15, 2024. The winning manuscript is announced in February and published in the fall of 2025.

Submit your entry here.

Writing Competition: Cloud Bank's Vern Rutsala Book Prize

Everything, Everything by Jeffrey Bean

Vern Rutsala Book Prize

Cloudbank’s Vern Rutsala 2025 Book Contest is open for submissions. Submissions are accepted through October 31, 2024. 

A prize of $1,000 is awarded, plus publication of the manuscript and 50 free books.

Submit 60 to 90 pages of poetry and/or flash fiction, including a Table of Contents and Acknowledgments page.

Reading fee is $25. Submissions are accepted from around the world with no citizenship limitations.

  • The first 50 writers submitting to the contest receive a Cloudbank book or journal.
  • To submit electronically through our submissions manager click here.
  • Submissions should include two title pages, one with title only, one with title and author name.
  • Cloudbank editors appreciate a wide range of styles, approaches, forms, and aesthetics; we welcome prose poems and flash fiction.

Call for Submissions: New England Review

We are open for submissions in all genres from March 1 through May 1 and September 1 through November 1. We may close before the end of the period if we receive more than our allotted number of submissions, so it’s best to submit early.

UPDATE for September 2024: When we open on September 1, we will begin taking submissions for our November 2025 “emerging writers and translators” feature. We will dedicate half of a special double issue (Vol. 46.3-4) to those who have not yet published a book or have a book under contract. Eligible writers and translators can indicate their interest in being considered for that feature when they submit.

What we’re looking for.
We welcome submissions in fiction, poetry, nonfiction, dramatic writing, and translation in all genres.

For translations, please confirm that translation rights are available and submit under the genre that best represents the work.

We only accept writing that has not been published previously, whether in print or on the web.

Please send only one submission at a time, across all genres, including translations. Do not resubmit work, even if it has been revised, unless it has been requested by the editors. Simultaneous submissions are accepted in all genres, but please be sure to withdraw your submission immediately upon acceptance elsewhere. We attempt to respond to submissions within twelve weeks, but it can take longer.

We welcome and encourage submissions from writers of every nationality, race, religion, and gender, including writers who have never been affiliated with an MFA program and whose perspectives are often underrepresented in the literary world.

We suggest that NER authors wait about a year after their most recent publication until they submit again (e.g., If you were published in spring 2024, please wait until spring 2025 to submit new work).

What you get.
Payment for work published in the journal is $20 per page ($50 minimum), plus two copies of the issue in which the work appears and a one-year subscription to the print or e-book edition.

For online publication in NER Digital, payment is $50 and a one-year subscription to the magazine.

Your cover letter—just the facts.

Your cover letter should provide contact information and state the genre, title, and word count (for prose) of the submission, as well as any salient information about you—e.g., previous publications, never before published—or about your piece.

Online submissions.
Please submit your work through Submittable, our online submissions portal. The small fee we charge for online submissions helps to support New England Review in its mission to publish writers at all stages of their careers. You can submit for free if you purchase a subscription or renewal at the time of submission. If the submission fee presents a financial hardship, please email us.

You can check on the status of an existing submission on Submittable. If it says “new” or “in progress,” that means we have not yet made a decision about the piece. If you have other submission queries, send us an e-mail and we will respond as soon as possible.

Paper submissions.
We allow paper submissions for writers who for any reason are unable to use Submittable. Please do not send your only copy, as we cannot be responsible for lost or damaged manuscripts, and include a letter-size self-addressed, stamped envelope (SASE) for our reply only. There is no fee. Please do not send paper submissions outside of our open submissions periods or they will be returned unread. Our mailing address is New England Review, Middlebury College, Middlebury, VT 05753.

Categories
Fiction: We are looking for short stories, short shorts, novellas, novel excerpts (if they can stand alone), and translations. The word limit is 20,000, though most of what we publish is shorter than 10,000 words. Please send only one piece at a time, unless the pieces are very short (under 1,000 words), in which case send up to three. Reminder: do not resubmit a story that you’ve sent in the past unless it has been completely rewritten. Please double-space and include word count on the front page or cover letter.

Poetry: We publish long and short poems, including translations. Please send no more than six poems at once, and upload them as a single file. If you need to withdraw part of your submission, please simply add a note to your submission in Submittable.

Nonfiction: We publish a broad range of nonfiction, including interpretive and personal essays, critical reassessments, cultural criticism (art, film, etc.), travel writing, environmental writing, and works in translation. The word limit is 20,000, though most of what we publish is shorter than 10,000 words. Please double-space and include word count on the front page or cover letter.

Dramatic Writing: We are looking for short plays, monologues, and screenplays, up to 5,000 words. Please consider that the work must read well on the page. Please double-space and include word count on the front page or cover letter.

Call for Submissions on Theme of "Coming of Age": Shooter Literary Magazine

Recent cover image or website screenshot for Shooter Literary Magazine

Shooter publishes themed print issues twice a year, and runs competitions for poetry during the first half of the year and short fiction during the second half of the year. We also run a monthly flash contest online.

General submission guidelines are as follows:

Writers:

Writers should send short stories and non-fiction of 2,000-6,000 words and/or up to three poems on the theme Coming of Age, adhering to the guidelines below, by the deadline of October 20, 2024.

We’re looking for stories, essays, memoir and poetry on anything to do with the transition to adulthood: first love, hormonal angst, Saturday jobs, brushes with the law, experimentation, gaining independence, losing virginity. Literary reflections on books that made an impact during late adolescence would make particularly welcome essays. Tales of college and first steps on the career ladder are also relevant.

The theme is open to wide interpretation, but please adhere to the submission guidelines. In addition to thematic relevance, we seek engaging, elegant writing that maintains a high literary standard.

Documents should be in Word format, 1.5 or double spaced, with word count indicated at the end of the (prose) piece. Please submit only one piece of prose and/or up to three poems per issue.

Please include a brief biography in your email, noting any prior publishing experience, and send work to:

submissions.shooterlitmag@gmail.com

by October 20th.

Simultaneous submissions are fine but please let us know if your work is accepted elsewhere. Any non-fiction or journalistic work selected for publication will be fact-checked. All work must be previously unpublished either in print or online.

Successful writers can expect to hear from us within a few weeks of the deadline, if not before; all other submitters will be informed of the outcome within two months.

Artists:

Shooter seeks original artwork for its covers. Artists should email examples of their work or a link to their online portfolio to:

artwork.shooterlitmag@gmail.com

We take note of promising illustrators on a rolling basis but, if you have work or a style you feel is particularly relevant to an upcoming theme, please draw our attention to it. Artwork will be used as cover illustration for the magazine, plus detail use on the inside pages and on Shooter’s social media.

Rights:

Shooter acquires first rights for print and online/e-book publication and reserves the right to publish work that has appeared in the magazine on its website and related social media.

Payment:

Upon publication, writers will be paid £25 per story and £5 per poem. Stories that fall below the requested minimum of 2,000 words will be paid at poetry rates. Artists will be paid £25 for use of their work as magazine illustration. UK contributors will receive both payment and a copy of the issue in which their work appears; non-UK contributors may choose either cash payment or a copy of the magazine.

Call for Submissions: The Adroit Journal

WE ARE NOW A PAYING PUBLICATION!!

THANKS TO THE GENEROUS SUPPORT OF OUR DONORS, THE ADROIT JOURNAL PAYS $100.00 TO ALL FICTION & CREATIVE NON-FICTION CONTRIBUTORS AND $50.00 TO ALL POETRY AND ENLIGHTENMENT CONTRIBUTORS, AS WELL AS OUR ISSUE COVER ARTIST

Deadline: Nov. 2, 2024

NOTE: We have heard from some submitters that they receive a security notice upon visiting Submittable. The good folks at Submittable let us know that this security concern usually has to do with a user’s browser not being up to date and suggested if the issue persists to ensure your browser is the most current version. They assured us the webpage is, in fact, secure. Finally, they suggested using the following link to submit: https://adroit.submittable.com/submit.

We consider submissions sent via Submittable. Writers with disabilities or impairments may submit via Submittable or email; these writers may submit to editors[AT]theadroitjournal[DOT]org. Otherwise, we are not open to email submissions, and are not open to submissions sent via post.

When we are open to submissions, please note that we are open to simultaneous submissions (so long as you classify them as such & promptly let us know if they’re accepted elsewhere). Please ensure that you use the MESSAGES tab on Submittable and not the NOTES tab, as the Notes tab is exclusively for your own reference. 

Prose - up to 3 pieces at a time, 9,000 words maximum (across pieces).
Poetry - up to 6 poems at a time, no length limits.
Art - up to 6 pieces at a time, both black/white & color accepted.

Click here to read our current issue, available online.

Submit your work here.  

Call for Submissions: Lowestoft Chronicle

We consider a variety of genres. Preference will be given to humorous submissions with an emphasis on travel. All submissions must be original work in English. We do not consider previously published work, which includes work publicly displayed on message boards, social networking websites, and your personal website. Simultaneous submissions are okay, provided you let us know immediately if your piece is accepted elsewhere. Once published in Lowestoft Chronicle, any subsequent publication of your piece should include the credit “first published in Lowestoft Chronicle.”
 
Reading Schedule: Issue #60: September 1st, 2024 — November 15th, 2024

Fiction: Submit manuscripts of any genre up to 3,000 words for consideration. Avoid sending stories with a word count in excess of 3,000 words. In contrast to my Humanities schoolteacher, who would place exam papers on a grocery scale and grade according to weight, at Lowestoft Chronicle we always give priority to shorter manuscripts. However, unless it is poetry, bite size submissions under 100 words will probably be considered too slight for our scales and will likely be rejected.

Poetry: We accept all forms of poetry, but please only submit one or two of your very best poems per reading period.

Non-Fiction: Narrative non-fiction, commentary, slice of life and memoirs are welcome. Humorous pieces are especially welcome. Please keep submissions under 3,000 words.
Submitting

Send work as plain text in the body of an email, or as an attachment, and please include your name, pseudonym (if used), the title of your work, and a brief bio. Please state whether it is fiction, non-fiction, or poetry, as it is not always obvious. All submissions should be directed to:
 
submit@lowestoftchronicle.com
 
We will try to respond to submissions in a timely manner, but please allow 30 days for a reply. If you haven’t heard back from us after this time, please email us with your query and include the title of your work in the subject line. Due to recent arm wrestling defeats our bank manager, Devron, has claimed “dibs” on all our profits, and so at present Lowestoft Chronicle cannot provide payment to contributors. If circumstances change (i.e. one of our staff actually beats him) we will let you know.
 
Rights

Upon acceptance, Lowestoft Chronicle assumes first publication rights for 30 days from publication, after which all rights revert back to the author. However, we reserve the non-exclusive right to include your work in our archives and anthologies, electronic or print.

Call for Submissions: Split Lip

You know the drill. Read our issues to see if we’re a good home for your work. Get the full scoop before you submit! Then hit up our Submittable. All submissions are currently being considered for our monthly online issues. In an effort to promote Black voices, Split Lip Magazine is opening free submissions for Black writers in all genres.

Payment
 
We pay (via PayPal) $75 per author for poems, memoirs, flash, fiction, and art, $50 for interviews/reviews, and $25 for mini-reviews for our web issues. 
 
As long as we’ve got money, we’re committed to paying people for their work.

Free Submissions

January, March, May, August, September, November

We recommend submitting early in free subs months! Sometimes we have to shut free subs early due to a rad but also overwhelming response. (A peek behind the curtain: our free sub cap with Submittable maxes out. 😭)

Tip Jar Submissions

February, April, June, October, and the first half of December

We don’t accept submissions in July or from December 15–31.

If the fees are a burden, please reach out to us! We can’t always help out, but we like to try when we can.

Expedited Submissions

For $5 we’ll make sure we get back to you in 2 weeks. Expedited submissions don’t guarantee acceptance. Sometimes we close Expedited Review in one or more genres to catch up on submissions. If you don’t see it listed as a submissions category on our Submittable page, it means it’s temporarily closed.

Ground Rules

What’s a magazine without exclusive content? We want to see fresh work that hasn’t been published anywhere before (including your personal blog or website). First-time electronic publication rights are really all we ask for.
 
One submission per writer at a time, please. That means if you submit a poem, you can’t also submit flash, etc. You get the picture.
 
We accept simultaneous submissions. Yay! But please withdraw your piece immediately if it’s accepted elsewhere.
 
Content warnings: If your work deals with sensitive or triggering topics, please identify/note them in your cover letter.
 
If you used AI to write/create your piece, you must disclose this fact in your cover letter.
 
We don’t accept emailed submissions. You gotta use our Submittable. The exception to the rule is
Interviews/Reviews.
 
If you have some edits to make after you’ve submitted: withdraw your submission, update it, and re-submit! We know it’s a headache, but we’re a small, all-volunteer team. We only have so many heads to hold everyone else’s aches. So be a pal and do a little of the legwork for us! Any emails asking us to correct something in a submission will, as much as it pains us to say it, be ignored!
It’ll take us up to 20 weeks to let you know if you’re in or not—we’re a small, all-volunteer staff.
 
If you receive a rejection, please wait at least a month before submitting again: we love you, but a mag’s gotta breathe, you know?
 
Hot Tips
 
Double space your work. Some of our staff needs it for readability! Single-spaced poetry is okay, though.
 
We vastly prefer .doc and .docx files, although a PDF is okay in a pinch.
 
Don’t send us stuff that promotes bigotry and violence.
 
More information and submission links here.

Call for Submissions: Feign Lit

Feign accepts fiction only.

Submissions may be as short as micro fiction, flash fiction, or prose and stories up to 7500 words long.

Please have your work formatted with double spacing and in a 12pt font, Times New Roman preferred.
Accepted document format is as a .pdf. If accepted, we will reach out to you for a .doc version of the piece.

Once these guidelines have been followed, please attach your story in an email to:

feignlit@gmail.com

with a subject line as follows, “LastName__Title”.

Cover letters are welcome but not mandatory.

Simultaneous submissions are always accepted but please let us know if the work you submitted to us is accepted elsewhere.

Response times will vary between 1-3 months at this time. After 12 weeks, you may inquire about the status of your submission.

Begin the submission process here.

Sunday, September 22, 2024

Writing Competition: Willow Springs Surrealist Prize

What We Are Looking For

We are looking for poems in the surrealist tradition and its many iterations. One of the basic tenants of surrealism is a revolt of the imagination against reason, rationalism, and empiricism. The first surrealist movement is marked by the publication of Andre Breton’s Surrealist Manifesto. It is, as Robert Bly describes in discussion of Spanish surrealist poets, the poetry of “wild association” and “leaping.”

Melissa Kwasny writes the following useful definition of surrealism from her book Earth Recitals: Essasy on Image and Vision:

“Surrealism, with its emphasis on images drawn from dreams, the wildness of chance, and unconscious desire, extended our definition of the real by opening the conscious mind to realms of perceptions hitherto unknown or agreed upon . . . Breton states in his Second Manifesto [that surrealism is] “a total recovery of our psychic force.” . . . The images that washed up on the shores of the surrealist poem were recognizably different, strange and incoherent . . . Offshoots of French surrealism include the Latin American surrealism of Pablo Neruda a precursor of magic realism; the post-colonial surrealism of the Caribbean poets like Aime Cesaire; Lorca’s dark Andalusian rendition of the Deep Song; the American Deep image poets, influenced by Neruda, as well by Robert Bly's translations of Transtromer and Rilke . . . and later, poets of the Beat era, collage poets, poets exploring the arrangement of images in non-narrative, disjunctive and, to borrow a word from the surrealists, convulsive ways all influenced by the freedom to go beyond the boundaries of the concrete for images. The image, as fragment, or rather, as discontinuous accumulation of fragments, bound by chance encounters in dreams and waking life, gave us a glimpse into an entirely different way of envisioning our world.”

We seek any contemporary poem born of these traditions in an attempt to identify and keep alive the many changing faces of the movement.

Prize

$1000 for a single poem to be published in the Spring issue of the Willow Springs magazine.

Opens

February 1, 2024

Closes

October 1, 2024

Judge: Melissa Kwasny

Guidelines

  • Fee: $15
  • Submit a packet of up to three poems in one file.
  • Please do not include identifying information in your submission document. We will use your Submittable information to contact you, so please make sure your contact information is accurate and up to date.
  • Multiple submissions are welcome, as are simultaneous submissions. Please notify us immediately if your submission is accepted elsewhere.
  • We accept only previously unpublished work for publication.
  • We may consider any submission for general publication, unless the author states otherwise.
  • Runners up may receive acknowledgment in the print issue, and online publication (if desired).

Eligibility

Students, faculty, staff, and administrators currently affiliated with Eastern Washington University or graduated from our creative writing program within the last four years are ineligible for consideration or publication. Previous winners should wait three years after their winning entry is published before entering again. Willow Springs adheres to the CLMP Contest Code of Ethics.

Submissions

Send your poem(s) to our Submittable page.

Call for Submissions: So to Speak

Recent cover image or website screenshot for So to Speak Journal

WHAT DO YOU LOOK FOR?

Writers whose work we love per genre:

Non-fiction: T Kira Madden, Krys Malcolm Belc, Melissa Febos, Eula Biss, and Claudia Rankine.

Fiction: Carmen Maria Machado, Jesmyn Ward, R.O. Kwon, Celeste Ng, and Andrea Lawlor. 

Poetry: Oliver Baez Bendorf, Donika Kelly, Mary Oliver, Aracelis Girmay, Natasha Trethewey, and Claudia Rankine.

Blog: Anything experimental and innovative; we love work that explores the complexities of experience and identity. Interviews & reviews also welcome.

Visual Art: Anything out-of-the box, anything strange and off-putting, anything grotesquely and overtly political & intersectional.

DO YOU PAY?

Yes! All accepted contributors for the fall and spring issues will receive a modest monetary prize for their work.

We publish twice a year — a print issue in the spring, and a digital issue in the summer. Print submissions open in the fall, typically from early September to late November; digital submissions run January through March.

The Blog publishes year-round; unfortunately, at this time, we are unable to pay our blog contributors.

For international contributors: please note that in order to receive payment, you’ll need to have an active bank account associated with your name that can accept international wires.

WHERE DO I SUBMIT?

Through our Submittable manager. We do not accept email or paper submissions. We aim to respond to submissions within five months.

We ask that your submission follow these guidelines:

— A single .doc or .docx document (excepting art submissions) that contains your work. Please read the genre guidelines below for information about formatting your work.

— Your Cover Letter, written in the Submittable portal, should include your name, address, phone number, email address, how you heard about So to Speak, and a brief bio.

— Fiction & CNF subs should be 4k max; for flash or micros under 1k words, please limit to 3 pieces per submission packet. — Poetry subs should be 5 poems max, no more than 10 pgs total.

— Blog submissions are 2k max.

HOW DO I KNOW IF MY PIECE IS INTERSECTIONAL ENOUGH?

The best way to understand if your piece is a fit for us is to read our latest issue, which you can find on our home page. We also have a full catalog of our online issues available here. 

NITTY GRITTY STUFF?

Please note that So to Speak has a no-tolerance policy for work that perpetuates harmful stereotypes against marginalized individuals or groups. Such pieces will be rejected outright.

Simultaneous subs are okay (and even encouraged); please withdraw your piece promptly if it is accepted elsewhere.

We consider previously unpublished prose, poetry, and art. Upon agreement of publication, So to Speak acquires First Electronic, Anthology, and Archival Rights. Once published, all other available rights revert back to the author. If the piece is accepted for further publication, we request that So to Speak be credited as the place where the piece first appeared.

If your work has appeared in So to Speak, please wait one year after your most recent publication to submit again.

Call for Submissions: Pacifica Literary Review

Pacifica Literary Review is now accepting submissions of poetry, fiction, creative non-fiction, and folios. Prose submissions must be under 5,000 words. Flash fiction submissions must be no more than 1000 words individually. Novel excerpts are acceptable, but must be able to stand alone. For poetry, please submit no more than three poems in a single document. For flash fiction, please submit no more than three pieces in a single document. For Folio submissions, please refer to the directions on our Submittable page.

Our general submission period is open year-round with periodic closures in September, January, and May for editorial production. If the submission portals are down, we’re putting a new issue together and will re-open shortly. We accept online submissions through our online submission system on Submittable. Simultaneous submissions are fine, as long as Pacifica Literary Review is notified immediately if the work is accepted elsewhere. Please withdraw submissions accepted elsewhere through Submittable. To withdraw a single poem or flash fiction piece, let us know by email at:

pacificalitreview@gmail.com

All submissions should follow the directions on Submittable and be titled with the name of the work. The author will receive a confirmation of the receipt of the work as well as a final decision through email. Please don’t submit any additional work until you have received a decision from the editors regarding work already under consideration, and please do not resubmit a piece we have previously considered.

Reporting time varies from one to four months.

We understand that you’re anxious to hear back, and we will try our hardest to expedite the process.

Authors will be paid $25/piece published. We know it’s not much, but it’s the best we can do currently.

Pacifica Literary Review reserves first North American publishing rights, and non-exclusive rights to reproduce, display, and distribute the work in print or other media platforms. Print rights return to the author after first publication in Pacifica Literary Review.

Call for Submissions: The Journal of Compressed Creative Arts

Recent cover image or website screenshot for The Journal of Compressed Creative Arts 

The Journal of Compressed Creative Arts is looking for, as you might guess, "compressed creative arts." We accept fiction and creative nonfiction, as long if they are compressed in some way. Work is published weekly, without labels, and the labels here only exist to help us determine its best readers.

Our response time is generally 1-5 days. Also, our acceptance rate is currently about 2% of submissions.
 
We pay writers $50 per accepted piece and signed contract. 
 
The reading period is March 15 to June 15 & September 15 to December 15. If you've been previously published by the press, please wait a year until submitting again. Thanks.
 
The reader for your submission is, during this round of submissions, the managing editor.
 
Please be sure to submit in the correct category; we've been receiving several fiction submissions in the creative nonfiction category.
 
We do not publish poetry that has line breaks, but we are thrilled to consider prose poetry without line breaks.

For all submitters, we aren't as concerned with labels—hint fiction, prose poetry, micro fiction, flash fiction, and so on—as we are with what compression means to you. In other words, what form "compression" takes in each artist's work will be up to each individual. However, we don't publish erotica or work with strong, graphic sexual content.

In short, we want to fall in love with your work. That might happen in the way we've fallen in love with work we've previously published, or it might happen in a way we have yet to experience. Maybe reading that other work will help in knowing whether you should send your work to us, but in truth, such a thing might not be discoverable.

Here are things that matter:
 
  • Please do not include a cover letter as part of the manuscript document.
  • Please include, as part of your cover letter on Submittable, a brief bio. Also, in the cover letter, let us know why you feel this piece works for a journal obsessed with "compression."
  • Please no more than one submission of a single piece in each genre at a time. Please feel free to submit again after receiving a response, but please no more than 3 submissions per genre per reading period.
  • Please do not submit work that has been previously published anywhere: blogs, personal websites, print and online journals, and so on. Simultaneous submissions are fine with us, but please let us know if the submission has been accepted elsewhere. Failure to do will result in some facsimile of your face being put on the Matter dart board. And no one wants that.
  • Please format prose to be singled-spaced, 12-point Times New Roman font, in a Microsoft Word document, with an extra space between each paragraph. We do not consider poetry with line breaks.
  • If you've been previously published by The Journal of Compressed Creative Arts, please wait a year before submitting again.
Submit your work here.

Call for Submissions on Theme of "Spring": Exposition Review

Recent cover image or website screenshot for Exposition Review

Exposition Review is an independent, multi-genre literary journal that publishes narratives by new, emerging, and established writers in the genres of fiction, flash fiction, nonfiction, poetry, scripts for stage & screen, experimental narratives, visual art, film, and comics (see guidelines below).

Wondering what to submit to us? We like to be surprised; we like writing that is razor-sharp, immediately transporting us with a strong voice and sense of place. We like work that’s thoughtful and cathartic, work that embraces conflict and isn’t afraid to take risks. We love pieces that blur the boundaries of genre. To get a better idea of what we look for in submissions, please read our previous issues. You can also follow the Expo blog to get news about latest submission and contest openings.

ANNUAL ISSUE SUBMISSIONS:

Every issue has a theme from which writers and artists can draw inspiration. We encourage those who submit to think outside the box; we look for stories that fit the theme yet make us think about it in different ways; we want work that satisfies and challenges traditional forms of storytelling.

The theme for our tenth annual issue is "Spring."

Read more about how to submit below!

Spring:

When one reaches a milestone anniversary—ten years, for example—it’s a moment of both reflection and anticipation, a period of celebrating the past and looking forward to the future, an occasion to marvel at the cyclical nature of time and revel in a new beginning.

Exposition Review is at just such a juncture as we open submissions for Vol. X—proud of all that we have accomplished in our pages and our community in Vols. I through IX, and excited for the growth that lies ahead.

And we’re looking to ride that momentum with “Spring”—the sense of renewal and rejuvenation that comes with the season. Springs are also life-giving sources—of water or, say, creativity. They’re elastic and resilient, snapping back into place with reverberating force. To spring is to bounce forward (or backward), to release from captivity, or to pay for drinks—always with a sense of energy in the transition from one state to another.

So for Vol. X—a milestone issue for Expo—bring us your spring breaks, your spring fevers, your spring rolls. Tell us tales that spring a surprise or spring a leak or spring a trap. We’re looking for stories that well from the imagination, language that leaps off the page, writing that’s liberated from the constraints of genre and crackles with the energy of a spring storm.

Spring it on.

Submissions for Vol. X will be open September 15–December 15.

All work is read and given fair consideration by our editorial staff. Guidelines for individual genres are as follows:

  • Fiction. Short stories and stand-alone novel excerpts up to 5,000 words.
  • Flash Fiction. Up to three pieces of flash or microfiction. Each piece should be no more than 1,000 words; there is no minimum word count. The shorter, the better!
  • Nonfiction. Memoir, personal essays, and creative nonfiction up to 5,000 words.
  • Poetry. Up to three poems of any form and in traditional or experimental styles. Translations are accepted as well.
  • Stage & Screen. One-act plays, scenes, or short film and screenplay excerpts up to 15 pages. Please format according to the standard unpublished playwriting or screenwriting format.
  • Experimental Narratives. We love narratives in all forms. Whether it’s digital poetics, a video, or a genre-bending transmedia piece, if it tells a good story, creates compelling characters, and/or tickles our literary senses, we want it. Consider the limits of other categories and our online platform for length guidelines.
  • Visual Art. Up to five pieces of art and/or photography per submission. If submitting more than one piece of art, please compile into one file (PDF or otherwise). Please include a brief artist’s statement or statement about the work (1–3 paragraphs), and include appropriate credit lines for all pieces (Artist Name, Title of Work, Year. Medium, Dimensions.)
  • Comics. Comics should be self-contained, up to three pages per piece, with no more than three pieces per submission.
  • Film. Short films in live-action narrative, documentary, or animation up to 15 minutes in length. Please include a brief summary and credits list in the cover letter of your submission.

Author receives $50.00 USD for accepted work. All submissions received by October 31 will receive guaranteed feedback from editors.

Submission Fee: $3.50 

Submit your work here.

Call for Submissions: The Fiddlehead

*Submissions to The Fiddlehead are OPEN*

The Fiddlehead publishes excellent writing in English, or translations into English, from all over the world and in a variety of styles, including experimental genres. Our editors are always happy to see new unsolicited works in fiction (including excerpts from novels), creative nonfiction, and poetry. We also publish reviews and occasionally other creative work, such as excerpts from plays. Our acceptance rate is around 1-2% (we are, however, famous for our rejection notes!).

We particularly welcome submissions from BIPOC writers, writers with disabilities, 2SLGBTQIA+ writers, and writers from other intersectional and underrepresented communities. If you are comfortable identifying yourself as one or more of the above, please feel free to mention this in your cover letter.

The Fiddlehead does not publish work that is ableist, misogynistic, queer-phobic, or racist. Strong writing treats identity categories with nuance.

If you are serious about submitting to The Fiddlehead, you should read an issue or two to get a sense of the journal. Consider subscribing or contact us to order back issues ($12 or $16 for Summer Issues, plus postage).

Our two Submittable submission periods are January 1 - March 31 (Canadian only) and September 15 - November 30. If you don’t already have a Submittable account, you will be prompted to sign up for one before you submit. It is free and it only takes a few minutes.

For those who prefer snail mail and handwritten responses, we accept mailed submissions in any category all year round.

General Guidelines for Unsolicited Submissions
We strongly encourage online submission through the Submittable platform, but as stated above, we are still open to mailed submissions. Many of the guidelines apply to both methods.


• No faxed or emailed submissions are accepted. Please do not send CDs, DVDs, USB drives, etc.
As of 2024, pay is $65 CAD per published page, plus two complimentary copies of the issue with your work. Contributors may purchase additional copies of an issue at a discount.
• The Fiddlehead buys first serial world rights; copyright is retained by the author at all times, and authors are free to resell the work, though we do ask for a 90-day exclusive from our first publication of the work.
• Writers may only submit once per calendar year per genre. (This does not include our contests. See complete contest guidelines here)
• Please wait for an editorial response before submitting again. We try our best to respond in a timely matter, but due to volume of submissions, a response may take 6 months or more. Please wait 6 months before querying.
• We only consider unpublished work. Please do not submit work that has been previously published or accepted for publication, including in anthologies, chapbooks, blogs, Facebook pages, or online journals.
• For online submissions, please submit one file containing your creative work (.doc, .docx, .or .pdf). Log back in any time to check the status of your submission.
• For hard copy, mailed submissions, all submissions should be typed/word-processed, spell-checked, and paginated. Please use white paper, print on one side only, and put your name on every page of your submission.
• Due to overwhelming submission volume, once your work has been submitted, we cannot process substitutions or modifications.
• For online and mailed submissions, a cover letter should be included with contact information (especially your email address, if you have one), the title(s) and genre of the work(s) you are submitting, and a 50-word biographical statement. In Submittable, please copy and paste your cover letter and biographical statement in the appropriate fields.
• Tell us in your cover letter whether your submission is exclusive to The Fiddlehead or whether you have submitted it to other magazines simultaneously. If another magazine accepts your work for publication that you have also submitted to us, then please advise us immediately.
All responses to mailed submissions will be sent via email. If you do not include an email address, you will not receive a response unless your submission is accepted for publication. Please do not include a SASE (self-addressed stamped envelope) with your submission.

Please send mailed submission to:

The Fiddlehead
Campus House
11 Garland Ct
University of New Brunswick
PO Box 4400
Fredericton NB
E3B 5A3
Canada

Fiction, Poetry, Creative Nonfiction
• A short fiction submission should be one story, double spaced and maximum 6,000 words. Unless a story is flash fiction (under 1000 words), please send only one story per submission. Please specify at the top of the first page the number of words in the story submitted. For flash fiction, we accept up to two stories per submission. If submitting two, please include both stories in the same word document and ensure that the second story begins on a new page with the title included to mark the beginning of the new story.
• A poetry submission may be single-spaced. Please submit no more than 6 poems per submission, and no more than 12 pages total. No more than one poem on a page. If a poem runs more than one page, please put the poem’s title in the headers of the additional page(s) and make sure the pages are numbered. The Fiddlehead prefers to accept several poems by the same author; please do not limit your submission to a single poem.
• Creative nonfiction (CNF) is construed widely and can include personal essays, narrative non-fiction, think pieces, etc. Check out the Creative Nonfiction Collective Society’s definition here. Submissions in this genre should be double-spaced and maximum 6,000 words. Unless a CNF work is very, very short (under 1000 words), please send only one work per submission. Accompanying images may be considered, but permissions for the images are responsibility of the author and must be arranged beforehand.
• Excerpts from novels and scenes from plays are occasionally accepted, but short fiction, poetry, and creative non-fiction are the preferred genres. Excerpts from novels should be double spaced, while play excerpts may be single spaced. Novel excerpts should be no more than 6,000 words, while play excerpts should be 10 pages max.
• Translations of creative work are also considered and occasionally published. With these submissions we need a copy of the text in its original language and a copy of a permissions letter from the copyright holder (usually the author or the original-language publisher).

Artwork
The Fiddlehead pays $250 plus two copies of the issue for use of artwork on our cover . We do not consider unsolicited artwork for the cover or interior unless the artist is a current resident of Atlantic Canada. Please query by email with a link to your online portfolio.

Submit your work here.

Call for Submissions: CutBank

Recent cover image or website screenshot for CutBank Literary Magazine

Electronic submissions open from September 15 to February 1.

For the print editions of CutBank, we accept poetry, fiction, creative nonfiction, and visual art submissions. Please only submit online; paper submissions will be recycled. We now charge a $5 reading fee, which goes toward paying our contributors for their work. Rates will be decided at the close of the submission period.

We encourage you to read CutBank before submitting. Sample issues are available here for $10, one-year subscriptions for $17.

Submit unpublished, original work, and include a cover letter (in the designated space) with a brief biography and contact information. Please do not include your contact information or biography in the document.

Simultaneous submissions are welcome, but ask that you withdraw your work immediately via Submittable if it is accepted elsewhere. Poets please email us if an individual poem in your submission becomes unavailable, and add a note in Submittable detailing the change.

Response time is typically 3 to 5 months. We appreciate the opportunity to read your work, however please do not submit again until you hear back from us, and please submit no more than twice per reading period.

FICTION should be double-spaced, in a conventional, readable font such as 12 point Times New Roman. We are unable to read unsolicited submissions of more than 8,500 words.

NONFICTION should be double-spaced, in a conventional, readable font such as 12 point Times New Roman. We are unable to read unsolicited submissions of more than 8,500 words.

POEMS should be uploaded as one file, with page breaks between poems. We accept up to five poems per submission. To withdraw your entire submission, use Submittable. To withdraw part of your submission, add a note in Submittable detailing which poems are no longer available.VISUAL ART should be uploaded as JPEG, TIFF, or PDF files of at least 300 dpi. CutBank welcomes submissions of all types of visual art for publication in our upcoming print edition. If your work is 3D, we recommend uploading multiple images to feature rotational perspective. Please submit no more than five high quality files and include an artist biography. Artist statements are appreciated but not required. If your piece is accepted, it may be used in the print edition, online features, or as cover art. We will contact you with updates regarding selection and where we would like to display your work. You can submit through Submittable with the button below or send work directly to cutbankarts@gmail.com.

Every piece will be read first by an editor, and then by an enthusiastic, trained pool of readers. Reading your work is the most exciting part of our jobs, and we’re happy to say the majority of our content for CutBank comes from unsolicited submissions. We’re all writers here, and we appreciate the opportunity to read your work. Keep writing and we’ll see you on the flip side!

Call for Submissions on Theme of "Dying": ELASTIC

ELASTIC, the magazine of psychedelic art and literature, will debut in spring 2025, with generous support from Harvard and UC Berkeley. We’ll print art and writing that’s immersive, dreamlike, daring, and genre- and time-bending; that interrogates power by breaking form; and that acts to expand the mind and the possibilities of narrative.

Questions? Answers? Get in touch:  

info@elasticmag.com

Submissions for our inaugural issue, on the theme of dying, are now open until September 23. 

Elastic’s first issue, to be published in March 2025, will be on the theme of dying. Submit pitches or finished work until September 23 to:

submissions@elasticmag.com 

There are so many ways to die. There are big deaths and little deaths, sudden deaths and slow dissolutions. We might print an essay in which a biologist is decomposed by his fungi, a short story on stellar death, kaleidoscopic renderings of wilting plants or decaying teeth or discarded fingernails, photographs of rotting fruit. Maybe the self at the center of a poem is extinguished in the piece’s marginalia. Maybe the narrative gradually unravels, deconstructing itself. We are looking for pieces that interpret the theme widely and playfully. Think transitory states, rebirth, decomposition, disappearance.

We’ll be publishing poetry, essays and short fiction (of up to 4,500 words), and visual art of all kinds. But the goal is to frequently and gleefully blur genre lines and expand the idea of the page and the canvas. We also welcome joint projects and work that combines visual and written elements. We pay relatively well for a small magazine.

Sunday, September 15, 2024

Call for Submissions on Theme of Water and Waterways: Saranac Review

Recent cover image or website screenshot for Saranac Review

Founded in 2004 as a print journal and published by students and faculty in the creative writing program at SUNY Plattsburgh, with the help of guest editors and readers, Saranac Review has relaunched as an online-exclusive publication. Our production schedule is dependent upon availability of personnel to teach our Editing and Publishing seminar.

We only accept submissions through Submittable during our reading periods; please do not email us your work. We will open again for Submissions on September 8. Check Submittable for more information.

Saranac Review pays $60 to each contributor whose work is selected and featured. (Please note: we charge a $3 fee to help keep our publication afloat. We do not consider work by current SUNY Plattsburgh students, faculty, or staff.)

We hope to be a good home for your beautiful, exciting, and surprising writing and art. We want to celebrate work by new and emerging writers, especially writers traditionally underrepresented in the publishing industry. Send us work you love, and we’ll feel lucky to consider it.

For Issue 20, we are especially (but not only) interested in writing and visual art about water and waterways, both literally and figuratively, and we're looking at this theme broadly:

Water as resource and source

Waterways as sites of movement and migration

Water and waterways as paths to connection, inspiration, and community

Please Note: You may submit to more than one genre, but we ask that you submit only once per genre. (If you receive a pass on a submission, please wait until the next open reading period to submit again in that genre.) We do not consider work by current SUNY Plattsburgh students, faculty, or staff.

Saranac Review pays $60 to each contributor whose work is selected and featured.

Our submission portal will remain open through October 31.


We look forward to reading your work!

Writing Contest and Call for Submissions from Undergraduate Students: Polaris Literary Magazine

Recent cover image or website screenshot for Polaris: National Undergraduate Magazine

Submissions are now OPEN for the 2024-2025 edition of Polaris

Deadline: Feb. 1, 2025

Note: Only previously unpublished work will be accepted. Polaris will only accept work from undergraduates.

We look forward to receiving your submissions!

Prizes awarded in each genre:

1st Place – $50
2nd Place – $25


Prizes are awarded by genre editors.

Winners will be published in Polaris and all contest entries will be considered for publication.

There is no monetary compensation for general acceptances. Only prize winners will receive the previously mentioned amounts.

Submission Guidelines: 

Fiction: Up to 2,500 words, open to anything with an interesting voice including absurdist, experimental, flash, et cetera. Multiple submissions of fiction will be accepted if all works together meet or are under the word count.

Poetry: Submit 1-3 poems, free verse, experimental, prose poetry, et cetera. If you do not include at least one poem in your submission, it will automatically be rejected.

Nonfiction: Up to 2,500 words, humor, travel narrative, et cetera. Multiple submissions of nonfiction will be accepted if all works together meet or are under the word count.

Visual Art: Up to 3 works per artist, .TIFF or .JPEG files, all media are acceptable. Artists should also include a Microsoft Word document containing their name, the titles and media of works submitted, and a brief artist’s statement. Keep in mind, if you want to be considered for the cover, our journal is horizontal.

Due to our magazine being only print, we cannot accept videos or media alike.

*Please do not attach any media in your nonfiction, fiction, or poetry submissions. Any other media besides the submission will not be published.

Please include a cover sheet that includes the following: Author’s name (should not appear anywhere else on the document)

  • Brief author biography
  • Genre & Title of Work(s)
  • Permanent Mailing Address
  • E-mail Address
  • Phone Number
  • Affiliated Undergraduate Institution

Simultaneous submissions are accepted, but the author must notify us immediately if his/her work is accepted for publication elsewhere. Contributors will be notified if their submissions were accepted by Polaris via e-mail.

Authors may submit to no more than two genres at a time.

Again, only previously unpublished work will be accepted. Submissions without cover sheets or from non-undergraduate students WILL NOT be accepted.
Tips For Success

Our aesthetic changes from year to year as our editorial staff turns over. However, we love fiction, poetry, non-fiction, and visual art of many kinds. We are open to traditional and experimental work. We also firmly believe that all aspects of the complex experience of being human are available to artists. However, we ask that you not submit work that glorifies sexism, homophobia, racism, transphobia, or sexual violence. Additionally, please do not submit AI generated work.

Fiction: Please feel free to submit fiction of all kinds, from literary realism, to mystery, horror, fantasy, science fiction, or experimental work, as long as it fulfills our other requirements.

Poetry: Please feel free to submit both free verse and formal poetry, as long as it fulfills our other requirements. We also note that our magazine is shaped like a postcard, so poems that rely on a form that is laid out over a whole standard page are not a good fit for our magazine.

Non-fiction: Please feel free to submit non-fiction of all kinds, as long as it fulfills our other requirements, with the caveat that we are not a research journal, so this isn’t an appropriate venue for an academic paper.

Visual art: Please feel free to submit visual art of all kinds, as long as it fulfills our other requirements.

Send questions to:
Fiction:

polarisfiction@gmail.com

Poetry:

polarispoetry@gmail.com

Creative Nonfiction:

polarisnonfiction@gmail.com

Visual Art:

polarisvisualart@gmail.com 

For general questions, contact us at:

onupolaris@gmail.com

Submission link here.

Call for Submissions: ellipsis...literature and art

Recent cover image or website screenshot for ellipsis… literature and art

ellipsis… literature and art is a nationally and internationally recognized journal published by the students of Westminster University since 1965.

Past ellipsis… contributors include Karen an-Hwei Lee, Jeanne Marie Beaumont, Monica Berlin, Nickole Brown, BJ Buckley, Lisa Fishman, Karen Garthe, Matthew Gavin Frank, Elton Glazer, William Greenway, Andrea Hollander, Elizabeth Murawski, Bianca Stone, and Elaine Terranova.

New issues of ellipsis… literature and art are published each April.

We accept original English language submissions in poetry, short fiction, creative non-fiction, drama, and art. Submit poems in one document, please. Our submission period is August 1 through November 15 for poetry, short fiction, drama, and creative non-fiction. We accept art submissions from August 1 through January 31.

Please include a 75 word contributor’s note and your address, telephone number, and email address.

Simultaneous submissions are welcome but withdraw your submission immediately if your work is accepted elsewhere. Note that we do not republish pieces, including work online.

We usually pay $10 per poem and page of visual art, and $3 per page of prose, plus two free copies of the issue. We cannot pay international contributors.

Submissions cannot be accepted via email.

Submit your work here.

Call for Submissions from Quebec Writers Ages 14-21: Quist

Quist is a new online magazine from the Quebec Writers’ Federation featuring the prose and poetry of Quebecers aged 14-21. Quist aims to showcase young writers with bold voices and fresh perspectives. We particularly welcome submissions by youth from diverse backgrounds, including BIPOC writers, LGBTQIA+ writers, those experiencing poverty and/or homelessness, writers for whom English is not their first language, as well as disabled and neurodivergent writers.
 
Give us your ghost stories and your gritty realism, your space operas and your mind-bending experimentalism! We want love poems and nature poems, poems about existential despair and poems about the contents of your fridge. Amaze us!
We accept:
  • Short fiction: one story of no more than 3500 words.
  • Flash fiction: up to three short stories, no more than 750 words each.
  • Creative non-fiction: one piece of no more than 3500 words.
  • Poetry: up to four poems. Each poem should not exceed 40 lines. Alternatively, you can submit fewer poems as long as the total number of lines does not exceed 160.
  • Art: up to five original artworks per submitter, up to 25 MB total. If submitting multiple artworks, please include an image list with your submission that includes the work’s title, date, and medium (if applicable). You can also include artist statements or additional contextual information (optional).
Quist pays $75 for each accepted submission of written work, which can include groups of poems or flash fiction. Please note that this amount covers the entire submission, not each individual piece.

Although we are working on providing monetary compensation to our arts contributors, we are unfortunately unable at this time to pay for artwork published in Quist. In lieu of payment, featured artists will be offered professional development opportunities, such as
  • A one-on-one mentorship meeting with our arts editor
  • An interview with our editor-in-chief or arts editor, to be published alongside your art
  • The opportunity to attend the launch in December and to present your work
Deadline: October 1, 2024  
 
Submission portal and more information here.

Call for Submissions on Theme of "Bloodlines: Lineage, Inheritance, and Legacy": The Santa Fe Literary Review

The Santa Fe Literary Review (SFLR) is published annually by the Santa Fe Community College. An in-print literary journal, SFLR features work by local, national, and international writers and artists. We use Submittable, an online submissions platform, for all submissions. From July 15 to November 1 each year, we invite submissions of poetry, fiction, creative non-fiction, and visual art. In recent issues, we’ve proudly featured the work of such writers as Tommy Orange, Layli Long Soldier, Kirstin Valdez Quade, and Darryl Lorenzo Wellington.

Our submissions period opens July 15, 2024, and closes November 1, 2024.

Our suggested theme for our 2025 issue is “Bloodlines: Lineage, Inheritance, and Legacy.” SFLR accept submissions of poetry, dramatic writing, fiction, creative nonfiction, and visual art. SFLR editors notify writers and artists of editorial decisions by December 25 each year. If you’ve submitted work and have not heard a reply by January 1, feel free to email us at:

sflr@sfcc.edu 

to request an update. During our submissions period, we accept submissions for free through Submittable, but first, please review the SFLR guidelines for prose, poetry and visual art. 

For your copy of the SFLR, visit any of the three public library branches during the months of August and September. You can also pick up a complimentary copy at the Santa Fe Community College Library or in the Office of Liberal Arts. Or, view all of our issues online.

SFLR aims to promote a diverse range of writers and artists, and to present a wide variety of stories, styles, and cultural perspectives. We’re especially committed to promoting voices that aren’t always empowered in the publishing world, so if you’re a writer of color, an Indigenous person, a non-native English speaker, a female, a person with a disability, a member of the LGBTQIAPK+ community, a trauma survivor, or anyone else frequently silenced or ignored by the modern media, please submit.

If you have questions, comments, or suggestions, please email SFLR at:

sflr@sfcc.edu

Submit your work here.

Calll for Submissions: Wild Peach Magazine

Wild Peach Magazine publishes work by unpublished and emerging creators, and features profiles and interviews with all kinds of people that thoughtfully explore the varying approaches to being a human.

Here’s what you should know before pitching us: We never charge a fee to submit

  • We accept multimedia submissions including writing, art, comics, illustrations, and photography; we also publish film/music projects, but will only consider them from an initial pitch
  • All work submitted should be original and unpublished
  • Simultaneous submissions are allowed! We just ask that if your work is accepted elsewhere you withdraw it from consideration promptly
  • We read and respond to every submission, so please be patient – we’re a small team and get a large volume of pitches – it may take a while to get back to yours, but we will. If you haven’t heard from us within 8 weeks you can (gently) follow up.
  • If you want to volunteer as a reader or guest editor, we’d love to hear from you (click here please).
Below we’ve outlined some things we like to see, and some we really don’t, but these are guidelines, and if you’re unsure we welcome you to submit anyway.

Submit |
We’re pining for

Hyper-local narratives; unexpected pairings of art/music/literature; unsophisticated photography; personal obsessions, beliefs, or commentary on anything that matters to you; sharp, witty takes on flash-trends; playful/critical reflections on the past; stories from behind-the-scenes (of anything); on-the-ground dispatches from unexpected or unusual places; short fiction; how-to’s for messy/absurd moments; sharp, insightful manifestos; any review of a book/music/film/product that is highly subjective.
 
We’re not excited about 
 
Self-indulgent introspection; positions that are incompetent, unkind, or evil; unhelpful “everything is doomed” pessimism; motivational platitudes; evidence claims with no reference to the original research; “wellness”; bad faith recommendations; mean-spirited criticism; capitalism/environmental think pieces on Taylor Swift; capitalism/environmental think pieces on Leonardo Dicaprio; anything that writes off or disregards people you disagree with; wanton/thoughtless violence; indecisive viewpoints.
 
Send your pitch to:
 
pitch@wildpeach.org
  • Attach your 1-2 page proposal as a docx or PDF.
  • If you’re interested in covering an event/release/occasion, keep in mind that we sometimes commission pieces far in advance, and plan to send your pitch 3-6 months ahead of time.
  • If you want to submit a film/audio project, send us your 3-4 paragraph pitch describing the format, and the story.
Submit your story to:

story@wildpeach.org
  • Fiction and non-fiction stories (no word limit).
  • We publish narrative non-fiction, reviews, flash fiction, and short stories.
  • For fiction, we accept all/most genres; we look for character-driven pieces.
  • Please include a short bio in the body of the email, and attach your work as a docx or PDF titled “title_lastname_firstname.”
  • Cover letters are nice, but not required!
Send your art/poetry/photos to:
 
art@wildpeach.org
  • Include a short bio in the body of the email.
  • For poetry – attach poems as one docx or PDF file.
  • For art and photography – you’re welcome to submit finished work or pitch your idea with examples of your previous work.
Interviews
 
We do a lot of interviews at Wild Peach. It’s kind of our thing. In every issue, we feature a big profile on one neat individual where we get to know their story and preoccupations a little more than usual. We call this series How to Be a Human Being. These people are chosen either because we think they’re cool/apprehensive/witty or because you do. Send us someone you want to see featured using this form.
 
What we pay

$100-500 for essays
$100-500 for fiction stories
$25 for poems
$50 for reviews
$50-700 for original art/comics/illustrations/photos
$25-200 for reprints


If your work is accepted we’ll send you our publication agreement and payment details. We also pay for original film/music projects – if your pitch is accepted, we’ll forward you paperwork and payment rates. For written pieces, we may request rewrites or light edits before publishing your work.

Call for Submissions: Toronto Journal

What do we publish?

We publish short stories from anywhere in the world.

We will also consider non-fiction pieces that are either set locally or explore some local history (Toronto, GTA, and surrounding). See the Stories from the City category, and the Toronto Feature category, respectively, for some examples.

Who do we publish?

We are firm believers in the idea that the writing should speak for itself. It’s irrelevant to us whether you’re a new writer or an established writer. All submissions to Toronto Journal are anonymous.

Compensation

We pay $50 per piece. All published writers will also receive a printed copy of the issue in which they appear.

Submission Guidelines

  1. Do not include your name or email on the pdf or word document with your content.
  2. Do not include a cover letter with your work.
  3. Word limit is 7,500 words.
  4. No strict formatting requirements besides legibility.
  5. Simultaneous submissions are ok. Please let us know if your work is accepted elsewhere.
  6. If your work is selected for publication, Toronto Journal has first serial rights only, and the author retains all other rights to the work.
  7. We cannot accept any work that has been published previously in English, either in print, online, in audio format, or otherwise.
  8. Should we happen to accept multiple pieces from the same author for a given issue, the accepted pieces may be postponed to subsequent issues. 
  9. If you are submitting for the Summer issue, expect to hear back from us by April 30th each year. If you are submitting for the Winter issue, expect to hear back from us by October 31st each year. If you don’t hear back from us, please get in touch: submissions@torontojournal.com.

We are currently accepting submissions for our Winter 2025 issue. Deadline: 1 October 2024.

Submit your work here.

Call for Volunteer Readers: The Adroit Journal

Prose Reader

Prose readers get the first crack at all submissions in their specified genre, and are expected to review fiction and nonfiction (and hybrid) submissions regularly and consistently. Reviewing submissions includes voting, providing comments, and participating in occasional discussions about pieces on the bubble. (Est. commitment: 3.5 hrs/week.)

Before applying please familiarize yourself with the journal by visiting our About page, and perhaps also an issue or two.

APPLICATION DETAILS:

I. STATEMENT

Please briefly (no more than a page double-spaced) explain what qualifies you for this position, and what you would add to the journal’s literary and/or artistic community. You are encouraged to include things such as experience in the specific field(s), writing publication, and other commendations and accolades, but this Adroit Statement should NOT read like a résumé.

At the end of the day, the statement should highlight your history, passion, and experience with the areas of the position and creative writing. Feel free to discuss other topics you feel are appropriate, as well as any specific connections, measures, or initiatives you might have (or aspire to have) with The Adroit Journal’s staff community.

2. PLEASE UPLOAD A WRITING SAMPLE (8-10 pages of poetry or 12-15 double-spaced pages of prose) *for all Editorial roles

ELIGIBILITY:

We are fully open to all readers and writers. At this time, for editorial roles, we are not open to editorial staff on the masthead of other internationally-staffed unaffiliated literary journals. Publications that consider solely campus work, or work with specific geographic eligibility requirements, do not apply to this restriction. Non-editorial roles are exempt from this proviso.
As we seek to fill open positions sooner rather than later, we consider applications on a rolling basis.
***Unless otherwise specified, all positions are volunteer and remote in nature & have a start-date of ASAP.***

~~~

Poetry Reader

Poetry readers get the first crack at all poetry submissions and are expected to submissions regularly and consistently. Reviewing submissions includes voting, providing comments, and participating in occasional discussions about pieces on the bubble. (Est. commitment: 3.5 hrs/week.)

Before applying please familiarize yourself with the journal by visiting our About page, and perhaps also an issue or two.
APPLICATION DETAILS:

I. STATEMENT

Please briefly (no more than a page double-spaced) explain what qualifies you for this position, and what you would add to the journal’s literary and/or artistic community. You are encouraged to include things such as experience in the specific field(s), writing publication, and other commendations and accolades, but this Adroit Statement should NOT read like a résumé.

At the end of the day, the statement should highlight your history, passion, and experience with the areas of the position and creative writing. Feel free to discuss other topics you feel are appropriate, as well as any specific connections, measures, or initiatives you might have (or aspire to have) with The Adroit Journal’s staff community.

2. PLEASE UPLOAD A WRITING SAMPLE (8-10 pages of poetry or 12-15 double-spaced pages of prose) *for all Editorial roles

ELIGIBILITY:

We are fully open to all readers and writers. At this time, for editorial roles, we are not open to editorial staff on the masthead of other internationally-staffed unaffiliated literary journals. Publications that consider solely campus work, or work with specific geographic eligibility requirements, do not apply to this restriction. Non-editorial roles are exempt from this proviso.
As we seek to fill open positions sooner rather than later, we consider applications on a rolling basis.
***Unless otherwise specified, all positions are volunteer and remote in nature & have a start-date of ASAP.***

Apply here.

Saturday, September 7, 2024

Call for Submissions from Students Ages 13-22: Blue Marble Review

 

Recent cover image or website screenshot for Blue Marble Review

Thanks for your interest in Blue Marble Review. We welcome submissions from students ages 13-22. Please take a look at our submission guidelines, and fill out the form below. Please use a personal, or parent email (or gmail) but not a school email. School email filters will often block our responses. We look forward to reading your work.

What to Send:

Blue Marble Review is published four times a year and accepts submissions of poetry, fiction, nonfiction, essays, opinion pieces, travel writing, photography and art on a rolling basis. We are looking for new work that hasn’t been published anywhere else either online or in print.

Fiction:

Send us your stories! Flash, short stories, hybrid forms-all in 1500 words or less. A maximum of three pieces per submission.

Non-Fiction:

We accept memoir, personal essays, travel adventures, and have been known to publish the occasional research paper and book review. One to two pieces per submission please.(1500 word limit)

Poetry:

Up to three poems per submission.

Art:

Four pieces of artwork (scanned, jpeg format) or four photographs per submission.

Payment:

Contributors published online in Blue Marble Review will receive $30 per published piece, $75 for cover art.

When you submit to Blue Marble Review you are allowing us First Serial Rights as well as the right to archive your work on our site. Copyrights of all work published in Blue Marble Review remain with the author.

Submit your work here.

Call for Submissions on Theme of "What Animals Can Teach Us About Being Human": Bellevue Literary Review

Recent cover image or website screenshot for Bellevue Literary Review (BLR)

Bellevue Literary Review seeks high-caliber, unpublished work, broadly and creatively related to our themes of health, healing, illness, the mind, and the body. We encourage you to read BLR before you submit.

Submissions are OPEN for our upcoming theme issue on “Animalia: What Animals Can Teach Us About Being Human” until December 31, 2024. We will also be accepting general submissions at this time. We can’t wait to read your work!

Animalia: What Animals Can Teach Us About Being Human

BLR is seeking creative writing about the ways in which animals figure into our lives and the way they live theirs. Whether companion or wild, predator or prey, animals’ experiences of health can shine a light on our own. BLR invites submissions that explore how health and healing both transcend and interconnect species, and what this can teach us about being human.

Fiction/nonfiction word max is 5,000 words (though most of our published prose is in the range of 2,000-4,000 words).

Fiction: We seek character-driven fiction with original voices and strong settings. We do not publish genre fiction (romance, sci-fi, horror). We have only occasionally published flash fiction. While we are always interested in creative explorations in style, we do lean toward classic short stories.

Nonfiction: We are looking for essays that reach beyond the standard ‘illness narrative’ to develop a topic in an engaging and original manner. Incorporate engaging and creative analysis that allows anecdotes to serve a larger purpose. (Please, no academic discourses or works with footnotes. )

Poetry: We encourage poems that are accessible to a wide audience. Characteristics we look for are vivid writing, strong narrative, and rendering the familiar new. We encourage you to peruse back issues in our archive to get a sense of our ethos. Please submit no more than three poems. Each poem should be on a separate page within a single document.

Guidelines

We happily consider simultaneous submissions, but please inform us immediately if your work is accepted elsewhere.

Manuscripts can only be accepted electronically via Submittable.

Fiction and nonfiction should not exceed 5,000 words (double-spaced, please). Most of our published prose is in the range of 2,500-4,000 words, which allows us to publish more authors.

You may submit up to three poems as one submission. Each poem should be on a separate page within a single document. Poems can be of any length, though shorter poems allow us to include more poets in our pages.

There is a $5 fee per general submission but it’s waived for current subscribers. (If you are not a current subscriber, you can subscribe when you submit your work and take advantage of free submission.) These fees help BLR fund publication of the journal, but if it’s a hardship for you, please contact us.

We strive to provide several reviewers for each manuscript and kindly ask your patience in this necessarily slow process. But if you have not heard from us within five months, feel free to inquire about your manuscript.

BLR pays $75 for poetry and $150 for prose. Published authors will receive two copies of the issue in which their work appears, plus an additional 1-year subscription to BLR. There is an author discount for purchasing extra copies.

All submissions must be of previously unpublished work.* BLR acquires First North American rights, and the right to reprint in anthologies and online. After publication, all other rights revert to the author and the work may be reprinted as long as appropriate acknowledgement to BLR is made.

Submit your work here.

Call for Submissions: The Temz Review

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Prose (for the journal)
We publish prose (fiction and creative non-fiction) up to 10,000 words long. We will consider pieces longer than 10,000 words, but they need to earn their length.

We pay $20 per piece.

If your piece is longer than 1000 words, please submit only one piece. If your pieces are fewer than 1000 words each, feel free to submit several pieces at once.

We are looking for innovative short fiction from diverse voices. Our preference is for the strange, the experimental and the boundary-pushing, but we are open to a wide range of styles and voices.

Poetry (for the journal)
We accept submissions of 1-8 poems, depending on the length of the poems.

We prefer poetry submissions to be 10 pages or fewer. You can certainly send us longer submissions, particularly if you are submitting a long poem, but longer submissions need to earn their length.

We pay $20 per batch of poems we publish.

Our preference is for innovative verse that pushes the boundaries of poetry, but we are open to a wide range of styles and voices.

Please submit only once per reading period.

Reviews and Interviews (for the journal)

We do not accept reviews or interviews submitted through Moksha. If you are interested in writing a review for us or placing an interview with us, please query us first at:

thetemzreview[at]gmail[dot]com (Change [at] to @ and [dot] to . )

We are particularly interested in reviews of Canadian small press titles and of works in translation, and in interviews with the authors of this kind of work.

Simultaneous Submissions Welcome!
We welcome simultaneous submissions, provided you notify us and/or withdraw a piece that is accepted for publication elsewhere. 

More information and submission portal here.

Writing Competition: The Sarabande Chapbook Prize

The Sarabande Chapbook prize

SUBMIT September 1 - 30

In celebration of Sarabande’s 30th anniversary, the inaugural Sarabande Chapbook Prize will be awarded to two winners from our 2024 submission period. The prize includes $1,000, publication, and a standard royalty contract.

Genre

We’re looking for traditional poetry chapbooks and hybrid/experimental projects. (For examples of hybrid projects we’ve loved, see Hotel Almighty, Team Photograph, Thot, Bright, White Bull, A Twenty Minute Silence Followed by Applause, and more.)

ELIGIBILITY

This Sarabande Chapbook Prize is open to any poet or writer of English. Employees and board members of Sarabande are not eligible. Translations and previously published collections are not eligible. Works that have previously appeared in part in magazines or in anthologies may be included. 

SUBMISSION REQUIREMENTS

Manuscript must be anonymous

Manuscript must be typed, standard font, 12 pt., paginated

Between 20-30 pages, single spaced

Must be accompanied by a $25 submission fee

Must be submitted electronically through Submittable

Multiple submissions are permitted if submitted separately, each with a submission fee. Edits to submissions will not be permitted, but any publications resulting from this contest will undergo a full editorial and copyedit. Simultaneous submissions to other publishers are permitted, but please withdraw your manuscript if accepted elsewhere.

More information and submission portal here.

Fellowship: Paul and Daisy Soros Fellowships for New Americans

This fellowship supports thirty New Americans— immigrants or the children of immigrants—who are pursuing graduate or professional school in the U.S. Each Fellowship supports one to two years of graduate study in any field and in any advanced degree-granting program in the U.S. up to a total of $90,000.

Deadline: October 31, 2024 

To apply for the Paul & Daisy Soros Fellowships, you’ll need to create an account and start the online application. You’ll fill out eligibility and demographic questions, share information about your educational and New American background, and then you will have to submit relevant transcripts, a resume or CV, two essays, and then register three to five recommendations.

Once we receive and review the applications, the top 77 applicants will be designated “finalists” and will be asked to appear for virtual interviews in late January and early February of 2025. 30 of the the 77 finalists will be selected as Fellows and will be notified in March of 2025. The 2025 Fellows will be announced publicly in April of 2025 and they will begin to receive stipend and tuition support from the program in the fall of 2025, and they will also attend the Fellowship’s Fall Conference, all expenses paid, that October.

  • PD Soros supports all types of full-time graduate and professional degrees at accredited institutions in the United States.
  • You can apply when you’re applying to graduate or professional school, or when you’re in the first two years of the academic program you’re seeking funding for.
  • You can apply more than once and the application is free.
  • The first year of the Fellowship can’t be deferred.
  • All application materials must be submitted online through the online application.
  • We make no exceptions to the 2 pm ET application deadline on October 31, 2024.Our eligibility requirements include your status as an immigrant or a child of immigrants, your age, and your academic standing. We do not look at school, GPA, or test score range. All eligibility requirements should apply to you as of October 31, 2024. If named a finalist, you will be required to provide documentation of your eligibility.
More information and application portal here.

Call for Submissions: Wrong Turn Lit

What We Want

We’re always looking for literary work - fiction, essays, poetry, book reviews - that takes risks and demonstrates an excellence of craft. We want to be entertained, or made slightly uncomfortable, but most importantly, left in awe of what you can do with words. We’re word people. Send us what you’re too afraid to show anyone else.

What We Don’t Want

We are not interested in works previously published online or “curated” or in-print, except for translations. Nor do we accept any AI-generated text.

How to Submit

We currently accept submissions via Submittable or Duosuma.

Formatting Requirements

For prose: Submissions must be 1,500 words or less. Simultaneous submissions are encouraged, but let us know if your piece is accepted elsewhere. Send only one piece at a time and wait for a response before sending another. Multiple submissions will be deleted unread.

With your submission, include a standard cover letter with your contact information, word count, and a short, third person bio (50-100 words max). We read submissions blind, so make sure your name is removed from the file name as well as the document you submit. Format your work according to the standard MLA Guidelines: Times New Roman, 12 pt font, double-spaced, with page numbers and word count in the header. We prefer Word documents, for editorial purposes, but will accept pdfs as long as they follow the above format.

For poetry:

Submissions may consist of up to three individual poems. Single-spaced is preferred, Times New Roman. Your poems should all be included within the same word document. Each individual poem should be no longer than a page in length. We are not the right fit for long, epic, or funkily-spaced poetry (Sorry, Cummings).

We tend to prefer the lyrical, but take a look at what we’ve published in fiction and nonfiction, and if you think your poems fit our aesthetic, send them along.

Failure to follow any of the above guidelines will result in automatic rejection. Don’t waste our time, and we won’t waste yours.

If you have been published by Wrong Turn Lit, we ask that you wait one month after publication to send us more stuff.

Response Time

We try to respond as soon as possible, but depending on the volume of submissions, sometimes it may take a month or two.

Important Note: We are editors for a reason. We like to be very hands-on with the pieces we accept. No matter how much we like a piece, there is always room to improve. If you’re uncomfortable or unwilling to revise your work with our editorial team, then we are not for you.

For Book Reviews:

We're now accepting Book Reviews for publication in addition to our weekly regular fiction, nonfiction, or poetry. For this call, we want to focus specifically on books published by small presses. These can be chapbooks or full length novels, memoirs, story or poetry collections, etc.

In general, you should try to follow John Updike's guide for reviewing:

1. Try to understand what the author intended to write, and don’t punish him or her for something she or he did not attempt to do.

2. Provide enough quotations from the work to give the review reader a feel for the quality of the prose.

3. Confirm your description of the work with quotations and other evidence from it.

4. Limit your plot summary, and never give away the ending. Don’t spoil the experience for others.

5. When a book is deficient in quality, cite similar examples of good books (perhaps even by the same author). Try to understand and explain what went wrong; don’t just do a “hatchet job.”

6. Don’t review books you are predisposed to dislike or like (for instance, one written by a friend); don’t see yourself as a caretaker for some tradition or standard of literature; don’t try to put an author “in his place” with your critique; and always review the book, not the reputation.

We are not looking for hit pieces or vulgar takedowns. The ideal review will generously engage with the book and encourage further engagement. That does not mean the review must be overwhelmingly positive or positive in any way. But our goal here is to bring more attention to books that are being overlooked by the mainstream press and provide a space for further discussion of independent literature.

Follow our standard formatting guidelines. The word count on these can be a bit higher than our usual, somewhere between 2,000-3,000 words is probably the sweet spot, though we're happy to look at what you can do in a shorter span.

If you'd like to query about potentially reviewing a book (forthcoming or already published), send us an email or direct message.

Rights & Payment

You always retain the copyright to your work.

If we decide to publish your work, we require exclusive electronic rights to it for 30 days and non-exclusive rights for the duration of the journal so that it may appear in our archived issues.

Right now, we're unable to offer monetary compensation; however, we gift all our contributors a complimentary one-year paid subscription to our journal with all the bells and whistles.

If your work is subsequently published elsewhere, we would greatly appreciate your acknowledgement of Wrong Turn Lit as the site of first publication.

More information here.