Sunday, April 30, 2023

Call for Submissions on Theme of "Cosmos": Antithesis Journal

Wrapped in the darkness of the night for centuries, the stars above shone brightly. What was this blanket covering the horizon? It was everything, from the first millisecond of existence. It was cosmos. It instils wonder, curiosity, reverence and terror.

How could it be so many things to so many people? What does it mean to you? Do you embrace the idea of the cosmos, wanting to seek out the unknown? Or does it spark reflection within yourself as you are faced with its endless expanse? Can the cosmos be discovered through rigorous scientific methodology or careful spiritual reflection? How do the cultures that define us see the cosmos? Or will you reject this idea entirely as the human instinct to defy even in the face of the encompassing unknown?

At Antithesis this year, it is our mission to feature authentic, diverse voices that showcase what Cosmos evokes in 2023 and beyond. What can we learn from the past, and what can we change for the future? The team at Antithesis would love to know your thoughts.

What we're looking for:

Creative writing (short fiction, creative non-fiction, personal essays) up to 3,000 words

Scholarly research articles up to 7,500 words

Poetry up to 100 lines

Artwork (paintings, drawings, photography, digital art, comic art, graphic narratives, etc.)

We encourage submissions from writers and creatives who are queer and/or trans and/or of any colour, religion, age, ability or gender. You do not need to be a student to be published in the journal . We welcome submissions from writers and artists both established and emerging.

Written submissions for the print journal are open until 11:59pm, June 11th 2023. Artwork submissions for the print journal are open until 11:59pm, June 25th 2023. All writers/artists whose work is accepted for the print journal will be paid AU$50.

More information and submission portal here.

Call for Submissions on Theme of "Subversion": Minerva Rising Journal

Minerva Rising literary magazine issue 22 cover image

Minerva Rising Press will be accepting poetry, fiction, and creative nonfiction submissions for focused on the theme of Subversion.

Writers hold a superpower when it comes to undermining authority and breaking down systems of oppression. Our poetry, essays and stories carry the ideas and truths that influence necessary change in the world. What are the ways subversive behavior have shifted our direction? How have we rebelled against systemic racism, the patriarchy, discrimination in all forms? How do you define subversion, and how has it affected change in your life? How can it change and heal the planet? With this theme, we seek writers who can share stories, poems and essays showcasing the ways subversion has been and continues to be a necessary antidote to oppression within our own lives, our communities and the world.

Submissions will be open NOW through May 15. We look forward to reading your work.

Submission Guidelines

All work should address the theme of Subversion. Please no journalistic features, academic works or opinion pieces. We offer a contributor’s copy and a small stipend for accepted submissions. We purchase first publication rights. All other rights revert to the author upon publication. We only accept electronic submissions. Please, do not mail or fax submissions. Submissions received in this manner will not be acknowledged or considered.

Cover letters should briefly explain how you see your work connecting to this theme. For poetry, submit 1-5 poems (max. 10 pages) at a time. Poems may be single-spaced.

For fiction and nonfiction, please send only one story or one essay at a time, up to 7,000 words. (We will rarely run anything longer than seven thousand words. There’s no minimum word length). Prose submissions should be double-spaced.

Submit your work here.

Call for Submissions on Theme of "Home / Belonging": redrosethorns magazine

 Flyer for redrosethorns Issue 2 call for submissions

Welcome to our Annual Magazine

redrosethorns began with a simple core belief, that feminism is about empowerment. Through articles, poetry, interviews, art, and stories of all kinds, we intend to empower others to share their voices. All in the hopes of inspiring, motivating and connecting others. And contributing to a society that celebrates diversity.

Our 2023 magazine theme:

For our second annual magazine edition, redrosethorns invites you to submit your unpublished writing and art on the theme of 'HOME/BELONGING'.

We encourage your imagination to run wild with our theme. You can submit any writing style in any genre based on this years theme, and any art work that can be available for print.

DEADLINE: 30 June 2023

​ Please read the guidelines before submission. Any work that does not meet our guidelines will automatically be disqualified.

Guidelines

redrosethorns magazine publishes original short stories, creative non-fiction, fiction, poems, or art.

Please submit your work through our secure online forms on our website.

Submit only work that has not been previously published, in print or online.

You retain all copyrights of your work, and full license to use your work after redrosethorns magazine publication.

All written work needs to be 3000 words max.

Writings can be written directly into the message section or you may upload documents in PDF or Word format found on the right hand side of the page. (If you experience any issues with uploading your document, please reach out to us at:

contact@redrosethorns.com

Artwork submitted are not images to illustrate accompanying writing, but submissions of their own standing based on our yearly theme.

All art needs to in JPG or PNG format (maximum 1MB each in size).

You can submit as many pieces as you wish, though only submit one piece at a time. Please note that not all pieces submitted may be selected.

We do not charge for submissions, however donations are appreciated.

Writing Grant for Writers Over 50: Speculative Older Writers Grant

The Older Writers Grant

OPEN MAY 1, 2023 – MAY 31, 2023

Award: $1,000 USD

Winner announced: July 15, 2023.

Since 2004, the Older Writers Grant has been awarded annually to writers who are at least fifty years of age at the time of application to assist such writers who are just starting to work at a professional level. These funds may be used as each writer determines will best assist their work.

This grant, as with all SLF grants, is intended to help writers working with speculative literature. Speculative literature spans the breadth of fantastic writing, encompassing literature ranging from hard science fiction to epic fantasy, including ghost stories, horror, folk and fairy tales, slipstream, magical realism, and more. Any piece of literature containing a fabulist or speculative element would fall under our aegis.

This grant is awarded on the basis of merit. If awarded the grant, the recipient agrees to provide a brief excerpt from their work and an autobiographical statement describing themselves and their writing (500-1,000 words) for our files and for public dissemination on our website and our mailing list.

Please note that the goal of these grants is to help as many writers as possible, so recent winners can reapply but will be considered low-priority within a 2-year window of winning.

Grant Application Process

Complete the Application Form. The application form for the SLF Older Writers Grant is only active during the open submission period: 12:00AM May 1, 2023 – 11:59PM May 31, 2023 (All times UTC -4). Required materials include:

  • A cover letter: Include a short (less than 500 words) autobiographical statement describing your work thus far, including date of birth, and a bibliography of previously published work, if applicable. Applicants need not have prior publishing credits to apply.
  • A writing sample: Up to 10 pages of poetry, 10 pages of drama, or 5,000 words of fiction or creative nonfiction. If you are sending a segment of a novel, novella, or novelette, please include a one-page synopsis as the first page of the document. The submitted work must be speculative, as defined above.

Jurors will deliberate with the goal of announcing winners by July 15th, 2023. 

More information and submission portal here.

Saturday, April 29, 2023

Writing Competition: Marguerite McGlinn Prize for Fiction

Marguerite McGlinn Prize for Fiction

This is an annual national short fiction contest that features a first place $2,500 cash award and invitation to an awards dinner; a second place cash prize of $750; and a third place cash prize of $500. The winner stories will be published in the print issue of Fall of Philadelphia Stories. The Marguerite McGlinn Prize for Fiction is made possible by the generous support of the McGlinn and Hansma families. We especially encourage writers from underrepresented groups and backgrounds to send their work.

Contest Submission Guidelines:

  • Submit to the 2023 Marguerite McGlinn Fiction Contest until Monday, May 15, 2023.
  • Previously unpublished works of fiction up to 8,000 words. Please note, “published” includes any work published in print or online, including online magazines, blogs, public social media sites, etc.
  • Multiple submissions will be accepted for the contest only. Simultaneous submissions are also accepted, however, we must be notified immediately if your work is accepted elsewhere.
  • Only authors currently residing in the United States are eligible.
  • There is a $15 reading fee for each story submitted.
  • All entrants will receive a complimentary copy of the Philadelphia Stories contest issue.

Enter here.

Call for Submissions: L'Esprit Literary Review

L’Esprit Literary Review publishes work written in the fearless, risk-adept, and revolutionary spirit of High Modernism. We accept short fiction, creative non-fiction, novel extracts, drama, literary criticism, book reviews, artwork, and photography. General submissions are currently open. During open reading periods (announced here, on social media, and in our newsletter), find us on Submittable.

There is no fee for submitting. Please include the following: Your name, and the title and genre (fiction, CNF, criticism, review, etc.) of your piece.

A third-person bio, to be used as the contributor’s note should your work be accepted.
Social media handles (Twitter and Instagram), if you’d like to be promoted online.
An optional cover letter to introduce the work, yourself, or provide some context to your submission; please note that this in no way impacts the likelihood of publication.
Finally, we would appreciating knowing how you found the journal (social, ad listing, database search, reference, etc).

We also accept submissions via email should Submittable be infeasible. Kindly send your work via Pages, PDF, or Docx attachment to submissions@lespritliteraryreview.org.

L’Esprit does not discriminate based on background, education, or identity of those who send work to us. All work is evaluated solely on merit, without regard for any other consideration whatsoever. We encourage those of all backgrounds and experiences to send in their work, and look for writing exploring the range of the human condition.

Both simultaneous and multiple submissions (across genres or within the same genre; no more than two at a time) are welcome; please do let us know if a piece is under consideration elsewhere, and if it is accepted. We invite work in translation; it is the translator’s responsibility to secure all necessary permissions before submitting. Similarly, we accept previously published work, so long as the author has full rights and informs us of the original publisher so that we may credit them. Please only submit once (up to two pieces) before hearing back. To ensure we remain equally open to all, we must limit contributors to one publication per issue, but are happy to feature further work by past contributors in future issues. We aim to reply to all submissions within six weeks. All entries are judged by the editorial staff—we accept approximately 3% of submissions, and strive to build issues of outstanding literary merit. L’Esprit reserves all publication rights for each issue’s design and content, as well as for first North American publishing rights. Please note that work accepted for one of our full issues will be published in print, digital, and online formats. The journal also retains rights to use works for promotional and publicity pieces. We nominate for the Pushcart and other literary awards. Authors and artists retain their rights for future publication and use, but we ask that L’Esprit be credited with original publication.

All submissions will be considered for both our full issues, which are published in print, digital, and online formats, and our quarterly editions, which appear online only. Accepted pieces will be placed in either a forthcoming issue or quarterly, with all such decisions made at the sole discretion of the editors. Edits will be done collaboratively, between the editorial staff and the author. All final decisions are at the discretion of the author. We accept pieces on an intermittently rolling basis. Submissions will open and close at the discretion of the Editor, and these announcements will be made both here and on social media. We currently offer a modest honorarium of $10 per published work as payment. Issues are published in April and October; Quarterlies in Winter, Spring, Summer, and Fall. We encourage work to be read in the order in which it appears on the table of contents, as each issue is put together with consideration to theme, rhythm, and an overall narrative-stylistic progression.

We look for ambitious, voice-driven literary fiction and criticism that emphasizes consciousness and interiority in the Modernist tradition. Please no genre work. We seek writing that takes risks on the sentence level and is propelled by dynamic, poetic language. We also look for criticism that engages literary work on a critical, technical, mechanical, and/or theoretical level, including book reviews and essays. For an overall indication of what we seek, see previous issues and the essay “100 Years of Modernity”, originally published here and reprinted in Issue Zero, which serves as our aesthetic manifesto.

Formatting: For all submissions, please use Times New Roman or similar, 12 or 11pt., 1.5 or 2x line spacing, maximum two pieces per contributor per reading period. We prefer but do not insist upon footnotes over endnotes and Chicago style of citation. Please see genre-specific guidelines below.

Short Fiction and Prose: Up to 7,000 words; this limit is flexible and not overly important. We do not make a distinction as to flash fiction; we have no minimum word count requirement and will consider flash length work. We will also consider autotheory, personal essays, and narrative-driven non-fiction that explore their subject matter with the fearless, unabashed honesty of Modernism’s revolutionary tradition.

Novel Extracts: Too often excerpt guidelines are thinly disguised demands for long short stories. L’Esprit searches for extracts rather than excerpts in the hopes of finding work that is a distillation of the whole, sliced from the manuscript without regard for the constraints traditionally associated with the medium. L’Esprit extracts absolutely do not need to stand alone; simply send us the best section of your novel–with respect to language, technique, and vision–that you have. Up to 7,000 words; this limit is flexible and not overly important. Reviews and Criticism: We are open to book reviews and critical essays, be it a pitch or the finished product.

For a pitch, no secret formula is required; simply describe the piece in mind with a fair amount of detail and vision, sent to our email or Submittable. L’Esprit is open to critical work of ambition and scope; we understand that these pieces are hard to place in the current literary landscape, and as such welcome pitches in hopes of being considerate of the writer’s time and energies. We review all proposals carefully, and will work to come to a shared vision before asking for the finished product.

Reviews can be of books new or old, and critical essays should engage with one or multiple works on a theoretical-technical level (scholarly pieces using citations are especially welcome). If you have a piece which in some way engages smartly with literature but may not fit easy definition, email us; we’re likely interested. Please see our previously published essays for an idea of the range of work we seek, but note that we’re always open to something new. Word count is again flexible here–approximately 800-1,200 for reviews; essays need what they need.

Artwork and Photography: L’Esprit is also open to submissions of original works of art and photography, to be used as accompaniments to stories in each issue. They should be high-resolution, 300+ DPI images, in black-and-white. Both landscape and portrait orientation accepted. Please see past issues (beginning with Issue One) for a sense of the type of work we seek. Payments: We are currently able to pay contributors a small honorarium for their work, generated from the funds we receive from the submission options detailed below. We pay $10 per published piece of writing, and hope to increase this amount in the future. For accepted artwork and photography, we offer a high quality digital copy of the issue in which the work appears. All prose contributors who appear in a full issue will also receive a digital copy. 

Submit your work here.

Call for Submissions: Jake: The Anti-Literary Magazine

JAKE has submission guidelines, but if the work is good enough, then JAKE could give a shit what he called for:

FICTION

JAKE is looking for short stories of a literary or experimental stripe, regardless of the genre, between 2000-7000 words. JAKE’s sweet spot is right in the middle at 3500, but as you can tell, he isn’t that picky with breaking the mold. JAKE doesn’t fuck with novellas or short story collections.

NONFICTION

JAKE can appreciate a good real life story every once in a while. Send him between 2000-7000 words (but preferably around 3500), and he’ll see what he can do.

FLASH FICTION/NONFICTION

JAKE will also take your measly, little stories of 1000 words or under, attached up to three at a time in the same doc.

POETRY

JAKE likes Taco Bell scraps, early 2000’s music videos, and sonnets, and he will take submissions of up to three poems totally roughly 10 pages or less. Poetry longer than that scares him, since he doesn’t actually know how to read.*

RESPONSES

JAKE aims to respond to everything within one month of when it's sent, but often will respond within about a week. If your piece is still outstanding after 30 days, email him at:

jakepublishesbooks@gmail.com 

or DM him on Twitter

SOME WORDS OF WARNING

JAKE may be a rebel to the rules, but JAKE’s not an asshole either. Any work that is racist, sexist, homophobic, transphobic, xenophobic, or bigoted in any other way will be rejected outright. Any author engaging with these practices will be issued a warning about it in their rejection, with a second offense meaning JAKE’ll put you on an internal DO NOT PUBLISH list. JAKE takes this shit seriously, and will not debate the extent of the offense.

JAKE especially encourages BIPOC, LGBTQ+, neurodiverse and/or other marginalized writers to send in work. He is excited to engage with work that deals with the marginal, provided the theming of said work does not advocate for harm. The literary weird is a place for all kinds of weird. Cowabunga!

Call For Submissions: Midwestern Heat

What We Want

  • Poetry: Submit up to 3 poems on a single document (Word or PDF). We take any forms, just as long as your work tells us a story.
  • Fiction: Submit ONE story up to 1500 words with 12 pt. serif font. Any style and genre of fiction is fine, but we particularly enjoy flash & micro.
  • Art: Submit ONE piece of art. Any medium, as long as we can see the effort.

For all submissions:Submit as a .doc, .docx, or .pdf file.

Only submit previously unpublished work. Simultaneous submissions are fine, as long as you immediately withdraw a submission if it is accepted elsewhere.

We ask you to also write a "cover letter" when you fill out our submission form. In the cover letter, mention how your work reflects the themes of Midwestern Heat, ​and also say a bit about yourself. We want to know you!

We will not accept any pieces that engage in racism, homophobia, discrimination, bigotry, or any other hateful forms of speech. Don't bring that any where near us.

Submit here!

Saturday, April 22, 2023

Writing Competition: Grist's Imagine 2200: Climate Fiction for Future Ancestors.

Banner for Grist Magazine's 2023 Imagine 2200 Climate Fiction Contest

Grist is excited to announce our third-annual climate fiction short story contest, Imagine 2200: Climate Fiction for Future Ancestors. 

Submissions for our 2023/2024 contest are now open. We’re looking for stories of 3,000 to 5,000 words that envision the next 180 years of climate progress — roughly seven generations – imagining intersectional worlds of abundance, adaptation, reform, and hope. 

A great Imagine story showcases creative climate solutions, particularly through narratives that center the communities most impacted by the climate crisis, and that envision what a truly green, equitable, and decolonized society could look like. We celebrate fiction rooted in hope, justice, and cultural authenticity, and aim to amplify voices that have been, and continue to be, affected by systems of oppression.

There is no cost to enter. Submissions close June 13, 2023, 11:59 p.m. U.S. Pacific Time.

The winning writer will be awarded $3,000, with the second- and third-place winners receiving $2,000 and $1,000, respectively. An additional nine finalists will each receive $300. All winners and finalists will have their story published in an immersive collection on Grist’s website. 

Stories will be judged by a panel of literary experts, including acclaimed authors Paolo Bacigalupi, Nalo Hopkinson, and Sam J. Miller.

Imagine 2200 was inspired and informed by literary movements like Afrofuturism and Indigenous, Latinx, Asian, disabled, queer, and feminist  futurisms, along with hopepunk and solarpunk. We hope writers of all genres look to these movements for inspiration, and we urge writers within these communities to submit stories. 

We also invite you to bring climate fiction and the principles of Imagine 2200 into other genres. Write a climate mystery or comedy. If you love steamy romance, thread a climate story through that titillating enemies-to-lovers arc. Climate connects to every part of life — all sorts of stories can be climate stories. 

So dream big — envision a world where we prioritize our well-being, work to mend our communities, and lead lives that celebrate our humanity. We can’t wait to read what you come up with.

More information and submission details here.

Call for Submissions from Women-Identifying Writers on Theme of "Love": OyeDrum

OYEDRUM’S VOLUME 6 OPEN CALL! SEND US SOME LOVE!

OyeDrum is an online digital press and intersectional feminist community. We are dedicated to publishing women’s creative and intellectual work, celebrating international and intergenerational voices. We publish art, multimedia, writing, but prioritize hybrid and experimental work. We highly encourage women of color and members of the LGBTQ community to submit. We accept work exclusively produced by women, including our trans sisters and all people who identify as female.

OyeDrum is a woman-owned volunteer-run operation. We remain committed to keeping our submissions free and providing a high quality online home for valuable creative work, which is why we really need your support. We appreciate you valuing our hard work by giving us a one-time contribution or joining our Patreon. Our goal is to keep OyeDrum open! We are the only online literary journal dedicated to publishing and promoting works produced exclusively by women for all audiences.

ANNOUNCING VOLUME 6’S THEME!

L-O-V-E
Spring is here and love is in the air! We are seeking all interpretations of the word “love.” What is love? An age-old question and our theme for OyeDrum’s volume six! How do we define it? Why do we pursue it? Does love awaken, dismantle, and transform all at once?

Beyond stories about love, we’d like to see analytical and experimental works that embody a discourse on love–what is love? Furthermore, what is love in our time? Is love a constant? Is love [still] ‘all we need’?

We want original, strange, and unique interpretations about love. We seek visual art, performance art, short films, music, spoken-audio pieces, creative writing, poetry, photo essays, short graphic novels, hybrid and experimental work. We want it all! We accept translingual pieces as well as submissions in both English and Spanish. OyeDrum Magazine is committed to presenting diverse and inclusive work from those just getting started in their careers and those who are more established.

SUBMISSION GUIDELINES

We will not consider your submission if you fail to follow our guidelines. Please read everything! We hate having to pass up on pieces because it didn’t follow guidelines. If you need assistance or have questions, email us at:

submit@oyedrum.com

Don’t be shy!

Creative Writing
Send us up to two pieces, no more than 5,000 words each, doubled-spaced. Submit your work in Word doc! We won’t be able to accept PDFs or Google Shared docs. If you have any challenges with sending a Word doc, including financial, please reach out to us by email. We got you!

Poetry
Please submit a minimum of two poems and no more than seven poems that preferably can work as a set.

Visual Art
Photography and other visual art submissions will be accepted as both solo pieces, as well as to accompany the literary work we’re publishing. Send a minimum of 3 images in a single submission—they should work together as a set, as well as a narrative piece. Please send us 1500 px (or max 2000 px) JPEG images.

Media
We accept pieces sent through SoundCloud, Vimeo, Youtube, and Spotify. If your visual or audio piece is uploaded through a different third party, please contact us at:

submit@oyedrum.com

to see if we can work with it. Artists, please include your medium (i.e. acrylic on canvas, oil, etc).

OTHER SUPER IMPORTANT INFORMATION

1. If you are accepted, we have the right to publish your work and promote it on our social media. You, the creator of the work, will remain the one and only owner of your intellectual property with full rights.


2. We try to respond to submissions within a reasonable time but shit happens. Please query after four weeks if you have not heard back from us.


3. Please let us know if you are sending us a simultaneous submission, and let us know if your piece has been accepted elsewhere.

4. If you were recently accepted by us, we ask for a six-month waiting period before submitting again.


5. If you are submitting multiple things (in different genres), please submit each separately.

6. If you are not familiar with us, we highly recommend you read some of our previous volumes before submitting https://oyedrum.com 

AGAIN! We are an ALL FEMALE VOLUNTEER-RUN PUBLISHER AND THE ONLY LIT JOURNAL ON THE WORLD WIDE WEB THAT PUBLISHES WORK BY WOMEN-ONLY (*that’s what Twitter told us) and you are submitting for free. Help your sisters out and show us that you value our work with a one time contribution or by joining our Patreon:)

DEADLINE: MAY 7, 2023

SUBMIT HERE!


Call for Submissions on Themes of "Child Loss and Infertility": Still Standing

While we consider all stories of child loss and infertility, part of our mission is to amplify the voices and stories of those who may be more overlooked in the loss and infertility community as a whole. In light of this, we are always seeking often less shared stories about:  

Before submitting a post, please review the following:

– The guest post must reflect a personal journey with loss and/or infertility, with a focus on something you have learned or want our readers to know. For sharing about a business/book/non-profit or other non-personal stories, please see our advertising page.

– We accept previously published pieces from your blog/site or Facebook page.

– Our editing team will find a photo to accompany your article as the featured image. You are welcome to submit photos that you have the rights to on our submission page for consideration.
———
If your post is published with Still Standing Magazine, you agree:

– that this work is yours alone

– not to republish it anywhere else for six months (please ask permission from our editors for personal blog reposts)

– that your work may be edited for clarity, grammar, SEO, and any suggested title you submit may be changed for SEO purposes

– that we may need to crop/resize the photos you might submit to fit the parameters of our site
Ready to submit? Click here for our form.

Writing Residencies: The Mesa Refuge

Residencies

The Mesa Refuge has supported more than 800 writers and other creatives, mostly focused on “ideas at the edge” of nature, human economy and social equity. Our alums include established thought leaders like Michael Pollan, Terry Tempest Williams, Anna and Frances Moore Lappé, Krista Tippett, Natalie Goldberg, Raj Patel, Lewis Hyde, Rebecca Solnit and Van Jones—along with many emerging and creative writers of books, films and other media.
 
A Mesa Refuge residency is an opportunity to develop ideas and present them to the public. We give priority to writers focusing on nature, the human economy and social equity. We encourage applicants from diverse backgrounds and disciplines. The Mesa Refuge offers the true gifts of time, space and support—no daily fees are charged for residents, though many make donations. Find out more about the Mesa Refuge experience. 
 
To apply to be a resident at the Mesa Refuge, fill out the online application form. There is a non-refundable $50 fee to have your application considered by our staff and selection committee.

Some things to know: 
  • Unlike many other residencies, there is no daily fee for a Mesa Refuge residency. Expenses are covered by fundraising.
  • Travel to Point Reyes is the resident’s responsibility.
  • There is no smoking on the Mesa Refuge property.
  • Mesa Refuge is not set up to accommodate overnight visitors by guests.
Fall 2023 Residency Dates
Complete applications due June 1, 2023

Session 1: Sept 22 to Oct 5
Session 2: Oct 6 to Oct 19
Session 3: Oct 20 to Nov 2
Session 4: Nov 3 to Nov 16

Spring 2024 Residency Dates
Complete applications due December 1, 2023

Session 1: March 15 to March 28
Session 2: March 29 to April 11
Session 3: April 26 to May 9
Session 4: May 10 to May 23
 
More information and application form here.

Call for Submissions from Baby Boomers: BoomSpeak

It’s About Possibilities

BoomSpeak offers original content that is FOR baby boomers and BY baby boomers. It’s a website that appeals to the interests and changing priorities of baby boomers, including travel, culture, fiction and personal essays. All the content embraces our motto: “Your whole life’s in front of you.” BoomSpeak is about possibilities, and the vital and energizing things you can do with the rest of your life.

Want to contribute to BoomSpeak?

We are looking for 400 word essays, fiction, art and travel pieces that would be of interest to baby boomers. BoomSpeak is FOR baby boomers and BY baby boomers, so no writers under 50 years of age, please.

We cannot accept attachments. Be sure to give us a byline for your contribution, including an optional affiliation link (e.g. to your own website or to a site where your work is published). Sorry, but we can include only one link.

We will try to read or review every contribution, but that does not always mean you will receive a reply. Please don’t be offended.

We ask for the following rights: First electronic rights, including HTML, PDF, and plain text.
Distribution will be through this Web site.

After publication, your story will remain in our searchable archives unless you ask us to remove it.

Link to submission form.

Writing Competition: Cowles Poetry Book Prize

Moving forward, the Cowles Poetry Book Prize will take place every other year (on odd numbered years), rotating with our Nilsen Prize. The reason comes down to time–we’re a small press at a small school, and while our resources are sound and secure, the teaching and service parts of our jobs have increased a great deal over the last two years. We love doing this work and sharing amazing books with readers, we just need to spread that work out a little bit. It’s our hope that both Nilsen and Cowles contests will return to an annual schedule in the future, but for now, they’ll take turns rotating annually. The only other change, here, is the Cowles Prize deadline will move from the Spring, where it’s traditionally been, to the fall.

Reading Fee: $25 payable through our Submittable page.
Deadline: November 1, 2023
Prize: $2,000 and 30 copies for the author, publication and distribution of a full-length poetry manuscript with a full-color perfect-bound cover. 

Manuscripts submitted to the contest will be read and judged anonymously.

Submission Guidelines

  • Individual poems in the manuscript may have been published previously in a chapbook, magazines, journals or anthologies, but the work as a whole must be unpublished.
  • Translations and previously self-published books are not eligible.
  • Open to any living poet writing in English, age 18 or older, regardless of publication history.
  • Send 48-100 pages of poetry–any style or theme–with a table of contents and an acknowledgements page for any previously published poems.
  • The page count doesn’t include the table of contents or acknowledgements.
  • Manuscripts must be typed, each manuscript page numbered, with the following information submitted in the cover letter field on Submittable:
Contest title
Manuscript title
Author name
Address
Telephone number
Email (if available)
  • Your name and contact information must not appear anywhere else on the manuscript.
  • Contestants may submit more than one manuscript, but a separate entry fee must accompany each manuscript.
  • Please let us know immediately if your manuscript is accepted elsewhere.
  • Employees and students of Southeast Missouri State University Press are not eligible.
  • Failure to follow these guidelines may disqualify entry.

Submit your entry here.

Call for Submissions: 805 Lit

805 online literary magazine cover image

Subs Open Until June 1, 2023

​We are open to submissions year-round with occasional temporary closures. Submissions are always free.

​ We're looking for writing and art that is unexpected, striking, and moving. Please submit works not previously published elsewhere (your personal website/blog/social media do NOT count).

We accept and encourage simultaneous submissions, but if your work is accepted elsewhere, please withdraw your submission. We currently do NOT accept regular submissions from creators under 18.

When you sign up for Submittable, enter your name as you'd like it to appear if published.

We accept work for multiple categories including:
  • Art​
  • Poetry
  • Flash Fiction
  • Short Fiction
  • Creative Nonfiction
Submit your work here.

Call for Submissions: Bellevue Literary Revue

 

BLR seeks high-caliber, unpublished work, broadly and creatively related to our themes of health, healing, illness, the mind, and the body. We encourage you to read BLR before you submit.

Fiction: We seek character-driven fiction with original voices and strong settings. We do not publish genre fiction (romance, sci-fi, horror). We have only occasionally published flash fiction. While we are always interested in creative explorations in style, we do lean toward classic short stories.
Nonfiction: We are looking for essays that reach beyond the standard ‘illness narrative’ to develop a topic in an engaging and original manner. Incorporate thoughtful and creative analysis that allows anecdotes to serve a larger purpose. (Please, no academic discourses or works with footnotes. )
Poetry: We encourage poems that are accessible to a wide audience. Characteristics we look for are vivid writing, strong narrative, and rendering the familiar new. We encourage you to peruse back issues in our archive to get a sense of our ethos. 

  • We happily consider simultaneous submissions, but please inform us immediately if your work is accepted elsewhere.
  • Manuscripts can only be accepted electronically via Submittable.
  • Fiction/nonfiction word max is 5,000 words, (though most of our published prose is in the range of 2,000-4,000 words.) Please submit no more than three poems. Each poem should be on a separate page within a single document.
  • There is a $5 fee per general submission which helps support our production costs. Though we’d prefer not to have to charge a submission fee, we hope you will be understanding of the economic realities of publishing a high-quality literary magazine. Subscribing to the journal is a tangible—and very much appreciated—way of supporting the BLR, thus the submission fee is waived for current subscribers. (If you are not a current subscriber, you can subscribe when you submit your work.)
  • We strive to provide several reviewers for each manuscript and kindly ask your patience in this necessarily slow process. But if you have not heard from us within five months, feel free to inquire about your manuscript.
  • BLR pays $75 for poetry and $150 for prose. Published authors will receive two copies of the issue in which their work appears, plus an additional 1-year subscription to BLR. There is an author discount for purchasing extra copies
  • All submissions must be of previously unpublished work.* BLR acquires First North American rights, and the right to reprint in anthologies and online. After publication, all other rights revert to the author and the work may be reprinted as long as appropriate acknowledgement to BLR is made.

    (*For BLR, “published work” means published in print in North America, or published on the Internet in electronic journals, e-zines, academic websites, and other “public” or “official” websites. Works posted on personal blogs or websites will be considered on a case-by-case basis. We ask that authors be honest about web postings. If a work is discovered to have been posted or published elsewhere–and not openly acknowledged by the author in advance–we will remove it from consideration.) 
Submit your work here.

Sunday, April 16, 2023

Writing Competition: Creative Writing Ink Poetry Prize 2023

Creative Writing Ink Poetry Prize 2023

The Creative Writing Ink Poetry Prize 2023 is open internationally for poetry entries!

The deadline for receipt of all entries is May 31, 2023 at 4pm (GMT).

Entries will only be accepted through Submittable.

Entries can be on any subject, theme or genre.

Entry fee: €6 for first entry, €5 for each subsequent entry. You can submit multiple entries as long as each entry is paid for individually and includes a separate entry form.

Poems must not exceed 42 lines.

All entries are judged anonymously. Please do not include your name, address, phone number, email, website, social media details, etc. on the poem document or in the file name as this will result in disqualification.
 
THE COMPETITION

From the Entries submitted, the judges will draw up a longlist of up to twenty (20) Entries. The judges will then reduce this to a shortlist of three (3) outstanding Entries, from which they will select the winning Entry. Creative Writing Ink reserves the right to increase or reduce the number of Entries selected for the longlist and shortlist at their sole discretion.

First prize is €1,000, an online creative writing course with Creative Writing Ink, and publication on our website, and this will be presented to the author of the best, eligible Entry in the opinion of the judges.

The prize money will be transferred to the bank account of the winning Entrant and runners-up Entrants only. 

The judging panel will be appointed by the Competition Director in association with Creative Writing Ink and will include a representative from Creative Writing Ink as well as members of the literary community. Published poet Eileen Casey will be the final judge. Creative Writing Ink reserves the right to change the panel of judges without notice.

The Entry Form, poem and payment must be completed and submitted by 4pm (GMT) on May 31, 2023.

More information and Submittable link here.

Call for Submissions: A Velvet Giant: a genreless literary journal

Our submissions are currently open until July 1st, 2023 by 11:59PM EST.

Please read our about page and previous issues to learn what we are interested in reading and publishing.

Please send your submission as an attachment consisting of no more than 3 pieces, 10 pages total maximum (writing double-spaced), attached to one email as a single file. We are open to work that takes the shape of basically any format: words, recordings, visual art, hybrid forms, etc. We are open to translated original work (unpublished). If you submit a “found” or “after” piece of writing, please credit the text you are sourcing from and include the source text with your submission for reference.

We do not categorize work by genre, so please do not tell us what genre you're sending us (if you know). If you include a cover letter (welcome, but not required), you might say something along the lines of “included are three pieces of writing” rather than “three poems.” We strongly encourage you to read our journal prior to submitting.

All submissions should be sent to the editors at avelvetgiant@gmail.com with the subject line “SUBMISSION” along with the number of pieces you are including (e.g. “SUBMISSION — 3 PIECES”).

In the body of your email, please include a short, third-person bio, to be featured alongside any piece or pieces accepted for publication. You may include links to social media profiles and/or a description or explanation of your work, although this is not required.

Please only send previously unpublished work. However, we are open to reprints if the work you are submitting was previously published in a defunct journal.

Simultaneous submissions are welcome. Let us know if your submission is accepted for publication elsewhere before we're able to get back to you.

Send us the stuff you’re excited about!

We pay our contributors $20 per author upon publication.

Call for Submissions: SAND Litearture and Art

Founded in 2009, SAND looks for submissions that push the boundaries of form, message, and voice in fresh and unpredictable ways. Take risks, experiment, and subvert expectations. We want submissions with soul, edge, and truth from a wide range of perspectives. Send us the sensitive and the rough, the enigmatic and the joyful, the unruly and the disorienting, the work unanticipated.

SAND’s diverse, international team in Berlin has long sought out and amplified fresh and underrepresented voices. We encourage submissions from a range of perspectives, especially from writers and artists who are BIPOC, LGBTQIA+, nonbinary, women, disabled, neurodivergent, working class, migrants, refugees, international, and/or geographically underrepresented.

We welcome both emerging and established creatives to submit, and we’ve worked hard to make SAND a paying market for the writers and artists we publish. We currently pay semi-professional rates which vary based on our funding.

We have a free submission option available for those who need it, and revenue from other submission fees goes directly to paying the writers and artists we publish. Our all-volunteer staff work long hours out of passion for our project and are not paid for the work we do. Without these submission fees, we could not afford to continue paying our contributors due to dramatic increases in printing and shipping costs post-pandemic.

The best way to get to know if your work is a fit for us is to read issues of SAND, read select pieces from the archives at SAND ONLINE, and explore other resources on our InstagramYouTube, Facebook, Twitter.

  • Submissions will open 10 April – 30 April 2023.
  • We accept previously unpublished poems, fiction, flash fiction, translations, and visual art. Creative nonfiction is not open at this time.
  • Submit fiction, flash, and poetry as early as possible. There is a submissions cap on these genres to manage our all-volunteer editorial team’s time, so these genres may close early.
  • We only accept work that is the creative effort of humans. SAND has long been dedicated to publishing work by diverse, international creatives whose voices need to be heard. The lived experience of being human is critical to that mission. Therefore, we are not open to work that has been fully or mostly written or generated by AI (artificial intelligence). We are open to prose and poetry that has experimented with and incorporated technology in creative ways, and we are open to digital and conceptual art that uses AI, as long as the role of AI is clearly explained in the artist statement. All submitters will be required to confirm and fully disclose the role that AI and other non-standard technologies have played in the creation of their submitted work.Stand-alone excerpts are acceptable (e.g. work forthcoming in a book, etc.) as long as the excerpt appears in SAND before the book’s publication date. We ask for worldwide First Serial Rights. (Rights revert to you after publication.)
  • Simultaneous submissions are welcome, but please inform us as soon as possible if the work has been accepted elsewhere.
  • You may only submit once per genre, though you may submit in multiple genres.
  • Please allow six months for a response before sending an inquiry.
  • We pay contributors semi-professional rates which vary depending on our current funding.We ask past contributors to wait at least two issues before submitting again in order to ensure enough space for new voices.
Submit your work here.
 

Saturday, April 15, 2023

Writing Grant: The Andy Warhol Foundation Arts Writers Grant

The Andy Warhol Foundation Arts Writers Grant supports emerging and established writers who write about contemporary visual art. Ranging from $15,000 to $50,000 in three categories—articles, books, and short-form writing—the grants support projects addressing both general and specialized art audiences, from short reviews for magazines and newspapers to in-depth scholarly studies. The program also supports art writing that engages criticism through interdisciplinary methods and experiments with literary styles. As long as a writer meets the eligibility and publishing requirements, they can apply.

Writers are invited to apply in one of the following categories: 

Article
Book
Short-Form Writing

The application is open April 12–May 17, 2023.

To be eligible for this grant, an arts writer must

  • be an individual;
  • applying for a project about contemporary visual art;
  • an art historian, artist, critic, curator, journalist, or a writer in an outside field who is strongly engaged with the contemporary visual arts;
  • a U.S. citizen, permanent resident of the United States, or holder of an O-1 visa (if your application advances to the final round, you will need to submit current documentation);
  • at least twenty-five years old;
  • a published author (specific publication requirements vary depending on grant category; see the project-specific eligibility requirements).

By “contemporary visual art,” we mean visual art made since World War II. Projects on post-WWII work in adjacent fields—architecture, dance, film, media, music, performance, sound, etc.—will only be considered if they directly and significantly engage the discourses and concerns of contemporary visual art.

An arts writer is NOT eligible for this grant if they are

  • applying on behalf of an organization;
  • applying for a project in which their primary involvement will be as an editor;
  • a full-time student in a degree-granting program (with the exception of those students who are simultaneously maintaining professional careers as arts writers);
  • an artist, writer, or curator writing an interpretive essay on their own practice;
  • applying for a project that is primarily fiction, poetry (including ekphrasis), or memoir;
  • applying for a project based on a PhD dissertation or MA thesis;
  • applying to conduct a Q&A interview (or series of Q&A interviews);
  • applying to assemble an archive or database;
  • applying for a project on Andy Warhol;
  • applying for a project that will be published by a commercial gallery;
  • applying for a Creative Capital Award for any project in the same grant year (including as a collaborator);
  • applying with the same project for which they have received a Creative Capital Award (including as a collaborator);
  • a grantee of The Andy Warhol Foundation Arts Writers Grant;
  • a current employee, consultant, board member, or funder of Creative Capital or the Andy Warhol Foundation, or an immediate family member of such a person.
More information and application portal here.

Call for Submissions: Variant Lit

General

  • Do not make more than one submission per submission period.
  • We do not accept e-mail submissions; all work must be submitted through Submittable.
  • Please send all work in one file.
  • Our team is filled with creatives who understand the agony of the wait. We will respond to your work within Two months, if not sooner.
  • Simultaneous submissions are fine, but please notify us immediately if your work is accepted elsewhere.
  • We do not accept previously published works.

Poetry

There are no format restrictions. Limit your submission to 5 poems totaling no more than 10 pages.

Fiction

Authors should limit submissions to no more than 15 pages in total. If you are sending flash you may send up to 3 pieces in your submission.

Nonfiction

Authors should limit submissions to no more than 15 pages in total. If you are sending flash you may send up to 3 pieces in your submission. We are not looking for academic essays.

Art 

There are no medium or style restrictions. Please limit your submission to no more than 5 works.
Please list titles for each work and include an artist’s statement in your cover letter.

Submission Calendar

January: Fiction & Nonfiction
February: Poetry & Art
April: Fiction & Nonfiction
May: Poetry & Art
July: Fiction & Nonfiction
August: Poetry & Art
October: Fiction & Nonfiction
November: Poetry & Art
December: Manuscripts 

WE ARE A PAYING MARKET

We’re paying $10 per accepted piece.
 
Submit your work here.

Call for Submissions: Divot: A Journal of Poetry

Send us your haphazard. Send us your most creative. Send us your poems! We are committed to publishing online only the best literary verse.We are an online poetry journal publishing only the best poems monthly.

We read submissions on a rolling basis and are not a paying market.

Currently we are reading for our Summer Issue April/May 2023. We are so excited to read your work!

Send us up to seven poems, pasted in the body of an email, preceded by a cover letter. Please no attachments; we will not open attachments. Please include a bio written in the third person.

Please indicate POETRY SUBMISSION on your subject line. Submissions without "Poetry Submission" in the subject line will be not be read.

Submit to:

divotlitjournal@gmail.com

Simultaneous submissions are allowed. If your work is accepted elsewhere please inform us right away, so we can congratulate you!

We aim to respond to all submissions within 30 days of reading.

Please wait until you hear back from us to resubmit.

If your work is accepted at Divot, you agree to grant us First North American Serial Rights, all archival rights, plus the rights to reprint in any future anthologies. Upon publication all rights revert back to the author. You agree that if your poem/s subsequently appears elsewhere (in print or online), you will give due credit to Divot.

Divot seeks fresh imagery and surprising gut-punch lines (metaphorical slaps only:) and we want only literary poetry: no inspirational poetry, and do not send poems that rely soley on abstract language. We prefer poems that will fit on one page.

Established and new poets are encouraged to submit.

Call for Submissions on Theme of "Ages/Stages": Mom Egg Review

Call for Submissions to MER vol. 22

MER – Mom Egg Review will be open from April 23, 2023 to July 15, 2023 for literary submissions for our annual print issue. We publish poetry, fiction, creative prose/nonfiction, and hybrid works whose lens or focus is mothering or motherhood. We also seek mother-themed art. You need not be a mother to submit. MER 22 will be a themed issue.

Theme – AGES/STAGES
AGES Newborn. Sixth-grader. Teen. “Don’t Wear This After Thirty.” Cenozoic, Mesozoic, Paleozoic. The Anthropocene. STAGES The Terrible Twos. Midlife Crisis. Maiden, Mother, Crone. Trainee, Assistant, Associate, Manager. Instagram, Broadway, The Art World.

Please give us your most original creative takes on ages and/or stages. Think locally and globally, metaphorically and literally. We can’t wait to read your work!

Calendar
Early Bird Submissions (Free) April 23 – 30, 2023, or until we reach our Submittable limit for free submissions. One per person, please, so as to allow fair access.
Regular Submissions ($3 fee) April 23 to July 15, 2022.
 

We will respond by November 2023. The issue will be published in April 2024. Contributors will receive a complimentary PDF copy of the issue.

What to submit

Your submission should reflect this year’s theme and and our general focus on motherhood.

  • Please read our print journal and online quarterly to get an idea of the kind of work we publish. Current and back issues of the journal are available here, as well as PDF copies of the current and recent issues for $5 each. Submit work that has not been published previously online or in print.
  • Simultaneous submissions are okay, but please let us know promptly if your submission is accepted elsewhere, by using your Submittable.com account to add a note to your submission telling us which titles are no longer available for consideration.
  • Submissions will be considered for the print issue and for MER Online on our website unless you specify that you are only submitting for one or the other. If you have previously submitted to MER (or Mom Egg Review), we request that you submit work other than that previously submitted.
  • If your work was included in Mom Egg Review Vol. 21, please wait until next year to submit to our print issue. If you submit work, it will be considered for online publication only.
How to submit

We use Submittable for online submissions, and do not accept paper or email submissions.

Cover Letter
Please include the title(s) of each individual work in the submission and a brief (50-75 word) third person bio.

All Genres: Name your submission document “Last name, First name, Genre.”
(docx. preferred; pdf okay for specific formatting).

Poetry
Please submit up to 4 poems in a single word or text document of no more than 6 pages with the file name Last name, First name, Poetry. Please number your pages and start each poem on a separate page. Formatting request: Please left justify your poem without indenting and single space (unless indenting or extra spacing is an integral part of the poem).

Fiction, Creative Prose, Hybrid
Please submit one piece up to 1000 words, or several short-short pieces that total fewer than 1000 words in all, in a single word document. Please double space, number your pages, and put title of the submission on top of each page.

Visual Art
Please submit up to four works of art (drawings, paintings, photos, etc.) that relate to mothers or motherhood, in a .jpg file at 300 dpi. (MER cover is color; interior art is black and white. If your art is selected, we will request a larger file.

We have a limited number of submission scholarships available. If the submissions fee is a hardship, you may submit during the “Early Bird” period or email us at MERsubmissions @gmail.com with your submission, cover letter and bio. Please put “Scholarship Application” as subject line.

Contact: MERsubmissions@gmail.com

Call for Submissions: Red Tree Review

Red Tree Review online poetry journal logo 

Red Tree Review considers submissions on a rolling basis. Send poems that surprise, harrow, and awe.

Yes: charged, inventive, sound-driven, surreal, image-rich, dark, humorous, playful, biting, devastating, bigger on the inside, defiant towards conventions and status quo

No: predictable, nationalistic, hateful, offensive in treatment of race/gender/sexual orientation/class/age/ability

Please submit only once every six months. Previously published work will not be considered. Simultaneous submissions are fine, but please send an email immediately if your work is accepted elsewhere.

By submitting, you are consenting for your work to appear (if selected) in a future issue in the exact version submitted, barring minor copy edits.

Submissions that do not follow these guidelines closely will not be read. (This is a logistical and time management-related policy, not a punitive one. No harshness intended!)

At this time, Red Tree Review cannot offer monetary compensation. Upon publication, all rights revert back to the author. Authors are asked to acknowledge Red Tree Review in any future publications in which the work appears.

How to Submit

To submit poems for consideration, include the following in a single email with the subject line SUBMISSION:
-A brief cover letter in the email body (no attachments), including a third-person author bio as you would like it to appear in publication
-3-5 poems in the email body (no attachments)

Send to:

contact[at]redtreereview[dot]com 

(Click here to view an example submission.)

Response time varies, but you should generally receive an email response within 6 months.

Saturday, April 8, 2023

Call for Submissions from Teen Writers on Theme of "Nightmares": The Echo Teen and Art Lit Mag

NIGHTMARES

Submissions are open April-June, publishing May-July

What monsters lurk beneath your bed or claw at the edge of your mind? Is your darkest fear that school project you’ve been procrastinating for weeks or that your brother’s spider will escape in the middle of the night and crawl into your mind, your eyes, your throat? Or maybe it’s finding yourself alone or betrayed by someone close. Whatever it may be. Let us share in your fright and submit to us!

Nightmares can be:

–Scary thrillers with winding twists

–Lucid dream adventures

–Poems entailing your deepest desires

–Dialogue with creeping creatures

–Subconscious fears, horror stories

–Vivid imagery or fantastical worlds

–Mesmerize us with the color of your worlds, your minds, your monsters

–Hypnotize us with complex and intricate art

–Haunt us with memoirs of finally climbing that mountain or falling from the clouds

Do not send:
– Fanfiction or other derivative works
– Illegal confessions
– Unfinished pieces
– Previously published pieces (including self-published pieces)
– Work that intends to harm or shame a group
– Novel length work (see our note below)

Triggering/Vulgar Language:
– If a content warning is needed make sure it is clearly indicated before the piece
– Censor slurs if needed (when in doubt submit with censors)
– If a piece is explicitly vulgar, submit with caution

Art/Photography:
Digital art and photography are preferred. If you submit physical art, submit the highest quality scan/image of your artwork that you can. We are willing to work with artists if the piece(s) are accepted.

Author expectations:
– Your work will be considered for one or more of the following: website, podcast content, physical printing in our annual lit mag
– Authors who have pieces selected in our annual magazine will receive a contributor copy

Final Notes
– Erotica or anything that would earn a rating of R or Mature is a hard sell. So when in doubt, submit
– Length doesn’t matter, it’s how you use it!
– Our normal response time is within two weeks

We welcome both simultaneous submissions, and multiple submissions from the same author. That’s all! Thank you for your interest in submitting to us; If you’re having trouble understanding the theme, check us out on Instagram to see what nightmares means to us and what pieces we hope to see. We’re excited to see your submission!

With love,
The Echo

>> SUBMIT <<
KNOW YOUR RIGHTS

You have the right to remain silenced. If you like being oppressed. Oh wait, you want to know about your author’s rights? Ugh fine.

The Echo Teen Art & Lit Mag is a digital and print publication that publishes to our website weekly and in print once per year. There is no monetary compensation for publication in The Echo at this time, but accepted artists and writers will receive a contributor copy at no cost.

There is no fee required to submit your work, but we’re poor so feel free to send us some bucks if you can. The Echo acquires exclusive first digital and print publication rights. The magazine will be available for purchase in perpetuity. Reprint rights and all other applicable rights revert to the author twelve months after publication.

You can view a sample of our contract here.

Submit your work here.

Call for Submissions on Theme of "Fracture": The Saltbush Review

For our fourth issue we are seeking submissions of poetry, fiction, and creative non-fiction of up to 3,000 words on the theme of ‘Fracture.’ Shorter works are also welcome, as are works that challenge genre boundaries.

Submissions are limited to one piece per writer. Creative interpretations of the theme are welcome. For a sense of what we publish, have a look at our previous issues here: https://saltbushreview.com/

Submissions are open to all, but we particularly welcome work from South Australian and regional writers, emerging writers, First Nations and POC writers, the LGBTQI+ community, and writers with a disability.

Please send in submissions in a Word document using Times New Roman size 12 font and 1.5 line spacing by the 16th of June 2023. Please also include a 50 word biographical statement. If you have a connection to South Australia, please specify this in your bio. Simultaneous submissions are allowed, but please notify us immediately if your work is accepted elsewhere. Submissions are currently open via Submittable.

The Saltbush Review is proud to announce that we have received funding from Arts SA and that we are able to pay authors for publication of their work in our next issue. We pay AUD$150 per piece of fiction and non-fiction and AUD$100 per poem or piece of flash fiction.

We look forward to reading your writing!

Submit your work here.

Writing Competitions: New Letters Prizes

2023 New Letters Literary Awards announcement

$2,500 Patricia Cleary Miller Award for Poetry

Deadline: May 22, 2023

We will begin accepting entries for this award on November 21, 2022.

To view the 2022 winner click here.

Guidelines

Upload your writing online by midnight (CST) Monday, May 22nd. Entries sent after midnight (CST) May 22nd cannot be considered or refunded. Please read guidelines carefully to ensure best service.

Submit with each entry:

$24 entry fee for each manuscript submitted. A one-year subscription or subscription renewal to New Letters, shipped to any address within the United States, is included in the price of the first entry. (Subscriptions mailed outside the U.S. require a $22 postal surcharge.)

Please include one cover sheet stating the genre (poetry) and the tile(s) of each poem. Your personal information should not appear anywhere on the entry.

The name of the file you upload should be the title of the first poem in the entry.

Rules & Notes

  • Simultaneous submissions of unpublished entries are accepted with proper notification upon acceptance elsewhere.
  • A poetry entry may contain up to six poems, and those poems need not be related.
  • The max page count for poetry entries of up to six poems is 30 pages.
  • Multiple entries are accepted with appropriate fees.
  • No substitutions after submissions. No refunds will be offered for withdrawn material.
  • No postal entries will be accepted. All entries must be submitted online through our submission manager, Submittable.
  • Current students and employees of the University of Missouri-Kansas City and current volunteer members of the New Letters’ staff are not eligible.

Timeline

Finalists are notified in August, after preliminary judging.
Final judging selects one winner and one runner-up in each category, announced in October.
Judges have the option to select work for second runner-up and honorable mentions.

$2,500 Robert Day Award for Fiction

Deadline: May 22, 2023


We will begin accepting entries for this award on November 21, 2022.

To view the 2022 winner click here.

Guidelines

Upload your writing online by midnight (CST) Monday, May 22nd. Entries sent after midnight (CST) May 22nd cannot be considered or refunded. Please read guidelines carefully to ensure best service.

Submit with each entry:

$24 entry fee for each manuscript submitted. A one-year subscription or subscription renewal to New Letters, shipped to any address within the United States, is included in the price of the first entry. (Subscriptions mailed outside the U.S. require a $22 postal surcharge.)

Please include one cover sheet stating the genre (fiction) and the tile of the story. Your personal information should not appear anywhere on the entry.

The name of the file you upload should be the title of the story you are entering into the contest.

Rules & Notes
  • Simultaneous submissions of unpublished entries are accepted with proper notification upon acceptance elsewhere.
  • Fiction entries may not exceed 8,000 words.
  • Multiple entries are accepted with appropriate fees.
  • No substitutions after submissions. No refunds will be offered for withdrawn material.
  • No postal entries will be accepted. All entries must be submitted online through our submission manager, Submittable.
  • Current students and employees of the University of Missouri-Kansas City and current volunteer members of the New Letters’ staff are not eligible.

Timeline

Finalists are notified in August, after preliminary judging.
Final judging selects one winner and one runner-up in each category, announced in October.
Judges have the option to select work for second runner-up and honorable mentions. 

$2,500 Conger Beasley Award for Nonfiction

Deadline: May 22, 2023

We will begin accepting entries for this award on November 21, 2022.

To view the 2022 winner click here.

Guidelines

Upload your writing online by midnight (CST) Monday, May 22nd. Entries sent after midnight (CST) May 22nd cannot be considered or refunded. Please read guidelines carefully to ensure best service.

Submit with each entry:

$24 entry fee for each manuscript submitted. A one-year subscription or subscription renewal to New Letters, shipped to any address within the United States, is included in the price of the first entry. (Subscriptions mailed outside the U.S. require a $22 postal surcharge.)

Please include one cover sheet stating the genre (nonfiction) and the tile of the essay. Your personal information should not appear anywhere on the entry.

The name of the file you upload should be the title of the essay you are entering into the contest.

Rules & Notes
  • Simultaneous submissions of unpublished entries are accepted with proper notification upon acceptance elsewhere.
  • Essay entries may not exceed 8,000 words.
  • Multiple entries are accepted with appropriate fees.
  • No substitutions after submissions. No refunds will be offered for withdrawn material.
  • No postal entries will be accepted. All entries must be submitted online through our submission manager, Submittable.
  • Current students and employees of the University of Missouri-Kansas City and current volunteer members of the New Letters’ staff are not eligible.

Timeline

Finalists are notified in mid-August, after preliminary judging.
Final judging selects one winner and one runner-up in each category, announced in October.
Judges have the option to select work for second runner-up and honorable mentions. 

More information and submission link here.


Call for Submissions to Anthology on Theme of "The One Percent: Tales of the Super Wealthy and Depraved: Rock and Hard Place Press

The One Percent: Tales of the Super Wealthy and Depraved

Issuing layoffs from their yachts. Making idiotic business decisions while others pay the price. Keeping their riches via tax loopholes for the super wealthy. Profiting from the hard work and suffering of others. Sending dick-shaped rockets into space. Evading punishment.

It goes on and on. The details range from the banal to the scandalous. The uber wealthy play an outsized role in our society — determining or demanding too much and contributing too little.

With The One Percent: Tales of the Super Wealthy and Depraved (our previous working title was Rich People Being Shitty, so that should give you a target to aim for), Rock and a Hard Place Press changes it up a little bit from their established pattern. Instead of stories about desperate protagonists in tough positions, we’ll explore the privileged and elite, and how they traffic in, revel in, and benefit from the desperation that they cause. Hopefully, some of these characters get the comeuppance they so richly deserve . . . but we wouldn’t count on it.

What are we looking for?

We are looking for fictional short stories ranging from 2,000 to 5,000 words examining the ways in which the most affluent among us commit wrongs. These transgressions can range from broken laws to the perfectly legal, though otherwise reprehensible. These acts can be small in scale — being an awful parent or spouse — or they can have wide-ranging impact — concealing carbon emissions or human rights abuses.

At RHP, we subscribe to the notion that the act of becoming a billionaire, even if no other laws are broken in the process, is, by its nature, a crime against humanity. People should of course be compensated for their hard work or ideas, but no individual’s hard work can generate an amount of worth or wealth larger than the human mind can reasonably comprehend. Behind every billionaire is a story of wage disparity, of oppression, of uncaring calculation, environmental rape, and the exploitation of people and institutions.

For this call, we are not seeking stories of the merely rich, or the troubled wealthy. We are looking for stories that involve (and rightfully, vilify) the leeches sucking our planet and our lives dry. These characters should be key to the story, not side characters or deus ex machina. We are seeking stories of the rich, in all of their vainglory, and the despicable deeds they do, whether it be for their own sick entertainment, their day-to-day obliviousness and the devastation that it causes, or their uncaring drive for more wealth and power, at the cost of their own humanity.

These characters can be full-blown terrible human beings, or they can be morally complex, or they can be decent, sheltered people who don’t recognize the awful implications of their decisions and behavior. They can get away with their wrong-doings — as they often do — or there can be some justice served. Where you take it is entirely up to you.

Beyond the change in premise, we are still looking for stories that stick to the Rock and a Hard Place style sweet spot. We’re talking noir, dark humor, crime, etc . . . We have immense respect for publications like Ellery Queen Mystery Magazine, or Alfred Hitchcock’s Mystery Magazine, but we’re looking for stories that might not fit in with that crowd. If you’re not sure of the type of stories that Rock and a Hard Place is looking for, maybe pick up a back issue?

You can submit simultaneously to other publications (just let us know), but we don’t accept reprints.
What are we not looking for?

We want stories that say something. Submissions can include speculative elements, but we want stories that are grounded in and have something to say about the world we live in.

We also don’t want anything that seems to condone or excuse racism, or misogyny or homophobia or transphobia, but you should know that already.
Other details:

We are now open for submissions for this anthology until May 1, 2023. We will publish in the Fall of 2023. Payment will be either $35 or $25 with a contributor copy. We will publish in print and ebook formats.

Submit your work here.

Call for Submissions: Kitchen Table Quarterly

We are a journal preoccupied with history— cultural, political, geographical, personal— and how each interacts with the other to mold our experience. Adolescent blunders, dental records, the archaic origins of long-held or long-lost traditions— we want to know all of it. We are looking for work that spills secrets and wipes the dust off of old memories.

We want honesty. We want an education.
 
For more information about what we’re looking for and to determine if we’re the best fit for your work, please visit our about page, look through our archive, and/or read our editor’s interview with Trish Hopkinson.
Guidelines

Submissions that do not adhere to the following guidelines will not be read.

We only print previously unpublished works. For our purposes, personal blogs and/or social media posts do not count as previous publication; however, we do ask that you take down anything you plan to submit to us for consideration. We may also consider reprinting work that previously appeared in defunct journals/presses; however, please tell us where the piece was published and when.

At this moment in time, we do not print translations.

Please include a brief cover letter as well as a short (50-75 word) third-person biography when sending your submission.

Simultaneous submissions are encouraged, but please let us know in your cover letter and notify us immediately if your work is accepted elsewhere.

We do not accept multiple submissions. Please be sure to only submit to one category, once per reading period. We also ask that previous contributors wait a full year from publication before submitting again.

In principle, Kitchen Table Quarterly has no objections to the use of pseudonyms or pen names, but we request disclosure of their use to the editor upon submission.

Submissions are only accepted online via our submittable page. We do not accept emailed submissions.

Out of respect for our readers, we kindly ask that you include a content warning in your cover letter for works that include graphic depictions of violence, abuse, assault, or the like.

We do not respond well to unnecessary raunch, excessive descriptions of decaying animals, or new age spirituality.

We’re sorry, but once work is submitted, we cannot accept revisions.

For poetry, submit no more than five poems (with a maximum of 10 pages) as a single .doc or .docx attachment in a standard font. Each poem should begin on a fresh page. While we do welcome it, we encourage submitters to note that we rarely accept rhyming poetry. Please be sure to note the number of poems you are submitting in your cover letter and in the title of your submission.

For creative nonfiction, submit a stand-alone piece of up to 3000 words as a double-spaced .doc or .docx attachment in a standard font. Please be sure to note the word count in your cover letter and in the title of your submission. While we accept all forms of creative nonfiction, we typically prefer essays. At this moment, we do not accept excerpts from larger works.

For artworks, please submit up to five pieces (diptychs and triptychs count as a single piece) as high quality .jpgs or .pngs. Be sure to include the title and material of each artwork in your cover letter. Note that we tend to print two-three pieces per artist and rarely accept single pieces. We do not recommend submitting less than three pieces. Yes, we count photography as artwork.

Kitchen Table Quarterly will immediately reject any work which promotes bigotry, malice, and/or discrimination based on race, religion, sexual orientation, gender identity, nationality, disability, etc.

Both new and established writers and artists are encouraged to submit.
Publication Rights

If accepted, Kitchen Table Quarterly is granted first serial rights, archival rights, and non-exclusive reprint rights. Upon publication, individual rights revert back to the author. Kitchen Table Quarterly kindly asks for acknowledgment in any subsequent reprints of your work.

Artists retain all rights.
 
Reading Schedule

We publish four online issues per year— autumn, winter, spring and a summer “Notable” issue.

Our reading schedule is as follows:

March 27-May 3
 
June 27- August 7
 
November 27- January 5

Any submissions received outside of these windows will not be read.
Response Time

We do our best to respond within three months. If five months have passed and you still haven’t heard from us, feel free to inquire at editors@kitchentablequarterly.org.
Payment

We would love to compensate writers and artists for their work but we are, unfortunately, unable to do so at this time. However, we do all we can to provide a platform, so please include links to websites, social media, etc. when submitting.

We also nominate for Best of the Net and Pushcart.

Call for Submissions: The Hamilton Stone Review

The Hamilton Stone Review is part of a movement of small, independent publishers and publications dedicated to distributing high quality fiction, poetry, and creative nonfiction. We intend to encourage writers, whether unpublished or established, by bringing their work to readers by way of this online literary magazine.

Submissions Information

The Hamilton Stone Review, an online literary magazine, publishes two issues a year, usually in May and November. The reading period is usually October and April. Submissions will close when the issue is filled. Submissions guidelines vary with genre and season. Read below.

Submissions that don't follow the guidelines will be rejected without reading.

The Hamilton Stone Review submissions for Spring 2023 #48 are now open.

Send POETRY SUBMISSIONS by e-mail only, to:

hsrpoetrykevin@gmail.com

The poetry editor says, "HSR welcomes an array of aesthetic approaches to the making of poems. HSR looks for poems that both sing and mean – however broadly the latter may be regarded – and poems that show appreciation for both private and public history as well as the interplay between the two realms."

Send PROSE SUBMISSIONS as an attachment to an e-mail only to:

hsrprosedeg@gmail.com

NO SNAIL MAIL SUBMISSIONS.

Don't forget to put HSR in your subject line.

Writing Competition: Blue Light Poetry Prize and Chapbook Competition

The editors of Blue Light Press warmly invite you to submit a manuscript to the Blue Light Poetry Prize and Chapbook Competition. The winner will be published by Blue Light Press.

Guidelines: Blue Light Press is dedicated to the publication of poetry that is imagistic, inventive, emotionally honest, and pushes the language to a deeper level of insight. We are all poets and artists, and our books are artistically designed.

To enter, send a manuscript of 10 to 28 pages of poetry, micro fiction or prose poems, typed or printed to:

Blue Light Press
PO Box 150300
San Rafael, CA 94915

  1. Include a contest fee of $10.00 - check payable to Blue Light Press.
  2. Submit your manuscript between February 1 and June 30. The winner will be announced in December, and the book will be published in the spring.
  3. Include a self-addressed stamped envelope for results. We must have a SASE to correspond with you. No manuscript can be returned without a SASE.
  4. Start each new poem on a new page, regardless of length. Front matter, bio, acknowledgments, etc., are not part of the page count. Put your name, address, email and phone number on the title page.
  5. The winner will be published by Blue Light Press. You will receive 10 copies your book, which can be sold for $15.00 each, and a 30% royalty on book sales thereafter. (You can purchase additional copies at a generous discount + shipping.) The book will be distributed by Ingram, Amazon.com, and barnesandnoble.com.
  6. If you win the contest, you will need to send us your manuscript in MS-Word.
  7. Please do not send manuscripts by registered or certified mail, as this requires a trip to the post office during business hours. If you want confirmation of receipt, include a postcard with your manuscript. We are not strict about deadlines -- if your manuscript comes a few days late, we will still read it.
  8. Please do not use tyvek envelopes. Paper envelopes can be recycled, and we like to be gentle to the earth.

Writing Competitions: Solstice Literary

Winners as well as finalists will be published in our Summer Awards Issue due out in August. All winners and finalists will be cited in future advertisements and announcements.

Previous judges have included Martha Collins, Andres Dubus III, Jennifer Haigh, Terrance Hayes, Robert Lopez, Celeste Ng, Jerald Walker, and Afaa Weaver.

FEE: $18.00/entry 
 
Awards:
Fiction, 1st place--$1000
Poetry, 1st place--$500
Nonfiction, 1st place--$500
Graphic Lit, 1st place--$500
 
Deadline: June 1, 2023
 
GUIDELINES 
  1. Cover sheet required with name, address, telephone number and email. Email and/or phone MUST be included to be considered. Please include cover sheet in the same file as the actual submission. Do not put your name on the manuscript itself. Final judges will be choosing on the basis of the quality of your work. Please indicate the genre of your piece next to the title.
  2. 12-point font. Microsoft Word attachment. Online submissions only.
  3. Each entry: Fiction or Nonfiction: 25-page maximum, double-spaced; free-standing excerpts from books also accepted. Poetry: 3-poem maximum. Graphic Lit: Original artwork, multiple panels (no single image pieces), original artwork, multiple panels (no single image pieces), 1-6 pages preferred, maximum 8-10 pages in JPG/PDF format.
  4. You may submit more than once but must pay a separate fee for each entry.
  5. You may submit simultaneously elsewhere, but please email us immediately if accepted at another journal.
  6. We will not accept previously published work. Solstice has first publication rights, but copyright reverts to you upon publication. We will publish the piece after the Summer Awards Issue in our Archives.
  7. If you won last year’s contest, you must skip a year before resubmitting to the contest, but we encourage you to submit work to Solstice for general publication.
  8. We will announce the winners on this page approximately 6-8 weeks after the contest deadline.
  9. After announcing the winners, all contest submissions will be automatically considered for standard publication unless you indicate otherwise.
  10. The $18.00 entry fee must be paid online at the time of entry.
More information and submission link here.