Tuesday, October 28, 2025

Writing Competition: Rattle Chapbook Prize

Recent cover image or website screenshot for Rattle Chapbook Prize

For the 2025 Rattle Chapbook Prize

1) The $30 entry fee is a one-year subscription to Rattle (or a one-year extension for subscribers) at our regular rate. New subscriptions will start with the next season’s issue. Current subscribers will receive a one-year extension. Due to shipping costs, international entries through Submittable will receive a 3/4 subscription (three mailings) instead of the full year.

2) Three winners, judged by the editors of Rattle in an anonymized review, will receive $5,000 and 500 author copies of their chapbook, which will also be distributed to all of Rattle’s 7,000+ subscribers along with a future issue of the magazine. At least one of the winners will be a poet who has never published a full-length collection of poetry (48 pages or more) prior to 2025.

3) Open to writers, worldwide; poems must be written primarily in English (no translations, except by the author). Individual poems may be previously published in any format, but the manuscript as a whole must be unpublished as a collection. Do not include any poems that have been published in Rattle—if the chapbook includes poems that we have published, they may be added back before publication, but we cannot consider them during the anonymous review of this contest. If you have an open submission at Rattle that includes poems from the chapbook, include a note on that submission letting us know that the poems are also part of a chapbook manuscript. Manuscripts may include images or other artwork. Simultaneous submissions are allowed, but we must be notified immediately if the manuscripts are accepted for publication elsewhere.

4) Manuscripts may be 15 – 30 pages of poems (not including front- or back-matter), with any reasonable fonts or font sizes (12 pt, etc.). Don’t worry about the formatting. Do not include any identifying information within the manuscript itself. If any of the poems have been previously published, include an acknowledgments page. A table of contents and page numbering are optional.

5) Multiple entries by a single poet are accepted, however each manuscript must be treated as a separate entry, each with an additional $30 fee. Each additional entry will add an extra year to your subscription. Contest entry fees are non-refundable and cannot be edited after submission, so please be sure to submit only your final versions of the poems.

6) The winners will be announced on April 15th. Unpublished individual poems from the manuscripts may also be offered standard publication in Rattle. Please remember to include an acknowledgments page so that we know which poems have already been published individually.

7) All entries must be submitted electronically through Submittable.

Deadline: Jan. 15, 2026 

Writing Competitions: Wishing Jewel Prize for Poetry and Stephem Mitchell Prize for Translation

The submission window for the annual Wishing Jewel Prize is open. The Prize awards $1000 and publication for an innovative, book-length manuscript that challenges expectations of what a book of poems can be. Named for an essay in Anne Carson’s Plainwater, we seek work that questions the boundaries of genre, form, or mode while engaging the rich possibilities of lyrical expression. All manuscripts are considered for publication, even those that don’t aim to “push the envelope,” so this is both a contest for the most innovative manuscript and an open-reading period.

Submissions are accepted August 1 through November 30.

The submission window for the Stephen Mitchell Prize for excellence in translation is open. Green Linden Press will award $1000 and publication for a book-length manuscript in any genre translated from any language into English that honors Mitchell’s linguistic acumen. All finalists are considered for publication.

Submissions are accepted August 1 through November 30.

Interviews with poets and reviews of poetry books are read year-round. We are interested in conversations and reviews that provide insight and even complicate our understanding of recent or overlooked books. See our entire Interview & Review Series begun in 2008.

Because we agree with Mahmoud Darwish that poetry changes the poet, we are not interested in submissions generated, full or in part, by artificial intelligence.

We accept mailed submissions from incarcerated individuals and waive any fees: 
208 Broad Street South
Grinnell, IA 50112
 
Otherwise, please use the our online submission link to send your work. We look forward to it!

Call for Submissions on Theme of "Lost and Found": Griffith Review 92

Griffith Review 92

Lost and Found
Non-fiction and fiction - open

'Loss,' wrote Marcus Aurelius, 'is nothing else but change'. We lose face, lose time, lose heart, lose touch, lose ground, lose our keys (often); we can lose the things that hold us back or weigh us down, just as we can lose the people and places we love most. Loss, whether it offers us pain or reward, is fundamental to the experience of being human. What might we lose or gain as technology continues its rapid advance? How do we halt the loss of our natural world? What's lost by growing up between cultures? Are we losing our sense of a shared reality? And what are the benefits to being a loser?

Lose yourself in this edition of Griffith Review as we go in search of answers.

Things for you to note:
* We're looking for non-fiction and fiction that responds to the theme.
* We want pieces that are no longer than 4,000 words (they can, of course, be much shorter than this.
* Full submissions only – no pitches please.
* We'll let you know the outcome of your submission within eight weeks of the closing date.

Submissions open: Monday 20 October 2025

Submissions close: 11.59pm AEST, Sunday 30 November 2025

Publication date: May 2026 

Submit here

Call for Submissions on Theme of "Aftercare": Hayden's Ferry Review

We will open for for submissions for print issue 78 and our spring 2026 web issue from November 1-30, 2025. Our translation and art submissions remain open year-round.

Our call for submissions for issue 78 is unthemed.

The theme for our spring web issue is “aftercare.” Aftercare turns its attention to what comes after intensity, crisis, or rupture, those moments when care, attention, and repair are needed most. Borrowing its name from the language of kink, the folio asks what it means to stay, to tend, to rebuild. We gather work that lingers in aftermath: the slow recalibration of breath, the tenderness of rebandaging a wound, the exhaustion and beauty of maintenance. Go to our Submittable page on November 1st for more details!

General Notes on Submission:

  • For our PRINT issues: Please send one submission per genre at a time, and wait for a response before you submit additional work. If you submit more than one submission, we will not read the second one. Please double-check that you are submitting in the correct genre. Work submitted in the incorrect genre will be declined.
  • For our WEB issues: please send one submission at a time, and wait for a response before you submit additional work. If you submit more than one submission, we will not read the second one.
  • Simultaneous submissions are welcome. If your work is accepted elsewhere, please notify the editors immediately by adding a message to your submission in Submittable.
  • Withdraw your submission using Submittable. If you are only withdrawing a section of your work (for example: 2/5 poems), add a message to your submission.
  • Contributors receive one copy of the issue in which they appear. Additional copies may be purchased for $6 each up to 5 copies.
  • We do not accept previously published material - this includes work that’s been published on social media and Substack. (See the above exception for art submissions.)
  • We do not consider book-length works.
  •  Our goal is to respond to submissions within six months. Please only reach out about your submission status after six months have passed.
  • Anyone affiliated with ASU (staff, faculty, and graduate/undergraduate students) should refrain from submitting to HFR until they have been unaffiliated for three years.
  • If you have previously been published in HFR's print journal or a web issue, please wait 2 years from your publication date before submitting again.
  • By submitting, you are agreeing to receive occasional newsletter emails from us. You are welcome to opt out at any time and a link to do so will be included in each newsletter.

PLEASE NOTE: We no longer accept submissions by mail. We will only review work that has been received through Submittable.

Upon acceptance of your work, HFR asks for first North American Serial Rights and nonexclusive use of the Work thereafter such as in anthologies, special projects, and digital archiving; nonexclusive online publication on HFR’s website and affiliated sites or platforms, if selected; nonexclusive right of translation, publication in all languages, and distribution on HFR or affiliated sites or platforms, if selected; permission for versions to be created by nonprofit organizations for use by people who are blind or disabled; nonexclusive rights to your name(s), image(s), likeness(es), and biographical information for use in the promotion and publication of the Work.

After publication, all rights, except those stated above, revert to the copyright owner. You (or the copyright owner) retain copyright and the right of reprint. Please credit Hayden's Ferry Review as the place of first publication. You are responsible for the content of the Work. ASU and HFR assume no liability.

More information and submission link here

Sunday, October 26, 2025

Call for Submissions: Hippocampus Magazine

 Submission period: Nov. 1-30, 2025

During our regular creative nonfiction submissions periods we accept previously unpublished work in the following categories: 

Personal Essays, max 4,000 words. Submit here.
Flash Creative Nonfiction, max 800 words. Submit here.

(You can also view our main Hippocampus Magazine Submittable landing page here.)

Reviews, interviews, craft articles, and writing life articles by invitation/pitch to section editors; use the email address:

articles@hippocampusmagazine.com

and we will get your note to the right person.

What do we need from you?

Submissions 

  • Formatting Requirements: Your submission should be double-spaced and in a 12-point standard font (ex: Times/Arial/Calibri, Georgia)
  • Please do not include identifying information in your submitted document (the manuscript) or within the filename unless it is critical to the story; your name and contact information is automatically included with your submission so, again, you do not need it in the submitted manuscript. Why this matters: We have a concealed reading process, which means your work is judged on the work itself. Our reading panel members do not see your name, cover letter, or any other submission details: they only see the manuscript.
  • Other Information & Requests: Regular submissions come with a $3 submission fee. However, for those unable to cover the fee, we maintain a Submission Fund. To access the fund, contact us here.
  • Please only send us one piece for submission per category at a time; this means you may have a flash piece and essay for consideration at the same time. If you want to send us something else, wait until you hear from us about the first piece you sent.
  • Turnaround time: Please be patient. We review pieces as we receive them, and we’re all volunteers. Our typical turnaround time is 4 months for flash and up to six months for essays.
  • You can submit an excerpt, essay, or flash piece if you have an outstanding query with Books by Hippocampus.
  • We’re happy to accept simultaneous submissions, but if your piece gets accepted by someone else, please withdraw it through Submittable as soon as possible!
  • Take your time. We generally only publish each author once a year. We want to give everyone a chance to be heard.

What are we looking for in creative nonfiction submissions?

True tales from your life. Honesty that possesses both the situation AND the story. Intensely personal experiences that reflect universal truths about what it means to be human. Firsthand accounts from the FULL spectrum of humanity – folx from the LGBTQIA+ community, Black writers, Indigenous writers, and writers of Color, disabled writers, writers of all ages, genders, backgrounds, experiences, lifestyles, and identities.

About our reading process: we generally read submissions in the order received and we use a concealed reading process; this means that our reading panel does not see a name or cover letter. The work is read and considered independent of identifying information and author bio.

What isn’t right for us?

Story pitches. Fiction, poetry, academic works, editorials, social/political commentary, satire, criticism. Timely pieces responding to a current event. Pieces that require special formatting/coding, including pieces that use footnotes/subscript. Pieces that are prescriptive or come with a lesson. Pieces that undermine, judge, marginalize, or “other” the voices and experiences of different individuals or communities.

Hippocampus Magazine is rooted in human truth and authenticity; we do not publish creative work that has used generative AI. We want work written by YOU.

Please note that we also do not solicit essays, and we do not accept essay placements from PR agencies. Everything we do comes through our standard queue, and all submissions are treated equally.
What will you get out of publishing with us?

Hippocampus runs on volunteer energy, submission fees, and generous support from our Friends. We also believe that writing should be valued, and the labor of writers should be compensated.

We offer a $40 honorarium to authors who publish memoir/personal essays and flash nonfiction with us. Honoraria are paid via PayPal or Venmo within about 90 days of publication.

Writers who contribute to our book reviews, interviews, and craft & writing life columns are considered volunteer contributors and are not compensated. 

Saturday, October 25, 2025

Call for Submissions on Theme of "Dirtiness": Barrelhouse Online


Recent cover image or website screenshot for Barrelhouse Online

The Dirty Issue (special online issue, Fall 2025): We’re looking for fiction, nonfiction, poetry, and art on the theme of “dirtiness”: More details on what we’re looking for, and a link to submit, here on our Submittable page.

Book reviews (open, ongoing): Barrelhouse loves to celebrate books just like you do, so let's do that thing together! We're interested in running reviews of books that fit Our Whole Thing. You read Barrelhouse, so you know what we're about. Let that be your guide. Full submission guidelines are here.

Book pitches (creative nonfiction): We’re accepting pitches (through early August) for our new book series, For What It’s Worth. Specifically, we want to publish book-length essays that explore a pop-cultural obsession through a personal lens. For more, full submission guidelines are on Submittable.

GENERAL GUIDELINES:

Please read these instructions before you submit. We know we aren’t reinventing the wheel here, but it will make it easier on all of us if you have a general sense for what we’re looking for and how we’d like to get it.

  • We accept submissions through the Submittable online submissions manager. That’s the only way we accept submissions.
  • No previously published work.
  • There is no maximum length, although we tend to publish stuff shorter than 8,000 words
  • Please submit only one piece at a time. Except for poetry. You can submit up to five poems. Everybody else — just one!
  • Online issues have their own guidelines, so be sure to read them.
  • We pay $50 to each contributor to our print and online issues, as well as two contributor copies. (We do not pay for book reviews, as they are not part of print or online issues.)
  • We accept simultaneous submissions — you would have to be insane to be sending your stuff out to one place at a time, right? Seriously. We hope you’ll tell us as soon as possible if you place the work elsewhere, though.
  • It will probably take us ~six months to get back to you. We try to do that faster, but there are few of us and many of you.
  • About electronic files: Please only send us word or rich-text (.rtf) files. Seriously. If you send something in a file format that we can’t read, it greatly reduces your chances of publication. For poetry, please submit your poems as a single document.

Call for Submissions: Zine Machine

 Recent cover image or website screenshot for Zine Machine

Submissions to Zine Machine’s Winter ‘26 Edit are now open!

Zines accepted during this period will be published online and made available in our vending machine, which will be stationed at KMAC Contemporary Art Museum from January to March, 2026.
 
Zine artists whose work is accepted receive a $20 honorarium and retain all rights to their work.

To submit, send up to two 8-page mini zines in an accepted format. Please read the following specifications carefully:

Original work: Zines must be the original work (writing and/or art) of the submitter. Collage art and found-poetry forms which incorporate the work of others in a fair-use capacity are permitted. For more information about fair use, see the Code of Best Practices in Fair Use for Poetry.
 
Formatting: To fit the specs of our vending machines, zines must be printable on one side of a standard 8.5" x 11" sheet. When folded, zine dimensions must be no larger than 4.25" x 2.75." Click here for a mini zine design guide!
 
Accepted file formats are .pdf, .jpg, and .png.
 
Image resolution must be at least 300 dpi, preferably higher.

Zine Machine subscribers are the first to hear about our reading periods, events, & other opportunities. Sign up here!

Call for Submissions: Pine Hills Review

Pine Hills Review seeks submissions of previously unpublished fiction, nonfiction, poetry, and visual art. We’re interested in quality work, regardless of genre, form, or style. Hybrid and experimental works are especially encouraged.

Our regular reading period is September 1–April 30. Submissions sent to us out of the reading period will not be considered.

We publish work as features on our front page, usually on Wednesday afternoons at 4:20pm. We don’t publish or use the word “issues.” Once featured, the work remains in our Archives page thereafter. We promote new pieces on our social media channels , and send work out to the “Best Of” anthologies.

We publish unpublished work. We do not consider previously published work. Copyright reverts to the author upon publication.

We typically work with a 7- to 9-month lead time for publication dates of our features. Contributors know will be notified in advance of their date of publication.

Please limit submissions to two per reading period. This also applies if we encourage you to send more work in the future.

We do not offer payment for published work.

We do encourage submissions from female, nonbinary, BIPOC, and LGBTQIA+ writers.

How to Submit

Send your work as a single Word or PDF file that includes your cover letter, contact information, and a short third-person bio. Please don’t send multiple attachments. This it helps us stay organized during review meetings.

  • Poetry: Up to six poems total, combined in one document.
  • Nonfiction and fiction: : Up to 3,000 words.
  • Hybrid, cross-genre, or visual work: Up top 3,000 words total. If including visual elements, paste images into the Word or PDF file or attach as JPEGs.
Format the email subject line and file name as follows:

Genre — Your Name — Submission
(e.g., Poetry — Sylvia Plath — Submission)

Send submissions to:

pinehillsreview@gmail.com

Sunday, October 19, 2025

Call for Submissions on Theme of "Through the Frosted Glass": Belladonna's Garden

Recent cover image or website screenshot for Belladonna's Garden Literary Magazine

WINTER Issue 2- January 2026

THEME: Through the Frosted Glass - Winter Horror

Deadline: Nov. 15, 2025

Step inside… but keep the lights on.

Our winter issue theme, Through the Frosted Glass, is inspired by frost-covered windows, retro 70s/80s aesthetics, and gardens that feel just a little… off. We’re looking for fiction, poetry, and art that evoke the uncanny, the eerie, or the quietly unsettling. Whether through domestic spaces, winter landscapes, or fleeting glimpses of strange gardens.

While works that touch on the theme are encouraged, we also welcome standout pieces that capture the haunting, whimsical, or nostalgic spirit of Belladonna’s Garden.

Please read our guidelines below.

If Duosoma isn't accessible to you for any reason, please submit a .doc or .docx file via email to belladonnasgardenlit@gmail.com. You may also send to sharileewilder@gmail.com if you receive an error with the previous email.

Cost:

Free! We do not charge for general submissions. We do accept tips through Duosoma's tip jar feature or Ko-fi.

We especially welcome:

  • Magical realism
  • Cozy or soft horror
  • Folklore and fairytale-inspired pieces
  • Nature-infused work, such as wildflowers, moonlight, old trees, and forgotten gardens.
  • No erotica or gore.

Submission Guidelines: Please send only unpublished work. Simultaneous submissions are welcome, but let us know right away if your piece is accepted elsewhere.

Genres & Length

  • Poetry: No line limit (up to 3 poems per submission).
  • Flash Fiction: Up to 1,000 words.
  • Short Stories: 1,000–5,000 word
  • Creative Nonfiction: 1,000–5,000 words.

We especially welcome:

  • Magical realism
  • Cozy or soft horror
  • Folklore and fairytale-inspired pieces
  • Nature-infused work, such as wildflowers, moonlight, old trees, and forgotten gardens.
  • No erotica or gore.

Formatting

Short stories, flash, and nonfiction: Double-spaced, 12pt, standard font (Times New Roman, Garamond, or similar).

Submit as a .doc or .docx file. PDFs are acceptable if needed.

Cover Letter

Keep it simple. Please include:

  • Your name (and pen name, if applicable).
  • The title(s) of your work.
  • Word count.
  • Optional: You’re welcome to share what drew you to Belladonna’s Garden, but it’s not required.

Multiple Submissions

  • Up to three poems at a time.
  • Or one submission in two different categories (e.g., one poem and one short story).

Rights & Payment

We ask for first-time publication rights. All other rights remain with the contributor. At this time, we are unable to offer payment.

Generative AI Policy

We publish only original, human-written content. Any use of AI is grounds for immediate rejection.

Art Submissions

  • We welcome art that fits the mood of the garden: soft magic, cozy hauntings, folklore, and quiet mystery. Think magical realism, gentle gothic horror, wildflowers, folklore, and fairytales.
  • Submit up to five pieces as separate .jpg or .png files (illustration, photography, collage, watercolor, or mixed media).
  • No erotica or gore.
  • No images of identifiable people. We honor consent, mystery, and ambiguity.
  • At this time, we are unable to offer payment.

Submission Caps

To ensure every submission receives careful attention, we have implemented submission caps.

Just so you know, submissions may close early if the cap is reached, even before the official deadline. We encourage early submissions to make sure your work is considered. These caps help us read each submission thoughtfully and give every contributor the attention their work deserves.

Welcome, and thank you for wandering into the garden.

Submit your work here

Call for Submissions on Theme of "Unwritten": Isele Magazine

Recent cover image or website screenshot for Isele Magazine 

For our last quarterly issue of the year, we are looking for stories that confront the blank page, stories inspired by the spirit of the Unwritten. This issue asks us to consider the words we write, the paths we take, our choices in this still-unfolding narrative called life. It also asks what it means when the future feels unclear, when everything feels like it could be anything?

Send us fiction, nonfiction, poetry, photography, visual art, and hybrid works that explore that explore this theme of self-discovery, reinvention, transformation, the undefined.

Deadline: 31st October 2025

Submission guidelines:

  • All submissions for the quarterly issue should be submitted to:

quarterly@iselemagazine.com 

The email subject line should read Genre: Lastname (e.g. Poetry: Angelou).

  • We DO NOT accept multiple submissions. Please submit to one genre only.
  • For fiction and nonfiction, submit max. 5000 words of prose.
  • For poetry, submit max. 3 poems in a single document.
  • For photography and visual art, submit max. 5 images in JPEG or PNG format and include a brief note detailing the concept and relevance of your work. Only submit work that you still retain the rights to. We DO NOT accept AI-generated images or artwork.
  • For prose (fiction and nonfiction) and poetry, we DO NOT publish previously published works (by this, we mean any piece that has appeared on the web or in print, including your personal blog). However, we will consider a translated version of the work if the original language wasn’t English. For photography and visual art, we may publish works that have been previously published, posted, or exhibited as long as the artist still retains the rights.
  • We accept simultaneous submissions, but please notify us as soon as your work is accepted elsewhere so that we can withdraw it from consideration.
  • Submission fees and payment of contributors: We DO NOT charge submission fees. All submissions are free of charge.
  • Rights: Isele Magazine requests the first serial rights of your published piece. However, all rights will revert to you after publication. If your work is republished elsewhere, please indicate that it previously appeared in Isele Magazine.

The Isele Prizes

All accepted submissions are automatically considered for The Isele Prizes.

Deadline: 31st October 2025

We will respond to every submission no later than two months from the submission deadline. If you have not heard from us within two months, please feel free to send a query to:

quarterly@iselemagazine.com

Call for Submissions on Theme of "Anew': Conjunctions

 Recent cover image or website screenshot for Conjunctions 

We are delighted to announce that Conjunctions’ Submittable window will open at 12pm ET on Friday, October 3rd and close a full month later at midnight on October 31st. Please send us your best innovative poetry, fiction, essays, hybrid or other writings, for us to consider for publication in either Conjunctions:85, Anew or Conjunctions online.

Please read the submission call for the issue below before submitting your work. All submissions will additionally be considered for our weekly online magazine, which does not have thematic restrictions.

SUBMISSION CALL

All things end, yet some rise to start anew. Whether through the grace of stubbornness, the tilt of the quixotic, the catch of a buoyant second breath, or the deeply ingrained habit of never giving up, some stand in the face of finales and write another act of the play. I can’t go on, I’ll go on is as familiar to readers of Beckett as it is a succinct way of describing the human will to carry on against the odds. A failure to fail, a hardwired impulse to regenerate is also a given in the natural world—miraculous, without fanfare. Floras perish and rise again, suns die and become supernovas, forest fires destroy but are followed by revitalization of the landscape. All this being said, starting anew emphatically does not guarantee a rosy outcome. Often, our paths come to inevitable ends from which there is no starting from scratch, no rising from ashes no matter how hard we fight the good fight.

Conjunctions:85, Anew will delve into the failure to relaunch as well as the reinvention of something thought forever lost. Just as the act of trying, trying again is the surest path to surviving—or failing with honor—Anew will center upon a theme that seems more pertinent than ever in a world of too many endings. The issue will feature previously unpublished writings by Benjamin Percy, Clare Beams, Karen Russell, Julia Alvarez, Fred Moten, Jonathan Lethem, James Morrow, Shane McCrae, and Jonathan Carroll, among many others both influential and emerging. See the full announcement on our website for a deeper dive into Conjunctions:85, Anew.

What We Publish

Conjunctions publishes short- and long-form fiction, poetry, creative nonfiction, and hybrid texts. We do not publish academic essays or book reviews.

All submissions must be in English and previously unpublished. We will consider works in translation for which the translator has secured the rights.

Although we have no official restrictions regarding word count, most of the manuscripts we select for publication are under 8,000 words long. For poetry submissions, we suggest sending half a dozen poems, depending on length.

Submission Guidelines

  • Along with your manuscript, please include a brief cover letter. Be sure to list your name, the title of your submission, and your email address.
  • Former contributor to Conjunctions, in print or online? Please note this in your cover letter.
  • All submissions are also considered for publication in the weekly online magazine, which is not subject to thematic restrictions. 
  • We cannot accept revisions after a manuscript has been submitted. If a manuscript is accepted, there will be an opportunity to make edits then. 
  • While we strongly prefer to receive exclusive submissions, simultaneous submissions are permitted.
  • If a simultaneous submission is accepted elsewhere, please withdraw it immediately from Submittable.
  • As always, we only consider previously unpublished work.
  • If a manuscript is accepted for publication online or in print, our editors will contact the author via email and Submittable.
  • Please also note that partial submission withdrawals are strongly discouraged.
  • Our small editorial staff reads every manuscript carefully. We will do our very best to respond to your work within 6-8 months after receipt with the intention of getting back to you sooner than that. Please refrain from querying about the status of a submission until 8 months have passed. 
  • Writers published in print issues of Conjunctions receive a small honorarium. 

Submit your work here. 

Submission fee: $4.00

Writing Competition: Tucson Festival of Books Literary Awards

Tucson Festival of Books Literary Awards

The 14th Tucson Festival of Books Literary Awards is now accepting fiction, nonfiction, and poetry for the 2026 competitions.

Deadline: October 31, 2025.

First-place winners in each category will receive $1,000. Second-place winners receive $500 and third-place winners $250. All winners will be awarded scholarships to the 2026 Tucson Festival of Books Masters Workshop in March, following the Tucson Festival of Books (tucsonfestivalofbooks.org).

The top 50 entrants will be invited to attend the Masters Workshop ($350). 

For information on the literary awards and the workshop, contact Meg Files at masters@tucsonfestivalofbooks.org

SUBMISSION GUIDELINES

  • Submit five poems of any length, a short story or novel excerpt, or a nonfiction piece or book excerpt per submission.
  • Maximum length for prose is 5,000 words per submission.
  • Label each submission’s genre along with the title: fiction, nonfiction, poetry.
  • $20 entry fee per submission
  • No limit to number of entries ($20 fee per entry)
  • Categories NOT accepted: stories for children, academic or how-to nonfiction.
  • Submit poems in a single document with appropriate page breaks (up to five poems per submission).
  • Submissions must be in English and unpublished at the time of entry (self-published allowed).
  • Writers must be age 18 or older.
  • The author’s name must not appear anywhere on the manuscript. Include name and contact information in the “Cover Letter” box. Manuscripts with the author's name anywhere on them will be disqualified.
  • Authors retain all rights to submitted work.
  • Deadline: October 31, 2025
  • Winners and the top 50 will be notified by December 22, 2025.
  • First-, second-, and third-place winners in each category receive scholarships to the Masters Workshop, March 16-17. 2026. The top 50 finalists will be invited to attend the Masters Workshop ($350 fee).
More information: Meg Files:
 
masters@tucsonfestivalofbooks.org
 
Submit your entry here

Writing Competition: Peruga Press Prize

The winner of the Perugia Press Prize receives:

  • Book publication and a $2,000 prize
  • Twenty author copies and an ongoing discount of 50% off of the cover price for additional copies
  • Time to work with the editor to create a book the poet loves, with input into book editing, design & promotion
  • Support available from the Perugia Poet Liaison during publication and promotion
  • Review copies and entry copies to a range of post-publication contests, provided and sent by the Press
  • Some book launch events planned by the Press, with a partial travel stipend and reading honorariums provided
  • Ongoing publicity support through our website, newsletter, and social media
  • Exposure through Press attendance at local and national book fairs to promote the work of Perugia poets

Eligibility 

  • Submissions are open to poets who are women, inclusive of gender-expansive identities. Because gender inequity still occurs in publishing, this is part of our explicit feminist mission.
  • Perugia Press seeks to highlight marginalized and underrepresented voices in our publications, and to that end we encourage submissions written by poets of all abilities, ages, and sexual orientations, and from across all cultural, socio-economic, ethnic, racial, and religious backgrounds.
  • Poets must have no more than one previously published full-length book. You are still eligible if you have published a poetry chapbook/s or books in other genres. You are still eligible if you have published more than one full-length poetry collection in a language other than English.
  • Perugia Press welcomes diversity of expression in content, form, and language. We are open to considering hybrid manuscripts, including those incorporating visuals or created in collaboration.
  • The work you submit must be your own and not plagiarized or AI-generated. If you used AI as a creative tool in composition, please note that in your cover letter and manuscript.
  • Individual poems may have been published previously in magazines, journals, anthologies, and chapbooks, but the collection as a whole must be unpublished.
  • Translations of the work of others and previously self-published books are not eligible.
  • Submissions from poets living outside the U.S. are not eligible, though international submissions from poets based in the U.S. but away during our contest period are fine. As a small press, we are not able to support the promotion of our books on a global scale.
  • Poets may not be a close friend or colleague of the editor/director as she facilitates the contest and takes part in the final decision about the winning manuscript. 

Deadline: Nov. 15, 2025 

Entry Fee: $15-$30 (See specific guidelines.) 

More information and submission portal here.

Call for Submissions: The Dublin Review

The Dublin Review welcomes submissions of fiction and non-fiction previously unpublished in the English language. We do not accept poetry submissions.

We especially encourage submissions from members of groups traditionally underrepresented in literary magazines and other cultural forums.

Our payment scale starts at €300 for pieces with a published word count of 2,500 and under, and increases based on word count.

If you wish to make a submission, please complete the online form. (We do not accept submissions by post.) After you make your submission, you will see a confirmation on screen, but you will not receive a confirmation email. We recommend that you make a note of the date of the submission for your own reference. We will read your submission and get back to you by email as soon as we can.

The Dublin Review is a quarterly magazine of essays, memoir, reportage and fiction. Founded and edited by Brendan Barrington, it is published in book format to a design by David Smith (Atelier, Dublin).

Call for Submissions: DASH Literary Journal

DASH is back!

After a hiatus, DASH is returning with our next expected publication in late spring of 2026.

Published annually, DASH Literary Journal is based out of the California State University, Fullerton (CSUF) Department of English, Comparative Literature, and Linguistics. DASH is created through a class entitled English 515: Proofreading, Editing, & Journal Production. This unique aspect brings a team of editors together to curate the submissions that DASH receives, which allows each submission to receive more attention (typically 3-4 readers) than many literary journals. The team of editors also design all facets of the journal.

Open to general submissions since 2008, DASH has published national and international poetry, fiction, creative non-fiction, micro-literary criticism, hybrid texts, and artwork by authors and artists of all levels of experience, from first-time submitters through well-published creators.

While the works themselves cover a diverse range of topics, themes, and styles, successful DASH submissions are brief, concentrated expressions of creativity, with an emphasis on brevity.

Brandi Wells (bwells@fullerton.edu) is the Faculty Adviser. Please email them with any questions, but note that submissions must be made through our submission manager.

Our regular reading period is now open and closes March 1. Decisions will be made by May with a late spring publication.

Submissions will only be accepted through the submission site. 

We accept only previously unpublished work.  

Fiction:

· Submit 1 story up to 2000 words. Submit only 1 story per reading period. Previously unpublished work only.

Poems:

· 30 lines or fewer per poem. Submit up to 5.

Fiction, Nonfiction, Criticism:

· 2000 words or fewer, double-spaced. Submit 1.

Art:

· Digital images, 300 dpi. as TIFF or JPEG attachment.
Do not send original artwork.

Hybrid:

· Surprise us.

Authors receive a copy of the published journal.

Rights revert to author on publication. 

Submit your work here.

Writing Competition: Wren Press Poetry Prize

Contest judge: Sandra Beasley This contest is for a book-length poetry collection and is open only to poets who have had no more than two full-length poetry collections published. Manuscripts being submitted may not have been published or self-published in print or online as a whole. Manuscript should be single-spaced and paginated with a minimum of 54 pages of poems, each poem beginning on a new page. This is an anonymous submission. Do not include author name or identifying information anywhere in the manuscript. Please place this information in the Cover Letter field of your Submittable submission. Acknowledgement of previously published individual poems may appear in the cover letter or in the manuscript itself. Simultaneous submissions are okay, but please withdraw your manuscript if it is accepted elsewhere. 

Prize is publication and a $1000 advance against royalties.


Current or former colleagues, current or former extended-length students, and close friends or family of the contest judge are not eligible.

Submissions will be open until November 15 or until we receive 300 total submissions.  
 
We anticipate reaching the 300-submission cap by November 1, so we encourage you to submit early. 
 
There is no entry fee for this contest, but as a nonprofit press, we appreciate your donations to help us compensate our readers and staff. However, donations are not required, and neither the readers nor the final judge will know whether or not a submitter has donated.
 
Submit your entry here. 

Sunday, October 12, 2025

Call for Submissions: Skipjack Review

Recent cover image or website screenshot for Skipjack Review 

These waters are eclectic, baby, sometimes irreverent and odd, but mom loves us anyway—Mother Nature, that is. And we love her. That’s why everything we publish at Skipjack Review shares a reeling concern for the world around us.

Send us your truths. Send us your untruths. Send us your tales of victory. Send us your tales of whoa—like that time you flipped your canoe, lost all your gear, and spent a night roughing it and wondering if you could fight off a pack of coyotes with a rock. (Whoa!) We’re interested in writing and art that slays real-world red herrings in our day-to-day lives. If it pokes holes in preconceived notions, bursts bubbles, offers insight, or makes light where, otherwise, darkness might prevail, we want it to—and we want it, too!

Skipjack Review invites submissions of fiction, poetry, nonfiction, interviews, graphic narratives, translations, and hybrid works year-round. We publish three issues annually: two free, online issues, and one print anthology. We are now a paying market, although our pockets are still pretty shallow. Simultaneous submissions are encouraged, but please let us know if work submitted this way is accepted elsewhere. Submissions accepted via Submittable.

Guidelines

Prose

Fiction and creative nonfiction should be limited to one standalone short story, essay, or hybrid work, double-spaced, up to 5,000 words in length. Skipjack Review primarily publishes literary fiction and narrative nonfiction, but we love breaking this rule for cli-fi and slipstream stories and experimental works that blur genre conventions. Please include a word count at the top of your submission or in your cover letter.

Poetry

Writers are encouraged to submit up to 5 poems per submission, max ten pages. While we prefer modern poetry forms, we are open to anything, even, on occasion, eccentric limericks, sonnets, and haikus.

Visual Art and Graphic Narratives

All visual art, graphic narratives, comics, etc. should stand alone as a complete story or thought. Alternatively, we also consider suites of small-ish doodles and art, up to five pieces per submission. Please submit comics as a PDF. You may submit any combination of black and white or full color. We may ask for a higher resolution upon acceptance.

Simultaneous/Multiple Submissions

We accept and encourage simultaneous submissions but ask that you promptly inform us if your work is accepted elsewhere. We won’t be mad; we’ll be happy for you. However, please wait at least three months after receiving a response before submitting again. Additionally, please do not send another submission if you already have an active submission.

Works we do not consider: 

  • Congrats! But we do not accept previously published work at this time. This includes blogs, social media, etc.
  • Please do not submit book-length works at this time.
  • Nature is scary, but we will only entertain a specific brand of spooky: getting lost on a hike through Mark Twain National Forest, poetry or prose detailing animal calls at night, the terrors of climate change, etc. Skipjack does not publish outright horror.
  • We don’t accept works with copyrighted materials of any kind. As an independent journal, we do not have the funding to pay for copyrighted material.
  • Nature is beautiful and fun, but we do not accept erotica or fan fiction either.

Other Considerations: 

  • Please use standard formatting, more or less
  • If your work warrants a trigger warning, please provide one
  • We try to respond to submissions within three months, but if you haven’t heard from us after six months feel free to drop us a line at:
 skipjackreview@gmail.com
  • Because Submittable charges us a small fee for each submission we receive, please wait three months after receiving a response before submitting again unless submitting a tip jar or feedback submission.

Acceptances

Accepted works will appear in Skipjack Review and/or on the Skipjack Review website and will be considered for The Dead Herring Prize . Additionally, we nominate contributors for Best-of Net, the Pushcart Prize, and, when possible, other such honors.

Payments

We pay .01 cent/word, minimum $5, via PayPal or Venmo. Additionally, The Dead Herring Prize is awarded annually to one contributor from the previous year whose work slays real-world red herrings in our day-to-day lives. All accepted stories, poems, prose, comics, notes, doodles, whispers, and whimsy published by Skipjack Review during the calendar year are considered for this $100 prize. 

The Fine Print

Skipjack Review obtains exclusive first serial rights in English to publish your work in our literary magazine in print, online, and/or electronic versions, as well as promotional, nonexclusive anthology and archival rights. All applicable rights revert back to you following publication, and at all times you retain the copyright to your work. Skipjack Review reserves the right to remove content from issues following publication.

Skipjack’s Purpose

We are a journal about environment in every sense of the word. Beginning at birth, each of us is bound to our environment. From pollution of the earth to pollution of the mind to server farm statistics to gardening on Mars… We’d publish a modernized rendition of War and Peace, follow that up with a pretty haiku about flowers, and the next minute release some weird sci-fi in the vein of Flowers for Algernon—so long as at the heart of each is a deep concern for the world around us. For a deeper dive into the kind of writing and art we publish, check out our archives.

Submit your work here.

Call for Submissions: Invisible City

 
Submit writing and visual art that encourages us to see the world from a new perspective or angle. Urge us to consider something we may not have previously imagined. We’re eager to read your work.

Submissions are open! 
 
Deadline: Nov. 1, 2025 
 
Please familiarize yourself with our guidelines below. We compensate our contributors with a $20 honorarium per published piece.

General Guidelines

  • We only consider previously unpublished works. No exceptions. Thank you.
  • We do not accept submissions via email or postal service. You can submit your work to us through our submission manager. If you run into any technical difficulties while uploading your submission, please contact us at:
 invisiblecity@usfca.edu
  • We do accept simultaneous submissions. However, we ask that you notify us as soon as possible if your work is accepted elsewhere.
  • We have a 5,000 word limit for all prose. Flash is welcome; for regular-issue submissions you may submit up to three flash pieces (less than 1,000 words each) in a single document.
  • If you’re submitting poetry, please submit no more than three poems. The best things come in threes: Olympic medals, wishes, Cerberus heads.
  • At this time, we do not accept novel excerpts, unless they can function as stand-alone stories.
  • If we publish your writing, we ask you to please wait three reading cycles before submitting again. For example, if your work is accepted in the Spring 2025 cycle, you will be eligible for Spring 2028 submissions. This waiting period allows us to best honor our mission of giving space to new voices.
  • We accept visual art submissions on a rolling basis. We do not mandate a waiting period following art publications.
  • Please submit your art in either .PDF or .PNG format. If you would like to submit multiple pieces for consideration, you may upload a .ZIP file, or include a link to a portfolio.
  • We will not accept photos of artwork taken by a smartphone— please scan any physical copies.
  • We do not accept written submissions from current students at the University of San Francisco. Alumni may submit.
  • All honorariums associated with an international address will be made by wire transfer. If you are an international resident, in order to be paid the honorarium you must have a bank account in your own name. The bank account cannot be in a family member’s, friend’s, or in any other person’s or entity’s name. Otherwise, the honorarium will not be processed. Also include the SWIFT or IBAN code associated with your country on the paperwork we require to complete the honorarium request.
  • Please include content warnings when and where applicable.

Writing Fellowship: The 2026 Fresh Voices Fellowship

Recent cover image or website screenshot for Epiphany: A Literary Journal

The 2026 Fresh Voices Fellowship is currently OPEN for applications and will close on November 1st, 2025.

The Fresh Voices Fellowship supports one emerging Black, Indigenous, or other writer of color who does not have an advanced writing degree and is not currently enrolled in a degree-granting creative writing program. Our fellows have gone on to sign with agents, publish books, win prizes, and develop their careers in writing and publishing.

One writer, in poetry or prose, will receive:

  • A $2000 stipend 
  • A year-long editorial fellowship at Epiphany, which entails the opportunity to participate in the editorial and publication process of a small non-profit literary magazine, and to build close relationships with the editorial team 
  • Publication in a print issue of Epiphany
 Because this opportunity is designed to support writers currently working outside traditional literary and academic systems, applicants must not have an advanced degree (MA, MFA, PhD) in creative writing or English and must not be enrolled at the time of application in any degree-granting program. A BA in Creative Writing or English is acceptable, as is a Masters or PhD in an unrelated field. Applicants must also not have published or be contracted to publish a full-length book (excluding self-publication). Applicants must also be based in or be living in the United States during the twelve-month fellowship.

Application Requirements:

1) Work Sample: Please include a 5-page, double-spaced sample of work you feel most represents you, your interests, and your literary style. (If you’re sending a novel excerpt, please include a short synopsis of the novel and an explanation of where, in the story, the excerpt falls.) This sample need not be unpublished.

2) Cover Letter: Please tell us a bit about yourself as an artist, your relationship to the mainstream literary/publishing world, and what you are hoping to gain by working in a literary magazine environment for a year.

Submit your application here. There is no fee to submit.

Writing Competition: The River Teeth Literary Nonfiction Book Prize

Recent cover image or website screenshot for River Teeth Literary Nonfiction Book Prize 

Deadline for Submissions: October 31

Final Judge: Ander Monson

Complete Guidelines:

  • Entries must be submitted online through Submittable. Manuscripts must be in English, double-spaced, and between 35K-85K words long (approximately 150-350 pages).
  • The winner will receive book publication with The University of New Mexico Press and a $1,000 honorarium.
  • The reading fee is $27 (which includes a one-year subscription to River Teeth to begin in the spring). While our contest is open to entries outside of the U.S., we cannot offer free subscriptions to international submissions because of high mailing rates.
  • The deadline for submissions is October 31. The contest winner and finalists will be announced by April.
  • Submissions should be previously unpublished as a complete book; if excerpts or individual essays have appeared in literary journals or magazines, that is acceptable. Any literary nonfiction (including memoir, personal essays, investigative reporting, et cetera) is eligible.
  • Simultaneous submissions are fine, but as ever, be sure to withdraw your manuscript immediately if it is accepted elsewhere for publication before the conclusion of the contest.
  • The editors make every effort to screen manuscripts without bias of identifying author details; however, because the contest is nonfiction, it is not always possible to eliminate identifying characteristics about the author from the manuscript. Do not include your name on the title page or in the header or footer of the manuscript, but otherwise do not fret too much over anonymity. Please include a brief bio in the cover letter section of Submittable.
  • River Teeth encourages underrepresented voices to submit their work for consideration, including but not limited to: BIPOC, LGBTQ+, and disabled writers.
  • Close friends, family members, and former students of the judge may not submit during the year of the judge’s service. (Writers who have had short-term interactions with the judge at residencies, conferences, or fellowships do not count as students.) Current Ball State University faculty and students (including interns) are ineligible.

Please direct all questions to:

riverteeth@bsu.edu

Writer-in-Residence: The Camden Festival Residency

The Camden Festival of Poetry is pleased to announce an open call to its first annual juried Festival Residency. The mission of the Festival is to create community and connection through poetry, and this residency is meant to expand our poetic community. The winner will receive a month-long stay at Millay House Rockland in May 2026, and a $500 travel stipend. This is an opportunity to attend the week-long events of the Camden Festival, as well as time to work on a project during the month. Applicants must propose a workshop that they may be selected to offer at the Festival. The winner will have an opportunity to read either at the Tuesday evening Festival "Preview" event, or later in the month at the Millay House.

Application Fee: $25.00

Deadline: Nov. 30, 2025  

DETAILS: 

  • Applicants must be U.S. citizens, 21 years or older, not a resident of the state of Maine, and not enrolled in an educational program at the time of the residency.
  • The residency is for the month of May 2026 and is open to poets only.
  • The residency is open to individuals with or without an accompanying partner or spouse. No group projects will be considered. The writer is expected to have time to focus on a project during the period of their residency. Please indicate if you would like to bring a partner.
  • Submissions open September 15, 2025 and close on November 30, 2025. Winner will be notified no later than January 15, 2026.
  • Submissions will not be considered anonymously.
REQUIREMENTS:
  • Applicants will submit examples of their work in a PDF format. Submit 10-12 pages of poetry, with each poem beginning on a new page, formatted in 12-point type. Works may be previously published or in process.
  • Applicants will submit a proposal for a 2-hour workshop that they would lead at the 2026 Camden Festival if selected to do so.
  • Applicants will submit a short statement about the project they plan to work on and why they want this residency.
  • Applicants will submit their resume in a PDF format.

ACCOMMODATIONS:

Your accommodations include one-half of a “double house” located at 198 Broadway in Rockland, Maine, a city that combines an historically significant working waterfront with a flourishing art scene. The duplex, built in 1891, provides a living/dining room, fully equipped kitchen, two bedrooms, a study, one and a half baths, WiFi, and off-street parking. A bicycle is available for your use. Food is not included but there are grocery and specialty stores nearby. If you aren't driving here, we do recommend that you plan to rent a car to explore the area, pick up groceries, etc.

An easy walk to downtown Rockland will bring you to a vibrant array of art galleries and museums, restaurants and coffee shops, a public library and bookstores, the Harbor Trail, a boatbuilding school, windjammer cruises, and daily ferry service to the islands, as well as the weekly farmers market.

The Festival activities will take place in Camden which is about 10 miles from Rockland.

YOUR HOST:

Founded in 2023 by Meg Weston of The Poets Corner and poet and translator Mark S. Burrows, The Camden Festival of Poetry brings distinguished voices in poetry to Camden for an annual Festival, celebrates Maine poets and singer-songwriters, and encourages young voices in poetry throughout the year.

Acceptance will be made by the Camden Festival Residency Selection committee.

Send your application here

Call for Submissions: Strange Pilgrims

Strange Pilgrims 

We believe in narrative as pilgrimage — a journey through wild and wounded places into strangeness and transformation. We read to arrive somewhere we haven’t been before, to glimpse life through another’s eyes in an attempt to understand. The work we’re drawn to is surreal, philosophical, sincere, and unforgettable — stories and essays that get under your skin and reach the heart of the human condition.

We see writers as essential voices in the fabric of society, articulating our delights and sufferings. Each piece we publish is accompanied by a brief interview with the author, offering readers a deeper sense of their world. Together, we hope they form a map of the strange pilgrimages we take through language and life.

Deadline: Nov. 30, 2025 

꧁ WHAT WE PUBLISH ꧂
We publish one piece each week, alternating between flash and long-form writing:

🜂 Short Stories (up to 5000 words)

🜁 Essays / Narrative Nonfiction (up to 5000 words)

☉ Flash Fiction (under 1000 words)

☾ Flash CNF (under 1000 words)

We’re not married to any genre, structure, or subject. We love surreal, speculative, and fabulist stories; unhinged, lyric, and fragmented essays; voice-driven experimental narratives and slow-burn realism; cultural and literary criticism; hyper-intellectual riffs and children’s stories — so long as they move. If your work is honest, well-crafted, and offers something emotionally and intellectually vivid, we want to read it.

Some of the writers who guide our taste: Gabriel García Márquez, Susanna Clarke, Toni Morrison, Tom Robbins, Brian Doyle, Han Kang, Kelly Link, Lydia Davis, Roland Barthes, Franz Kafka, James Baldwin, Ursula K. Le Guin, Geetanjali Shree, Leo Tolstoy, Mariana Enriquez, David Foster Wallace, Lidia Yuknavitch, Chuck Palahniuk, Clarice Lispector, Ted Chiang, Ali Smith, Milan Kundera, Saadat Hasan Manto, Karen Russell, Fernando Pessoa, and many, many others.

PAY ˗ˋˏ$ˎˊ˗

We pay all our contributors:

$200 per short story/essay

$50 per flash piece

Payments are made via PayPal within one week of publication.

Writers are at the center of everything we do, and raising our contributor payments is one of our highest priorities.

Submission Guidelinesજ⁀➴ ✉︎

We welcome submissions from anywhere in the world.

We publish one piece each week, which means we’re highly selective and read with care.

Multiple submissions are not allowed. Please only make one submission (whether that’s a story, essay, OR flash piece) at a time. After you've heard back from us, you may submit again right away if you wish to.

Simultaneous submissions are fine — just let us know immediately if your work is accepted elsewhere.

We do not currently accept previously published works. Self-published pieces (on your blog, Substack, etc.), however, are welcome.

All submissions are handled through our custom submission portal.

Submissions are always free for general categories. If you’d like to support the magazine, you can become a paid subscriber, leave a tip, or request paid editorial feedback. These options help us sustain the magazine and pay our writers.

Currently, our general response time is ~4 months. We offer a $10 Fast Response option, wherein we’ll respond within 4 weeks.

We nominate for the Pushcart Prize, Best American Short Stories, Best American Essays, Best Small Fictions, and Best of the Net.

More information here

Call for Submissions: Banshee Press

Banshee welcomes submissions from both Irish and international writers of any background, including first-time writers. We welcome work from members of groups or communities typically under-represented within literature, whether or not the work addresses this.

All submissions should be previously unpublished.

Our guideline maximum word count for stories and essays is 5000 words. Flash fiction should be under 1000 words, poems no more than 40 lines.

We are happy to read: one story or one essay or two flashes or up to four poems. Please submit in one category only.

Submissions should be in one .doc or .docx attachment. Prose submissions should be double-spaced.

Please include a third-person biography (max 50 words) in the body of your email. If you are sending a prose submission, please note the word count of the piece in the body of the email.

Email to:

subs dot bansheelit at gmail dot com (Change dot to . and at to @) 

indicating the category of your submission in the subject line (e.g. Flash/Story/Essay/Poetry).

We are happy to consider simultaneous submissions, but ask that you notify us as soon as your work is accepted elsewhere.

Please note that we cannot offer feedback on unsuccessful submissions.

We believe in paying writers. We can offer contributors a small fee as well as a copy of the journal. 

Deadline: October 31, 2025.

Call for Submissions: Kismet Magazine

The best way to know if your work is a good fit for Kismet is to be familiar with Kismet. We’re not prescriptive about things like length and form—we publish style-forward writing with an interest in mystical, spiritual, and religious elements, broadly interpreted. To find out more about our approach, please read “Spirits of the Times,” an introductory note from Kismet 001.

That said, here are some specifics: 

  • We publish essays, fiction and poetry.
  • From 2026, Kismet will publish 3 annual print editions.
  • We accept submissions on a rolling basis.
  • Please send one prose piece at a time.
  • We publish poetry folios, not individual poems—please submit a selection of up to 5 poems, in one document.
  • We prefer essays that expand beyond the personal, that persist beyond the news cycle—i.e. stretch beyond reported pieces.
  • We love work in translation; please ensure you are in touch with the rights holder.
  • All contributors are paid for their work.

Submissions (in a Word doc) should be sent to:

info@kismet-mag.com

We’re a very small team. We’ll endeavor to read and respond to all submissions within each issue cycle. But if you don’t hear from us, please forgive us—even if the gods don’t—and consider it a respectful pass.

Pitching Book Reviews

Beginning in October, Kismet Magazine will publish one book review online per week.

We review the kind of books that fit with the magazine’s ethos, as described above: style-forward writing with an interest in mystical, spiritual, and religious elements, broadly interpreted.

We are currently accepting pitches for books forthcoming from December 2025 onward. All reviewers are paid $250 per review. And reviews should be between 1500-2000 words in length.

Guidelines for Reviewers: 

  • Books must be forthcoming (not already published).
  • A lead time of at least 2-3 months is preferred.
  • Please briefly outline the relevance of the proposed title to the Kismet readership.
  • Please include a brief contributor bio and links to up to 3 relevant bylines.
  • We ask that reviewers do not pitch the work of friends, family, or close acquaintances.

Guidelines for publicists:

Please consider if the title you are pitching is a fit for Kismet before sending promotional materials.

Pitches should be sent to:

info@kismet-mag.com

Sunday, October 5, 2025

Call for Submissions on Theme of "Lost": Ivo Review

What We Look For

We are looking for prose, poetry, fiction, non-fiction, hybrid works, and dramatic works from emerging and established writers from around the world, particularly writers from historically underrepresented communities. We love the concept of narrative - we want to read storytellers telling stories in whatever form that takes for you. 

Works should be primarily in English. 

We consider simultaneous submissions but if a work is accepted elsewhere please let us know. We will be thrilled for you! We consider reprints but please indicate the original publication so that it can be credited - with a link to the work if possible so that we can also link to that publication. 

We love visual art submissions and are always looking for cover art.

We will not consider AI generated work.  At this time we are also not considering translations. 

How to Submit

For art, please submit one piece that you would like considered for as cover art. 

For poetry and flash or micro-fiction, please submit up to five (5) pieces of up to 100 lines for poetry. We consider micro-fiction to be up to 350 words, and flash to be 351 - 1000 words.    

For longer works of fiction, non-fiction, or dramatic works please send up to two (2) pieces of up to 3000 words. 

For dramatic works, we consider works that would be able to produced as a 10 minute play or shorter. We love long dramatic monologues, but will also consider ensemble pieces. 

Send submissions to:

editorivoreview@gmail.com

The subject line should be the THEME of the issue for which you are submitting work and the CATEGORY of the submission. (Example: LOST - POETRY)  Please include a short cover letter with a short author's bio in the body of the e-mail and attach submissions in a single .docx attachment.

Submissions that do not follow these simple guidelines will not be read.   

Currently we are reading for Issue Two: LOST until October 31st, 2025.   

Rights and Expectations 

You retain all rights to your work. By submitting work to Ivo Review you are granting us the non-exclusive rights to publish your work in our online issues and to continue the display of that work on the online site. You are confirming that you are the author of the submitted work and that you retain the rights to submit it for publication. Works published online in Ivo Review will be considered for future anthologies, and authors will be contacted for permission and with information about payment if we are interested in using your work again in that way.  We will promote your work, but we will never attempt to sell your work or to include it in any publication other than the issue in which it was originally published without your permission. 

If a piece has not been previously published before Ivo Review, please credit us in any future publications. 

At this time, we are not a paying market - though we do hope to be able to correct that soon. We do have every intention of nominating for Pushcart and other prizes including Best Small Fictions, Best Microfiction, and Best of the Net.

We anticipate that we will respond to submissions two to four weeks after the end of the reading period for that issue, but we are a very small operation and so cannot promise that it will not take us a bit longer. If you have not heard from us after six weeks from the end of the reading period for the issue you submitted for, please feel free to contact us for an update. We will not take it personally!

Call for Submissions: The Massachusetts Review

The Massachusetts Review 2025 – 2026 Submissions Period is now open.

If you have submitted to us online, please check that your spam filters do not block our email. You can add:

massrev@external.umass.edu 

to your “approved senders” list.

What kinds of writing are you looking for?

We seek a balance between established writers and promising new ones. We’re interested in material of variety and vitality relevant to the intellectual and aesthetic questions of our time. We aspire to have a broad appeal; our commitment, in part regional, is not provincial. “Inspired pages are not written to fill space, but for inevitable utterance; and to such our Journal is freely and solicitously open.” —Ralph Waldo Emerson 

N.B. Submissions from BIPOC authors will be accepted year-round; however, outside our regular reading period, when the online submission manager is shut down, all BIPOC submissions should be sent by regular mail or emailed to:

massrev@external.umass.edu

Nonfiction: Articles and essays of breadth and depth are considered. Since its inception, in 1959, the Massachusetts Review has provided a literary space that engaged and challenged society, provoked political and social change, and published under-represented voices. We also publish discussions of leading writers, of art, music, dance, and drama, and analyses of trends in literature, science, philosophy, and public affairs. One essay per submission, with a maximum of 20 pages or 7500 words. Please include your name and contact information on the first page. We encourage page numbers.

Fiction: We are interested in all styles and subjects, from flash fiction and experimental writing to historical and realist fiction; we do typically favor work that focuses more on the world than the self. We consider one short story per submission, a maximum of 20 pages or 7500 words. Please include your name and contact information on the first page, and we encourage page numbers.

Performance: Most work on performance is featured online, to take advantage of the multimedial potential of digital publication. We also occasionally publish short-form performance scripts as well as excerpts from longer works in the print magazine, up to 30 pages per issue.

Poetry: A poetry submission may consist of up to 6 poems. There are no restrictions for length, but generally our poems are less than 100 lines. Please include your name and contact on every page.

Hybrid: A hybrid submission may cross genres with fiction, nonfiction, poetry, or art. We consider one such text per submission, with a maximum of 30 pages or 7500 words. Please include your contact information on the first page; we encourage page numbers.

Translation: Fiction, poems, or essays are accepted. The above guidelines for essays, fiction, and poetry should be followed, and a copy of the translated text should be submitted along with the translation. Before submission, the translator should have researched who holds the rights and, ideally, have secured permission to publish. N. B. Translations will be accepted year-round; however, outside our regular reading period, when the online submission manager is shut down, submissions should be sent by regular mail or emailed to:

massrev@external.umass.edu

Art: We publish one visual artist per issue, and most visual art is solicited. We are happy to consider submissions & will try to respond promptly. One portfolio per submission, a maximum of 8 pages We do not hire illustrators to illustrate our fiction or prose pieces, they run without illustration. Please include your name and contact information on the first page, and we encourage page numbers.

Public Affairs: We welcome contributions that think politically about culture, and think culturally about politics. We welcome internationalist writing and work that centers the lived experiences of historically marginalized peoples. We also seek to prioritize freedom writing, to expand the space for freedom thinking, and to grow our public for both.

Quarterly Print Journal: One essay per submission, with a maximum of 20 pages or 7500 words. Please include your name and contact information on the first page. We encourage page numbers.

Online blog: We welcome short pieces (1000 words max) which tackle public affairs matters of the greatest urgency, op-eds that are radical in spirit and broadly appealing in language, and work where first-hand experience meets history, politics or theory. We ask that you include a short bio, and up to three photos which you have permission to publish (optional, including headshot) to accompany the piece. Photo essays and hybrid work that combines text with graphics are also welcome. Unsolicited blog submissions carry a small honorarium of $50.

Also please note: Essays, fiction, hybrid, poetry, and translation manuscripts should be submitted separately. No mixed submissions please.

Are there any genres or topics that you do not consider?

We publish book reviews online, but not in the print magazine.

When is your reading period?

Submissions are NOT accepted from May 1 to September 30. Mailed submissions received during this time will be held for the next reading period. The electronic submission database will reset once all manuscript decisions have been made, and any work submitted within the subsequent reading period will require an account reactivation.

Due to extenuating circumstances, we are currently experiencing a heavy backlog in submissions. Please allow our readers six months to respond to your submission. We apologize for the delay and appreciate your patience!

Do you accept simultaneous submissions?

Reluctantly. It is the author’s responsibility to notify editors immediately once a manuscript is accepted elsewhere.

Do you accept multiple submissions?

No.

Prose manuscripts are limited to one submission at a time. Poetry submissions cannot exceed six poems per submission. Authors must await decision notification before submitting again in the same reading period.

Do you pay for contributions?

At the time of publication, we pay a $100 honorarium for work published in a single issue. Authors also receive two complimentary contributor’s copies.

I’m mailing my submission, how should I submit work?

There is no charge for mailed submissions. All prose manuscripts should be typed and double spaced.

Fiction and Non-fiction submissions should include name and address on the first page of the manuscript with page numbers. Poetry should include name and contact information before each title of a poem. The Massachusetts Review is a non-profit journal, and it is impossible for us to acknowledge receipt of manuscripts unless a self-addressed stamped postcard is enclosed with your submission. The Massachusetts Review is not responsible for lost manuscripts. No manuscript can be returned or query answered unless accompanied by a self-addressed stamped envelope.

Please read a copy of MR before submitting work. We cannot offer free sample copies, but you may order current or back issues here. We do not accept manuscripts via fax.

I’m submitting electronically, how should I submit work?

Read this first!

All submissions should include name and contact information on every page of the manuscript. A suggestion is to include this information in the header or footer. All prose manuscripts should be typed and double-spaced. We strongly encourage Fiction and Non-fiction to include page numbers.

All poems, a maximum of six per submission, should start on a new page and be included in one document. Multiple submissions will not be accepted.

Please read a copy of MR before submitting work. We cannot offer free sample copies, but you may order current or back issues online.

Please note that there is a $3.00 fee to submit electronically per reading period. In addition to maintaining the database, the fee was designed with the intention of diminishing your submission costs. The process will require a one time account set-up per reading period. We accept Visa, Master Card, or Discover; payment is made via Commerce Manager.

The electronic submission provides continuous access to check on the status of your submission. To withdraw specific poems or prose from consideration, please email the managing editor at:

massrev@external.umass.edu 

Should you choose to withdraw your submission for any reason, no refund will be provided.

You will receive a one time account set-up confirmation e-mail, a submission receipt confirmation e-mail every time you submit, and, once our editors read your submission, a notification of decision e-mail.

Click here to begin the electronic submission process.

Address for mailing submissions:

The Massachusetts Review
400 Venture Way
Hadley, MA 01035

Call for Submissions and Fiction Competition: Washington Square Review

We are open for submissions to Issue 55! We are also open for the New Voices Award contest in fiction, judged by Katie Kitamura, through November 1st, 2025. 

Entry Fee for Contest: $15.00

First place: $1500 

Submission Guidelines below:

Poetry: Submissions should not exceed five poems.

Fiction: Submissions should not exceed 5,000 words. Please submit one story per submission, and one story per submission period. This cycle, fiction will only be accepted as part of the New Voices Award contest. Submissions will be considered both for the prize as well as for general publication.

Creative Nonfiction: Submissions should not exceed 5,000 words. Please submit one piece per submission, and one piece per submission period.

Translations: Please submit both the original and the translation whenever possible. Translators are expected to have identified the original copyright holder and obtained confirmation that the translation rights are available before submitting, and, if accepted, are responsible for securing those rights.

All submissions must be previously unpublished.

Please click here to submit your work to us via Submittable during the dates specified above.

We do not accept submissions via mail or email. Please share your work with us via Submittable during the dates specified above.

Our response time is generally 2-4 months. Simultaneous submissions are acceptable. If your work is accepted for publication elsewhere, please let us know as soon as possible.

Contributors will receive two copies of the issue in which they are published, an opportunity to purchase additional copies at half-price, and a one-year subscription. We do not offer any monetary remuneration for publication.

Call for Submissions: Mud Season Review

Recent cover image or website screenshot for Mud Season Review 

Submissions are open between October 1 – October 31, 2025.

NOTE: We may close the reading period early by genre if volume demands. We want to be sure to give your work the attention it deserves! Please keep this in mind as you consider submitting your work.
General guidelines:

We seek deeply human work that will teach us something about life, but also about the craft of writing or visual art, and work that is original in its approach and that in some way moves us. Publishing and celebrating a diverse range of voices is important to us, so please include in your cover letter a brief biographical statement (50 words or less) as you would like it to appear with your published work. For more on what we look for in submissions, read an interview with our founding editor.

We accept simultaneous submissions. However, please withdraw your work immediately should a piece you’ve submitted be accepted elsewhere. If you are withdrawing your entire submission, please log in to your Submittable account and click “withdraw.” If you are withdrawing only a part of your poetry or art submission, please add a note to your submission advising which piece(s) you are withdrawing. We strive to respond to all submissions within 2 months. You can track your submission with Duotrope.

We also offer a feedback request service, which features written feedback from our highly qualified reviewer team. Please submit under the appropriate category. Work submitted to this service is not considered for publication. Writers and artists are welcome to submit to Mud Season Review for publication during reading periods.

We do not accept mailed submissions, emailed submissions, multiple submissions (submitting again to the same or another category before getting a response), or anything that has previously appeared in print or online (including on your personal blog or website, artwork excepted). We accept flash fiction; please include two to three pieces in your submission. We do not accept translations at this time. If you have already been published in Mud Season Review, please refrain from submitting for one year after the date of the issue in which you were published. Please send submissions through Submittable only; submissions sent via email will not be considered. Please use a standard 12-point font. For fiction and nonfiction, please double space.

We acquire First North American Serial Rights (FNASR) upon acceptance and retain exclusive rights to your accepted piece for 90 days after publication. After that, we will archive your piece online and may include it in one of our print editions. Should you choose to reprint the piece in the future, please mention that your piece was originally published in Mud Season Review.

We pay authors and featured artists $50 for work that appears in our issues. For artists whose images are paired with writing, and for poets whose work appears in The Take: Mud Season Review, we offer payment of $15.

Submit your work here.