Monday, July 28, 2025

Call for Submissions: Dishsoap Quarterly

general info
  • we publish one piece per week, on Tuesdays. our submissions will remain perpetually open, so feel free to send us work whenever you’d like.
  • typical response time is 2-4 days. all submissions will be responded to within 2 weeks.
  • submissions are free! but we're also not a paying market. we hope to someday be though :)
genre guidelinesflash fiction/nonfiction
  • tell us about that time that… and how… or an old bike that… or your next door neighbor who… or a fake guy named Ralph who loves… up to 3 pieces / up to 1200 words per piece.
  • micro fiction/nonfiction
  • send us your little drabbles, meditations, glimpses, fortune cookie fortunes, journal entries, horoscopes, etc. up to 3 pieces / up to 300 words per piece.
  • poetry/prose poetry
  • hit us with funktastic imagery and permeating voice. up to 3 poems / no word limit.
  • hybrid
  • all your weird. we want it. hard limit of 3 pieces / 1200 words.
nitty gritty
  • we typically prefer for Dishsoap to be the first place your work has appeared, but are more than happy to give a new home to work stuck in any defunct/discontinued journal or magazine.
  • simultaneous submissions are accepted, but please notify us promptly if your work is accepted elsewhere.
  • we encourage and enjoy work that tackles tough topics, but we will reserve the right to ignore a submission if it includes anything nsfw, racist, homophobic, ableist, transphobic, sexist, or anything generally involving discrimination or hate speech.
  • if your work is rejected, we ask that you wait 1 month before submitting again. if your work is accepted, we ask that you wait 2 months before submitting again.
  • to withdraw your work, email us at:
 dishsoap.mag@gmail.com
  • if you somehow don't have a google account yet and can't access our form, feel free to email us your submission with an optional informal cover letter and a bio.
  • if your work is accepted, you retain all rights, but we request that you credit us when sending it to other places in the future.

Sunday, July 27, 2025

Writing Competition: Other Futures Award

ABOUT FUTUREPOEM

Futurepoem books is a New York City-based non-profit publishing collaborative dedicated to presenting innovative works of contemporary poetry and prose by both emerging and important underrepresented writers. We offer two yearly opportunities for publication. Subscribe to our email list for more info about upcoming submission opportunities, or check back with this site

THE OTHER FUTURES AWARD

The Other Futures Award is given annually to an innovative, adventurous full-length work that challenges conventions of genre and language, content and form. Send us writing that imagines new lived or literary possibilities, and questions established paradigms.

The winner will receive publication with Futurepoem, an advance of $1000, a standard royalty contract, and 25 author copies. We will announce our decision in late 2025. The winning book will be published in 2027.PROCESS: All submissions are read by Futurepoem staff readers, who then recommend a limited group of manuscripts to the permanent editors. The winning manuscript is selected by Futurepoem's permanent editorial staff. Our process is identity-hidden, so please be sure that the author's name does not appear anywhere in the manuscript.

ELIGIBILITY: We welcome submissions by writers at any stage of their career. Manuscripts must be unpublished book-length works of prose, poetry, or multi-genre work. And though we are open to books with visuals, we have a limited capacity to support image-based projects. We publish poetry, first and foremost, and heavily image-based projects will be better served by a different publisher. Previously published poems or chapbooks may be included, but the manuscript as a whole must be unpublished. Writers who are not U.S. citizens are welcome to send work. Past or present students, colleagues, or close friends of Futurepoem editors are not eligible to submit.

TRANSLATIONS: We do not publish translations of works originally written in languages other than English. However, previously unpublished texts that engage bilingual or multilingual practices are welcome.

SIMULTANEOUS SUBMISSIONS: We accept simultaneous submissions. Please notify Futurepoem as soon as possible if your book is accepted elsewhere.

MULTIPLE SUBMISSIONS: We accept multiple submissions from the same author. Each manuscript should be submitted separately including a separate entry fee.

FORMAT: Suggested length is 50 to 150 pages, though manuscripts may be slightly shorter or longer. The Other Futures Award is an anonymized contest. Please include a title page with title only, and a table of contents. The author’s name should NOT appear anywhere in the manuscript.

REVISIONS: While we are not able to accept revisions during the reading period, the winner will be able to revise their manuscript before publication.

HOW TO SUBMIT: Please submit online using our Submittable page (futurepoem.submittable.com/submit). We cannot accept hardcopy or emailed submissions. We encourage you to familiarize yourself with our catalog before you submit.

ENTRY FEE: $28. We also offer need-based reduced fees of $18 and $9; please select the fee that is most appropriate for you. You can also choose to partially sponsor someone else’s submission for $35. A fee waiver is available for anyone who may need it — if the lowest fee represents a hardship for you, please email:

ahana@futurepoem.com with subject line: 2025 OFA Fee Waiver.

DEADLINE: August 15, 2025 at 11:59pm EST. The submission period begins on July 15, 2025.

We commit to following the CLMP Contest Code of Ethics.

OPEN READING PERIOD

Each year, we invite a rotating panel of distinguished guest editors to read and select two new books for publication. Futurepoem welcomes unpublished, full-length manuscripts of poetry, prose, and multi-genre work that challenge and expand on the potential for poetic form, language, and process. Work by underrepresented and emerging writers is especially welcome. Our 2025 Guest Editors were Abraham Cruzvillegas, Matt Longabucco, and Courtney Bush. See our website for manuscript selections.

Call for Submissions: Two Thirds North

TTN 2024 cover 

Two Thirds North welcomes submissions of poetry, short stories, essays, artwork, interviews, reviews, and other other types of features.

Submissions are open 1 June - 31 September.

Send your work to:
 
submissions@english.su.se.

Name the doc file with your surname.
 
Poetry

Send us up to 5 poems.
 
Short stories and essays

Send us up to 6,000 words.
 
Translations

Send us up to 5 poems or prose up to 3,000 words. Author's permissions must be secured.
Author features

We prefer to run short book reviews or feature essays to go with interviews. Please pitch us first.
 
Art

Two Thirds North includes black&white photographs inside each issue.

Artwork in colour is considered for the cover.

Call for Submissions on Theme of "Refuge": The Amphibian

The theme of issue 9 will be Refuge 

Where do you feel safe? What are you hoping for? We are all migrant souls, searching, running away, trying not to look at what may catch up with us. It is time to find a place of safety whether it is inside yourself or in your community. Look out for each other.

Submissions open on July 1st 2025 - Sept 15th '25 

Check the website regularly for more info.

Please do not submit anything made by AI.

Send us your poems, stories and flash fiction 

  • word count max 2000 for stories
  • max 3 poems and we are flexible as to length (within reason of course!)
  • a simple word doc is preferred and most fonts are fine

Submissions to:

info@theamphibianlit.com

Call for Humor Submissions: Chortle

Chortle is always on the lookout for sharp, focused humor pieces from new writers. We’re able to pay $40 for each piece we publish. If you’d like to submit, please continue reading until the end of this post!

To get an idea of the kind of writing we like, I highly recommend reading some of our published work before submitting. Some places to start include our most popular posts and previous guest posts.

What is Chortle?

The short answer: we publish a new short humor piece every weekday. To learn more, read our About page.

 Basic Submission Guidelines

600 words or less.

We can only consider completed work (no pitches).

We’re unable to consider previously published work (including personal Substacks).

Comics and other multimedia are welcome.

We read every submission and generally respond within 10 days (more or less).

Please do not submit multiple pieces within the same time period.

Pieces We Like…

…have a clean comedic premise that is clear within the first paragraph.

…build and escalate throughout.

…are tightly written without extra fluff.

…show off a unique voice or perspective.

Pieces we don't like...

…have no clear focus.

…do not have enough jokes.

…require extensive setup to reach the funny part.

…cover well-worn topics or points of view.

…consist mostly of dialogue and/or are written like a script.

Submit your work here

Call for Submissions on Theme of "Tension": The Muleskinner Journal

Recent cover image or website screenshot for The Muleskinner Journal

Submissions for Journal Fifteen are Open

We don't mean to stress you out, but our theme for Journal 15 is Tension.
It's the elephant in the room. It's the lion tamer's head in the lion's mouth.
BUT, on the bright side, it's also the engine that drives the drama, the abracadabra that makes the magic, and the need that creates the invention.

For Journal 15, we want tension.
We knock on your door and request that emotion come out and play. We pound on your door and demand the truth.
We want the rubber band taut. We want resistance. We want your focus on the gap between where you are and where you want to be, the longing for home, or the need to get away.
Send us the revelations, conversations, and adaptations that spring up. We want to explore tension channeled forward, from the drainage ditch to the river, to the waves and the ocean, to good things hard earned.
We want the bad tension too. Ease our tension with yours. Ease your tension by screaming at us. Turn up the heat. Don't give us a break.
We'll keep this fury fast.

We'll close submissions on Labor Day, September 1, a fitting day to refocus your attention.

What we are looking for…

Muleskinner Journal accepts previously unpublished work only. Please use the following word counts to select a category to submit. Submit in only one category. Send no more than one submission per issue.

Poetry: Any length or form. (1-3 pieces)

Flash or Micro Fiction: max. 1000 words each (1-3 pieces)

Short Story/excerpts from longer (previously unpublished) work: (max. 3000 words) Please include word count on first page

Creative Nonfiction: (max. 3000 words) Please include word count on first page

We look for writing of all kinds that uses skill, wit, and determination to deliver the goods. We accept and publish poetry, short fiction, flash fiction, micro-fiction, short scripts, excerpts from longer works, memoir, criticism, craft essays, artwork, journalism, and shopping lists.

We don’t care who you are, as long as you are the author of what you submit.

Manuscript Guidelines…

We accept unsolicited general submissions for free, through Submittable.

We have a Tip Jar. It’s voluntary. But’s it’s there to help us offset costs and build toward paying our writers. Someday. Soon.

Submissions should be in .doc or .docx format and the file should be titled: Last Name_Title or Last Name_Poems.

Prose submissions should be sent in Times New Roman or similar, 12pt font, double-spaced, always, with numbered pages.

For prose, please include the word count at the top of the first page.

Simultaneous submissions are fine — we’re writers too, after all — but let us know if your piece is accepted elsewhere.

Include a short, third-person bio - we want to know who you are, and include any social media handles you would like us to share.

No more than one submission per issue.

Feel free to inquire about the status of your submission if you haven’t heard back after a month. We try to be quick.

No re-submissions of the same work unless a revision was specifically requested.

And finally, we are listed in Duotrope, so don’t forget to report your submission (if you use them, that is), and thank you!

Submit your work here

Call for Submissions: F(r)iction Series

F(r)iction Series

For our print magazine, we accept short fiction, flash fiction, creative nonfiction, and poetry—regardless of genre, style, or origin. To get an idea of the kind of work we look for and the ethos behind what we do, please check out this page from our editors detailing what we look for in our submissions and this CLMP Member Spotlight article. And please note that we strongly encourage you to check out a past issue of F(r)iction, available in our shop.

Please also be sure to also check out our formatting guidelines.

GuidelinesCategories accepted:

● Short fiction: 1,001 – 7,500 words
● Creative nonfiction: up to 6,500 words
● Flash fiction: 1,000 words or less
● Poetry: three pages or less per poem, up to five poems per submission
Other notes:
● All genres are welcome, but especially those that celebrate the weird, take risks with form and content, and are driven by a strong, unique voice.
● All work must be previously unpublished. This means if your work has appeared in any print or online source (this includes personal blogs, websites, and social media pages), we cannot accept it.
● Simultaneous submissions are accepted, but please notify us immediately by choosing “withdraw” in Submittable if your work is selected for publication elsewhere.
● No AI submissions: We currently do not accept work from artificial intelligence (“AI”) generators or similar.
● Submit as many pieces as you’d like.
● Poetry Submissions: Open.
Reading Period
Submissions are open

Price$2.50 per submission

Payment
$25 per final printed page and two free contributor’s copies
Submit your work here. 

Call for Submissions: Third Wednesday Magazine

Recent cover image or website screenshot for Third Wednesday 

We publish the best poetry and short fiction we can lay eyes on and we read everything we see - regardless of who you are. Our associate editors read your work with no identifying information. Our turn-around time is three months or less, often much less. Please submit only once per quarter. Simultaneous submissions are welcome. Please inform us promptly if your work is accepted elsewhere.

Read the individual guidelines for each category carefully, then send us your best work. Unfortunately, we're unable to offer comment or critique about individual pieces because of the volume of work.

If your work is accepted for publication, you will receive one copy of the issue in which your work appears and a token payment of $3 per piece. Payment can be made only within the USA. Please note that we no longer ship contributor copies outside of the USA but copies can be purchased at a low price through Amazon in most countries. The electronic issues of 3W are always free at our website.

Be sure to find and like us on Facebook. Something of yours could be featured someday and you wouldn't want to miss it. You can also find us on Instagram.

A key element in getting your work published is to match your submission to the needs and tastes of the journal to which you are submitting. If you're not already a subscriber, consider downloading or purchasing a copy of an issue or two of Third Wednesday. You can download free issues in PDF format at:

thirdwednesdaymagazine.org

By submitting work to Third Wednesday, the author grants us First Right to publish the work in print and electronically (on our blog site). Works that are accepted will be published in one issue of Third Wednesday and a very few will also appear on our blog to serve as examples of what we publish. All copyrights revert to the author upon publication.

Submit your work here.

Call for Submissions: The Good Life Review

 Recent cover image or website screenshot for The Good Life Review

Work must be original and previously uncurated. We gladly accept pieces that have previously only appeared on personal blogs and/or social media. Please reference this thoughtful article by Tim Green on curation versus publication.

We pay $60 per piece for writing published in seasonal issues ($75 for two pieces). We pay $25 for pieces appearing in our “Micro Monday” segment and $50 for artwork used on the cover of our seasonal issues. For international submissions, we are only able to send money via PayPal.

There is a $3 fee for submissions for our Spring and Autumn issues which allows us to use Submittable and our web platform. The fee for entry to our annual Honeybee Prize is $18 which is used to support payment to contributors. Details about the contest can be found here. Info and results from last year are here.

There is currently no fee for submitting art or pieces to be considered for The Buzz ~ Micro Monday feature or for artwork.

We will respond to all submitted work. It may take from one to six months depending on when in the reading period the work is submitted. Artwork may remain open for the duration of a calendar year. Thank you in advance for your patience.

We accept submissions via Submittable. Any received via email or post will not make it into the queue of our editorial teams.

We no longer accept pieces from our University Nebraska Omaha MFA friends via Submittable. If interested, please send correspondence directly to managing editor, Tacheny, at:

tacheny.perry@thegoodlifereview.com 

If you have an issue with the fee because of financial hardship, or difficulties with the submission platform, please send a message to:

editors@thegoodlifereview.com.

Simultaneous submissions are accepted as long as we are promptly made aware of acceptance elsewhere. Simply withdraw in Submittable – or – for individual flash pieces or poems, initiate a message in Submittable indicating which title(s) are being withdrawn.

The Good Life Review acquires First North American Serial Rights and the right to maintain an archive copy of work online. All other rights revert to author upon publication with a request that if the work is reprinted, appropriate acknowledgment to The Good Life Review is made.

We do not publish offensive work or pieces which exhibit hatred directed toward a particular gender, race, ethnicity, ability, sexual identity, socioeconomic class, or other status, regardless of protected by law. In other words – if you are an asshole, we don’t want your writing or your money.

If there are content warnings, please include those in the submitted document(s) preceding the piece(s).

We prefer to read blind so please remove your name from the submitted document.

Your submission will not be disqualified if it was submitted incorrectly. If we have a question or concern about your submission, we will contact you. Please know that we are on your side. Thank you for trusting us with your work.

Again, work must be original and previously uncurated. Give us your very best!

More information and submissions portals here.

Saturday, July 19, 2025

Call for Poetry Submissions: Speckled Trout Review

Speckled Trout Review 

Submission Dates: The submission window will open June 18 and close August 20.

Editors of Speckled Trout Review welcome submissions of unpublished poetry (nothing previously published in an electronic publication of any kind or print) for its summer issue (Summer 2025). Poets can paste up to 4 poems, followed by a 50-75 word writer’s biography at the end, in the body of an e-mail to:

speckledtroutreview@hotmail.com 

Simultaneous submissions are fine, but please share the good news when a poem finds a home elsewhere. For any questions about submissions or Speckled Trout Review, reach out to us at the above e-mail address.

For contributors whose work appears in either a summer or a winter issue, we ask poets to acknowledge Speckled Trout Review as the original publisher of the poem(s) in any subsequent publication thereafter.

Writing Competition: The Headlight Review Anthony Grooms Short Fiction Prize

The Headlight Review proudly presents our third annual Anthony Grooms Short Fiction Prize!

Award

A first prize of $750 will be awarded to the winning writer, along with 20 copies of their winning chapbook, published by The Headlight Review Press.

The chapbook will be perfect-bound and feature a four-color cover.

Submissions will open on June 1st and will run through August 31. 

Manuscript Guidelines

Manuscripts are not to exceed 12,500 words. The content may include a single story, multiple stories, multiple flash stories or a stand-alone novel excerpt. Any submission that exceeds this word count will not be considered.

Stories may have been previously published individually. However, none of these stories are to have been published in a previous collection. Further, a novel excerpt cannot have been part of a previously published novel.

All manuscripts are anonymously submitted. First-round judging will be conducted by staff from The Headlight Review. Finalists will be revealed by October 15 and will be judged by the esteemed author James Cherry.

The 2025 Anthony Grooms Short Fiction Prize winner will be announced by December 1 with publication scheduled for spring 2026.

Entry fee: $18

Contest Judge: James E. Cherry

James E. Cherry is the author of four collections of poetry, two novels and a collection of short fiction. His novel, Edge of the Wind, was reissued in 2022 from Stephen F. Austin State University Press and his latest collection of verse, Between Chance and Mercy was published by Aquarius Press/Willow Books in 2024. He has been nominated for an NAACP Image Award, a Lillian Smith Book Award and is the recipient of fellowships from the Martha Vineyard Institute of Creative Writing and Kimbilio for Black Fiction. Cherry has an MFA in creative writing from the University of Texas at El Paso and is Board Chairman of the Griot Collective of West Tennessee, a poetry workshop. He resides in Tennessee. Visit jamesEcherry.com for more.
Schedule

Kickoff: June 1st, 2025

Submit By: August 31st, 2025 at 11:59pm EST 

Finalists Announced: October 15th, 2025

Winner Announced: December 1st, 2025

Submit your entry here.

Call for Submissions: Fourteen Hills

Recent cover image or website screenshot for Fourteen Hills 

Fourteen Hills 

Calling for submissions to Issue #32’s Special Feature “Hope Is a Discipline.” 

This year, amidst the struggle our community faces in fighting back against oppression, we have chosen the theme of our special feature in homage to Mariame Kaba’s work in transformative justice. We take the title of our special feature from Kaba’s documented interview in “Hope Is a Discipline,” in which she reflects on wisdom once received from a nun regarding hope, “The hope that she was talking about was this grounded hope that was practiced every day, that people actually practiced all the time.” 

For our upcoming issue, we want your art, fiction, non-fiction, hybrid work, and scripts that show us how you and or your community turn hope into an active practice. From culinary traditions that nourish the fire in your belly to essays on protest – show us what it means to you to make hope into a discipline.

Deadline: Oct. 1, 2025

Submit your work here

Call for Submissions on War and Geopolitical Violence: Consequence

 

Recent cover image or website screenshot for Consequence

Consequence addresses the human consequences of war and geopolitical violence through literature and art. We offer intellectual and emotional access to the realities and experiences of combatants, victims, and witnesses, while providing the public with works and voices from around the world in order to promote a clearer and more nuanced understanding of what’s at stake in choosing to wage war or engage in conflict. We publish in print (Consequence journal), on our blog (Consequence substack), and on our website (Consequence online). We accept work in fiction, poetry, nonfiction, visual art, and translations.

We have two main criteria when considering work. 

  1. It needs to address the human consequences of war or geopolitical violence. This can include not only the experiences and realities of combatants, but also of victims and/or witnesses since, after all, it isn’t only combatants who are affected.
  2. It needs to have literary merit, by which we simply mean the piece needs to try to be greater than the sum of its parts. Does it inspire reflection? Insight? Anger? Joy? This is what we mean by literary merit.

Finally, all work is considered either for our print journal, our substack, or as an online feature, which is published on our substack and then on our website.

Questions about any of this? Please email us at:

info@consequenceforum.org.

Thank you. We look forward to reading your work.

Deadline: Oct. 15, 2025 

Submit your work here. 

Call for Submissions on Theme of "Obsession": Brink Literary Journal

Through Submittable, we accept a variety of hybrid work from work that resists categories, Nonfiction to Fiction, from Poetry to Translation.

We are interested in writing that presses boundaries by using more than one medium to tell a story; work that looks and feels different on the page. Additionally, we look for submissions that engage the issue's theme and the notion of being on the brink.

lease submit only unpublished pieces and notify us if your simultaneous submission is accepted elsewhere.

Open submissions to Brink Literary Journal are free.

Payment for each contributor is one copy of the issue in which their work appears as well as:

$25 || Poem (per poem)
$50 || Work (less than 1500 words)
$50 || Art (1-3 Images)
$100 || Art (4+ Images)
$100 || Work (more than 1501 words)

Deadline: July 31, 2025 

Submit your work here. 

Call for Submissions on Theme of "Regret": Flash Fiction Online

Flash Fiction Online is seeking submissions for an issue exploring the theme of REGRET, scheduled for January 2026. The guest editor for this issue is award-winning author Ai Jiang. Hailing from Changle, Fujian, and currently residing in Toronto, Ontario, Ai Jiang is an Ignyte, Bram Stoker, and Nebula Award winner, as well as a Hugo, Astounding, Locus, Aurora, and BFSA Award finalist. We're happy to be welcoming her to our team for this special issue! And now for the details…

What We're Looking For:

You can't get stuck in the past forever, but too often we don't make space for moments of reflection about what could have been. How could we do better? Be better? Will knowing conclusions change our decisions? Regrets, both small and large, are what drive our self-improvement, especially at the beginning of a new year. And sometimes, it’s the lack of regrets that results in the greatest of consequences, throwing us down vicious cycles where nothing is ever learned or realized. (Some key words for inspiration: Melancholy, Reflection, Reconciliation, Realization, Reminiscence, Rememory, Vicious cycles, Guilt, Acceptance)

Stories that have the feel of what we're looking for include: 

“Story of Your Life” by Ted Chiang

“Flowers for Algernon” by Daniel Keyes 

“Homecoming is Just Another Word for the Sublimation of the Self” by Isabel J. Kim

“Bone-Eater Earth” by Emma Burnett

All stories submitted through this page must fit the theme! If you have a story that doesn’t fit this theme, please submit to one of our regular submission calls.

WORD COUNT: 500-1,000 words. Because we are focused on flash fiction, this word count is firm.

GENRES: All genres – literary or speculative – as long as the story is flash fiction and fits the theme.

SCHEDULE:

This call will be open from July 1-31, 2025.

FFO reviews stories in two stages – a slush stage and a winnowing stage. In the slush round, first readers vote on stories to be passed forward. These top-tier stories are reviewed once a month in our "winnowing" round. If you submit later in the month, you may find yourself in the second winnowing round; however, final decisions on these second-round stories are generally made within 12 weeks from the date of submission.

Ebook release date: January 1, 2026

Each story then has its own release day on our website within the month of January.

ANONYMOUS SUBMISSIONS: YES. Do not include your name, address, email, or other identifying information on your manuscript (header, byline, file name, etc). This allows our First Readers to evaluate your story based on the work alone.

SIMULTANEOUS SUBMISSIONS – YES

MULTIPLE SUBMISSIONS – NO, one story per author for this call

REPRINTS – NO

RE-SUBMISSIONS — NO, unless previously requested by the editorial staff.

PAYMENT & RIGHTS FOR ORIGINAL FICTION: For original (previously unpublished) fiction, Flash Fiction Online pays $100 per story for first electronic rights, with six months exclusivity, as well as a non-exclusive one-time right to publish the stories in an anthology. The author retains all other rights. Original stories must not have been previously published anywhere, including a blog or on Patreon. Payment is made via PayPal (preferred) or mailed as a check.

Submit your work here

Artist-in-Residence: Jalama Canyon Ranch

Application Deadline:

August 15, 2025

Residency Period:
October–December 2025

Residency Length:
4 weeks minimum, with flexible options up to 3 months

Eligible Disciplines:
 
Open to artists across all mediums—illustration, painting, architecture, sculpture, fiber arts, ceramics, photography, music, dance, creative writing, poetry, and beyond.

Support Provided:
 
Cozy onsite cabin and outdoor kitchen
 
Food and materials stipend
 
Travel reimbursement
 
Access to working landscapes and creative spaces

Public Engagement Expectation:
 
Each artist will collaborate with WBLT to co-create at least one community engagement offering and one educational activity during their residency.

Completed Works:
 
Artists retain full ownership and copyright of their work. WBLT will request limited rights to share and display documentation for educational and promotional purposes.

More information and application portal here.

Call for Pitches from UK Writers: The Bee

Between Monday 14th July and Monday 11th August (deadline 4pm) we’ll be considering suggestions for new pieces of writing for the Bee. If you’re a writer from a working-class background and have an idea for something you would like to write for the Bee, we’d love to hear from you.

We are looking for fiction (any genre), narrative non-fiction, non-fiction and journalism that captures something about being working class in Britain in 2025. This could be a feeling, or something you observe, or an experience. We’re particularly interested in stories about joy, community and hope. Your story can be any length from 500 to 3,000 words. It could be anything from a description of something to a short story.

If we select your story for publication you’ll work with the Bee’s editor Richard Benson to write your piece, and it will be published on the Bee website. We’ll pay you according to our pay rates. We’ll also consider your piece for our print magazine.

We know that there are a diverse range of working-class experiences across the UK and we are keen to hear from all working-class identities. You don’t need to have been published anywhere before to submit, and you can be at any stage of your writing career.

If you have an idea you would like to write about, you should submit it via our Airtable form. We will ask you to send us:A pitch of up to 300 words for what you would like to write about for the Bee, and why you think it would be right for us. There’s some advice on writing pitches in the FAQs below.

A 500-word sample of writing you’ve done before, so we can see what your work is like. This doesn’t have to have been published anywhere, and doesn’t need to be the same style or topic as your pitch.
A brief biography of yourself of a maximum of 100 words, mentioning any previous writing experience.

Everyone who sends us an idea will hear back from us with a decision by Friday 7th November.
Submit Your Work

More information here

Friday, July 11, 2025

Writing Competition: Best Spiritual Literature Awards: Orison Books

Each year from May 1 – August 1 we accept entries of unpublished single works in three genres (fiction, nonfiction, & poetry) for consideration for The Best Spiritual Literature Awards. The winner in each genre will receive a $500 cash prize as well as publication in Best Spiritual Literature, an annual collection of the finest spiritually engaged writing from a broad and inclusive range of perspectives that appeared in periodicals the preceding year. (The unpublished work selected for The Best Spiritual Literature Awards will be featured alongside the reprinted material.)

Submit up to 3 poems (10 pp. max), 1 story (up to 8,000 words), or 1 work of nonfiction (up to 8,000 words). Simultaneous submissions are accepted. You may submit in multiple genres, and/or submit multiple entries in each genre.

Entry Fee: $12

Submission Period: May 1 – August 1

Judges: Yehoshua November (poetry), Athena Dixon (nonfiction), and Halle Hill (fiction)

Submit your entry here

Call for Submissions from Women on Theme of "Divorce": Redacted

Redacted is an anonymous publication showcasing the stories of divorced women.

The Redacted weekly Substack column will feature anonymous personal essays about the author's experience with divorce as well as shorter form stories. A selection of longer form anonymous stories will be published as a print and digital anthology in 2026.

Writers can submit a personal essay to be considered for the Redacted Substack column and/or a forthcoming anthology, a one-sentence reflection for "Tiny Truths," or 300-word micro-essays for "Divorce Dispatches: Revelations and Reckonings."

Submission guidelines:

Subject matter: Any topic related to your personal experience with divorce

Submissions close July 31st, 2025

Anonymous personal essays for Substack column: 750-2000 words
Anonymous personal essays for print/digital anthology: 1000-3000 words
300-word micro-essays for Divorce Dispatches
1-sentence submissions for Tiny Truths

WRITERS MAY SUBMIT THE SAME ESSAY FOR CONSIDERATION IN BOTH SUBSTACK AND THE PRINT ANTHOLOGY, and are welcome to submit to more than one category at once.

Tell us about the day you left. Tell us about your mediation over Zoom, what it cost you to move or stay, how it feels to co-parent with your ex-husband, how you threw his toothbrush into the trash. Write about the moment you knew; write about the first anniversary; write about the audacity of his attorney or the passive aggressiveness of his mother. Tell us about his affair, or yours. Write about what it feels like to have "50/50" custody when you are parenting project manager. Tell us the secrets you have been carrying. Pour onto the page your rage, your shame, your grief, your glee, your ambivalence. Your story might be heartbreaking or hilarious or shocking or relatable. You might make us cringe or gasp or weep or burn with rage or nod our heads or write our senators. Write the story that has been weighing on you, and release what you have been holding. Tell us the truth, and know that none of your story will be redacted.

This publication welcomes perspectives from women, non-binary, transgender, and gender-diverse writers, excluding cis-gender men. Redacted will showcase unique voices, writing styles, and points of view—writers of all ethnicities, cultural backgrounds, socioeconomic statuses, and other diverse lived experiences are encouraged to submit.
Considerations before submitting:

As stated in the call for submissions, while Redacted is a safe space to process and share stories, submissions that are primarily a "rant" will not be selected. Essays should contain components of a fantastic story, including: A clear inner and outer story (what happened in the story, and how did you change?)
- A narrative arc—a clear beginning, middle, and end
- A combination of showing and telling
- A clear theme
- A strong narrative voice

Payment + Optional Reading Fee

Essays that are selected for publication in the anthology will be paid. Writers will receive $125 for their essays after publication.

It is my intention to eventually compensate ALL essay writers for the Substack column. As the project gains momentum, I will be able to pay writers regularly, but in the beginning, I am asking writers to indicate whether they would consider essay publication without payment. I understand this is not an option for all writers, but if you are in a position to waive payment for your Subtack essay, please indicate that on the form.

**Tiny Truths and Divorce Dispatches are unpaid publication opportunities.

Learn more about the origin of this project and subscribe for updates here.

Submit your work here

Call for Submissions on Theme of "Deluge-Drought": South 85 Journal

Recent cover image or website screenshot for South 85 Journal 

South 85 Journal is open for submissions June 15 through August 15, 2025, with a new theme: deluge | drought. We look forward to reading your work!

THEME ISSUE: DELUGE | DROUGHT 

Is less more? Is more too much? Can less be enough? Is more actually more? What has overwhelmed you? Underwhelmed you? When must we say, Stop? When do we beg, Keep going?

Where do we live? An environment of too much or not enough? Or both? Can we achieve balance or is our fate locked in the extremes?

Maximalist or minimalist…in possessions? Passions? Food? Drink? Love? Questions? Answers? Time? Flowers?

Inundate ~ overflow ~ drown ~ shortage ~ lack ~ parched. Rebirth. Destruction.
The possibilities are endless, and we want this theme to feel open to countless interpretation. As always, we’re eager to see what you come up with!

• Fiction submissions should be between 800 and 4000ish words. Please include word count. Flash fiction should be under 750ish words, submitted to the flash category. One story per submission.

• Nonfiction submissions should be no longer than 4000ish words. Please include the word count on your submission.

• Poetry submissions should contain no more than 3 poems, up to 6 total pages, one poem per page.

• Please send only one submission per category (Poetry, Fiction, Flash, and Non-Fiction) during each reading period. You are welcome to submit to multiple categories. We suggest including the title of your work in your file name.

Submission fee = $3

• We will publish novel excerpts, provided they can stand on their own. We do not publish genre fiction or children’s stories. We encourage you to read archives of South 85 Journal and acquaint yourself with the material we publish before submitting your work. We encourage the use of a content warning if necessary, in consideration of our manuscript readers.

• Type should be no smaller than 12-pt. font. Please use a standard font such as Times New Roman or Arial, and refrain from script or “flowery” lettering.

All work will be considered for our Editor’s Choice Award of $100, which be given to ONE piece in the issue.

• Submissions should be saved in Word or Rich Text format.

• Number pages consecutively, double space, and use margins of at least one inch.

• Place your name, email address, and word count in an upper corner of the first page.

• We do not solicit work; each published piece comes to us through Submittable.

• Converse MFA students, grads, and faculty are not permitted to submit work to South 85 Journal.

• Writers whose work has been published in the journal are asked to wait one issue before submitting to the journal again (i.e. your poem appeared in Spring/Summer 2025, so you’re cleared to submit again for the Spring/Summer 2026 issue and any after).

• We accept simultaneous submissions. If your work is accepted elsewhere, please promptly withdraw your piece via Submittable or email to withdraw individual poems: south85journal AT gmail DOT com.

Please include a professional bio of 50ish words written in the third person with your cover letter.

South 85 Journal does not publish work which has been previously published, either in print or online.

Our reply time is typically eight weeks or so. If AI has been used in the creation of the work, please indicate so.

We acquire exclusive first-time Internet rights only. All other rights revert to the author at publication, but we offer formal, written reassignments upon request. Works are also archived online. We are unable to pay for submissions, however thanks to an anonymous donor, ONE piece in the issue will be awarded the Editor’s Choice Award of $100. We ask that whenever an author reprints the work that first appeared in our pages, South 85 Journal be given acknowledgment for the specific work(s) involved.

Interviews: If you would like to conduct an interview with a literary writer with whose book has been published or is forthcoming within the last year or so, please send a query via email:

south85journal AT gmail DOT com

Submit your work here

Call for Submissions to Anthology: UNHOUSED-Yearning for Home

UNHOUSED – Yearning for Home’

Prolific Pulse Press’s background in publishing social justice anthologies, continues with ‘Unhoused – Yearning for Home’ – an anthology of poetry and flash-writing on the current epidemic of unhoused, homeless, stateless, and country-less people and how this lack of safety affects generations. We seek to highlight the writer’s resiliance and determination to survive and thrive whilst sharing their truth and experience(s).

This project shines a light on: Migration, asylum-seeking, illegal-and-legal-immigration, and other factors resulting in being without a home, national-identity, country, or security net. Whether you have immigrated and found yourself isolated and unable to fit into your adopted country’s identity, or lost status in a country you identify with, been out-of-status, living-below-the-radar, a Dreamer or undocumented, or forced to flee your homeland because of discrimination, war or other destabilizing forces, this is your opportunity to share your experiences on the hardships and often invisible struggles so many endure.

‘Unhoused – Yearning for Home’ will be edited by Carrie Yang and Candice Louisa Daquin. Carrie Yang works in the Homelessness and Employment services in Australia and is herself an immigrant. Candice Daquin is also an immigrant, currently in America, and has worked in crisis centers in the US/Europe and Canada. Their combined professional experience, alongside having produced over twenty anthologies, is the pulse behind this project. The editors are fortunate enough to work with Lisa Tomey-Zonneveld, Manager of Prolific Pulse Press LLC.

Given Prolific Pulse Press’s history of publishing exceptional anthologies, including Cadence (finalist in the American Writing Awards), Social Justice Inks, Dear Heart, and Heartbeats, our goal is to be a powerful platform for erased voices on this neglected and often inaccurately understood subject.

Submissions are also considered by concerned writers who wish to express themselves about the above mentioned concerns.

‘Unhoused – Yearning for Home,’ doesn’t seek to become mired in politics, but rather through the lens of human experience, help others comprehend the unique social and physical challenges surrounding this kind of limbo. Poetry and creative writing is an ideal vessel for this and we welcome all forms of poetry, flash-fiction and accompanying artwork. ‘Unhoused – Yearning for Home’ is scheduled to be published in early 2026.

Submit via Duotrope: Prolific Pulse Press LLC | Duotrope

Call for Submissions on Theme of "Climate": The Suburban Review

Recent cover image or website screenshot for The Suburban Review 

What’s the forecast? The Suburban Review is heating up for issue #39: CLIMATE.

Tell us about the temperature of your world, the climate of the sociopolitical sphere, the degrees of the biome. Send us your glacial essays, hot and humid fiction, scorching arid poetry and art and comics that radiate long after reading.

What are you weathering right now? What’s pressurising your atmosphere? What are the conditions of the land you live on? We want balmy descriptions, shivering accounts and stormy tales. Are we going to ice down or sweat up with you? Are you febrile or frosty? Shower us with your thoughts!

Submissions are open until 5:00 p.m. (AEDT) 3rd of August 2025.

We allow simultaneous submissions. If it’s been accepted elsewhere just email us at:

submissions@thesuburbanreview.com

with ‘Withdrawing submission’ as your subject line.

We only allow one submission per person (that means you need to choose if you want to submit fiction, non-fiction, poetry, comics, or art). To submit poetry (that’s a maximum of 3 poems), make sure all the poems are in a single document. 

FICTION

2000-2500 words—no more than that! (payment $450)
1000-2000 words (payment $375)
500-1000 words (payment $300)

CREATIVE NON-FICTION

1250-2000 words—no more than that! (payment $400)

POETRY

Suite of three poems—no more than that! (payment $550)
One poem over 30 lines (payment $375)
One poem under 30 lines (payment $300)

COMICS + ART

2 page comic B&W or Colour (payment $300)
1 page illustration B&W or Colour (payment $200)
1 page cover art (payment $300)

More information and submission link here.

Call for Poetry Submissions: The Marrow

The Marrow is open for submissions in March, July and November each year. Please read the guidelines carefully before submitting.

IMPORTANT: For reasons of fairness and sustainability we ask that you do not submit work to consecutive issues of The Marrow regardless of whether you have had a poem accepted or not.

What we’re looking for…

We welcome poetry submissions written in—or translated into—English, from Australian and international poets, whether established, emerging or somewhere in between. We’re looking for accessible writing with close attention to craft and language. We appreciate innovation, whether a twist on the traditional or something more radical. We welcome diversity of style, form and subject. We are more interested in the poem, and what it changes in the reader, than in the poet. The best way to get a sense of what we publish is to read a previous issue. Send us your best work—free verse or pantoum, sonnet or prose poem, sestina or haibun, or your own unique creation.

Submission guidelines

We accept submissions during March (for the June issue), July (for the October issue) and November (for the February issue) via our submissions form only, which will be available on this page throughout the submission window. We may close before the end of the period if we receive our maximum number of submissions sooner, so it’s best to submit early. Submissions sent via email or outside the submission window will not be read.

Please send one submission of up to three unpublished* poems, four pages maximum, as one attachment. Word doc preferred, or pdf if the form is complicated.

Each poem should start on a new page. Poems can be any length, but please do not send more than four pages in total. To keep the journal sustainable, submissions exceeding three poems / four pages will not be read.

Poems should be single-spaced, 12-point font unless the form calls for variations.

Please include your name as it will appear with the poem, your email address, and a short, third-person biographical statement (up to 50 words) in your submission form.

Translations must have permission from the original author (or their estate). If your work has been translated into English, please include the translator’s name in your submission.

We welcome simultaneous submissions, but ask that you let us know immediately via email if your work has been accepted elsewhere.

We do not currently accept prose, flash or micro-fiction, essays or reviews.

Submitted work must be the original work of the author.

We do not accept work written (fully or partially) by AI.

*Unpublished, in this instance, means work which has not previously appeared online (text or audio) or in print for a public audience (including writers’ websites, blogs or social media pages). Poems may have appeared in private workshops / writing groups or have been read at live events and open mics, provided the recordings are not available publicly. Poems that are due to appear in your forthcoming collection can also be included in your submission, provided they are otherwise unpublished. This applies even if your collection is published before our Issue.

Our process

At The Marrow we believe in paying authors and offer to pay AU$40 per acceptance.

We will email all poets who submitted work regarding acceptances, but cannot offer feedback on unsuccessful submissions. We appreciate that waiting can be tedious and we will respond within 8 weeks of the closing date.

For reasons of fairness and sustainability we ask that you do not submit work to consecutive issues of The Marrow regardless of whether you have had a poem accepted or not.

Since we only publish a small number of poems per year, if your work has been published in The Marrow, please do not submit again for 12 months / 3 issues.

Copyright remains with the original author at all times.

Call for Poetry Submissions: Iterant

Iterant 

Please submit up to 8 poems for consideration, following these guidelines to our online form:

1. Save your poems as a single document, and DO NOT INCLUDE A FOOTER OR HEADER.
2. Complete the form with your information and upload your poems
3. Click SUBMIT, and you’ll receive an email confirming that we received your submission. Currently, we do not offer a way to check the status of your submission.

IMPORTANT NOTES:
1. Please send only one submission at a time. Please wait until you hear back from us before uploading a new submission.
2. We have a small reading team that reads many poems every month. Our response time can be up to 5 months, although we strive for 3. Thank you for your patience and understanding!
3. We ONLY consider previously unpublished work. Writing that has appeared online for any reason, including social media posts, is considered to have been previously published and should not be submitted.
4. Although we welcome poems in all languages, we do intend to publish English translations of any work in other languages, and currently our reading team is not multi-lingual. If you submit non-English language work we will reach out to you to discuss any help we can offer in finding a translator.
5. ITERANT is open to simultaneous submissions, but let us know immediately if work is accepted elsewhere visiting this page and choosing ‘retraction’ from the submission form here.
6. We currently pay $50 per poet per publication.
7. To make sure you receive our response, set your spam filter to allow emails from submissions@iterant.org.

Call for Submissions: Seize The Press Magazine

Seize The Press Magazine is an anticapitalist publication looking to publish dark speculative fiction. Bleak sci-fi, dark fantasy, horror and all kinds of weird, messy, genre-defying stories that defy labels. We’re looking for stories that aren’t didactic or moralistic. We want stories where everything isn’t wrapped up neatly at the end. We want to promote a diverse range of voices from authors who write messy characters, so give us your problematic queers and your angry women—we want your difficult and morally questionable characters in unpleasant situations who don’t slide neatly into a narrow definition of positive representation and don’t fit the model minority mould. Email your stories as a docx file to:

submissions@seizethepress.com 

Don’t worry about your cover letter too much, story title and word count is all we really need.

Strict 7500 word limit. Anything over 7500 words will not be considered.

Payment for original fiction is 3 pence (GBP) per word.

We accept simultaneous submissions.

We do not accept multiple submissions. Please wait for a response on your submission before sending another.

We do not accept unsolicited reprints. Please also don’t send unsolicited art portfolios.

We aim to respond to every submission within 30 days. If you don’t hear back from us within that time do query it, but please wait the 30 day period before contacting us.

You don’t need to provide your address or legal name.

You can review our short fiction contract here.

We do not publish poetry.

If you have a fresh and unique left wing analysis or angle on any kind of science fiction, fantasy or horror media, or some interesting opinion on wider genre fiction pop culture, we are currently open to non-fiction pitches.

We pay £50.00 GBP per article. Send a pitch to our non-fiction editor Karlo Yeager Rodríguez at:

karlo@seizethepress.com

We publish insightful reviews of horrible weird unsettling grotesque fantasy and horror. Science fiction also welcome, but emphasis on the horrible weird unsettling and grotesque. Publishers contact Zachary Gillan at

zjgillan@gmail.com

for review queries. Physical review copies preferred.

We don’t want anything created using AI. Get that shit out of here.

Friday, July 4, 2025

Happy 4th of July!

 Happy 4th of July Greeting Card Stock ...

Artist Residency: Escape2Create

Accommodations are made possible through the generous donation of private housing and artists will receive a weekly stipend to offset personal expenses. Creative processes must be adaptable to this unique residential setting. Artists are responsible for their own travel expenses.

Complete applications are reviewed and ranked by a panel of distinguished Escape To Create alums representing each discipline. Their recommendations are made on the strength of three one-page proposals: Project, Performance, and Educational Outreach. A selection committee awards residencies based on recommendations an Alum Panel.

Session I: Arrive January 5, Depart January 30

Session II: Arrive February 2, Depart February 27

APPLICATION DEADLINE IS JULY 31.

Notifications are emailed to all applicants by September 1. 

More information and application link here

Call for Submissions: Jelly Bucket

Recent cover image or website screenshot for Jelly Bucket 

Jelly Bucket [jel-ee buhk-it]-noun Archaic slang for a lunch pail, formerly used by coal miners and other laborers residing in Appalachia.
 
Bluegrass Writers Studio's annual graduate-student-produced literary journal.
Jelly Bucket is published annually by Bluegrass Writers Studio, the MFA in Creative Writing Program at Eastern Kentucky University. Founded in 2009, Jelly Bucket features established and new writers. We accept works of fiction, poetry, and creative nonfiction, as well as visual art. Preference is given to visual art that incorporates text and/or features an aspect of the book arts, but all genres are welcome.
 
Our reading period for our annual journal's general section runs from July 1st — December 1st.
Jelly Bucket is committed to publishing writers from, and writing about, marginalized and under-represented communities.

Jelly Bucket will make a specific call for work from that community and showcase it alongside our regular, high-quality, general submissions. The special section will comprise roughly 50% of the issue and will be guest-edited by an established writer who is connected in some way to the community being featured.
 
Issue #16's special section will be announced soon.
 
Guidelines For Submitting Your Work

Only one submission per genre per reading period. Simultaneous submissions are considered, but if your work is accepted elsewhere please withdraw your submission via Submittable. If you need to withdraw just a portion of a submission, leave a comment on your submission via Submittable.

Previously published work will not be accepted. We define previously published work as a piece published in another journal (paper or electronic), in a book or chapbook (traditionally or self-published), or one that is currently online in a public blog or within a public forum.

With all submissions, please include a short biography (about 50-100 words) in your cover letter. This bio will be included with your piece should you win or place.

To view individual genre guidelines, please scroll and click the links below.
 
University Disclaimer

Jelly Bucket cannot accept work from current students at Eastern Kentucky University. In addition, a minimum of 4 years must have passed between study at the University and submissions to the journal. There is a publication at the University for student work, titled Aurora Online, whose reading period takes place each Fall.

Call for Submissions from Canadian Writers: Yolk

Recent cover image or website screenshot for Yolk Literary Journal 

Yolk is a Montreal-based literary journal that publishes fiction, poetry, non-fiction, and visual arts in our print (Canadian citizens and residents of Canada) and digital (Canadian + international) publications. Our mandate is to publish fine work by established and emerging artists. We encourage submissions from all artists and writers, including those from marginalized communities and those generally under-represented in literature, in particular Indigenous writers, writers of colour, LGBTQ+ writers, and writers with disabilities.

Yolk is currently accepting submissions for our upcoming Fall print issue, Vol. 5.1, from July 1st–⁠July 31st.

Our annual submission windows is as follows:

Spring Print: January 1st–⁠January 31st

Digital: February 1st–⁠May 31st

The Montreal Fiction Prize: May 15th–⁠June 15th

Fall Print: July 1st–⁠July 31st

Digital: August 1st–⁠⁠November 30th

We do no accept submissions of any kind during December and June (except for The Montreal Fiction Prize in June).

Payment: Yolk believes in paying artists. We offer a $100CAD honorarium for our digital publication. For print, we offer $30 per page up to a maximum of $200. We also pay $200 for our cover art. Prizes are handled separately. All contributors whose work has been selected for publication in our print issues will also receive a free copy of the journal.

There is a nominal $3 submission fee. Yolk is a registered NPO and these charges will go towards sustaining operating costs. We will always have a free submission option available for those for whom the submission fee is preventative. In recognizing the additional cultural and socioeconomic barriers Indigenous people overcome, we are waiving submission fees for submissions by Indigenous people for print and digital publication (see "INCLUSIVE ACCESS" in Submittable).

Copyright: Yolk does not accept work that has been previously published in print or online (we also will not consider work that has previously appeared on social media or on personal blogs). Yolk acquires First Serial Rights and the right to archive your work on our website, though copyright reverts to the author upon publication.

We submit work published in our journal to the National Magazine Awards, the Best Canadian Anthology series, the Best American Anthology series, Best of the Net, and for Pushcart prizes.

We are now exclusively accepting submissions through Submittable. You will find the rest of our general and genre-specfic guidelines in Submittable.

For all other general inquiries, please contact us at:

themail@yolkliterary.ca

Call for Submissions: Solarpunk Magazine

Recent cover image or website screenshot for Solarpunk Magazine 

Solarpunk is a bimonthly online publication of radically hopeful and optimistic science fiction and fantasy.

Submissions open: July 1-14

The Basics:

If your work is accepted, please wait two full submission windows before submitting again. For example, if a story you receive word in April that your story is accepted, please do not submit during the May and July open windows, but feel free to do so once the September window opens.

Simultaneous submissions: Yes, but please let us know immediately if your submission gets accepted elsewhere before you hear from us.

Unsolicited reprints: No

Translations: Yes

Multiple Submissions: No, not within each category. But you can enter one submission per category per submission period. For example, you can submit one short story, poetry, and a nonfiction article all in the same submission window using each individual submission portal.

Policy on Artificial Intelligence

We recognize that there is a lot of positive potential for human societies in the development and use of technologies such as artificial intelligence. We also recognize that there is a lot of justifiable concern over generative AI, data scraping, plagiarizing human created art and literary works, and the potential for AI to displace human artists and authors from their jobs as a means of further enriching oligarchs and techbros.

Solarpunk Magazine is and will remain a venue for human authors and artists to showcase their work. As a result, we’ve implemented a strict policy:

  1. We do not accept any work created or altered by generative artificial intelligence programs such as, but not limited to Midjourney, Dall-E, Grok, and ChatGPT.
  2. We do not use any generative AI tools in the course of our editorial work.

For a more in depth explanation of the reasoning behind this policy, please click here.

Word Counts & Pay Rates:

Solarpunk Magazine pays professional market rates for fiction as defined by SFWA. Dollar amounts reflect the United States dollar (USD).
Our rates are as follows:

Fiction: 1500-7500 words ($.08 per word, $100 minimum)
Poetry: One poem of up to three pages ($40 per poem)
Nonfiction: 1000-2000 words ($75 per essay or article)
Cover Art: $100 for reprints, $200 for original unpublished
Interior Art: $50 for reprints, $100 for original unpublished

If your submission is accepted, a copy of our publishing contract will be emailed to you to read, sign, and return.

More information and submission portal here

Call for Submissions: Aesterion Press

aesterion is currently open for submissions.

aesterion publishes fiction, nonfiction, poetry, art, and international literature in translation. Excerpts from forthcoming publications will also be considered. Simultaneous submissions are permitted. Please let us know if your submission is accepted elsewhere immediately.

We only accept previously unpublished writing in English. If your piece is accepted, we ask for first time electronic publication rights in the case of our digital site publication and first time printed publication rights in the case of our printed division publication.

We will respond to all submissions and pitches as soon as possible.

Unfortunately, we are unable to pay for writing at this time. We are a small all-volunteer team and hope to explore payment options and fundraising in the future as we grow.

GENRES

Fiction

Please send up to two short stories of up to 7,000 words if submitting to our digital edition quarterly, or a full length manuscript if submitting for printed publication. We welcome all genres and experimental styles, flash fiction included. We are especially eager to read stories that play with convention and form.

Nonfiction

Please send up to two essays of up to 4,000 words if submitting to our digital edition quarterly, or a full length manuscript if submitting for printed publication. We publish all forms of creative nonfiction, from personal essays to philosophical thought. We do not publish general commentary of current topics.

Poetry

Please send three to five poems in a single document if submitting to our digital edition quarterly, or a full length manuscript if submitting for printed publication. Poems should be formatted as the author wishes them to be published. All forms are accepted.

Visual Art

Please send five to ten pieces in a single document for submitting to our digital edition quarterly. All forms are accepted.

Translations

We accept English translations of fiction, nonfiction, and poetry from all around the world. Please send one work of up to 5,000 words or three to five poems in a single document, not exceeding ten pages if submitting to our digital edition quarterly, or a full length manuscript if submitting for printed publication.

All Submissions

Submissions should be accompanied by a short biography of the author no longer than 150 words. You may include a translator’s note of up to 300 words providing context for the work and its translation. It is the translator’s responsibility to obtain permission to publish from the copyright holder of the original text.

HOW TO SUBMIT

Please read all the information on this page before submitting your work. Send your text in a .docx or .doc file, attached to your email, to:

aesterionlit@gmail.com (No PDFs or other formats.) 

Your file name should be formatted as “CATEGORY_NAME_TITLE.” The subject line of your email should be formatted as “Submission: Title, Name, Category.” You may submit a short bio. Otherwise, please keep your email as short as possible. Below is a sample email:

SUBJECT LINE:

Submission: “Title,” Author, Fiction

BODY TEXT:

Dear aesterion,

Please find my fiction submission, “Title,” attached for your consideration. Brief overview of the text.

Writer bio

Call for Submissions: After Dinner Conversation

Your story must spur discussions. It must require the reader to expand their mind and involve ethical questions.

Rule of Thumb: If you know the right answer, but don't do it because you lack courage, that's probably a HARD CHOICE. If you don't actually even know what the right answer is, that's an ETHICAL CHOICE (and what we publish). Ethical Question Quiz

 Our editor has made this video, explaining what we are looking for. In short, your writing can be any genre and from any perspective, as long as it stimulates ethical and philosophical discussions.

If you need an example, read “The Ones Who Walk Away from Omelas” by the amazing Ursula K. Le Guin. Another way to think of it is this, we are looking for The Trolley Problem in short story form. A great example of something we have published is “The Waiting Room.” “As You Wish” is a good example of the type of children’s story we publish.

If you think more in movies, think Ex Machina, Her, Blade Runner, Eternal Sunshine of the Spotless Mind, and Looper. For TV, think The Good Place, Westworld, and Star Trek: TNG.

Better yet, listen to our podcast!

The point is, we don’t care if it’s sci-fi, fantasy, romance, contemporary women’s fiction, historical fiction, western, or whatever, but the short story should have a deeper point for a longer discussion. 90% of what we turn down is not because of the quality of the writing, but because it’s simply not the kind of thing we publish.

If you just want the hard stats, our acceptance rate is around 3%, and stories in the 2500-4000-word range seem to do better with our readers.

We do not accept novels, poems, or artwork.

Are there ethical question stories you are not looking for?

There are a few common topic submissions. We aren’t saying we won’t accept more (we will), but they would have to have a special twist. All things being equal, we are more apt to take a new idea over a “yet another…” idea we have seen before. Submissions we see weekly include:

Going back in time to warn or change the past, or yourself.

Harvesting body parts from animals, clones, the poor/etc to save others.

Anything related to having the right to commit suicide.

Erasing people’s memory in any way related to crime, or your own memory, to minimize the past trauma.

A straight trolley car problem, just in a different setting.

Medical decisions/treatments/testing that hurts some, but helps others.

A car driven by AI that has to decide what to do.

Straight Utilitarianism decisions.

Ethical cannibalism.

What length are you looking for?

  • Children’s Stories: under 1,500 words
  • Young Adult: under 3,500 words
  • Adult: 1,500-7,000** words

More information and submission portal here

Accepted short stories from unsolicited submissions pay $75.