Sunday, October 11, 2026

Call for Submissions: riverSedge

Recent cover image or website screenshot for riverSedge 



 

 

 

 

 

 

Since 1977, riverSedge has published the very best art and literature from the South Texas region and beyond. Past artists and authors Rolando Hinojosa, Angela de Hoyos, Alurista, Naomi Shihab Nye, Sandra Cisneros, and Denise Duhamel.

riverSedge is published annually and is now an online-only format, beginning with the 2020 issue . Electronic submissions only. If your work appears in our latest issue, please wait a year before submitting again. We welcome and are excited to read interesting, bold, well-crafted writing. We encourage submissions from writers who belong to historically marginalized groups.

riverSedge General Submission Guidelines:

  • Submissions are open October 1, 2026 to March 1, 2027.
  • $3 submission fee for all genres.
  • 2 prizes of $350 will be awarded in poetry and prose. All entries, excluding reviews, interviews, and graphic literature, are eligible for contest prizes.
  • Multiple submissions welcome in all genres. However, each submission should be uploaded as a separate entry. In other words, one story/essay/comic/script per $3 entry fee. For poetry, up to five poems per entry. For specific guidelines, visit the categories below.
  • Previously unpublished work only. Self-published written work (in print and/or on the web) is not eligible.
  • Simultaneous submissions are welcome. If your work is accepted elsewhere, please withdraw your submission as soon as possible in its entirety or send us a message if it's only a specific poem.
  • Submissions welcome in English, Spanish and anything in between.
  • Our terms: we require First North American Serial Rights for all accepted work and non-exclusive print rights indefinitely for potential anthologies and promotional materials. Additionally, we require non-exclusive electronic rights indefinitely so we may include accepted works in potential online archives.

Current staff, faculty, and students of the University of Texas Rio Grande Valley or South Texas College cannot submit original work to riverSedge.

Submit your work here. 

Call for Submissions: Plott Hound Magazine

Recent cover image or website screenshot for Plott Hound Magazine 

General Guidelines

Policy on AI-generated submissions:

Plott Hound Magazine will NOT accept or publish submissions of any kind that were written, generated, or assisted by AI tools in any way, such as ChatGPT. This magazine full of stories on animals wants 100% human effort and creativity. Prohibiting involvement of AI extends to all and any art featured for the magazine. If your piece is found at any point in the publication process to have AI use, you will be banned from future submissions to Plott Hound. If your piece is found after publication to have AI use, it will be removed from the issue and the website, and you will be banned from future submissions to Plott Hound.

What We’re Looking For:

-Stories with anthropomorphized animals as viewpoint characters and protagonists

-Animal-centric speculative fiction (fantasy, science fiction, horror)

-Underrepresented voices (BIPOC, LGBTQIA+, disabled, neurodivergent) that engage with animal myths, tales, and futures

-Stories with uncommonly written about animals as protagonists

-Stories that dig deep into the senses and experience of animals

-Stories that explore the cultures and societies of animals, not just cultures and societies with animals. Think of rabbit language and warren infrastructure in Watership Down, or the clans and warrior code of feral cats in Warriors.

What We Don’t Want:

-Stories with human viewpoint characters or protagonists

-Stories under or over the word limit

-Stories that contain no speculative element (no fantasy, sci-fi, and/or horror)

-Stories of simply animals doing animal things (which closely ties in with lack of speculative element)

-Stories with animals reduced to silly cute sidekicks, props, punchlines, or the butt of jokes

-“Zipperback fiction” where the “animals” are either human characters obviously and clumsily rewritten to be animals, or if the animals were human, the change would hardly impact the story

-Stories for children or middle grade

-AI-generated works

-Glorifying violence toward and abuse of women, children, animals

-Glorifying homophobia, transphobia, racism, sexism, ableism

-Gratuitous violence, sex, and erotica

-Positive depictions of pedophilia and bestiality

-Payment: Paypal is highly preferred, though we can discuss alternative methods of payment upon acceptance.

–Note to past contributors: contributors must wait at least ONE submission period/quarter from the issue they were published in before they can submit to another open period. This also applies to poetry submissions.

List of common species and tropes:

This is not a list to say that writing about these species and tropes is prohibited, only that because we get so many submissions on them, they will have to work a lot harder to stand out: dogs, cats, dragons, corvids like ravens and crows, witches’ familiars, subjects of intelligence experiments.

Other submission don’ts:

-unsolicited resubmissions of the same story (even if it’s revised. If you did not get a request to revise & resubmit (an R&R), no is no.)

-including pictures and photos in submissions, which must be text only

-submitting the wrong file (which would result in “file error” on Moksha)

-replying to rejections or disputing/arguing with rejections

-submitting plagiarized work

Cover letter do’s and don’ts:

-Include author name, name of submission, word count, best 2-3 publishing credits (if applicable, we don’t want an entire resume)

-Include any personal or educational experience pertinent to the story. (For example, if you are a marine biologist and your story features marine animals, do mention that!)

-Inclusion of content warnings is optional, but appreciated.

-Please keep the cover letter polite and concise. Author bio is only needed upon acceptance of the piece.

-Do not summarize your story in the cover letter. Let the submission speak for itself.

-The cover letter is a brief introduction; it has no weight in the decision to accept or reject. The decision rests solely on the merit and strength of a piece.

Contact:
For submission queries and submission-related questions, please direct them to:

editor@plotthoundmag.com

 PROSE Submission Guidelines

-Word limit for original short fiction:
1000 (minimum) – 5000 words (maximum)
sweet spot/preferred: 3000 – 4000 words

-Maximum word limit for original flash fiction: 999 words

-Pay rate: 8 cents/word USD

-Format: Standard Manuscript Format. 12 point Times New Roman, double spaced, .doc or .docx files. Mailing address and phone number are not required on the header.

-Simultaneous submissions are allowed! Just make sure to give us a howl if your submission has been accepted elsewhere before we make a decision on it.

-Multiple submissions: you may submit one piece per category at a given time.

-If a submission is declined and the submission period is still open, you may send another. Currently there is no cooldown period between submissions during an open submission window.

-Translations to English: allowed, welcomed, and encouraged! They must be original short fiction or flash within the corresponding word limits. In the cover letter, please state that the work is translated into English from (original language), and include names of the original author and translator. Do not submit unauthorized translations without knowledge or consent from the original author.

-Cover letter for translations: if you are the translator, please include a letter from the original rights holder confirming that translation rights are available for purchase.

–Plott Hound Magazine welcomes and encourages submissions from writers of all races, religion (creed), gender expression, sexual orientation, age, ancestry, disability, marital status, and military status.

-Stories should be submitted through Moksha (see the Submit page). The link to Moksha will not be provided when submissions are closed. Do not submit through email or postal service.

-Post submission process: Plott Hound Magazine uses a tiered system of editors and readers to make decisions on short story and flash fiction submissions. All prose submissions will undergo initial review by first readers. If a first reader decides that a submission is worth further consideration, you will receive a hold notice through Moksha, and the submission is passed up to the editor in-chief, who will then make the final decision to reject or accept for publication.

REPRINT (“Retold Tails”) Submission Guidelines

-Payment: $100 USD flat rate for short fiction (up to 10,000 words), $20 USD flat rate for flash fiction (up to 999 words)

-In the cover letter, please include the name of publication that had originally published your piece. Also, please double check your original contract that you are eligible to submit your piece as a reprint. A decision on a reprint submission cannot be given without these two pieces of crucial information.

-Reprint submissions are sent through Moksha, as are original submissions.

-Do NOT submit an original submission previously rejected by us (AND not previously accepted/published elsewhere) as a reprint. It will be automatically rejected.

-You may submit a reprint as well as an original submission in a given open period.

-One reprint submission at a given time: either one short fiction or one flash fiction, not both at the same time.

-Reprints are considered based on fit with original pieces in a given issue. As such, originals are given first priority, and final decisions for reprint submissions will be given after final decisions on original submissions.

POETRY Submission Guidelines

Plott Hound publishes 1-3 poems per issue. We’d love to see animal-centric speculative poems in all forms, from free verse to a sonnet to a canto in terza rima.

-Send 1-5 poems/up to 5 pages in a single document.

-Maximum submission length: please send no more than 5 pages (i.e. if you have a single 5-page poem, please send only one poem).

-Format: 12 pt serif font (Courier, Times), single space. See Shunn’s poetry manuscript format.

-Pay rate: $50 USD

-Reprints, simultaneous submissions, and other logistics: see Prose Submission Guidelines above

NONFICTION ESSAY Submission Guidelines

Plott Hound aims to publish one essay per issue. Animals hold a special place in our hearts and within the communities and cultures we belong to. We would like you to share that significance and impact. Do you have a particular connection to an animal through a scholarly or spiritual background? We invite you to impart that knowledge as well. You can write about one particular animal or many. We will accept pitches through Moksha. Upon acceptance of that pitch, a fully written article may be submitted. You may send a previously declined pitch to the next open submission period.

-Pay rate: $100 USD
-Word range: 1000 – 2500 words

Frequently Asked Questions (FAQ):

-Do animal characters have to be from real life?
No, not at all! Show us stories with animals real and imagined. Give us the magical and fantastical creatures from myth and folklore, like dragons, werewolves, and unicorns. You can even have fictional species of your own creation! The animal world is one of staggering diversity. We want stories that acknowledge and celebrate this.

-Can human characters be in the story?
Yes, human characters can be included (as many or as little as you want), but the protagonist and focus of the story must be an animal.

-What about alien characters?
Alien protagonists are allowed as long as they’re recognizably bestial/creature-esque and not too humanoid. Think Star Wars Dugs, Ewoks, and Geonosians, not Twi’leks and Togrutis or Vulcans from Star Trek.

-What about shapeshifters?
Shapeshifters constantly, precariously teeter on that liminal boundary between man and beast. With that in mind, if your story has shapeshifters as the focus and protagonist choice, show us that inner beast roiling beneath the human skin. If the shapeshifter character(s) are too human, it’s likely not a good fit for the magazine.

-Do fungi count as animals?
Unfortunately they do not, as fungi occupy a kingdom of life that is neither plant nor animal. Perhaps they can occupy a special issue of their own…But for general submissions and the time being, no fungi stories.

-What if my story has a protagonist that’s a fusion/chimera of plant and animal, or fungi and animal?
Fusions and chimeras are fair game! It would have to be a pass, however, if the protagonist has strictly the characteristics of a plant or fungi.

-Do you give feedback to submissions?
At the second round level, perhaps. If the rejection comes from the first readers, no. Given the high volume of submissions we receive, there is simply not enough time and energy to leave individualized feedback.

-Can I submit film or TV scripts?
No, we do not accept scripts.

-Can I submit the excerpt of a novelette, novella, novel, etc.? Even if it fits under the 5000 word limit?
No. Stories submitted to Plott Hound Magazine must be standalone, completed short fiction or flash fiction. We are not a market for novelettes, novellas or novels.

Examples of works that fit Plott Hound’s vision and aesthetic:

–Watership Down and Plague Dogs by Richard Adams
–Warriors series by Erin Hunter
–The Sight and Fire Bringer by David Clement-Davies
–Beastars by Paru Itagaki
-“Jackalope Wives” by Ursula Vernon (Apex)
-”The Bookmaking Habits of Select Species” by Ken Liu (Lightspeed)
-“The Starship and the Temple Cat” by Yoon Ha Lee (Beneath Ceaseless Skies)
-“Swarm X1048 – Ethological Field Report: Canis Lupus Familiaris, ‘6’” by F.E. Choe (Clarkesworld)
-“The Tale of the Three Beautiful Raptor Sisters, and the Prince Who Was Made of Meat” by Brooke Bolander (Uncanny)
-“By The Mother’s Trunk” by Lisa Bradley (Fireside Fiction)

Submit your work here. 

Call for Submissions: MudRoom

Recent cover image or website screenshot for MudRoom Magazine 

MudRoom is open for submissions through November 25! Read our submission guidelines below. 

General Guidelines

All issue contributors are paid 15 dollars! Submissions are free, and we try to respond to everyone within each reading period. If you don’t hear from us, feel free to query after three months.

Simultaneous submissions are encouraged. If your work is accepted elsewhere, we just ask that you let us know immediately through email. We will not consider work with sexist, racist, homophobic, xenophobic, or ableist content. Your name should appear on your cover letter but not in the submission. Please only submit once per submission period.

All contributors are paid through Paypal. Please alert us in your submission if you require another method of payment.

POETRY GUIDELINES

MudRoom publishes poetry of all types. You can email poetry submissions to:

mud.room.submissions@gmail.com

To submit, please send 3-5 original, previously unpublished poems in a single .DOC/.DOCX .ODT or PDF file with one poem per page (eight pages maximum).

Indicate POETRY SUBMISSION in your subject line. Submissions without "Poetry Submission" in the subject line will be deleted. You may also include a brief cover letter/third-person bio in the body of your email.

PROSE GUIDELINES

Mudroom publishes fiction, essays, and essays in translation. You can email prose submissions to:

mud.room.submissions@gmail.com

To submit, please send a previously unpublished work no longer than 6,000 words in double spaced 12-point Times New Roman font. All works should be attached in a single .DOC/.DOCX .ODT or PDF file

Please indicate PROSE SUBMISSION in your subject line. Submissions without "Prose Submission" in the subject line will be deleted. You may also include a brief cover letter/third-person bio in the body of your email

Cover Art GUIDELINES

Some issues of MudRoom are accompanied by cover artwork. You can email submissions to:

mud.room.submissions@gmail.com

For consideration of cover art, MudRoom accepts all mediums of artwork with the exception of AI-generated art, visual poetry, or reproductions of already licensed work. We are looking for art that reflects the energy of MudRoom. Feel free to look through our previous issues, reviews, and interviews to get a sense of MudRoom’s character before submitting.

Please submit up to 3 individual art pieces, including a high-resolution image of your artwork with your submission. If you are submitting photographs of your artwork (ex: ceramics, fiber arts, paintings), please consider lighting, angles, and framing of your art to best reflect the formatting of the magazine's digital publication. If you are submitting in multiple genres, please send your submissions in separate emails.

Whenever possible, art files should be titled with your last name and the name of the work to avoid confusion. (example: instead of: last_name_527.jpeg” manually name the file LastName_Title.jpeg). All art submissions should be JPGs, JPEGs, or PNGs.

In your submission, please include the following:

Your/Artist Name

Title of work

Medium

If you wish, you may also include a brief statement about your work.

Please note that accepted submissions may be modified to suit the cover layout and design.

Rights

We require First North American Serial Rights. Following publication, all rights revert to the author, but we ask that MudRoom is credited in subsequent reprints. In addition, we reserve the right to edit submissions in accordance with the rules of our style guide.

Call for Submissions: Banshee Press

Submissions are open from 1–31 October 2026 for issue 23 (spring/summer 2027).

Submission Guidelines

Banshee welcomes submissions from both Irish and international writers of any background, including first-time writers. We welcome work from members of groups or communities typically under-represented within literature, whether or not the work addresses this.

All submissions should be previously unpublished.

Our guideline maximum word count for stories and essays is 5000 words. Flash fiction should be under 1000 words, poems no more than 40 lines.

We are happy to read: one story or one essay or two flashes or up to four poems. Please submit in one category only.

Submissions should be in one .doc or .docx attachment. Prose submissions should be double-spaced.

Please include a third-person biography (max 50 words) in the body of your email. If you are sending a prose submission, please note the word count of the piece in the body of the email.

Email to:

subs dot bansheelit at gmail dot com (Change dot to . and at to @ .) 

indicating the category of your submission in the subject line (e.g. Flash/Story/Essay/Poetry).

We are happy to consider simultaneous submissions, but ask that you notify us as soon as your work is accepted elsewhere.

Please note that we cannot offer feedback on unsuccessful submissions.

We believe in paying writers. We can offer contributors a small fee as well as a copy of the journal.

Copyright of the work remains with the writers.

Banshee Press is currently funded by the Arts Council and commits to upholding its Paying the Artist policy.

  • For contributions to Banshee literary journal, we pay: €350 for a story/essay; €120 for flash fiction; €90 per poem. 

  • Banshee Press authors receive advances in the range of €1000–€5000. We hope to increase these rates with future publications.

  • For events, we cover the cost of travel where the writer is travelling outside their county of residence. We also cover accommodation where the length of travel involved and/or the start time of the event necessitates it.

  • We are committed to paying artists within 14 days of work being delivered.

  • We ensure that writers’ copyright is respected, both in terms of moral and economic rights.      

  • We believe in the importance of transparency on matters of pay and working conditions, and that sharing this information publicly is to the benefit of all writers.

Writing Competition: Discover New Art Prize for Poetry and Prose

Discover New Art Prize for Poetry and Prose

Two $25K prizes—one in poetry, one in prose—awarded to exceptional manuscripts-in-progress poised to become significant books. Five finalists in each category also receive $1K awards.

What to submit:

Submit up to fifteen pages of your manuscript for poetry or twenty-five pages for prose.

Submitters whose manuscripts are selected for the second round of review will be asked to submit a personal statement (no more than two pages, double-spaced) detailing how the award will support the completion and eventual publication of the work.
The winners will be selected by a panel of judges for each genre. Each of our judges will provide a statement on the merits of the winning work.

Eligibility:

This award is open to writers who have not published or are not contracted to publish a single-author work of creative poetry or prose with a Big Five publisher (or their imprints) between January 31, 2017 and January 31, 2027.

Guidelines:

  • Submissions will be open from October 1, 2026 - January 31, 2027.
  • The early-bird submission fee is $30 (October 1, 2026 - November 30, 2026).
  • The regular deadline submission fee is $35 (December 1, 2026 - January 31, 2027).
  • Writers from historically marginalized or underrepresented groups are invited to submit for free until we reach fifty submissions in this category. NOTE: We've reached our submission cap.
  • Submissions must be primarily in English.
  • Submissions may be excerpts of novels, memoirs, book-length essays or poems, or collections of poetry or short stories.
  • Multiple and simultaneous submissions are allowed, but each submission must be accompanied by a submission fee.
  • If your manuscript is accepted for publication, or you opt to self-publish before the results are announced, you must withdraw your submission from consideration.
  • Submissions must be from manuscripts not published in full. The submitted excerpt (individual chapters, essays, stories, or poems) may be previously published, provided the entire manuscript has not been.
  • The panel of judges reviews anonymously—please do not include identifying information on your manuscript.
  • No translations, unless translating your own work. Original and translation must both be unpublished.
  • AI-generated or AI-assisted submissions are automatically disqualified. This includes using AI (ChatGPT, Claude, Gemini, or other similar LLMs) to translate your own work.
  • Friends, family, and associates of the judge panel are not eligible for this award.
  • If you submit to the wrong genre, feel free to email us, but don’t worry about editing your submission. We’ll take care of it.

The Judges—Meet the Panel

The winning manuscripts in each category will be chosen by these distinguished poetry and prose judges.

Poetry

Kaveh Akbar's poems appear in the New Yorker, the New York Times, the Paris Review, Best American Poetry, and elsewhere. He is the author of the poetry collections Pilgrim Bell and Calling a Wolf a Wolf, and editor of The Penguin Book of Spiritual Verse. His first novel, Martyr! (2024), was a New York Times bestseller, a National Book Award finalist, and winner of the Brooklyn Public Library Book Prize for Fiction.

Carl Phillips's latest book of poems is Scattered Snows, to the North (2024). His Then the War: And Selected Poems 2007–2020 won the 2023 Pulitzer Prize. Other honors include the Jackson Poetry Prize, the Kingsley Tufts Poetry Award, the LA Times Book Award, and fellowships from the Guggenheim Foundation, the Academy of American Poets, and the Library of Congress. He lives on Cape Cod, in Massachusetts.

Aimee Nezhukumatathil is the New York Times-bestselling author of two illustrated collections of essays, Bite by Bite and World of Wonders. Her honors include fellowships from the National Endowment for the Arts and the Guggenheim Foundation. A professor for over twenty-five years, she serves as a firefly guide for the Mississippi State Parks. Her newest poetry book is Night Owl (Ecco).

Prose

Lauren Groff is the author of eight books, including the National Book Award finalists Fates and Furies, Florida, and Matrix. She lives in Gainesville, Florida, where she and her husband own the independent bookstore The Lynx.

Rebecca Makkai is the author of the New York Times bestselling I Have Some Questions For You as well as four other works of fiction. Her last novel, The Great Believers—one of the New York Times’s Best Books of the 21st Century—was a finalist for both the 2019 Pulitzer Prize and the 2018 National Book Award, and won the ALA Carnegie Medal and the LA Times Book Prize, among other honors. A 2022 Guggenheim Fellow, she teaches graduate fiction writing at Middlebury College, Northwestern University, and the Bennington Writing Seminars, and is Artistic Director of StoryStudio Chicago.

Roxane Gay is a contributing opinion writer for The New York Times and the author of Ayiti, An Untamed State, the New York Times-bestselling Bad Feminist, the nationally bestselling Difficult Women, and the New York Times-bestselling Hunger, as well as World of Wakanda for Marvel. Her writing appears in Best American Short Stories, Best American Mystery Stories, McSweeney's, Tin House, Oxford American, Virginia Quarterly Review, and many others. She also writes the newsletter The Audacity.

Submission Timeline—Key dates:

October 1, 2026–Submissions open

November 30, 2026–Early-bird deadline

January 31, 2027–Final deadline

About Discover New Art

Discover New Art is a literary organization devoted to uplifting the craft and careers of literary writers.

Since 2011, we have published contemporary writing and created opportunities for writers through publication, contests, prizes, and other forms of recognition.

Across our platforms, we offer always-open, always-free submissions alongside competitive prizes judged by accomplished writers and literary professionals.

Our magazines are distinct publications, each with their own editorial identity, aesthetic, and literary focus, connected by a shared commitment to strong writing, thoughtful editorial practice, and meaningful opportunities for writers. Together, they allow Discover New Art to publish a broad range of literary work while preserving the particular character of each magazine.

At the center of Discover New Art is a commitment to both the work and the writer: to publishing literature we believe in, supporting the development of literary craft, and creating opportunities that can contribute to a writer’s career over time.

Submissions must be made through Submittable.

Please contact:

blake@discovernewart.com

with any questions about the Prize.

By submitting to the Discover New Art Prize for Poetry and Prose, submitters agree to receive correspondence about future publications and submission opportunities from Discover New Art and associated magazines. You can easily unsubscribe at any time.

Submit your entry here. 

Writing Competition: Cider Press Review Book Award

The annual Cider Press Review Book Award offers a $1,500 prize, publication, and 25 author’s copies of a book length collection of poetry. Author receives a standard publishing contract. Initial print run is not less than 1,000 copies.

Our submission dates have recently changed. Cider Press accepts submissions for the Book Award between August 1 and October 30 annually. Submit 48-80 pages of original poetry in English not previously published in book form (individual poems may have been previously published in journals, anthologies, and chapbooks). We do not accept submissions created by or with the assistance of artificial intelligence (AI).

$28 entry fee required. BY SUBMITTING A MANUSCRIPT TO THE CIDER PRESS REVIEW BOOK AWARD AND REMITTING ENTRY FEE, THE AUTHOR AGREES TO BE BOUND BY OUR TERMS AND CONDITIONS.

Submit your entry here. 

Call for Submissions: Cleaver Magazine

We review submissions only through Subfolio, our online portal. We are not able to consider work sent to us through postal mail or email.

We are happy to read simultaneous submissions, with immediate notification if work is accepted elsewhere. Previously published work is not considered, although we will sometimes consider work previously shared on personal blogs. Translations are welcome with permission of the original author, or for works in the common domain.

If the $5 submission fee presents any kind of hardship, please email us at:

editor@cleavermagazine.com,

tell us the genre category you’d like to submit in, and we will send you a no-fee submission link. No questions asked, no explanation necessary.

If you have a submission still in the queue and have not heard back from us, assume it has been held over for consideration for another issue.

If you have a question for an editor you’re working with, please message them directly through Subfolio.

If you previously submitted to Cleaver through Submittable, your submission and submission history have been moved to Subfolio. Please make a new, free account using the same email address, and you’ll be able to see your in-progress submissions as well as any archived submissions.

For inquiries, thwack us an email:

editor@cleavermagazine.com

Book Reviews and Newsletter Submissions

Cleaver reviews books that have been recently published (within the past year or two) by small and indie presses, including shorter works such as poetry chapbooks and novellas. If you’re a reviewer interested in writing for Cleaver, if you’ve written a review you’d like us to consider, or if you’re an author, publisher, or publicist, please email:

Autumn Konopka directly 

with your query.

Note: If you previously queried via our submission forms, you are welcome to follow up with a direct email.

A TIP FROM OUR EDITORS
The most successful pitches are those that make a direct, specific connection between the proposed work/author and Cleaver.Why is the particular book or author relevant for us and our readers?
How does it relate to our mission, the work we publish in our magazine, the kinds of books we review, or the authors we interview/feature?
And/or how does it relate to our interests and experience as readers and editors?
Finally, if you’re a past Cleaver contributor, make sure you let us know.

Autumn Konopka, Senior Editor (she/her)
Joy Manning, Editor (she/her)

Craft Essay Submissions

Cleaver publishes craft essays on writerly topics. If you are a poet, fiction writer, essayist, or graphic narrative artist and would like to propose a craft essay, contact the editors with a query before submitting.

A TIP FROM OUR EDITORS
Offer a reaction to or exploration of one’s personal experience as a prose writer/artist/creative; pieces that delve into something you’ve either found compelling, learned along the way, figured out, gotten obsessed with, found surprising, and want to share with other writers. Quirky is okay. Nothing too scholarly/academic/ pedagogical. Aim for between 800 and 2000 words. Please first take a look at what we’ve published before here.

—Lisa Romeo, Prose Craft Essays Editor

For Poetry Craft Essays, contact Mark Danowsky.

Please note: Cleaver welcomes diverse human voices, but we do not consider AI-generated or AI-assisted work.