Sunday, October 5, 2025

Call for Submissions: The Massachusetts Review

The Massachusetts Review 2025 – 2026 Submissions Period is now open.

If you have submitted to us online, please check that your spam filters do not block our email. You can add:

massrev@external.umass.edu 

to your “approved senders” list.

What kinds of writing are you looking for?

We seek a balance between established writers and promising new ones. We’re interested in material of variety and vitality relevant to the intellectual and aesthetic questions of our time. We aspire to have a broad appeal; our commitment, in part regional, is not provincial. “Inspired pages are not written to fill space, but for inevitable utterance; and to such our Journal is freely and solicitously open.” —Ralph Waldo Emerson 

N.B. Submissions from BIPOC authors will be accepted year-round; however, outside our regular reading period, when the online submission manager is shut down, all BIPOC submissions should be sent by regular mail or emailed to:

massrev@external.umass.edu

Nonfiction: Articles and essays of breadth and depth are considered. Since its inception, in 1959, the Massachusetts Review has provided a literary space that engaged and challenged society, provoked political and social change, and published under-represented voices. We also publish discussions of leading writers, of art, music, dance, and drama, and analyses of trends in literature, science, philosophy, and public affairs. One essay per submission, with a maximum of 20 pages or 7500 words. Please include your name and contact information on the first page. We encourage page numbers.

Fiction: We are interested in all styles and subjects, from flash fiction and experimental writing to historical and realist fiction; we do typically favor work that focuses more on the world than the self. We consider one short story per submission, a maximum of 20 pages or 7500 words. Please include your name and contact information on the first page, and we encourage page numbers.

Performance: Most work on performance is featured online, to take advantage of the multimedial potential of digital publication. We also occasionally publish short-form performance scripts as well as excerpts from longer works in the print magazine, up to 30 pages per issue.

Poetry: A poetry submission may consist of up to 6 poems. There are no restrictions for length, but generally our poems are less than 100 lines. Please include your name and contact on every page.

Hybrid: A hybrid submission may cross genres with fiction, nonfiction, poetry, or art. We consider one such text per submission, with a maximum of 30 pages or 7500 words. Please include your contact information on the first page; we encourage page numbers.

Translation: Fiction, poems, or essays are accepted. The above guidelines for essays, fiction, and poetry should be followed, and a copy of the translated text should be submitted along with the translation. Before submission, the translator should have researched who holds the rights and, ideally, have secured permission to publish. N. B. Translations will be accepted year-round; however, outside our regular reading period, when the online submission manager is shut down, submissions should be sent by regular mail or emailed to:

massrev@external.umass.edu

Art: We publish one visual artist per issue, and most visual art is solicited. We are happy to consider submissions & will try to respond promptly. One portfolio per submission, a maximum of 8 pages We do not hire illustrators to illustrate our fiction or prose pieces, they run without illustration. Please include your name and contact information on the first page, and we encourage page numbers.

Public Affairs: We welcome contributions that think politically about culture, and think culturally about politics. We welcome internationalist writing and work that centers the lived experiences of historically marginalized peoples. We also seek to prioritize freedom writing, to expand the space for freedom thinking, and to grow our public for both.

Quarterly Print Journal: One essay per submission, with a maximum of 20 pages or 7500 words. Please include your name and contact information on the first page. We encourage page numbers.

Online blog: We welcome short pieces (1000 words max) which tackle public affairs matters of the greatest urgency, op-eds that are radical in spirit and broadly appealing in language, and work where first-hand experience meets history, politics or theory. We ask that you include a short bio, and up to three photos which you have permission to publish (optional, including headshot) to accompany the piece. Photo essays and hybrid work that combines text with graphics are also welcome. Unsolicited blog submissions carry a small honorarium of $50.

Also please note: Essays, fiction, hybrid, poetry, and translation manuscripts should be submitted separately. No mixed submissions please.

Are there any genres or topics that you do not consider?

We publish book reviews online, but not in the print magazine.

When is your reading period?

Submissions are NOT accepted from May 1 to September 30. Mailed submissions received during this time will be held for the next reading period. The electronic submission database will reset once all manuscript decisions have been made, and any work submitted within the subsequent reading period will require an account reactivation.

Due to extenuating circumstances, we are currently experiencing a heavy backlog in submissions. Please allow our readers six months to respond to your submission. We apologize for the delay and appreciate your patience!

Do you accept simultaneous submissions?

Reluctantly. It is the author’s responsibility to notify editors immediately once a manuscript is accepted elsewhere.

Do you accept multiple submissions?

No.

Prose manuscripts are limited to one submission at a time. Poetry submissions cannot exceed six poems per submission. Authors must await decision notification before submitting again in the same reading period.

Do you pay for contributions?

At the time of publication, we pay a $100 honorarium for work published in a single issue. Authors also receive two complimentary contributor’s copies.

I’m mailing my submission, how should I submit work?

There is no charge for mailed submissions. All prose manuscripts should be typed and double spaced.

Fiction and Non-fiction submissions should include name and address on the first page of the manuscript with page numbers. Poetry should include name and contact information before each title of a poem. The Massachusetts Review is a non-profit journal, and it is impossible for us to acknowledge receipt of manuscripts unless a self-addressed stamped postcard is enclosed with your submission. The Massachusetts Review is not responsible for lost manuscripts. No manuscript can be returned or query answered unless accompanied by a self-addressed stamped envelope.

Please read a copy of MR before submitting work. We cannot offer free sample copies, but you may order current or back issues here. We do not accept manuscripts via fax.

I’m submitting electronically, how should I submit work?

Read this first!

All submissions should include name and contact information on every page of the manuscript. A suggestion is to include this information in the header or footer. All prose manuscripts should be typed and double-spaced. We strongly encourage Fiction and Non-fiction to include page numbers.

All poems, a maximum of six per submission, should start on a new page and be included in one document. Multiple submissions will not be accepted.

Please read a copy of MR before submitting work. We cannot offer free sample copies, but you may order current or back issues online.

Please note that there is a $3.00 fee to submit electronically per reading period. In addition to maintaining the database, the fee was designed with the intention of diminishing your submission costs. The process will require a one time account set-up per reading period. We accept Visa, Master Card, or Discover; payment is made via Commerce Manager.

The electronic submission provides continuous access to check on the status of your submission. To withdraw specific poems or prose from consideration, please email the managing editor at:

massrev@external.umass.edu 

Should you choose to withdraw your submission for any reason, no refund will be provided.

You will receive a one time account set-up confirmation e-mail, a submission receipt confirmation e-mail every time you submit, and, once our editors read your submission, a notification of decision e-mail.

Click here to begin the electronic submission process.

Address for mailing submissions:

The Massachusetts Review
400 Venture Way
Hadley, MA 01035

Call for Submissions and Fiction Competition: Washington Square Review

We are open for submissions to Issue 55! We are also open for the New Voices Award contest in fiction, judged by Katie Kitamura, through November 1st, 2025. 

Entry Fee for Contest: $15.00

First place: $1500 

Submission Guidelines below:

Poetry: Submissions should not exceed five poems.

Fiction: Submissions should not exceed 5,000 words. Please submit one story per submission, and one story per submission period. This cycle, fiction will only be accepted as part of the New Voices Award contest. Submissions will be considered both for the prize as well as for general publication.

Creative Nonfiction: Submissions should not exceed 5,000 words. Please submit one piece per submission, and one piece per submission period.

Translations: Please submit both the original and the translation whenever possible. Translators are expected to have identified the original copyright holder and obtained confirmation that the translation rights are available before submitting, and, if accepted, are responsible for securing those rights.

All submissions must be previously unpublished.

Please click here to submit your work to us via Submittable during the dates specified above.

We do not accept submissions via mail or email. Please share your work with us via Submittable during the dates specified above.

Our response time is generally 2-4 months. Simultaneous submissions are acceptable. If your work is accepted for publication elsewhere, please let us know as soon as possible.

Contributors will receive two copies of the issue in which they are published, an opportunity to purchase additional copies at half-price, and a one-year subscription. We do not offer any monetary remuneration for publication.

Call for Submissions: Mud Season Review

Recent cover image or website screenshot for Mud Season Review 

Submissions are open between October 1 – October 31, 2025.

NOTE: We may close the reading period early by genre if volume demands. We want to be sure to give your work the attention it deserves! Please keep this in mind as you consider submitting your work.
General guidelines:

We seek deeply human work that will teach us something about life, but also about the craft of writing or visual art, and work that is original in its approach and that in some way moves us. Publishing and celebrating a diverse range of voices is important to us, so please include in your cover letter a brief biographical statement (50 words or less) as you would like it to appear with your published work. For more on what we look for in submissions, read an interview with our founding editor.

We accept simultaneous submissions. However, please withdraw your work immediately should a piece you’ve submitted be accepted elsewhere. If you are withdrawing your entire submission, please log in to your Submittable account and click “withdraw.” If you are withdrawing only a part of your poetry or art submission, please add a note to your submission advising which piece(s) you are withdrawing. We strive to respond to all submissions within 2 months. You can track your submission with Duotrope.

We also offer a feedback request service, which features written feedback from our highly qualified reviewer team. Please submit under the appropriate category. Work submitted to this service is not considered for publication. Writers and artists are welcome to submit to Mud Season Review for publication during reading periods.

We do not accept mailed submissions, emailed submissions, multiple submissions (submitting again to the same or another category before getting a response), or anything that has previously appeared in print or online (including on your personal blog or website, artwork excepted). We accept flash fiction; please include two to three pieces in your submission. We do not accept translations at this time. If you have already been published in Mud Season Review, please refrain from submitting for one year after the date of the issue in which you were published. Please send submissions through Submittable only; submissions sent via email will not be considered. Please use a standard 12-point font. For fiction and nonfiction, please double space.

We acquire First North American Serial Rights (FNASR) upon acceptance and retain exclusive rights to your accepted piece for 90 days after publication. After that, we will archive your piece online and may include it in one of our print editions. Should you choose to reprint the piece in the future, please mention that your piece was originally published in Mud Season Review.

We pay authors and featured artists $50 for work that appears in our issues. For artists whose images are paired with writing, and for poets whose work appears in The Take: Mud Season Review, we offer payment of $15.

Submit your work here.

Writing Competition: Glossy Planet

Glossy Planet is a lit mag that responds to the world in real time. Every month, we drop a new challenge tied to what’s happening in the headlines, the culture, and the moment. Think: the literary version of a group chat, if your group chat included a bunch of writers trying to make sense of it all.

We want your flash experiments, microessays, poems, weird little lists—anything under 1,000 words that makes us stop and feel something. We’re here for impact and heat, not polish or perfection. If you’re writing in response to the world, not hiding from it, we want to hear from you.\

Closes on Wednesday, October 15, 2025

Entry Fee: $10.00 

The scariest monsters aren’t hiding under the bed. They’re the ones we made ourselves. Write about the monsters of our own making and how they haunt us today, whether that’s AI and tech, structural violence, climate collapse, or something just as insidious.

We are not looking for ghost stories or urban legends. Instead, send us writing that responds to what you doomscroll through. We’re seeking recipes for social justice, prose that explores the perils of smartphone addiction, poems about inflammatory rhetoric and the platforms they build, survival tips for the singularity, and more. Show us what “monsters of our own making” means to you.

We welcome all forms: fiction, creative nonfiction, poetry, hybrid, or something even genre goblins can’t categorize. Please submit up to 1,000 words of prose and up to two pages of poetry. If it’s urgent, sharp, and dripping with weird, we want to read it.

Send us your words that are as alive and unruly as the moment. Three winners will be selected and published at the end of November.

Prizes:

First place: $1,000 and publication

Second place: $200 and publication

Third place: $100 and publication

Guidelines:

  • Submissions are open to all writers, no matter your publication history.
  • Send us unpublished work only. (Yes, even if it’s published on your blog.)

Length

  • Prose: Up to 1,000 words.
  • Poetry: Up to two pages. (If you’re a little over the word count and can’t chop it without killing the monster, send it anyway.)
  • Submit prose double-spaced in a standard format, like Times New Roman. Absolutely zero Comic Sans.
  • We have no format requirements for poetry or other works.
  • Send your work as one document.
  • If your piece doesn’t quite fit any of the genres listed, select the closest one and note how you would describe it in your cover letter.
  • Simultaneous submissions are fine, but let us know if your piece is picked up elsewhere. Otherwise, we’ll curse you.
  • Multiple submissions are welcome, but each requires its own $10 entry fee.
  • In your brief cover letter, include a brief bio, what genre you’re writing in, and your publication history. If you haven’t published before, that’s great! Send it!
  • We accept your own translations of your unpublished work.
  • International submissions are welcome, as long as the work is primarily in English. Code-switching/meshing is also welcome.
  • Absolutely no AI-generated or AI-assisted work.
  • Please consider including a content warning if your work engages in potentially triggering content. Your work will not be judged based on this warning, and we will appreciate the consideration you're giving to our reading staff.

We aim to reply within four weeks.
Questions? Contact us at:

contact@glossyplanetmag.com

Heads up: When you submit, opt-in to emails to be first to know next month’s theme.

Submit your entry here

Call for Submissions: Centaur

Recent cover image or website screenshot for Centaur 

Centaur is on the lookout for writing that’s inspired, bold, and surprising. With four seasonal issues a year, and up to eight pieces in each, there’s only room for your best 400 words or fewer. Learn more about Centaur in the interview Six Questions.

Centaur’s pledge to its writers and artists

  • You will not pay a submission fee. Ever. You’ll get a nice acceptance or an equally nice decline within two months of story or artwork submission. (If you don’t hear from Centaur, check your spam folder. Every submission receives a response!)
  • Writers: Centaur will nominate pieces for each of the annual literary competitions or anthologies, including Best Small Fictions, Best Microfiction, and Best of the Net.
  • Additionally, your editor will light her Dolly Parton candle for Centaur’s writers at each issue’s launch, in hopes that your work may be honored and anthologized elsewhere. (Please just credit Centaur as first publisher.)
  • Centaur will feature its author and artist books on its Bookstore page.
  • Your published story or art will be its own prize—shined (copyedits on stories), shown (social media), and shared (however, all rights reserved and rights revert to creator upon publication).
  • Your published story or art will receive $20 in payment and a fortune in goodwill.
  • New: Starting with the August 2025 issue: Centaur will match payments with a $20 donation to one of the following nonprofits, in your name or anonymously. This is not an effort to influence people politically. It is just a move to make the world a better place. You should be able to find something on the list that benefits Planet Earth, its people, or its animals, wherever you may call home. That said, this is an offer, not mandatory:

Your pledge to Centaur 

  • Your work is original and previously unpublished. No-AI generated or violent work.
  • Artists: If you’re interested in illustrating in any way the magical being known as a centaur in an upcoming issue, please email Centaur with a short note about yourself and your idea for an illustration, as well as a link to samples of your work.
  • Writers: Submit a mashup of fiction with prose poetry or nonfiction, also known as hybrid. Open to most styles of writing, but not to horror. Please, 400 words maximum and words only—no mixed media or multimedia. Words only. Only one submission every three months. If your work is published by Centaur, please wait a year before submitting again.
  • If you have not heard back on the status of your submission within 2 months, please reach out with a query. Apologies, sometimes the spam folder is overzealous.
  • Paste your submission with your full name in 12-point Times New Roman font in the body of an email to Centaur. No attachments, please. Include the word “Submission,” your piece’s title, and your full name in the email subject line, like this: Submission: The Orange Chair – Sadie Smith. New: Please include a 50-word bio so the editor knows who she is communicating with.
  • Simultaneous submissions are fine, but please let the editor know immediately if your piece has been accepted elsewhere.
  • Everyone: You won’t be a horse’s ass, a blockhead, or both and hassle the editor. Examples include pulling your story or art after it’s been accepted for publication, questioning the editor’s decision to decline a piece, or missing deadlines.

Call for Submissions: Blood Tree Literature

Recent cover image or website screenshot for Blood Tree Literature 

submissions open October 1-30, 2025

Blood Tree is dedicated to showcasing evocative writing that takes linguistic risks to push the boundaries of conventional language and genre. We favor lyrical pieces that do not withhold depth or resonance. With that in mind, submit to us your best, the box under your bed marked UNSHARABLE, the orphan poem or black sheep fiction. Send us your experimentals; be vulnerable, be calculated.

Maximum word count: 2500. We like to keep it flash-y.

Maximum amount of poems or hybrid writing per submission: 3.

Submission fee: $3 USD. Submission fees allow us to maintain our Submittable and website/domain, as well as pay our contributors and contest donations!

We now offer a free submission period during the first week of open calls, with a cap of 20 hybrid submissions and 30 collective poetry, fiction, and creative nonfiction submissions.

If the free submission period has closed and our fee is a barrier to submitting your work, please email us at:

bloodtreelit@yahoo.com

for a no-questions-asked link to our fee-waived submission form.

With a $15 USD submission fee, we will provide detailed feedback and constructive notes on your submission. This applies to all genres.

Abusive or derogatory submissions are not allowed — not now, not ever. BTL is a pro-choice, trans-inclusive, anti-racist publication. AI-generated works are strictly prohibited.

Per piece accepted, we pay $10 for poetry, $15 for fiction and nonfiction, and $20 for hybrid and experimental pieces; all are in USD and processed through PayPal. Published work is also eligible to be nominated for annual awards like Best of the Net, the Pushcart Prize, and more.

We do not read full-length manuscripts or translations at this time, and currently only read works written in English. We only read reprints if the piece(s) were previously published in a now-defunct publication — please indicate in your submission if that is the case and attribute the publication of first appearance.

Simultaneous submissions are allowed under the condition that you withdraw your work immediately if it is accepted elsewhere. Please do not submit more than once per genre until you’ve heard back on your pending submission. If you have not received a response on your submission within two months, please query us via email to:

bloodtreelit@yahoo.com 

Contributors release one-time electronic rights of their accepted piece(s) to Blood Tree Literature and the right to electronically archive the work as a part of the issue in which it first appeared. Contributors retain copyright for their accepted work and may publish that work elsewhere after six months has passed since the BTL publication date. View a sample acceptance agreement here.

Without in any way limiting a published creator’s and Blood Tree Literature’s exclusive rights under copyright, any use of this publication to “train” generative artificial intelligence (AI) technologies is expressly prohibited. Creators reserve all rights to license uses of their work for generative AI training and development of machine learning language models.

CONTRIBUTOR BOOKS

If applicable, in your submission you may also include information for your recently published book with a link to where it can be purchased. Should your piece(s) be accepted, we will include the provided book in our Contributor Books page. If you are a previous contributor to BTL, you can notify us of new book publications for inclusion via our email:

bloodtreelit@yahoo.com.

If you’d like to submit a review of a Contributor Book, we now offer a $15 USD honorarium for accepted reviews. There is no fee to submit Contributor Book Reviews. For more details, please visit our Submittable link. All other guidelines still apply.

Submit your work here.

Call for Submissions: Clockhouse Magazine

CLOCKHOUSE is a national literary journal published by Clockhouse Writers’ Conference, whose editors are MFA alumni of Goddard College.

We accept works of poetry, fiction, memoir, creative nonfiction, and ​dramatic works for stage or screen. We also accept submissions for cover art. We encourage submissions from both established and emerging writers.

We’re looking for work that beckons us to listen, share, and engage. Send us your best!

Before submitting, carefully read the general AND genre-specific guidelines below.

Reading periodVolume 13: September 1 through November 15, 2025. Published in summer 2026

General guidelines

  • All submissions must be original, unpublished work written by the author or, if you are submitting artwork for cover consideration, original artwork created by the artist
  • Follow genre-appropriate formatting; Word documents preferred; double-spaced for fiction, memoir, and creative nonfiction​
  • Include a bio of approximately 100 words or less
  • Simultaneous submissions are welcome as long as you withdraw them if accepted elsewhere
  • Submit only through Submittable. No email or mailed submissions will be accepted
  • Submissions that do not follow these guidelines will be discarded unread.

Genre-specific guidelines

Poetry

  • All poetry in traditional and experimental styles including prose poetry
  • Submit up to three poems of any length per reading period
  • ​Each poem must be uploaded as a separate submission

Fiction

  • All flash and short fiction in traditional and experimental literary styles; genre fiction will be considered only if it sustains literary merit
  • Flash fiction, micro fiction, etc.: up to 3 pieces, up to 750 words each
  • Short stories and self-contained novel excerpts: one piece, 751 - 3,500 words
  • Double-spaced; note the word count on the first page
  • If submitting more than one piece, each must be submitted separately

Memoir and Creative Nonfiction

  • All memoir and creative nonfiction in traditional and experimental literary styles
  • No academic or scientific essays
  • Submit one piece, up to 5,000 words
  • Double-spaced; note the word count on the first page

Dramatic Work for Stage or Screen

  • Short plays and screenplays in traditional and experimental styles
  • Standalone work only (not part of a longer work); no monologues
  • Submitted work should be written with the audience in mind
  • Submit up to 10 pages plus cover page with title and character breakdown
  • Follow the industry-standard formatting guidelines appropriate for the plays/screenplays including paginations

Cover artwork

  • We're looking for colorful and accessible artwork that will captivate our readers and complement the diverse literary content within. Specifically, your submission should be:Colorful: we are seeking vibrant, dynamic artwork that uses a rich palette
  • Accessible: the artwork should be engaging and approachable to a broad audience; we prefer representational styles but will consider abstract and surreal styles as well
  • Artwork must be in portrait orientation with a size of at least 8 x 12 inches (20.32 cm x 30.48 cm)
  • A resolution of at least 300 DPI in either jpg or jpeg file format

Response time

Expect to wait up to four months after the close of our submissions period for a reply. After that time, you can check on the status of your submission by e-mailing ClockhouseEditorialDirector@gmail.com. Include the title of your piece, the genre, and the original date of submission.

Upon acceptance
By accepting any offer of publication by CLOCKHOUSE, the author will grant the magazine first serial rights. Upon publication, rights to the work revert back to the author. The author retains all other rights to the work. Any subsequent publication will note that the work was first published in CLOCKHOUSE.

Payment for publication in CLOCKHOUSE ​is one contributor’s copy in which the work appears and a discount on purchases of that volume. As appropriate, we may also choose to nominate published work for awards or other recognition.\

Submit your work here.