Sunday, October 11, 2026

Call for Submissions: riverSedge

Recent cover image or website screenshot for riverSedge 



 

 

 

 

 

 

Since 1977, riverSedge has published the very best art and literature from the South Texas region and beyond. Past artists and authors Rolando Hinojosa, Angela de Hoyos, Alurista, Naomi Shihab Nye, Sandra Cisneros, and Denise Duhamel.

riverSedge is published annually and is now an online-only format, beginning with the 2020 issue . Electronic submissions only. If your work appears in our latest issue, please wait a year before submitting again. We welcome and are excited to read interesting, bold, well-crafted writing. We encourage submissions from writers who belong to historically marginalized groups.

riverSedge General Submission Guidelines:

  • Submissions are open October 1, 2026 to March 1, 2027.
  • $3 submission fee for all genres.
  • 2 prizes of $350 will be awarded in poetry and prose. All entries, excluding reviews, interviews, and graphic literature, are eligible for contest prizes.
  • Multiple submissions welcome in all genres. However, each submission should be uploaded as a separate entry. In other words, one story/essay/comic/script per $3 entry fee. For poetry, up to five poems per entry. For specific guidelines, visit the categories below.
  • Previously unpublished work only. Self-published written work (in print and/or on the web) is not eligible.
  • Simultaneous submissions are welcome. If your work is accepted elsewhere, please withdraw your submission as soon as possible in its entirety or send us a message if it's only a specific poem.
  • Submissions welcome in English, Spanish and anything in between.
  • Our terms: we require First North American Serial Rights for all accepted work and non-exclusive print rights indefinitely for potential anthologies and promotional materials. Additionally, we require non-exclusive electronic rights indefinitely so we may include accepted works in potential online archives.

Current staff, faculty, and students of the University of Texas Rio Grande Valley or South Texas College cannot submit original work to riverSedge.

Submit your work here. 

Call for Submissions: Plott Hound Magazine

Recent cover image or website screenshot for Plott Hound Magazine 

General Guidelines

Policy on AI-generated submissions:

Plott Hound Magazine will NOT accept or publish submissions of any kind that were written, generated, or assisted by AI tools in any way, such as ChatGPT. This magazine full of stories on animals wants 100% human effort and creativity. Prohibiting involvement of AI extends to all and any art featured for the magazine. If your piece is found at any point in the publication process to have AI use, you will be banned from future submissions to Plott Hound. If your piece is found after publication to have AI use, it will be removed from the issue and the website, and you will be banned from future submissions to Plott Hound.

What We’re Looking For:

-Stories with anthropomorphized animals as viewpoint characters and protagonists

-Animal-centric speculative fiction (fantasy, science fiction, horror)

-Underrepresented voices (BIPOC, LGBTQIA+, disabled, neurodivergent) that engage with animal myths, tales, and futures

-Stories with uncommonly written about animals as protagonists

-Stories that dig deep into the senses and experience of animals

-Stories that explore the cultures and societies of animals, not just cultures and societies with animals. Think of rabbit language and warren infrastructure in Watership Down, or the clans and warrior code of feral cats in Warriors.

What We Don’t Want:

-Stories with human viewpoint characters or protagonists

-Stories under or over the word limit

-Stories that contain no speculative element (no fantasy, sci-fi, and/or horror)

-Stories of simply animals doing animal things (which closely ties in with lack of speculative element)

-Stories with animals reduced to silly cute sidekicks, props, punchlines, or the butt of jokes

-“Zipperback fiction” where the “animals” are either human characters obviously and clumsily rewritten to be animals, or if the animals were human, the change would hardly impact the story

-Stories for children or middle grade

-AI-generated works

-Glorifying violence toward and abuse of women, children, animals

-Glorifying homophobia, transphobia, racism, sexism, ableism

-Gratuitous violence, sex, and erotica

-Positive depictions of pedophilia and bestiality

-Payment: Paypal is highly preferred, though we can discuss alternative methods of payment upon acceptance.

–Note to past contributors: contributors must wait at least ONE submission period/quarter from the issue they were published in before they can submit to another open period. This also applies to poetry submissions.

List of common species and tropes:

This is not a list to say that writing about these species and tropes is prohibited, only that because we get so many submissions on them, they will have to work a lot harder to stand out: dogs, cats, dragons, corvids like ravens and crows, witches’ familiars, subjects of intelligence experiments.

Other submission don’ts:

-unsolicited resubmissions of the same story (even if it’s revised. If you did not get a request to revise & resubmit (an R&R), no is no.)

-including pictures and photos in submissions, which must be text only

-submitting the wrong file (which would result in “file error” on Moksha)

-replying to rejections or disputing/arguing with rejections

-submitting plagiarized work

Cover letter do’s and don’ts:

-Include author name, name of submission, word count, best 2-3 publishing credits (if applicable, we don’t want an entire resume)

-Include any personal or educational experience pertinent to the story. (For example, if you are a marine biologist and your story features marine animals, do mention that!)

-Inclusion of content warnings is optional, but appreciated.

-Please keep the cover letter polite and concise. Author bio is only needed upon acceptance of the piece.

-Do not summarize your story in the cover letter. Let the submission speak for itself.

-The cover letter is a brief introduction; it has no weight in the decision to accept or reject. The decision rests solely on the merit and strength of a piece.

Contact:
For submission queries and submission-related questions, please direct them to:

editor@plotthoundmag.com

 PROSE Submission Guidelines

-Word limit for original short fiction:
1000 (minimum) – 5000 words (maximum)
sweet spot/preferred: 3000 – 4000 words

-Maximum word limit for original flash fiction: 999 words

-Pay rate: 8 cents/word USD

-Format: Standard Manuscript Format. 12 point Times New Roman, double spaced, .doc or .docx files. Mailing address and phone number are not required on the header.

-Simultaneous submissions are allowed! Just make sure to give us a howl if your submission has been accepted elsewhere before we make a decision on it.

-Multiple submissions: you may submit one piece per category at a given time.

-If a submission is declined and the submission period is still open, you may send another. Currently there is no cooldown period between submissions during an open submission window.

-Translations to English: allowed, welcomed, and encouraged! They must be original short fiction or flash within the corresponding word limits. In the cover letter, please state that the work is translated into English from (original language), and include names of the original author and translator. Do not submit unauthorized translations without knowledge or consent from the original author.

-Cover letter for translations: if you are the translator, please include a letter from the original rights holder confirming that translation rights are available for purchase.

–Plott Hound Magazine welcomes and encourages submissions from writers of all races, religion (creed), gender expression, sexual orientation, age, ancestry, disability, marital status, and military status.

-Stories should be submitted through Moksha (see the Submit page). The link to Moksha will not be provided when submissions are closed. Do not submit through email or postal service.

-Post submission process: Plott Hound Magazine uses a tiered system of editors and readers to make decisions on short story and flash fiction submissions. All prose submissions will undergo initial review by first readers. If a first reader decides that a submission is worth further consideration, you will receive a hold notice through Moksha, and the submission is passed up to the editor in-chief, who will then make the final decision to reject or accept for publication.

REPRINT (“Retold Tails”) Submission Guidelines

-Payment: $100 USD flat rate for short fiction (up to 10,000 words), $20 USD flat rate for flash fiction (up to 999 words)

-In the cover letter, please include the name of publication that had originally published your piece. Also, please double check your original contract that you are eligible to submit your piece as a reprint. A decision on a reprint submission cannot be given without these two pieces of crucial information.

-Reprint submissions are sent through Moksha, as are original submissions.

-Do NOT submit an original submission previously rejected by us (AND not previously accepted/published elsewhere) as a reprint. It will be automatically rejected.

-You may submit a reprint as well as an original submission in a given open period.

-One reprint submission at a given time: either one short fiction or one flash fiction, not both at the same time.

-Reprints are considered based on fit with original pieces in a given issue. As such, originals are given first priority, and final decisions for reprint submissions will be given after final decisions on original submissions.

POETRY Submission Guidelines

Plott Hound publishes 1-3 poems per issue. We’d love to see animal-centric speculative poems in all forms, from free verse to a sonnet to a canto in terza rima.

-Send 1-5 poems/up to 5 pages in a single document.

-Maximum submission length: please send no more than 5 pages (i.e. if you have a single 5-page poem, please send only one poem).

-Format: 12 pt serif font (Courier, Times), single space. See Shunn’s poetry manuscript format.

-Pay rate: $50 USD

-Reprints, simultaneous submissions, and other logistics: see Prose Submission Guidelines above

NONFICTION ESSAY Submission Guidelines

Plott Hound aims to publish one essay per issue. Animals hold a special place in our hearts and within the communities and cultures we belong to. We would like you to share that significance and impact. Do you have a particular connection to an animal through a scholarly or spiritual background? We invite you to impart that knowledge as well. You can write about one particular animal or many. We will accept pitches through Moksha. Upon acceptance of that pitch, a fully written article may be submitted. You may send a previously declined pitch to the next open submission period.

-Pay rate: $100 USD
-Word range: 1000 – 2500 words

Frequently Asked Questions (FAQ):

-Do animal characters have to be from real life?
No, not at all! Show us stories with animals real and imagined. Give us the magical and fantastical creatures from myth and folklore, like dragons, werewolves, and unicorns. You can even have fictional species of your own creation! The animal world is one of staggering diversity. We want stories that acknowledge and celebrate this.

-Can human characters be in the story?
Yes, human characters can be included (as many or as little as you want), but the protagonist and focus of the story must be an animal.

-What about alien characters?
Alien protagonists are allowed as long as they’re recognizably bestial/creature-esque and not too humanoid. Think Star Wars Dugs, Ewoks, and Geonosians, not Twi’leks and Togrutis or Vulcans from Star Trek.

-What about shapeshifters?
Shapeshifters constantly, precariously teeter on that liminal boundary between man and beast. With that in mind, if your story has shapeshifters as the focus and protagonist choice, show us that inner beast roiling beneath the human skin. If the shapeshifter character(s) are too human, it’s likely not a good fit for the magazine.

-Do fungi count as animals?
Unfortunately they do not, as fungi occupy a kingdom of life that is neither plant nor animal. Perhaps they can occupy a special issue of their own…But for general submissions and the time being, no fungi stories.

-What if my story has a protagonist that’s a fusion/chimera of plant and animal, or fungi and animal?
Fusions and chimeras are fair game! It would have to be a pass, however, if the protagonist has strictly the characteristics of a plant or fungi.

-Do you give feedback to submissions?
At the second round level, perhaps. If the rejection comes from the first readers, no. Given the high volume of submissions we receive, there is simply not enough time and energy to leave individualized feedback.

-Can I submit film or TV scripts?
No, we do not accept scripts.

-Can I submit the excerpt of a novelette, novella, novel, etc.? Even if it fits under the 5000 word limit?
No. Stories submitted to Plott Hound Magazine must be standalone, completed short fiction or flash fiction. We are not a market for novelettes, novellas or novels.

Examples of works that fit Plott Hound’s vision and aesthetic:

–Watership Down and Plague Dogs by Richard Adams
–Warriors series by Erin Hunter
–The Sight and Fire Bringer by David Clement-Davies
–Beastars by Paru Itagaki
-“Jackalope Wives” by Ursula Vernon (Apex)
-”The Bookmaking Habits of Select Species” by Ken Liu (Lightspeed)
-“The Starship and the Temple Cat” by Yoon Ha Lee (Beneath Ceaseless Skies)
-“Swarm X1048 – Ethological Field Report: Canis Lupus Familiaris, ‘6’” by F.E. Choe (Clarkesworld)
-“The Tale of the Three Beautiful Raptor Sisters, and the Prince Who Was Made of Meat” by Brooke Bolander (Uncanny)
-“By The Mother’s Trunk” by Lisa Bradley (Fireside Fiction)

Submit your work here. 

Call for Submissions: MudRoom

Recent cover image or website screenshot for MudRoom Magazine 

MudRoom is open for submissions through November 25! Read our submission guidelines below. 

General Guidelines

All issue contributors are paid 15 dollars! Submissions are free, and we try to respond to everyone within each reading period. If you don’t hear from us, feel free to query after three months.

Simultaneous submissions are encouraged. If your work is accepted elsewhere, we just ask that you let us know immediately through email. We will not consider work with sexist, racist, homophobic, xenophobic, or ableist content. Your name should appear on your cover letter but not in the submission. Please only submit once per submission period.

All contributors are paid through Paypal. Please alert us in your submission if you require another method of payment.

POETRY GUIDELINES

MudRoom publishes poetry of all types. You can email poetry submissions to:

mud.room.submissions@gmail.com

To submit, please send 3-5 original, previously unpublished poems in a single .DOC/.DOCX .ODT or PDF file with one poem per page (eight pages maximum).

Indicate POETRY SUBMISSION in your subject line. Submissions without "Poetry Submission" in the subject line will be deleted. You may also include a brief cover letter/third-person bio in the body of your email.

PROSE GUIDELINES

Mudroom publishes fiction, essays, and essays in translation. You can email prose submissions to:

mud.room.submissions@gmail.com

To submit, please send a previously unpublished work no longer than 6,000 words in double spaced 12-point Times New Roman font. All works should be attached in a single .DOC/.DOCX .ODT or PDF file

Please indicate PROSE SUBMISSION in your subject line. Submissions without "Prose Submission" in the subject line will be deleted. You may also include a brief cover letter/third-person bio in the body of your email

Cover Art GUIDELINES

Some issues of MudRoom are accompanied by cover artwork. You can email submissions to:

mud.room.submissions@gmail.com

For consideration of cover art, MudRoom accepts all mediums of artwork with the exception of AI-generated art, visual poetry, or reproductions of already licensed work. We are looking for art that reflects the energy of MudRoom. Feel free to look through our previous issues, reviews, and interviews to get a sense of MudRoom’s character before submitting.

Please submit up to 3 individual art pieces, including a high-resolution image of your artwork with your submission. If you are submitting photographs of your artwork (ex: ceramics, fiber arts, paintings), please consider lighting, angles, and framing of your art to best reflect the formatting of the magazine's digital publication. If you are submitting in multiple genres, please send your submissions in separate emails.

Whenever possible, art files should be titled with your last name and the name of the work to avoid confusion. (example: instead of: last_name_527.jpeg” manually name the file LastName_Title.jpeg). All art submissions should be JPGs, JPEGs, or PNGs.

In your submission, please include the following:

Your/Artist Name

Title of work

Medium

If you wish, you may also include a brief statement about your work.

Please note that accepted submissions may be modified to suit the cover layout and design.

Rights

We require First North American Serial Rights. Following publication, all rights revert to the author, but we ask that MudRoom is credited in subsequent reprints. In addition, we reserve the right to edit submissions in accordance with the rules of our style guide.

Call for Submissions: Banshee Press

Submissions are open from 1–31 October 2026 for issue 23 (spring/summer 2027).

Submission Guidelines

Banshee welcomes submissions from both Irish and international writers of any background, including first-time writers. We welcome work from members of groups or communities typically under-represented within literature, whether or not the work addresses this.

All submissions should be previously unpublished.

Our guideline maximum word count for stories and essays is 5000 words. Flash fiction should be under 1000 words, poems no more than 40 lines.

We are happy to read: one story or one essay or two flashes or up to four poems. Please submit in one category only.

Submissions should be in one .doc or .docx attachment. Prose submissions should be double-spaced.

Please include a third-person biography (max 50 words) in the body of your email. If you are sending a prose submission, please note the word count of the piece in the body of the email.

Email to:

subs dot bansheelit at gmail dot com (Change dot to . and at to @ .) 

indicating the category of your submission in the subject line (e.g. Flash/Story/Essay/Poetry).

We are happy to consider simultaneous submissions, but ask that you notify us as soon as your work is accepted elsewhere.

Please note that we cannot offer feedback on unsuccessful submissions.

We believe in paying writers. We can offer contributors a small fee as well as a copy of the journal.

Copyright of the work remains with the writers.

Banshee Press is currently funded by the Arts Council and commits to upholding its Paying the Artist policy.

  • For contributions to Banshee literary journal, we pay: €350 for a story/essay; €120 for flash fiction; €90 per poem. 

  • Banshee Press authors receive advances in the range of €1000–€5000. We hope to increase these rates with future publications.

  • For events, we cover the cost of travel where the writer is travelling outside their county of residence. We also cover accommodation where the length of travel involved and/or the start time of the event necessitates it.

  • We are committed to paying artists within 14 days of work being delivered.

  • We ensure that writers’ copyright is respected, both in terms of moral and economic rights.      

  • We believe in the importance of transparency on matters of pay and working conditions, and that sharing this information publicly is to the benefit of all writers.

Writing Competition: Discover New Art Prize for Poetry and Prose

Discover New Art Prize for Poetry and Prose

Two $25K prizes—one in poetry, one in prose—awarded to exceptional manuscripts-in-progress poised to become significant books. Five finalists in each category also receive $1K awards.

What to submit:

Submit up to fifteen pages of your manuscript for poetry or twenty-five pages for prose.

Submitters whose manuscripts are selected for the second round of review will be asked to submit a personal statement (no more than two pages, double-spaced) detailing how the award will support the completion and eventual publication of the work.
The winners will be selected by a panel of judges for each genre. Each of our judges will provide a statement on the merits of the winning work.

Eligibility:

This award is open to writers who have not published or are not contracted to publish a single-author work of creative poetry or prose with a Big Five publisher (or their imprints) between January 31, 2017 and January 31, 2027.

Guidelines:

  • Submissions will be open from October 1, 2026 - January 31, 2027.
  • The early-bird submission fee is $30 (October 1, 2026 - November 30, 2026).
  • The regular deadline submission fee is $35 (December 1, 2026 - January 31, 2027).
  • Writers from historically marginalized or underrepresented groups are invited to submit for free until we reach fifty submissions in this category. NOTE: We've reached our submission cap.
  • Submissions must be primarily in English.
  • Submissions may be excerpts of novels, memoirs, book-length essays or poems, or collections of poetry or short stories.
  • Multiple and simultaneous submissions are allowed, but each submission must be accompanied by a submission fee.
  • If your manuscript is accepted for publication, or you opt to self-publish before the results are announced, you must withdraw your submission from consideration.
  • Submissions must be from manuscripts not published in full. The submitted excerpt (individual chapters, essays, stories, or poems) may be previously published, provided the entire manuscript has not been.
  • The panel of judges reviews anonymously—please do not include identifying information on your manuscript.
  • No translations, unless translating your own work. Original and translation must both be unpublished.
  • AI-generated or AI-assisted submissions are automatically disqualified. This includes using AI (ChatGPT, Claude, Gemini, or other similar LLMs) to translate your own work.
  • Friends, family, and associates of the judge panel are not eligible for this award.
  • If you submit to the wrong genre, feel free to email us, but don’t worry about editing your submission. We’ll take care of it.

The Judges—Meet the Panel

The winning manuscripts in each category will be chosen by these distinguished poetry and prose judges.

Poetry

Kaveh Akbar's poems appear in the New Yorker, the New York Times, the Paris Review, Best American Poetry, and elsewhere. He is the author of the poetry collections Pilgrim Bell and Calling a Wolf a Wolf, and editor of The Penguin Book of Spiritual Verse. His first novel, Martyr! (2024), was a New York Times bestseller, a National Book Award finalist, and winner of the Brooklyn Public Library Book Prize for Fiction.

Carl Phillips's latest book of poems is Scattered Snows, to the North (2024). His Then the War: And Selected Poems 2007–2020 won the 2023 Pulitzer Prize. Other honors include the Jackson Poetry Prize, the Kingsley Tufts Poetry Award, the LA Times Book Award, and fellowships from the Guggenheim Foundation, the Academy of American Poets, and the Library of Congress. He lives on Cape Cod, in Massachusetts.

Aimee Nezhukumatathil is the New York Times-bestselling author of two illustrated collections of essays, Bite by Bite and World of Wonders. Her honors include fellowships from the National Endowment for the Arts and the Guggenheim Foundation. A professor for over twenty-five years, she serves as a firefly guide for the Mississippi State Parks. Her newest poetry book is Night Owl (Ecco).

Prose

Lauren Groff is the author of eight books, including the National Book Award finalists Fates and Furies, Florida, and Matrix. She lives in Gainesville, Florida, where she and her husband own the independent bookstore The Lynx.

Rebecca Makkai is the author of the New York Times bestselling I Have Some Questions For You as well as four other works of fiction. Her last novel, The Great Believers—one of the New York Times’s Best Books of the 21st Century—was a finalist for both the 2019 Pulitzer Prize and the 2018 National Book Award, and won the ALA Carnegie Medal and the LA Times Book Prize, among other honors. A 2022 Guggenheim Fellow, she teaches graduate fiction writing at Middlebury College, Northwestern University, and the Bennington Writing Seminars, and is Artistic Director of StoryStudio Chicago.

Roxane Gay is a contributing opinion writer for The New York Times and the author of Ayiti, An Untamed State, the New York Times-bestselling Bad Feminist, the nationally bestselling Difficult Women, and the New York Times-bestselling Hunger, as well as World of Wakanda for Marvel. Her writing appears in Best American Short Stories, Best American Mystery Stories, McSweeney's, Tin House, Oxford American, Virginia Quarterly Review, and many others. She also writes the newsletter The Audacity.

Submission Timeline—Key dates:

October 1, 2026–Submissions open

November 30, 2026–Early-bird deadline

January 31, 2027–Final deadline

About Discover New Art

Discover New Art is a literary organization devoted to uplifting the craft and careers of literary writers.

Since 2011, we have published contemporary writing and created opportunities for writers through publication, contests, prizes, and other forms of recognition.

Across our platforms, we offer always-open, always-free submissions alongside competitive prizes judged by accomplished writers and literary professionals.

Our magazines are distinct publications, each with their own editorial identity, aesthetic, and literary focus, connected by a shared commitment to strong writing, thoughtful editorial practice, and meaningful opportunities for writers. Together, they allow Discover New Art to publish a broad range of literary work while preserving the particular character of each magazine.

At the center of Discover New Art is a commitment to both the work and the writer: to publishing literature we believe in, supporting the development of literary craft, and creating opportunities that can contribute to a writer’s career over time.

Submissions must be made through Submittable.

Please contact:

blake@discovernewart.com

with any questions about the Prize.

By submitting to the Discover New Art Prize for Poetry and Prose, submitters agree to receive correspondence about future publications and submission opportunities from Discover New Art and associated magazines. You can easily unsubscribe at any time.

Submit your entry here. 

Writing Competition: Cider Press Review Book Award

The annual Cider Press Review Book Award offers a $1,500 prize, publication, and 25 author’s copies of a book length collection of poetry. Author receives a standard publishing contract. Initial print run is not less than 1,000 copies.

Our submission dates have recently changed. Cider Press accepts submissions for the Book Award between August 1 and October 30 annually. Submit 48-80 pages of original poetry in English not previously published in book form (individual poems may have been previously published in journals, anthologies, and chapbooks). We do not accept submissions created by or with the assistance of artificial intelligence (AI).

$28 entry fee required. BY SUBMITTING A MANUSCRIPT TO THE CIDER PRESS REVIEW BOOK AWARD AND REMITTING ENTRY FEE, THE AUTHOR AGREES TO BE BOUND BY OUR TERMS AND CONDITIONS.

Submit your entry here. 

Call for Submissions: Cleaver Magazine

We review submissions only through Subfolio, our online portal. We are not able to consider work sent to us through postal mail or email.

We are happy to read simultaneous submissions, with immediate notification if work is accepted elsewhere. Previously published work is not considered, although we will sometimes consider work previously shared on personal blogs. Translations are welcome with permission of the original author, or for works in the common domain.

If the $5 submission fee presents any kind of hardship, please email us at:

editor@cleavermagazine.com,

tell us the genre category you’d like to submit in, and we will send you a no-fee submission link. No questions asked, no explanation necessary.

If you have a submission still in the queue and have not heard back from us, assume it has been held over for consideration for another issue.

If you have a question for an editor you’re working with, please message them directly through Subfolio.

If you previously submitted to Cleaver through Submittable, your submission and submission history have been moved to Subfolio. Please make a new, free account using the same email address, and you’ll be able to see your in-progress submissions as well as any archived submissions.

For inquiries, thwack us an email:

editor@cleavermagazine.com

Book Reviews and Newsletter Submissions

Cleaver reviews books that have been recently published (within the past year or two) by small and indie presses, including shorter works such as poetry chapbooks and novellas. If you’re a reviewer interested in writing for Cleaver, if you’ve written a review you’d like us to consider, or if you’re an author, publisher, or publicist, please email:

Autumn Konopka directly 

with your query.

Note: If you previously queried via our submission forms, you are welcome to follow up with a direct email.

A TIP FROM OUR EDITORS
The most successful pitches are those that make a direct, specific connection between the proposed work/author and Cleaver.Why is the particular book or author relevant for us and our readers?
How does it relate to our mission, the work we publish in our magazine, the kinds of books we review, or the authors we interview/feature?
And/or how does it relate to our interests and experience as readers and editors?
Finally, if you’re a past Cleaver contributor, make sure you let us know.

Autumn Konopka, Senior Editor (she/her)
Joy Manning, Editor (she/her)

Craft Essay Submissions

Cleaver publishes craft essays on writerly topics. If you are a poet, fiction writer, essayist, or graphic narrative artist and would like to propose a craft essay, contact the editors with a query before submitting.

A TIP FROM OUR EDITORS
Offer a reaction to or exploration of one’s personal experience as a prose writer/artist/creative; pieces that delve into something you’ve either found compelling, learned along the way, figured out, gotten obsessed with, found surprising, and want to share with other writers. Quirky is okay. Nothing too scholarly/academic/ pedagogical. Aim for between 800 and 2000 words. Please first take a look at what we’ve published before here.

—Lisa Romeo, Prose Craft Essays Editor

For Poetry Craft Essays, contact Mark Danowsky.

Please note: Cleaver welcomes diverse human voices, but we do not consider AI-generated or AI-assisted work.

Call for Submissions: F(r)iction

Thank you for your interest in submitting to F(r)iction!

Categories Accepted

  • Short stories: 1,001 – 7,500 words
  • Creative nonfiction: up to 6,500 words
  • Flash fiction: (up to three pieces in the same document) up to 1,000 words per piece
  • Poetry: (up to five poems in the same document) up the three pages per poem

Please visit our guidelines page to properly format your work for submission.

What We Look For in Submissions

Our editors have drafted up this fantastic page on our website to share what we look for in our submissions. We strongly recommend you read this and check out the examples before submitting to get an idea of our general publishing aesthetic.

We also highly recommend checking out a past issue of F(r)iction. We have several pieces available online, but there’s nothing like holding a glossy, full-color issue in your hands. You can check out all of our issues in our shop.

Our Submission Guidelines

We accept work, written in English, from anywhere in the world—regardless of genre, style, or origin—and welcome speculative writing and experimental literature.

We read all submissions anonymously. Please include your name and contact information in your cover letter only and remove any identifying information from both the submitted manuscript and the file name as well.

We accept, and encourage, simultaneous submissions and only ask that you withdraw your piece(s) using Submittable upon acceptance elsewhere.

There is a small reading fee for general F(r)iction submissions ($2.50), but authors accepted will be awarded payment for their work. Our staff is almost entirely comprised of volunteers, so this fee goes toward paying all the contributors who are printed in our beautiful pages. F(r)iction pays contributors $25 per final printed page, plus two contributor copies.

We edit every piece accepted for publication; for this collaborative process we will pair you with one of our Senior Editors. All our editors have been trained to help guide the development of each piece to reach its fullest potential in keeping with the author’s vision. This does not mean we will take on a wild jumble of words and half-formed musings. But it does mean that we value your work and want to help each piece to be as unforgettable as possible.

We respond to every submission as quickly as possible, usually within one or two months.

Submit your work here. 

Saturday, October 3, 2026

Call for Submissions: The Turning Leaf Journal

The Turning Leaf Journal

SUBMISSIONS ARE OPEN!

Review our guidelines below. General submissions are free.

Submissions close December 1.

What We Publish

The Turning Leaf Journal is founded upon the message of change. We want essays, poetry, and hybrid works that explore the turning over of a new leaf through life’s entrances, exits, seasons, formation, and destruction. What happened when you left the religion you grew up in? When you broke generational tradition? When you confronted addiction? When your human rights are under attack? Embrace the uncomfortable and send us the work that was written with tears and through gritted teeth.

We are also looking for art submissions, to be paired with our written publications. We are interested in art that evokes strong emotional reactions through landscapes, collages, sketches, still life, and abstracts. Please view our previous issues and instagram account to get a better sense of our visual aesthetic.

How to Submit

Email submissions to:

theturningleafjournal@gmail.com

with the following subject line adjusted to your submission: [Genre]–[Your Name]. Example: CNF–Jane Doe

Alternatively, send a Tip Jar submission through Duosuma. Your donations help us afford our current operational costs, and will be put towards our long term goal of creating print issues. Tip Jar submissions do not influence our decision nor do they guarantee publication. Name your submission file “[Genre]—[Your Name],” same as your email subject line.

Send only one submission per genre per submission period. You may submit work for each genre during the same period.

Simultaneous submissions are allowed. If your work is accepted elsewhere, notify us via email as soon as possible so we can celebrate your success and withdraw your submission.

We do not accept previously published material. Work posted on personal blogs and social media is okay.

We do not consider work created in full or in part by artificial intelligence (AI).

If you submit derivative work (ekphrastic, found/blackout, works written “after” some existing inspiration), please include a link or copy of the source material.

We may reject submissions that do not follow the guidelines as outlined.

Questions are always welcome! Please email them to us at:

theturningleafjournal@gmail.com

More information here.

Call for Submissions: Pangyrus Literary Magazine

Pangyrus Literary Magazine 

We are open for submissions for two reading periods a year:

Feb. 15 to April 15

Sept. 15 to Nov. 15

WHO WE ARE

Pangyrus literary magazine is dedicated to making unexpected connections across a wide range of ideas, arts, genres, and geographies. Our name combines Pangea (the world continent) and gyrus (the folds on the cerebral cortex of the brain), with a deliberate echo of “papyrus.” We engage with political and social issues, but edit for writing that will stand the test of time.

We publish a mix of opinion pieces and reviews, poetry, comics and visual art, memoir and fiction, twice a week online, and twice a year in print.

We're looking for work with a strong point of view that takes us into surprising spaces.

CATEGORIES

For the categories, please see below. If there is a link, then that category is open for submissions.

Fiction
Poetry
Nonfiction — Including our special categories of Zest! (food writing) & Generations (family).
Comics and Art
By Prior Arrangement (only open to use if you have permission from an editor; tell us who has referred you, please)

WHERE WE PUBLISH

This is a general call for work, with no limit as to subject, and we are proud to feature all accepted work on our website, pangyrus.com. In addition, we select some work to feature in our annual print anthology. Our 15th print issue (2027) has as its theme UNDERCURRENTS. We’re looking for fiction, nonfiction, memoir, graphic work, and poetry that cracks open the surface and gives us a glimpse of the unseen forces — emotional, historical, interpersonal, demiurgic — at work.

WHAT TO EXPECT

We accept simultaneous submissions, asking that you notify us immediately if a work is accepted elsewhere.

We pay all our authors, with a current rate of $30 per accepted piece. (We only use PayPal for payments.) All accepted work will appear online. Selected work will also appear in our print editions. Upon acceptance of your work, we send a contract.

All submitted work must be wholly original and previously unpublished. We do not accept work created with AI software. Please DO NOT send revisions of your work after you've submitted it.

All messages from Pangyrus about your submissions will come to you via Submittable. Please make sure they aren't going into your spam folder. Here's what Submittable suggests:

https://submittable.help/en/articles/3221476-how-can-i-safelist-notification-emails-from-submittable

Thank you for submitting!

Submit your work here. 

Call for Submissions: Magpie Zine

Magpie Zine latest issue 

Fiction, nonfiction, poetry, book reports, experimental/unclassifiable, and visual art—artwork, photography, collage, comics.

The prose word limit is 3000. For poetry, submit 1-3 pieces. For visual art, submit 2-8 pieces. We strongly favor work with depth and unique insight that explores the human condition and leans toward unusual, possibly urgent, and slightly unhinged. Life is absurd, and we like being moved in unexpected ways by its absurdity. Unsettle us. Charm us. Send us something entirely YOU. To make sure we’re a good fit for each other, view our issues. All content is free. For humor, we’re currently accepting delightful middle school book reports.

We publish a bound, online issue (no paywall) and feature individual contributor pages.

We only accept submissions through Submittable, and submissions are generally open unless we’re between issues or have reached our capacity, emotionally and Submittably. Note: Poetry subs tend to fill quickly. If you don’t see an option to submit poetry, poetry submissions have closed for that reading period.

We don’t charge a submission/reading fee for general submissions. Please only submit to one category per reading period. Multiple submissions will be declined.

Magpie is a paying market. For Issue Six, we are able to pay a small $15 honorarium per published written piece and $20 for art portfolios.

Submissions must be previously unpublished, original, and from the original creator. (Sharing on your personal social media or personal blog is fine. We don’t consider this a publication.) For artwork, it should not have been previously published online or in a major print publication. We only accept work created by corporeal human beings.

Our current response time is about 4.5 months. Each editor reads every submission in their genre, so sometimes hearing from us can take a little longer. We only read for one issue at a time.

Your work belongs to you.

We will publish, lovingly promote, and maintain a copy online. If your submission is later published elsewhere, please mention its home on Magpie Zine.

p.s.

Our list of absolutely nots:

Racist, queerphobic, transphobic, misogynistic, xenophobic, fascist, exploitative, ableist, or appropriation of experiences and communities that aren’t your own. We also refrain from publishing creators whose work may not espouse these views, but who personally do.

We do not, never ever, no way at all, want AI-created work. Do not send us that unoriginal bologna. “AI” literally has the word “artificial” in it. Artificial anything is in direct opposition to everything we value, support, and try to represent.

We reserve the right to remove your work from our site without notice if we become aware of cringey behavior, plagiarism, or other issues not enumerated here.

If we have already published your work, please wait three issues before sending us more.

If a piece was previously declined, please do not resubmit it unless encouraged to do so.

Submit your work here. 

Deadline: Dec. 31, 2026 

Call for Submissions: Blue Earth Review



Blue Earth Review is looking for ambitious and exuberant works of short fiction, essay, memoir, poetry, and visual art that offer insights, complicates existing conversations, and enriches our understanding of what it means to be human in this increasingly diverse world. We gravitate towards small, focused works in which every word matters. We currently publish twice a year in the fall and spring.

We accept all voices, and do not discriminate based on race, ancestry, disability, gender identity, national origin, religion, or sexual orientation. Our mission is to create a collection of artistic works that celebrate the uniqueness of the world told through characters, verse, and artists—compacted into our square magazine.

We read general submissions for all genres year-round. For contest submissions, we read all genres during and up to a month after the contest period. Simultaneous submissions are accepted. We ask that writers notify us immediately if the work is accepted elsewhere.

At this time, we do not accept AI-generated works.

Please submit using our Submittable page at: blueearthreview.submittable.com/submit. We recognize and understand that this excludes individuals who do not have access to the internet, and we’re working on ways to allow these individuals to submit to us in the future. At this time, we do not accept emailed or mailed works.

Please adhere to our submission guidelines

Fiction: Our unique square format fairs best with shorter pieces that reflect our mission of dramatic impact in a small size. We welcome all genres, including literary, sci-fi, fantasy, horror, surrealist, magical realism, and any others, or blend of others.

Please provide a title and artistic statement for your story when submitting. Please only submit one story at a time. Submissions are capped at 4,000 words. Pieces longer than 4,000 words will not be considered.

Creative Nonfiction: Blue Earth Review is most interested in essays that are under 3,000 words. We love nonfiction that works on more than just a narrative level. Surprise us with metaphor and layers of meaning. We are interested in creative nonfiction (memoir and personal essay) with contemporary themes. No literary criticism. We can’t wait to read your work!

Please provide a title and artistic statement for your piece when submitting. Please only submit one piece at a time.

Poetry: We consider poetry in any style. Please limit poetry submissions to no more than five poems or 10 pages at a time and place all poems in a single submission. Please provide a title and artistic statement for your collection when submitting. Please only submit one collection at a time.

Visual Art: We publish full-color reproductions of a wide range of artwork: paintings, photography, woodcuts, ink drawings, sculpture, and more. Generally, we feature one work on the front cover plus an interior layout of several additional works and an artist bio and statement. Our preference is for groupings that display an engaging variety within some overall thematic unity, which highlights originality, the artist’s individuality, mastery of medium, and technical virtuosity. We publish in a small, square, focused format, so we gravitate towards works which transfer well to this size and elicit a strong, immediate reaction. Submissions must include at least nine and up to sixteen related images. You may submit up to twice a year.

Editors reserve the right to select published pieces and disqualify pieces that don’t meet our guidelines, our mission, or our commitment to diversity and equity.

If your work is accepted, Blue Earth Review assumes First North American Serial Rights. The author retains all other rights. If your work is accepted, you will be paid with 2 contributor’s copies.

*Due to the high volume of work we receive, our editors are currently working backlogs of submissions. Our staff is composed entirely of volunteers, so we do acknowledge that the time between submission and decision can be long. Rest assured that we are always working to shorten this gap.

Call for Submissions: The Fiddlehead

The cover of Issue 308 which features the artwork "Self-portrait in Bed" by Stephanie Weirathmueller

The Fiddlehead's regular submission period via Submittable is now open. Our reading periods are January 1 - January 31 and September 15 - October 15.

As of 2026, The Fiddlehead requires a $5 USD fee on all international submissions. This policy does not apply to Canadian citizens living abroad.

We accept poetry, fiction, and creative nonfiction. Due to overwhelming submission volume, once your work has been submitted, we cannot process substitutions or modifications. Mailed submissions in any category are accepted and considered throughout the year.

The Fiddlehead is open to good writing in English or translations into English from all over the world and in a variety of styles, including experimental genres. Our editors are always happy to see new unsolicited works in fiction, including excerpts from novels, creative nonfiction, and poetry. We also publish reviews, and occasionally other selected creative work such as excerpts from plays. Work is read on an ongoing basis; the acceptance rate is around 1-2% (we are, however, famous for our rejection notes!). Apart from our annual contest, we have no deadlines for submissions.

We particularly welcome submissions from Indigenous writers, writers of colour, writers with disabilities, 2SLGBTQIA+ writers, and writers from other intersectional and under-represented communities. If you are comfortable identifying yourself as one or more of the above, please feel free to mention this in your cover letter.

The Fiddlehead does not publish work that is ableist, misogynistic, queer-phobic, or racist. Strong writing treats identity categories with nuance.

In solidarity with authors whose work has been used to develop LLMs without permission or payment, The Fiddlehead will not consider submissions that have been AI-generated or have been developed using AI as a tool.

If you are serious about submitting to The Fiddlehead, you should read an issue or two to get a sense of the journal. Consider subscribing or contact us to order sample back issues ($12 or $18 for Summer Issues, plus postage).

General Guidelines for Unsolicited Submissions• Pay is $65 CAD per published page, plus two complimentary copies of the issue with your work. Contributors may purchase additional copies of an issue at a discount.

• The Fiddlehead buys first serials rights; copyright is retained by the author at all times, and authors are free to resell the work, though we do ask for a 90-day exclusive from our first publication of the work.

• Writers may only submit once per calendar year per genre. (This does not include our contests).

• Please wait for an editorial response before submitting again. We try our best to respond in a timely matter, but due to volume of submissions, a response may take 6 months or more. Please wait 6 months before querying.

• We only consider unpublished work. Please do not submit work that has been previously published or accepted for publication, including in anthologies, chapbooks, blogs, Facebook pages, or online journals.

• For online submissions, please submit one file containing your creative work (.doc, .docx, or .pdf). Log back in any time to check the status of your submission.

• For hard copy, mailed submissions, all submissions should be typed/word-processed, spell-checked, and paginated. Please use white paper, print on one side only, and put your name on every page of your submission.

• In Submittable, please copy and paste your cover letter and biographical statement in the appropriate fields.

• Tell us in your cover letter whether your submission is exclusive to The Fiddlehead or whether you have submitted it to other magazines simultaneously. If another magazine accepts your work for publication that you have also submitted to us, then please advise us immediately.

Submit your work here.

Call for Submissions on Theme of "First Light": Desert Luz

Desert Luz is a bilingual arts and culture journal rooted in the Sonoran Desert and the US-Mexico borderlands. We publish poetry, essays, fiction, creative nonfiction, photography, and visual art that illuminate the living world of this region - its landscapes, its people, its silences, and its crossings. We are a publication of Luminental, a nonprofit arts organization based in Tucson, Arizona.

We believe that art from this region deserves to be paid for, held carefully, and given room to breathe.

Who we are looking for

We welcome submissions from writers, poets, photographers, and visual artists whose work is rooted in or deeply engaged with the Sonoran Desert, southern Arizona, and the US-Mexico border region. We publish work in English and Spanish. Bilingual and code-switching work is especially welcome.

Desert Luz is also seeking freelance writers and visual storytellers - in English, Spanish, or both - to create celebratory, illuminating prose and photography rooted in the arts and culture of the Sonoran Desert and the US-Mexico borderlands.

Desert Luz is a paying market. We are committed to compensating all contributors fairly.

Submission Guidelines

Reading Periods: 10/1/2026 - 11/15/26

March 2027 Editorial Theme: First Light/Primera Luz

This season, we're seeking work that explores beginnings, emergence, and the quiet moments that bring us into the light. Like the desert at dawn, every story begins with a first light.

Simultaneous submissions: Accepted. Please notify us immediately if your work is accepted elsewhere.

Previously published work: We accept previously published work only in exceptional cases. Please query before submitting.

Response time: Every submission receives thoughtful consideration. We aim to respond to all submissions, whether accepted or declined, within 60 days.

What We Publish

Poetry Up to 3 poems per submission. Any length. We value compression, image, and breath. If the silence in your poem is doing work, we want to read it.

Essays, Fiction and Creative Nonfiction Up to 5,000 words. Memoir, lyric essay, hybrid forms, and reported work are all welcome. We are drawn to writing that resists easy resolution.

Photography Single images or photo essays. We accept both color and black-and-white. Submit high-resolution files (300 dpi minimum) as TIFF or JPEG. Include a brief caption and a note on rights.

Visual Art Paintings, drawings, prints, mixed media, and digital work. Submit high-resolution files (300 dpi minimum). We are particularly interested in work that responds to the light, scale, and ecology of the desert Southwest.

Cover Art We accept cover art submissions on a rolling basis. Please query with samples before submitting.

Honoraria

In addition to the honoraria listed below, published contributors will receive two complimentary copies of the edition of Desert Luz in which their work appears.

Reported Features (2,500-4,000 words)
$400 flat


Interviews/Profiles (1,500-2,500 words)
$300 flat

Arts & Culture Commentary / Short Essays (up to 1,500 words)
$200 flat

Arts & Culture Reviews/Criticism (up to 1,000 Words)
$150 flat

Cover Art or Photography
$250 per image


Visual Art (interior)
$100 per piece

Photo Essay (3–6 images)
$200 flat


Photography (single image)
$100 per image


Essays, Fiction & CNF
$100 per piece

Poetry
$50 Per Poem

Payment is made via [PayPal / check / Venmo - TBD] within 30 days of publication.

A Note on Language

Desert Luz is a bilingual journal. Work submitted in Spanish will be reviewed by our consulting reader. We do not require writers to provide their own translations. If you would like your work to appear in both languages, please note that in your cover letter and we will discuss options with you directly.

Rights

We acquire first publication rights (print and digital) for the issue in which your work appears. All other rights remain with you. We ask that you credit Desert Luz in any subsequent publication of the work.

Submit your work here.

Call for Submissions: Brevity

Brevity latest issue 

Brevity publishes well-known and emerging writers working in the extremely brief (750 words or fewer) essay form. We have featured work from Pulitzer prize winners, NEA fellows, Pushcart winners, Best American authors, and writers from India, Egypt, The Netherlands, Ireland, Spain, Malaysia, Qatar, and Japan. We have also featured  many previously-unpublished authors, and take a special joy in helping to launch a new literary career. Over the past year Brevity has averaged more than 10,000 unique visitors per month.

Authors are paid a $45 honorarium for featured essays (via PayPal).  

If you would like to hear our founding editor Dinty W. Moore discuss his ideas on what makes flash nonfiction successful, you can access this interview from the River Teeth blog. or this post from the Brevity Blog.

We prefer that submissions should be formatted as seen here (single space, no indentation, one extra space between paragraphs) unless alternate formatting is a specific design element of the essay.

Brevity does not accept submissions of AI-generated work, which includes writing that was partially created with or assisted by LLM technology. If an AI submission is identified, it will be rejected. We also reserve the right to withdraw acceptances from any work found to be AI-generated, even after publication.

Submit your work here. 

Writing Competition: Leonard Cohen Poetry Prize on Theme of "Love, Faith, & Sex"

$3500 LEONARD COHEN POETRY PRIZE

$1000 — 1 Winner

$250 x 10 Finalists

THEME: LOVE, FAITH, & SEX

Submission Period: September 21 - November 7
Results Announced: January
Winners Published: February

SUBMISSION GUIDELINES

  • Send us up to 3 pages of poetry.
  • Each poem starts on a new page.
  • In the spirit of Leonard Cohen, we ask that your poems deal in some way with the intersections of Love, Faith, & Sex.
  • Open to anyone writing in English, anywhere in the world (with a special encouragement to poets submitting from outside North America).
  • We only accept previously unpublished work. Self-published pieces (blogs, social media, personal sites) are welcome, but poems published in journals, anthologies, or books are not eligible.
  • Please withdraw your poems if they get accepted elsewhere.
  • We love reading cover letters. You’re welcome to share your love for Leonard Cohen, or your publication history, if any, though these are read only after the decisions are made and do not influence the outcome. Please make sure that the document of your poems is stripped of any biographical information—use the cover letter field on the submission form for this.
  • Submission Fee: $22
  • Each submission comes with a three-month ONLY POEMS Membership. We want every poet who submits to our prizes to receive more than just a contest entry.
  • Still, if the fee is a barrier to you, please refer to our waiver policy here.
  • Judging process: Each submission is read by at least 3 readers. The ones that move to the next round are read by 5 more readers. Longlist is read by our full team of 35+ readers and Editors. Shortlist is discussed by the Editors. Final decisions for the winner & finalists are made by the Editor-in-Chief, Karan Kapoor.
  • Judging criteria: In evaluating submissions, we look for originality, emotional intensity, musicality of language, and a deep engagement with the themes of Love, Faith, and Sex.
  • Timeline: We respond to everyone before the end of this January. Winner, Finalists, and Honorable Mentions are announced and published in February.

Submit your entry here.

Saturday, September 26, 2026

Writing Competition: The Masters Review Novel Excerpt Contest

The Masters Review latest issue 

The Novel Excerpt Contest quickly became one of our favorite contests, so of course it’s returning for the sixth consecutive year. Writing a novel is tough work, and we want to encourage everyone who’s undertaking this arduous journey to share their most exciting excerpts. We’re looking for resonant narratives, memorable characters, a voice that’s uniquely yours. We’re looking for excerpts that stand alone, that do not require a synopsis for understanding. Most importantly, we’re looking for excerpts that grab us from the get-go and refuse to let go. As always, we have no limitations on genre, though we are primarily interested in literary fiction. 

Submissions for the Novel Excerpt Contest will open on September 1 and close on November 8, 2026.

This year’s guest judge: Chinelo Okparanta, author of Under the Udala Tree, the forthcoming This Impossible Life, and more! Okparanta will select three finalists from a shortlist provided by The Masters Review’s editorial staff. 

The winning excerpt will be awarded $3,000; online publication; and an hour-long consultation with Marin Takikawa, a literary agent with The Friedrich Agency. Second- and third-place excerpts will be awarded online publication and $300 and $200 respectively, in addition to written feedback from Takikawa.

Submission Guidelines

  • The winner receives $3,000; online publication; and a consultation with Marin Takikawa, a literary agent with The Friedrich Agency.
  • The second- and third-place finalists receive cash prizes ($300/$200), online publication, and agent feedback.
  • Submitted excerpts must be under 6,000 words.
  • Submitted work must be previously unpublished. This includes personal blogs, social media accounts, and other websites. Previously published excerpts will be automatically disqualified.
  • Simultaneous and multiple submissions are allowed, though each submission requires a $20 entry fee.
  • Writers from historically marginalized or underrepresented groups are invited to submit for free until we reach fifty submissions in this category. NOTE: Submission cap has been met.
  • If your excerpt is accepted or contracted elsewhere, please withdraw your submission on Submittable, or contact us otherwise to let us know the piece is no longer available.
  • We do not require anonymous submissions for this contest, but the judge will review the shortlist anonymously.
  • This contest is for emerging writers only. Writers with single-author book-length work published or under contract with a major press are ineligible. We are interested in providing a platform to new writers; authors with books published by indie presses are welcome to submit unpublished work, as are self-published authors.
  • International submissions are allowed, provided the work is written primarily in English.
  • No translations, please.
  • All submissions must be double-spaced with one-inch page margins and use 12pt Times New Roman or Garamond font.
  • Excerpts from novels under contract for 2026 or 2027 are ineligible, but novels under contract from 2028 and beyond are eligible.
  • The contest’s deadline is 11:59pm PST on Sunday, November 8, 2026.
  • All entries are also considered for publication in New Voices.
  • Every submission will receive a response by the end of March 2027. The winners will be announced in May 2027.
  • AI-generated or -assisted submissions will be automatically disqualified.
  • Friends, family, and associates of the guest judge are not eligible for this award, nor are past winners of the Novel Excerpt Contest.
Submit your entry here. 

Call for Submissions: The Dodge

Submission Guidelines

The Dodge seeks fiction, creative nonfiction, poetry, visual art, and translation focused on place and environment. We’re excited by a wide range of forms and approaches, including hybrid and experimental work. We especially seek creative works that imagine a just future for the planet, and among other things, we’re interested in broadening the scope of stories, poems, and essays about nature, animals, and nonhuman life; we hope to see translations across borders, time, and space.

Given our focus on environmental justice, we’re eager to champion emerging and marginalized voices underrepresented in magazine publishing and eco-writing, including writers and artists who are Black, Indigenous, people of color, people who are trans, gender-nonconforming, and LGBTQIA+, people with disabilities, women, and others.

A note on writing about animals: We receive a lot of work focused on dogs, cats, and charismatic megafauna. Obviously, these nonhuman animals are important in our human lives, and people write great things about them, many of which we’ve published. But we’re really excited to read about other less explicable creatures as well. Eco-writing as we see it can include minerals, fungi, forests, insects, fire, etc.

Cover Letters

We encourage you to include a short cover letter with your submission with a brief biographical statement (50-200 words). If your submission is selected for publication, your bio will appear beneath your piece on our website. In your cover letter, please also let us know if you have an association with one of our editors, have corresponded with us, or have been previously published in The Dodge. Cover letters are optional for all genres except translation and visual art.

Manuscript Guidelines & Formatting

  • Up to 7000 words prose, typed, double-spaced. For fiction and nonfiction, please send a single longer piece or no more than three flash pieces (under 1000 words each) at a time.
  • Poetry: Up to five poems in one document. Single-space poetry is fine.
  • Translations: up 7000 words prose, typed, double-spaced, or up to eight poems in one document. (Poems can be single-spaced.)
  • Visual Art: Submit up to five pieces of visual art.

Please include content notes for any material in your submission for which you think readers may appreciate advance notice. Examples include: violence, sexual assault, racism, suicide, self-harm.

Mail Submissions. We take submissions online through our Submittable.

We only accept hard copy submissions from incarcerated writers and those with accessibility needs:

The Dodge, Dept. of English
The College of Wooster
1189 Beall Ave
Wooster, OH 44691  

Simultaneous Submissions. We accept simultaneous submissions, but please withdraw your piece on Submittable promptly if it is accepted elsewhere. (Exceptions may apply to visual art submissions; please contact us at:

editors@thedodgemag.com 

with your questions.) If you have submitted multiple works, send a Submittable message to tell us which works you must withdraw. We do not publish previously published work at this time.

Response Times. We aim to respond within six months. If you have not heard from us after six months, feel free to reach out. Once you have submitted work, please wait to receive a response from our editors on that submission before submitting again. Please limit your submissions to once or twice a year. If your work has been published in The Dodge, we ask that you wait twelve months from your date of publication to submit again.

Restrictions. Submissions that do not relate to the magazine’s eco themes will be declined. Readers and editors of the magazine may not submit work, and we do not consider work from the College of Wooster faculty and staff.

We do not consider submissions created with the assistance of generative AI. In our Submittable portal, submitters will be prompted to affirm that no generative AI tools were used in the creation of their work.

Deadline: Dec. 1, 2026

Call for Submissions: Whisk(e)y Tit Journal

Whisk(e)y Tit Journal

We like: Weird, devious, melancholy, smart, experimental, and playful. We aim: To publish diverse voices. To publish work that responds to the mad world around us. To publish work that’s literary, but not your usual literary fare, including SF, Horror and intelligent fantasy for adults. We dislike: Bigotry, monotony, and people who don’t read the submission guidelines. Failure to follow the guidelines is instant rejection.

We accept submissions through: Submittable. Simultaneous submissions are fine. Please let us know if work is accepted elsewhere. We retain: First North American Serial Rights. You can read more about what that means here. Only submit once per cycle. If accepted, wait one year to submit again. Please include a short bio of less than 100 words.

Manuscript: all submissions in 12pt Times New Roman, title and author’s name on every page; paginated; no space between paragraphs; standard margins; name, contact info and title on first page. Please proofread your work carefully.

Send us:

  • Fiction (any genre, including literary, up to 5,000 words)
  • Flash fiction (up to 600 words each—up to four flash pieces in a single submission)
  • Non-fiction/memoir up to 5,000 words (travel, serious non-fiction especially; no political screeds or moronic manifestos)
  • We accept one book review or author review per issue, especially about an author you love. No academic analyses. Book reviews should be under 2,000 words; author reviews up to 5,000
  • Poetry: any kind at all (up to four poems)
  • Hybrid genre pieces are welcome

We’ll respond within two months. If you haven’t heard from us after that time, please query.

Deadline: Nov. 1, 2026 

Submit your work here. 

Call for Submissions on Theme of "Love": Neon & Smoke

The cover of September Smoke: a vivid watercolour of a human skull and spine in profile, painted in bright greens, blues, purples and oranges on a pale ground, beneath the Neon & Smoke masthead. 

Annual Love Issue

Opens soon

Oct 1 – Oct 30, 2026

This call is for all our hopeless romantics. The ones who believe love can arrive in a moment and, quite frankly, those who say fuck love.
We call those folks hopelessly unromantic.
You're invited too.

We want the bliss and the heartache.
We want the erotic and the intellectual.
We want the love that saves us and the love we probably should have left alone.

We don't want black-and-white love. We want love that sits in gray. We want messy, complicated shades, and absolutely Black love.

Tell us about when the gay became straight and the straight became gay. Tell us about the ten men who boarded a rocket ship only to discover there are no women on Venus.

Give us strange love.
Give us bad luck.
Give us love that makes us cry.
Just give us love—however you understand it.

PS. We interpret love broadly. Romantic, platonic, familial, sexual, obsessive, lost, found, regretted, imagined... we could go on.

Genres

Fiction & Poetry

Publication: February 2027

What We’re Looking For

Neon & Smoke is a home for bold fiction. We’re especially drawn to: Stories that move. Not just emotionally, but narratively. Give us stakes. Give us story.

Stories that mean. The kind where a sentence lands and you need to sit with it for a second.

Stories that sound. Bold voices. Quiet voices with teeth. Characters who command attention.

Stories that blend. They might wear the clothes of genre—revenge, horror, speculative—but underneath, they’re about something deeper: grief, identity, morality, transformation.

Fresh perspectives. We elevate marginalized voices, including BIPOC, LGBTQ+, and incarcerated writers—but we welcome all voices.

Unforgettable characters. Give us flawed humans (or monsters) navigating strange, beautiful, or broken worlds.

Emotional resonance. We love stories that linger—whether from laughter, heartbreak, terror, or awe.

Emotional range. Give us sorrow and joy. Stillness and chaos. Anger, love, weirdness, release. We want fiction that reflects the full spectrum of being alive.

Clarity with depth. We value accessibility. You don’t need to write for a panel of editors. Write for the reader who feels it in their chest. 

What We’re Not Looking For

Fiction that relies on harmful stereotypes or gratuitous violence without narrative or emotional purpose

Work so abstract or insular that it leaves readers adrift—if the meaning is buried under a dozen metaphors and only visible to the writer or a lit journal editor, it’s probably not for us.

Stories that dwell in a single emotional register without transformation. We've read enough grief without movement, rage without reflection, or sorrow without spark.

Rights

For accepted work, we request First North American Serial Rights
First Online Rights

All rights revert to the author or artist upon publication. We ask for credit as the original publisher if the work appears elsewhere in the future.

We pay a flat rate for accepted fiction; poetry is unpaid.

How to Submit

  • Submit your work through our online portal: Duotrope.
  • Include a brief cover letter (no bio required unless you'd like to include one).
  • Expect a response in 6–8 weeks, unless you’ve selected expedited review.
  • We evaluate submissions holistically based on character depth, plot, pacing, genre fusion, voice, and impact.
  • We can’t wait to read what you’ve been working on.
  • Check out our stories to see what we like, and then bring us your best misfits.
  • Because we are Neon & Smoke, half-genre/always lit.

Expect a response in 6–8 weeks, unless you’ve selected expedited review. Submissions go through our Duotrope listing.

Call for Submissions: The Offing Magazine

 The Offing latest issue

The Offing Magazine

Thanks so much for your interest, and we look forward to reading your work. Please be familiar with the magazine and our mission before you submit.

For 2026, there will be no submission fees thanks to our generous donors.

In your cover letter, we encourage you to include information that you would like us to know, such as whether, if we choose to publish it, this submission will be your first publication.

***If a department is not listed below, that means it is not currently accepting submissions.***

Please DO NOT email any submissions. We will not accept any submissions via email, only those sent through this portal.

Just a few additional things:

Upon publication, contributors will be paid a $25–$100 fee, depending on department and number/length of works published. 

All pieces should be original, and previously unpublished in any format in English.

We acquire first serial rights worldwide in English and non-exclusive anthology rights.

Simultaneous submissions are accepted; please be sure to withdraw your piece promptly if it’s accepted elsewhere.

Please don't send more than one submission per department; wait until your work is accepted or declined before submitting again.

We'll do our utmost to respond within six months, but due to the volume of submissions we receive, and the careful & collaborative nature of our review process, that may not always be possible. Thank you for your patience.

If you have any questions regarding your submission or our submissions process, please contact us at:

info@theoffingmag.com

However, please do NOT email any submissions, as they will not be considered via email, only through our submission links.

As a journal that publishes literature and art, we want to allow writers and artists to explore and critique AI explicitly. Therefore, any submitted piece created using AI must do so as part of an intentional engagement with or critique of AI and must be accompanied by or marked with explicit denotation of where and how AI was used in the piece. Otherwise, we will not generally accept AI-assisted work (including assistance for editing or “reader feedback”), unless the assistance is used due to a disability. If you submit work using this assistance, please state so explicitly in your cover letter. Any piece found to otherwise use AI without our knowledge is subject to automatic rejection or removal from The Offing.

We would like to be up front about a contributor's rights in the event that they are published at The Offing. Here is the relevant portion of the contract:

"In consideration of the above-described Work, the Contributor identified above grants to The Offing (“Publisher”) the following rights to the Work: (a) for the website, theoffingmag.com, and as a part of the archives of The Offing and (b) the non-exclusive right for use and re-use of the Contributor’s name, image, and biographical data in advertising and promotion of all Publisher’s publications in all media. Except as above, Contributor retains all other rights.

Contributor represents and warrants that (a) the Work is the Author’s original work; (b) the Work is accurate and factually correct, (c) he/she has full power to make this grant of rights, (d) that the Work contains no matter which infringes copyright, trademark or other rights, is defamatory or otherwise unlawful, invades the right of privacy or publicity, or which infringes any other proprietary right of any third parties; (e) the Work has not been previously published in English by Contributor or any third parties, except in such cases as are previously agreed to in writing by Publisher and Contributor; and (f) if the consent and permission of any third parties are required for the use of the Work described above, including persons depicted in the Work, Contributor has obtained such consent and permission in writing and will submit copies to Publisher on delivery of the Work. Contributor agrees to cite The Offing as the source of original publication if Contributor licenses the use of the Work to other publishers or publications in any media."

Submit your work here. 

Call for Submissions on Theme of "People, Places, Things!": Catalogue Zine Magazine

Catalogue Zine Environmental Magazine

People, Places, Things! is a study into the nouns and identities that are defining modern sustainability and social justice.

We want to see works on the people that have changed life as we know it, the people driving the world forward, the places that hold a special place in the public conscious or how different places and systems are more or less conducive to sustainability. We want to hear about the things in life that bring you joy, and the things that we need to do away with.

INSTRUCTIONS FOR SUBMISSION

We accept any submission type in any format. This includes, but is not limited to:

Nonfiction Fiction Audio Memoir Criticism Drama Photography Essays Graphic Novels Humor Interviews Reviews Visual Art Graphic Design Poetry Translation Research Fashion Food

in Print, Digital, Audio, Video, File, etc.

No more than 5 pages in total, and please no more than 3 works.

Please provide an email for which you will be easily contactable at.

Accepted contributors will have their work published in the upcoming issue and can also have their work featured on this website for one week. They will also receive an online or print copy of the issue they were accepted for.

YOU MUST HAVE YOUR NAME ON YOUR SUBMISSION!

We do not accept AI Generated work.

It is your responsibility to ensure your submission does not infringe any other magazine or publication's submission/publication rules.

Submissions are accepted until EOD November 30.

YOU MUST INCLUDE A COVER LETTER WITH YOUR NAME, THE TITLE OF YOUR WORK, AND YOUR EMAIL.

Please ensure your submission relates to the overall concepts of our zine (climate advocacy) and the current issue theme (currently "Lifestyle").

Simultaneous and pre-published works are accepted for all submission types.

Submit your work here. 

Call for Submissions: Common House Magazine

Submissions to our fall issue are now OPEN until November 30.

Common House accepts rolling submissions for its Fall and Winter issues:

FALL SUBMISSIONS PERIOD: August 24 to November 30

WINTER SUBMISSIONS PERIOD: December 1 to March 31

SUMMER PERIOD (Spotlight and Contest): [subscribe to our mailing list for updates]

Please ensure you review our submission guidelines before submitting. Note that submissions that do not comply with our guidelines will not be read.

I. Who can submit

We accept works from anyone, anywhere in the world. We reserve up to a quarter of each issue for uOttawa students exclusively.

We will not consider works from those who have been published within that same year. For example, those published in Fall 2024 will not be considered until Fall 2025. Summer Spotlight remains open to all uOttawa students and the summer contests open to anyone.

II. What to submit

Please submit:

1 work of prose up to 3000 words or 2–3 flash pieces up to 1000 words each

OR up to 5 poems

OR up to 5 works of art or photographs

OR audio and video submissions of up to 3 minutes

Pieces must be original and unpublished. Published pieces include those posted on personal blogs or social media. If visual art pieces have appeared publicly in galleries or personal portfolios, please indicate so in the submissions form.

We will consider excerpts from longer work, but we are unlikely to accept an excerpt that doesn’t work well on its own.

We accept simultaneous submissions, but please notify us by email:

 commonhousemag@gmail.com 

if your work has been accepted elsewhere.

We do publish genre fiction (e.g. fantasy, mystery, etc.) but generally lean towards literary fiction. We recommend scrolling through a few of our previous issues before submitting to know whether we're a good fit for your piece.

III. How to submit

Please only submit through our Google Forms. Submissions sent via email will not be considered. If there is something wrong with the link, please contact us, and we will get it up and running as soon as possible.

Please submit your piece(s) as a:​

Word document (.doc or .docx) or PDF (.pdf) for written work

PNG file for art and photography

MP3 file for audio

MP4 file for video​

Name your document: LastName_Title and include all pieces in a single document. The inclusion of additional information such as full name, bio, address, or artist's statement violates this guideline.

Use 1.5 spaced, 12-pt plain text font such as Times New Roman unless font is used as a creative visual element in the piece.

​If your work does not fit into one of our five main genres—poetry, fiction, creative nonfiction, visual art, or multimedia work—simply choose the genre you feel fits best.

IV. After submitting

Our response time is 1–4 months. Feel free to inquire by email about the status of your submission after 4 months have passed.

Monetary compensation has been offered in the past for our summer contest winners due to successful fundraising during the academic year. Compensation is currently unavailable for contributors to our seasonal issues. Common House is an entirely volunteer-run operation; as we continue to grow, we hope to be able to compensate contributors in the future.

Submit your work here. 

Statement about the use of AI:

We at Common House celebrate the originality of human thought and creativity. We support authors, poets, and works that make readers feel connected to a broader humanity. The use of AI betrays these values and contributes to dangerous developments against ingenuity, critical thought, and the natural world. We prohibit submissions that have been written with the use of AI tools, and have updated our contractual materials to reflect this policy.

Statement about diversity in our publication:

Common House is committed to representing a wide range of voices reflecting the diversity of human experience and artistic expression. While our evaluations begin anonymously, we recognize the existence of systemic and institutional barriers actively restricting underrepresented artists. Thus, at the highest stage of our vetting process, we do take personal bios into account. We strive to compile issues that remain inclusive and we hold ourselves responsible for showcasing varied perspectives representative of the vibrancy of our world.

We particularly welcome submissions from marginalized and underrepresented artists, including Black artists, Indigenous artists, artists who are people of colour, 2SLGBTQIA+ artists, artists with disabilities, as well as artists who are unpublished and/or emerging. If you are comfortable identifying yourself as one or more of the above, please indicate so on the submissions form or in your personal bio.

Writing Competition: The Ernest J. Gaines Award for Literary Excellence


About the award

The Ernest J. Gaines Award for Literary Excellence honors Louisiana’s revered storyteller, Ernest J. Gaines, and serves to inspire and recognize rising African-American fiction writers of excellence at a national level. The book award, initiated by donors of the Baton Rouge Area Foundation, is now in its 18th year and has become nationally recognized in its role of enhancing visibility of emerging African-American fiction writers while also expanding the audience for this literature. The annual award of a $15,000 cash prize is to support and enable the writer to focus on writing.

The Baton Rouge Area Foundation sponsors the winner’s travel to Baton Rouge, Louisiana to receive the prize at a ceremony, where the author reads an excerpt from the selected work of fiction. A reception follows. The evening is free, open to the public and attracts a diverse audience.

The literary award winner also participates in educational activities at selected area schools and after-school programs in keeping with the Gaines Award's interest in emphasizing the role of literature and arts in education. Through small creative writing workshops with the winning author, students are encouraged to pursue reading, delve into their own creativity, and to consider becoming an author.

Criteria and Submission:

To enter a published book or galley for review, send the completed REGISTRATION FORM and EIGHT (8) copies to:

Ernest J. Gaines Award for Literary Excellence
c/o Baton Rouge Area Foundation
451 North St., Suite LL 100
Baton Rouge, Louisiana 70801

Non-winning entries will be donated to an area nonprofit. Ineligible entries will not be returned.

The Literary Award, initiated by donors of the Baton Rouge Area Foundation to honor Mr. Gaines, is designed to inspire and recognize rising African-American writers of excellence as they work to achieve the literary heights for which Ernest J. Gaines is known.

Entries will be accepted through October 31, 2026.
 
Criteria for the 19th Annual Ernest J. Gaines Award for Literary Excellence:

A work of fiction (novel or collection of short stories) that is published between January 1, 2026 and December 31, 2026. Galleys for a 2026 publication are also accepted.
 
The nominee must be a rising author, not yet widely recognized for their work. 
 
Author must be an African-American U.S. citizen.
 
Self-published books will not be accepted. Self-published defined as publishing one's work independently and at one's own expense.
 
Emailed entries will not be accepted.
 
The winning author must be willing to attend the award ceremony in Baton Rouge, Louisiana in 2027 and participate in media and educational outreach activities during that week.
TIMELINE:
 
April 1, 2026 – October 31, 2025 Eligible entries for the 19th Annual Ernest J. Gaines Award for Literary Excellence will be accepted. See eligibility criteria and submission instructions above. All entries for the book award will receive written notification of receipt.

Spring 2027 – The winner will be selected by a national panel of judges. The judges reserve the right not to issue the award if they feel the selection pool lacks an acceptable candidate. Once the winner is selected, written notification will be sent to all eligible entries.

2027 – The 19th Annual Ernest J. Gaines Award for Literary Excellence Ceremony will take place in Baton Rouge, Louisiana.
 
For additional information, please email: