Call for Submissions on Theme of "Collaborations": The Illanot Review

 

February 1 to March 31, 2026
Theme: Collaborations
Guest Editors:
Poetry: Octavio Quintanilla & Todd Fredson
Fiction: Jeff Friedman
Creative Nonfiction: Sherre Vernon 

This reading period we are looking for collaborations, broadly interpreted. Send us your co-authored poems, stories, essays, or graphic texts. We consider a “collaboration” to be any way an individual poet, writer, artist interacts with another’s work: translations, versions, trans-e-lations, ekphrastic writing, erasure, centos, etc. We also want your work about collaborators of all kinds—informers, spies, business partners, community theater companies. We welcome a statement about your collaboration, along with your submission.

Submission Guidelines: 

• Only one submission per reading period, please! Multiple submissions (including submissions to multiple genres) will be automatically disqualified. Submission fees: Submissions are free for two weeks or until Submittable’s submission caps are reached, whichever comes first.

• After that, we charge a submission fee of $3.

• Translations are free throughout the submission period.

• The Ilanot Review is a volunteer operation. Funds go towards web hosting fees and Submittable service fees.

• We will consider simultaneous submissions but ask that you retract your work immediately if it is accepted for publication elsewhere.

• If your work appears in our current or previous issue, we kindly ask that you refrain from submitting to our upcoming issue.

• Please include a short bio (50-100 words) with your submission.

• We welcome unpublished translations of original work, provided the translator has obtained permission from the author. Please include a copy of the original work with your submission.

• We welcome work that challenges conventions of form, style, and content.

• We retain first serial rights to work published in The Ilanot Review. At the time of publication, all rights revert back to the author. However, The Ilanot Review retains the right to publish the piece(s) in any subsequent issue or anthology, whether in print or online. Should you decide to republish the piece elsewhere, we kindly ask that you cite The Ilanot Review as a place of previous publication.

AI policy: Inefficiency is part of the artistic process, and we have not seen any instance in which AI-produced or assisted work is worth wasting our planet over. Therefore, we publish human-generated work only (without the assistance of AI or LLM tools).

Categories: 

Poetry: Submit 3-5 poems, not to exceed 8 pages. Please submit all work + bio in a single Word file, with each poem beginning on a separate page.

Fiction: One story up to 3,000 words long or 1-3 works of flash/microfiction, up to 500 words each.

Creative Nonfiction: One essay up to 4,000 words long or 1-3 works of flash/micro-CNF, up to 500 words each.

Art, Photography, Comics: Please submit a single document or up to 6 image files (all files must be included in a single submission). Stand-alone images submitted to this category will be considered for inclusion within the journal’s pages and as cover art.

Translations: We welcome unpublished translations into English from any language, provided the translator has obtained permission from the author. See above for word limits for each genre. Please include a copy of the original work with your submission. 

Submit your work here.

Call for Submissions on Theme of "The Aftermath": Barrel House Online

 

The Aftermath

Stories often focus on the climactic events in one’s life, but after these points of intensity, the world goes on. What happens when the adventure is over? How do you live your daily life after being abducted by aliens? What do you fill your days with after receiving the Nobel Peace Prize? What happens in the sequel to a story that doesn’t need one? This spring, Barrelhouse is calling for short stories, poetry, creative nonfiction, and art that measure moments in and after abnormal times. The ways we can feel elated, apathetic, tortured, or fixated on the events that shape us. What does it look like once the afterglow has faded?

The Details

Fiction and Creative Nonfiction: up to 5,000 words

Poetry: 3-5 poems

Art: Make sure files are in a format and resolution appropriate for web posting

Simultaneous Submissions: Are welcomed! Just make sure to withdraw a piece immediately if it's accepted elsewhere.

Multiple Submissions: Please only submit once for this call

Payment: $50

Deadline: Submissions will stay open until March 16, or when we reach our submission cap for this call (500), whichever happens first. Likely we'll hit that cap, so don't wait too long to submit. 

Submission link here. 

Call for Submissions: New Delta Review

 

New Delta Review publishes a wide range of fiction, poetry, creative nonfiction, book reviews, interviews, and artwork. Please read the editor statements below for a sense of our aesthetics, our mission statement, and, of course, check out our back issues, available online. All submissions must be sent using Submittable.

Fiction
We publish fiction of wildly different styles and modes. While we tend to gravitate toward the weirder side of things, our aesthetic is always in flux and this dynamism is exciting to us. We enjoy stories with or without plots, but, either way, we’re looking for complete fictions, ones with an arc, an atmosphere, a heart, preferably with blood. Novel excerpts are fine as long as they’re self-contained: if it needs a summary to make sense, it’s not for us. Please check out what we’ve published in the past; current and back issues are available for free, right here, on the internet.

While we do occasionally publish longer pieces, we prefer our stories to come in at around 3,000 words. We also have a special interest in flash fiction, and brief series of flash pieces.

Poetry
We would like you to challenge traditional notions of lyricism, or avoid the lyric altogether. Stricter forms are fine, but we tend to prefer them corrupted. Embrace the the bizarre, the political, the radical, but do so with purpose. Five poems maximum, please and thank you.

Nonfiction
We welcome essays with compelling emotional resonance and distinctive, effective command of voice. Experiments in form and structure that feel urgent, necessary and inextricable to the content make our brains tingle, and we get excited over excellently executed traditional narrative. Bring us your lyricism, your breaks in form, your reclaiming histories, your deepest inquiries — all topics fair game.

Write from personal experience or not, but please note we do not accept essays that amount to voyeurism of/parachuting into marginalized cultures by authors from Western backgrounds, or essays rooted in the dehumanization of marginalized peoples. We do accept essays that engage with current events, so long as they are relatively evergreen, given that our publication process lasts roughly three months.

For longform submissions, we prefer essays around 3,000 words or less, though we may occasionally publish a longer piece. For flash submissions, send up to three essays of no more than 1,000 words each.

Hybrid
NDR’s hybrid category is intended for works that use language, in its broadest terms, to push the boundaries of writing and genre. Possible forms could include: collages, interactive writing, micro-fiction and nonfiction, sound-texts, video-texts, visual and/or concrete poems, or anything else that challenges the boundaries of medium and genre or might not otherwise be able to be published in a print magazine.

Art
We consider artwork in all media—from traditional (painting, drawing, photography, installation/sculpture) to new media (video, animation, and hypertext). Please consider our online format, and the possibilities of art on the web, when submitting your work. We want art that works with or around the limits that our online platform offers. Please see our past photography contest winners and the cover art featured in our back issues for a sense of our evolving aesthetic. We strive to push against traditional concepts and forms; send us your wildest and most challenging pieces.

Interviews & Reviews
NDR seeks the most creative interviews and reviews—we want to hear about books and authors that range from the mainstream or the very-well-known to the not-so-well-known and deeply underground. We want to know what’s hot to you. Please see our back issues to get a sense of our length requirements and standard practices—but don’t be afraid to surprise us with something that’s entirely different.

While we do occasionally publish longer pieces, we prefer our stories to come in at around 3,000 words. We also have a special interest in flash fiction, and brief series of flash pieces.

Submit your work here.

Deadline: April 30, 2026 

One published piece a year in each category receives $250. 

Call for Submissions: Cahava International Literary Journal

Cahava (meaning “proverb” in Urdu/Hindi) is an international literary journal dedicated to championing remarkable voices in the literary world. We strive to introduce up-and-coming writers to a wider audience.

Cahava publishes pieces that explore the human condition - short stories that make you laugh to poems that may make you cry. Most importantly, we look for work that offers a new perspective on the world around us; or perhaps just help understand ourselves a little better.

Cahava is an international online literary journal, published quarterly. Each issue features a thoughtfully curated selection of poetry and fiction.

We welcome submissions of short stories, flash fiction, poetry, and prose poetry. All work must be original, unpublished, and written in English. Translations are also welcome, provided that appropriate permissions have been secured.

We accept submissions year-round and do not charge a submission fee.

Submission - Spring 2026

Deadline: Apr 15, 2026

Prose
Submissions up to 3,000 words, including:

Short stories

Novel excerpts

Creative nonfiction

Personal essays (literary or general interest)

Play scripts

Postcard stories

Compensation: $0.05 per word

Poetry
Submit up to original poems of any style. Individual poems must not exceed three pages in length.

Compensation: Higher of $10 or $0.05 per word

Additional Notes

Simultaneous submissions are accepted; however, notify us immediately if your piece is accepted elsewhere.

Previously published work (in print, online, or digital) will not be considered.

Response time: up to 6 weeks.

All rights revert to the author after publication.

Submit your work here.

Call for Submissions on Theme of: "The Ground Beneath Us: Place, Power, and Resistance": About Place Journal

The Ground Beneath Us: Place, Power, and Resistance

“We stand on ancestral land. We walk through stolen cities. We return to sacred places. We resist with our bodies, with our breath, with our stories.”

In this current political moment marked by state repression, attacks on bodily autonomy, climate collapse, and rising authoritarianism, we are reminded that place is never neutral. It is shaped by power, haunted by memory, and pulsing with resistance.

This remarkable issue invites work that explores place as a site of struggle and survival. We seek writing and art that engage with land, home, borders, environment, and community, not as static backdrops, but as living terrains that hold grief, memory, and the seeds of transformation.

We welcome poetry, essays, fiction, hybrid work, visual art, and multimedia submissions from those rooted in activism, spirit, and justice. Emerging and established artists are encouraged to submit. In addition, we especially encourage submissions from BIPOC, Pasifika, LGBTQIA2S+, disabled, immigrant, and frontline communities whose connections to place are marked by struggle, resilience, and reclamation.

Here are some questions we want to delve deeper into that we invite you to meditate on. How do we resist displacement, erasure, or environmental destruction through our connection to place? What are the geographies of protest, healing, and communal care in your work? How do we carry the memory of land we no longer live on or are barred from returning to? What does it mean to reimagine maps, neighborhoods, and sacred ground in this political climate? How do we fight for place while honoring those who fought before us?

Possible themes include: 

• Land justice and Indigenous sovereignty

• Environmental racism and ecological grief

• Gentrification, housing, and community defense

1. Queer and trans geographies

• Diaspora, exile, and return

• Spiritual and ancestral ties to place

• Borders, surveillance, and belonging

We look forward to seeing your work!

Work must be submitted via Submittable by March 10, 2026.

Writing Competition: The Lascaux Prize in Poetry

The Lascaux Prize in Poetry

Poems may be previously published or unpublished, and simultaneous submissions are accepted. Winner receives $1,000, a bronze medallion, and publication in The Lascaux Review. All entries are considered for publication.

Entry fee is $15.

Poets may enter more than once, and as many as five poems may be submitted per entry (all pasted into one document). There are no length restrictions. All genres and styles are welcome. Judges are the journal’s editors. Poets retain all rights to their work at all times. Because editors are dispersed geographically the review is unable to accept submissions via postal mail.

Please submit your work by 31 March 2026.

Submit your entry here.

Writing Competitions: 2026 CRAFT Awards for Excellence

2026 CRAFT Award for Excellence

February 9, 2026 – April 12, 2026
$5,000 Awarded

CRAFT’s mission since day one has been to explore how writing works and to celebrate the art of prose. With that goal in mind, we are introducing the CRAFT Award for Excellence, honoring the very best in each of our creative prose genres: Fiction, Creative Nonfiction, Flash Fiction, and Flash Creative Nonfiction.

Each genre will award one winner the CRAFT Award for Excellence, selected by CRAFT’s editors; these winners will receive a $1,000 prize, online publication, reMarkable Paper Pro tablet & set up, and a CRAFT plaque commemorating your win. Two editors’ choice selections from any genre will receive $500 and online publication.

Show off your setting skills, dazzle us with snappy dialogue, render us spellbound with your lyricism. Whatever your craft, our only requirement is excellence.

GUIDELINES:

• The 2026 CRAFT Award for Excellence opens on February 9 and closes on April 12.

• CRAFT submissions are open to all writers, emerging and experienced.

• Submit up to 5,000 words of Short Fiction or Creative Nonfiction, or up to 1,000 words per piece of Flash Fiction or Flash Creative Nonfiction. Please, no excerpts.

• Submissions containing flash only may include up to two pieces per submission. Include both pieces in one document.

• This contest requires a $20 entry fee per submission.

• Writers from historically marginalized groups will be able to submit for free until we reach fifty free submissions. NOTE: The submission cap has been met.

• We allow multiple and simultaneous submissions. Each submission must be accompanied by a separate reading fee. Writers, please notify us and withdraw your submission if your piece is accepted for publication elsewhere.

• Submit previously unpublished work only—we do NOT review reprints (including work posted on blogs, personal websites, social media, et cetera). Reprints will be automatically disqualified.

• International submissions are allowed. Work must be written primarily in English, but some code-switching/meshing is warmly welcomed.

• No translations, please.

• We review literary prose but are open to a variety of genres and styles—our only requirement is that you show excellence in your craft.

• Please double-space your submission and use Times New Roman 12.

• Please include a brief cover letter with your publication history and any content warnings (if applicable).

• We do not require anonymous submissions.

• The winner will be asked to contribute an author’s note, or mini craft essay, that discusses their artistic choices in their piece. The note will be published with the winning work.

• All entries will also be considered for publication in CRAFT.

• Please review our values before submitting.

• AI-generated or -assisted submissions will be automatically disqualified.

• Unless you’ve already secured the necessary permissions, please do not include quoted song lyrics in your submitted work.

We are always happy to answer any questions. Email us:

contact@craftliterary.com

AWARDS:

• One winner in each genre will receive a $1,000 prize, reMarkable Paper Pro tablet & set up, and a CRAFT plaque commemorating your win.

• Two total editors’ choice selections will receive a $500 prize.

• The all six finalists will be published in CRAFT.

• Each publication will also include an author’s note (craft essay) by the writer.

More information and submission link here. 

Call for Submissions: Waiting Room Publishing

Waiting Room Publishing offers a collection of magazines in health & wellness, senior lifestyles, and grief & loss.

We accept submissions year-round for nonfiction, fiction, poetry, art, and photography. Whether you're a seasoned professional or sharing your work for the first time, we believe good work is good work, and we want to hear from you.

Curious about our style? Take a look at our magazines for inspiration. They include:

Candlelight Magazine

Comfort in Times of Loss--Connection for those navigating grief and honoring the memory of loved ones.

Clarity Magazine
Mental Health, Minus the Fluff--A stigma-free space for wellness, emotional resilience, and self-discovery.

The Grand Life
Living Fully After 65--Joyful inspiration for older adults living fully with curiosity, style, and purpose.

Vital Years
Science-Backed Wellness for Seniors--Sharp, engaging health content for those who want to age well—on their own terms.

Gigi
Redefining Aging with Style and Power--A lifestyle magazine for women over 60 who are evolving and redefining what it means to thrive.

If you're unsure whether your work is a fit, email us anyway—we love talking shop.

To submit, email:

info@waitingroompublishing.com

with “submission” in the subject line.

Payment: $25.00

Call for Submissions: Sand Hills Literary Magazine

 

Sand Hills, Augusta University's premiere literary magazine, is committed to publishing the highest quality of creative writing and visual art in print every Spring. Housed in the heart of the American south, Sand Hills has been keeping the written word and independent voices alive since 1973.

Sand Hills brings together new and established voices from diverse backgrounds. We are looking for works that celebrate different perspectives, we want writers to submit their truths, their fictions — to share their humanity.

We seek to publish the best drama, poetry, prose (creative nonfiction and fiction), and visual art created by individuals currently residing in the U.S. All general submissions are read blind by the Sand Hills staff. 

While we do accept simultaneous submissions, we do not accept previously published work (including self-published material in print or online at personal blogs, social media, or websites). Visual art may be accepted even if they are posted on personal social media or websites. If your work is accepted elsewhere, please withdraw your work from Sand Hills as soon as possible. Failure to adhere to the guidelines may result in disqualification. For questions about the magazine, email:

sandhillslitmagau@gmail.com

Submit your work here. 

Deadline: March 8, 2026

Submission Fee for Those Outside the University: $3.00  

Call for Poetry Submissions on Theme of Change: Speckled Trout Review

Speckled Trout Review 

Submission Dates: The submission window will open January 1 and close March 5.

Issue theme: Change

Editors of Speckled Trout Review welcome submissions of unpublished poetry (nothing previously published in an electronic publication of any kind or print) for its winter issue (Winter 2026). Poets can paste up to 4 poems, followed by a 50-75 word writer’s biography at the end, in the body of an e-mail to:

speckledtroutreview@hotmail.com 

Simultaneous submissions are fine, but please share the good news when a poem finds a home elsewhere. For any questions about submissions or Speckled Trout Review, reach out to us at the above e-mail address.

For contributors whose work appears in either a summer or a winter issue, we ask poets to acknowledge Speckled Trout Review as the original publisher of the poem(s) in any subsequent publication thereafter.

Call for Submissions: Persephone Literary Magazine

THE MEDUSA ISSUE (SPRING 2026) 

DEADLINE: March 09, 2026 

SUBMISSION GUIDELINES

Your work should be formatted as follows:

Writing: Single document with work and author biography attached. Please no PDFs!

Photography: Upload your images with a title and short description of your photography narrative.

Poetry submissions are limited to a maximum of five per quarter.

Fiction and non-fiction stories should range from a minimum of 500 words to a maximum of 2500 words. Each submitter may send no more than two stories per quarter.

Photography narratives may include a maximum of 10 photos per quarter.

Work that has been previously published will not be accepted. However, this exclusion does not apply to your own personal social media pages.

We welcome submissions across multiple categories, acknowledging and honoring your enthusiasm for exploring diverse mediums.

Submissions may be submitted year-round, though publication will occur quarterly.

The cost of a submission is $5. This small price goes toward production costs, as well as the growth of the magazine.

We currently operate on a contributing basis.

We do accept simultaneous submissions. We simply ask you let us know if your work is selected by another publication.

You will retain the rights to your work. We simply request that should you decide to republish a piece in the future, you include a sentence indicating its prior publication in Persephone Literary Magazine. For example: "Originally featured in the ___ edition of Persephone Literary Magazine."

If you have any questions or issues with the submission form, please feel free to email:

persephoneliterary@gmail.com 

Thank you! 

Submit your work here.

Writing Competition: FLARE Magazine Strength in Stories Contest

 

Strength in Stories Contest

FLARE is happy to announce our first contest in 2026!
Submissions OPEN Now-March 1st, 2026!
How Will This Work?

Theme: Disability as a Strength

We want pieces that show finding your voice when it comes to managing mental health, disabilities, and chronic illnesses. So often, a disability, a chronic illness, and/or a mental health condition is seen as a stigma or a weakness. But we didn’t have a choice–we were dealt a bad hand. So, this is your chance to find your voice and showcase how being disabled has made you (or a character, if fiction) stronger. What are your badges of honor, your battle scars? What does your “fight” look like?

Pieces must use this theme for the contest. This is only a writing contest, so no art for this contest. This contest is open WORLDWIDE.

*Please note that the FLARE team consists of ONE person.

The Nitty Gritty Details

This contest is COMPLETELY FREE to enter, but please only ONE piece (this includes poetry) per person. Winners get paid via PayPal or Venmo.

1st Place Winner: $140 + online publication (Update 2/7/26: we increased the prize money $15 due to donations received – original was $125.)

2nd Place Winner: $80 + online publication (Update 2/7/26: we increased the prize money $5 due to donations received – original was $75)

3rd Place Winner: $55 + online publication (Update 2/7/26: we increased the prize money $5 due to donations received – original was $50)

3 Runners Up: $15 each + online publication (Update 2/5/26: we received some donations, so we can pay runners up a little now! This number might increase if we get more donations!)

Update 2/5/26: There will be a longlist! These writers won’t receive publication or prize money, but they can list the accomplishment on socials, websites, writing bios, and for street cred! Think of this as an honorable mention!

Please number the pages and REMOVE ANY IDENTIFYING INFORMATION IN THE DOCUMENT INCLUDING THE TITLE OF THE DOCUMENT. ANY INCLUDED WILL RESULT IN DISQUALIFICATION. We plan to read these blindly to ensure fairness.
Response Time for Contests

Since we are open for longer periods of time, we will likely not be responding to entries within 24 hours like for regular issue subs, but it is possible to hear back within 24 hours for a rejection (it depends on where we are in submission reading). We try to manage the workload as subs come in because this is one-person show (one editor, no readers or other editors).

The winners will be announced shortly after the contest ends. We’ll give an update as we receive entries and/or after the contest closes.
Extra Important Info!

In 2025, we raised about $250 between our GoFundMe and Redbubble store, which is amazing! If anyone cares to donate to our GoFundMe from last year and/or buy something through our Redbubble store during the open call, we’ll increase the monetary prize for winners! But of course, this is only OPTIONAL and as already said, this contest is absolutely free to enter. The 2025 GoFundMe can be found here!

To continue having contests, we’re opening a GoFundMe page for 2026, and any donations will be for future contests in 2026 or 2027 and beyond! To donate to the 2026 GoFundMe, you can donate here!

Since this is a contest, there will be no feedback option for this, like regular submissions have the option.

Please only submit unpublished pieces for contests.

Accepted Genres for This Contest

• flash fiction: up to 1200 words (giving more leeway here since it’s a contest)

• microfiction: up to 400 words

• short story: up to 2500 words

• creative nonfiction: up to 2000 words

• poetry: ONE poem ONLY per person (prose poetry is allowed) if more than one piece is sent in, only the first piece will be judged.

• hybrid/experimental: up to 1200 words and ONE piece ONLY

ONLY Microsoft Word and/or PDFs are allowed.

Please double-space prose submissions!

Please use content warnings ahead of your submission.

Simultaneous submissions are okay, but like with general subs, please let us know immediately when it’s accepted and promptly withdraw your submission.

When submitting, please put the title of your sub and its genre (poetry, short story, etc.) in the subject line of the email. Also, please write CONTEST in the subject line as well, so we can differentiate between contest subs and general submissions when we open in February!

In the body of the email, please include a short 3rd-person bio with pronouns, any website links, and any social media links/handles (including which social media platform each handle belongs to). You’ll also include your name in here too, but just not in the piece itself.

Send your submission to:

flaremagazinesubmissions@gmail.com 

Call for Submissions and Internship: Mascara Literary Review

Co-founded in 2007, Mascara is a journal which focuses on the work of First Nations, CaLD, disabled and neurodivergent writers, as well as human rights and experimentation. We specialise in publishing platforms for minorities, focusing on cultural cohesion and participation. We foster a space for critical research to bridge the gaps left by institutions; a space for writers, readers and researchers that is progressive and vibrant. We are interested in shaping the way that discourse structures social realities and positions individuals hierarchically.

Submit
Submissions will open from 5 February 2026 to 2 March 2026 in all categories.

Submission Guidelines

We only consider previously unpublished work, ie first serial rights, electronic and print. Simultaneous submissions are acceptable as long as we are notified immediately if your work is accepted elsewhere. 

• Nonfiction: One piece of up to 3000 words.

• Reviews: Word length is approx. 1200-1500 words. Please use endnotes, not footnotes for citation.

• Poetry: 3 poems max., all in one file

• Fiction: One short story up to 3000 words, or for flash fiction send no more than 1000 words.

• Formatting & Process: We accept only Microsoft Word doc files (.doc and .docx)

• Format your document in 12 point, Times New Roman, 1.5 spaced

• Name your file by surname and genre (e.g. yoursurname_poetry)

• In the subject line of your email, write your surname and genre of submission (i.e. non-fiction, review or poetry)

• In the body of the email, include a short bio and attach your submission file

Email your submission to:

submissions@mascarareview.com

***Note: Please only submit once until you have heard back from us. (See response times below.)

Response Times

We are a very small team whose editors work on a voluntary basis. Our response time is 3-6 months. Please do not query the status of your submission before 3 months. We thank you for your patience and understanding.

Payment

Poems $100
Fiction and essays $200
Reviews $200
First Nations & CaLD critics $500
Tasmanian critics $400

Please note: We are not currently funded to pay international contributors.

Intern Opportunity

Thanks to a grant from the Copyright Agency, we are currently offering two opportunities for emerging or established First Nations and CaLD editors to write and acquit a grant and be paid $5000. Applications close 27th February 2026. 

Head over to our Support page for details.

Call for Submissions: Cover Literary Magazine

We publish fiction and poetry.

We pay $25 per accepted piece.

 We have no affiliation with this magazine that existed until 2000, but it looks rad and was founded the year I (Ryan) was born.

Hanna Shea edits poetry. “I want to read poems that make space for incompatibility, disunion, chaos. Also poems about the rocks and clouds near your home.”

Ryan Shea edits fiction. “I want to publish work that gives a shit, that is not afraid to move, that is paying attention, but to something else. I’m excited about experimental, transgressive horror, speculative fiction that is not twee, and literary stories that run for the cliff’s edge.”

Submissions

Submissions are open

Email submissions to:

coverlitmag@gmail.com

Include the title(s) and your name in the subject line.

Add the work as an attachment (doc, pdf, whatever makes sense).

We’ll ask for a short bio on acceptance.

Please submit with the knowledge that we will likely have edits.

Call for Submissions: Toronto Journal

We accept the following types of submissions: Fiction: short stories from anywhere in the world. See the Fiction category for some examples.

Stories from the City: non-fiction pieces that are set in and around the Greater Toronto Area. See the Stories from the City category for some examples.

Who do we publish?

We are firm believers in the idea that the writing should speak for itself. It’s irrelevant to us whether you’re a new writer or an established writer. All submissions to Toronto Journal are anonymous.

Compensation

We pay $50 per piece. All published writers will also receive a printed copy of the issue in which they appear.

Submission Guidelines

• Do not include your name or email on the pdf or word document with your content.

• Do not include a cover letter with your work.

• Word limit is 7,500 words.

• No strict formatting requirements besides legibility.

• Simultaneous submissions are ok. Please let us know if your work is accepted elsewhere.

• If your work is selected for publication, Toronto Journal has first serial rights only, and the author retains all other rights to the work.

• We cannot accept any work that has been published previously in English, either in print, online, in audio format, or otherwise.

• Should we happen to accept multiple pieces from the same author for a given issue, the accepted pieces may be postponed to subsequent issues.

• If you are submitting for the Summer issue, expect to hear back from us by March 31st each year. If you are submitting for the Winter issue, expect to hear back from us by September 30th each year. If you don’t hear back from us, please get in touch: 

submissions@torontojournal.com

We are currently accepting submissions for our Summer 2026 issue. Deadline: 1 March 2026 at 11:59 PM EST.

Submit your work here.

Writing Competition: The Tom Grass Spirit of Adventure Literary Prize

The Tom Grass Spirit of Adventure Literary Prize celebrates the spirit of our friend Tom Grass - a multi-talented writer, avid reader, and fearless traveller.

Open to emerging writers aged 25+, the prize welcomes short pieces of stand-alone prose in either Fiction or Non-Fiction (1,500 - 3,000 words). It can be adapted from a longer work but must be satisfying to read by itself.

The prize invites writers from all walks of life, whether writing a short story, essay, memoir, piece of reportage, historical investigation, or other hybrid form, as long as the writer reflects the sensibility of the prize.

The prize is not aimed at the action-adventure genre nor limited to the idea of physical adventure. We invite writers to grapple with the spirit of adventure in any way they interpret. Pieces will be read and judged on their literary merit and their engagement with the general reader.

The Prize is a not-for-profit foundation, created and run by friends and family of Tom Grass.

Open to emerging writers over the age of 25, the Prize celebrates creative storytelling with a focus on the spirit of adventure. Through readings and an annual award ceremony in London, we will come together to celebrate life’s bold journeys and the stories they inspire.

The Tom Grass Prize is open to all writers from all over the world who are over the age of 25 and writing in the English language.

Entrants must not be represented by a Literary Agent and must not have any previous or new book under contract with a mainstream publisher for the duration of the prize.

The word count is between 1,500 and 3,000 words.

The entry can be either fiction or non-fiction and must be a stand-alone piece of prose.

Entrants are invited to reflect the spirit of adventure in subject matter and/or style in whichever way and in however broad a sense the writer interprets this.

Entry Fee: Free before Feb. 28; 15 pounds March 1-31, 2026

Prizes

1st prize: £1,000

Two runners-up prizes: £500 each

All three finalists will be offered a meeting with a Literary Agent.

Final entry closes: 31 March 2026

More information and submission link here.

Call for Submissions: Willow Review

Anyone may submit writing to the Willow Review for consideration.

We invite your submissions year-round. You may send a maximum of five poems or short fiction and creative non-fiction of up to 7,000 words. As part of our mission, we also publish reviews of books written by Midwestern writers or published by Midwestern presses. 

Include a cover letter with your submission and indicate how many manuscripts you enclosed for consideration. Your work must be unpublished and accompanied by a self-addressed stamped envelope. Manuscripts will not be returned unless requested.

We aren’t accepting electronic submissions currently. Mail your submission to:

Willow Review
College of Lake County
19351 West Washington Street
Grayslake, IL 60030-1198

Willow Review can be found on EBSCOhost databases, assuring a broader targeted audience for our authors’ work.

Writing Competition: Hayden's Ferry Review Fiction & Poetry Contest

We will accept submissions to the Hayden’s Ferry Review Fiction & Poetry Contest between February 1-28, 2026. 

There will be two prizes of $1000 each and publication in HFR (online in summer 2026 and in the fall/winter 2026 print issue) for a poem or a group of poems and a work of fiction. A runner-up in each category will receive $250 and publication. All entries are considered for publication.

This year’s fiction judge is Gina Chung, author of Sea Change and Green Frog. Our poetry judge is Sarah Ghazal Ali, author of Theophanies.

View a list of our past winners and judges here.

Submit 1-3 poems totaling up to 10 pages or a short story or novel excerpt of up to 20 pages with a contest entry fee.

You can choose between a $15 entry fee, which comes with a 1-year digital subscription or a $23 entry fee, which comes with a 1-year print subscription. For international addresses outside of the US, please select a digital subscription. Your 1-year subscription will begin with our spring/summer 2026 issue. Current subscribers will receive a 1-year renewal. Writers may submit multiple entries, but each entry must include its own entry fee.

*If you have an international shipping address and are interested in a 1-year print subscription, we are happy to accommodate this with an additional shipping fee. Please get in touch before submitting and no later than February 20th to discuss details at haydensferryreview (at) gmail (dot) com.

Judges will pick the winners and runner-ups from a list of finalists chosen by HFR editors. All entries are considered for publication in the fall/winter 2026 print issue. We do not read submissions anonymously.

How to submit

Between Feb 1-28, 2026 submit your work to the appropriate genre at https://hfr.submittable.com/

Submitted work must be original work by the writer and unpublished. If your work is accepted elsewhere for publication, please withdraw your submission. If only a part of your poetry submission has been accepted elsewhere, please leave a note in Submittable.

Eligibility

Close friends, family, or former and current students of the judges should refrain from submitting. We define a "former or current student" as someone who has done a semester-length course with the judge or who the judge has served as a thesis advisor. If you attended a one- or two-week-long workshop or similar with the judge, you are still eligible.

If you were published in one of HFR's print journals or web issues in the past two years, you CAN submit to this contest. (See our "general notes on submission" for specific guidelines for our print and web issues, which may differ from contest guidelines.)

Anyone affiliated with ASU (staff, faculty, and graduate/undergraduate students) is not eligible to submit to this contest and should refrain from submitting to HFR until they have been unaffiliated from ASU for three years.

We do not accept work that was produced wholly or in part by AI.

All individuals are able to submit without regard to sex, race, national origin, religion, disability or any other characteristic protected by law.

Call for Submissions: Tarry Magazine

tarry is…

an annual literary magazine of original short fiction, poetry, art and other creative works inspired by the people, history, and geography of the Tarrytowns.

At the turn of the 19th century, this area inspired Washington Irving to write some of our nation’s most enduring stories, giving a voice to Americana and forever shaping our country’s folklore.

tarry builds on that legacy to entertain, delight, and inspire—and to tell some good stories.

Thank you for your interest in submitting to tarry! The best way to know what we’re looking for is by reading our inaugural issue, which you can find at Transom Bookshop in Tarrytown and other wonderful local bookstores.

Want something a little more succinct? Ok, sure—check out our frequently asked questions. Other than the guidance there, we’d say that we love pieces that:

• have a strong sense of place, whether that place happens to be where Irving lived and set his stories, or anywhere else;

• are inspired by or offer a different take on some aspect of folklore;

• offer a “slice of life” look at a particular place at a particular time, commenting or analyzing some aspect of either;

• and of course, reflect on, illustrate or explore some aspect of the Tarrytowns’ past, present or future.

This year, we’re excited to announce that contributors will be paid for their work! The payment amount will be determined after we finalize all selections.

 

Deadline: March 15, 2026 

You may submit up to

5 poems (max 100 lines per poem),

3 pieces of artwork (black and white preferred; no photography),

1 short story (1,000- 7,500 words),

2 flash fiction pieces (500-1,000 words each),

1 essay (1,000- 3,000 words).

 

You may submit across multiple categories by completing the form multiple times.

 

Each piece must be submitted in a completely separate file (including poems) so they can be judged on their individual merit.

 

Submit your work here. 

Call for Submissions: Haven Speculative

Fiction Guidelines

We like stories that are subtle in their telling and stick with us long after we've finished, and we're more likely to buy stories that balance a sense of wonder with a bold plot and emotional depth. For our two issues focused on the climate crisis, we're particularly interested in publishing stories from people displaced by or threatened by the climate emergency. For our other four issues, we're open to a wide variety of stories across the SFF and weird spectra.

• Pay: 8¢ per word for original fiction

• Word limit: 5000 words

• Language: English

• File type: .doc, .docx, .rtf

• Rights: We buy first serial print and electronic rights for publication of the story in the English language and throughout the world. We also buy non-exclusive archival rights for our website and non-exclusive anthology rights.

Poetry Guidelines

We like poems that use complex fixed verse forms (think sestina, awdl gywydd, masnavi, etc) as well as free verse. Most important to us is vivid imagery, clever lyricism, and a strong emotional core. For our two issues focused on the climate crisis, we're particularly interested in publishing poems from people displaced by or threatened by the climate emergency. For our other four issues, we're open to a wide variety of poems across the SFF and weird spectra.

• Pay: $20 per original poem

• Limit: Five poems, submitted in a single submission

• Language: English

• File type: .doc, .docx, .rtf

• Rights: We buy first serial print and electronic rights for publication of the story in the English language and throughout the world. We also buy non-exclusive archival rights for our website and non-exclusive anthology rights.

February: General Submissions Window

A brief note on AI/LLMs: Haven Spec Magazine is only interested in stories, poems, and art created by humans (and maybe very smart whales). Please do not use AI or LLMs to generate your fiction, poetry, or art, in part or in whole. Any submissions which are determined by our editorial team to have used AI or LLMs will be rejected.

Acolyte Submission System 

• We are testing out our new submission system (the Acolyte Submission System), and there will undoubtedly still be bugs to work out. So, when you submit, please keep the following in mind:

• Your submission may take several seconds to go through.

• You can only submit one story at a time, but if we pass on it, feel free to submit again without waiting.

• You can only submit five poems at a time, and they should all be in a single file.

• You will get an email confirming your submission. If, after an hour or two, you haven't gotten confirmation (and you've checked your spam folder), you should feel free to submit the same piece again. Just indicate in the cover letter that it is a do-over. This will also help troubleshoot any lingering problems in the code. 

More information and submission portal here. 

Call for Submissions: Ecotone

 

Ecotone, the literary magazine dedicated to reimagining place, welcomes work from a wide range of voices. We are particularly interested in place-based work by people and from perspectives historically underrepresented in literary publishing and in place-based contexts: writers and artists who are Black, Indigenous, people of color, people with disabilities, people who are gender-nonconforming and LGBTQIA+, women, people with low access to wealth, people from rural places, and others. We welcome the work of emerging writers of all ages and walks of life. Please review our complete guidelines before submitting. We strongly encourage writers to read work we’ve published before sending their own. A selection of writing and art from recent issues is featured on our website, where you can also order a copy of the magazine or subscribe.

Spring 2026

We will open to general submissions in poetry, fiction, and nonfiction this spring, and will be reading for upcoming unthemed issues and for the Delight Issue. Given the overwhelming response to our recent reading periods, for our fee-free window we will cap submissions at 250.

Opening Feb. 2: Fee-free submissions (closes after 250 submissions)
Feb. 2–4: General window ($3 fee via Submittable)
Feb. 2–March 2: Current subscribers may submit (no fee)

Valentine’s Day 2026

Happy Valentine’s! For our annual fee-free Valentine’s Day window, we invite submissions of work we love and would like to see more of. This year we’re looking only for poetry, fiction, and nonfiction that engage directly with the climate crisis, and for work that responds to our call for the Delight Issue. Please do send us work that directly addresses these things, and don’t send anything else—if you have other work to share, wait for our next reading period. Thanks, Valentines!

If you already submitted during one of our general windows, but have additional work that fits these criteria, feel free to send one additional submission on Valentine’s Day.

This reading period is one day only: February 13. 

Prose

We appreciate a wide range of essays, and are especially interested in nonfiction that engages deeply, but not overly seriously, with the sciences—ecology, natural history, and other fields, in both Western and non-Western contexts.

We like to see fiction that is deeply rooted in place, and/or that engages similarly with ecology, natural history, climate crisis, et al.

A prose submission consists of one prose piece (fiction or nonfiction) of no more than thirty double-spaced pages (approx. 10,000 words).
Most work we run is shorter than this upper limit.
We are also interested in shorter prose works (minimum 2,000 words, please).

Poetry

We are especially interested in poetry that engages with the social and natural sciences and/or considers place, ecology, identity, and climate crisis, as well as poetry that uses form, meter, and/or other poetic constraints in innovative and expansive ways. Work in the French repeating forms (rondeaux, ballades, rondelets, and the like) as well as in newer forms (golden shovels, fibs, etc.) is especially encouraged, as is work that employs meters other than iambic.

A poetry submission consists of three (minimum) to five (maximum) poems.

Accepted Work

We are dedicated to supporting our contributors with a thoughtful editorial process.

We use Microsoft Word to send edits. If Word is not a good option for you, we can also work in OpenOffice or Pages.

Contributors receive an honorarium upon publication, with a $100 minimum; two copies of the issue in which their work appears; and a one-year subscription beginning with the subsequent issue.

Thanks for thinking of Ecotone! We look forward to reading your work.

More information and submission link here.

Call for Submissions: The Celestial Glossary Literary Magazine

 

Submissions Open February 1st!
The first 100 submissions are free, after we have reached our limit there will be a $3 dollar fee to submit. This fee will be used to help us pay our authors.

Estrella House Publishing accepts work from new and established authors. Our interests are in poetry that questions and maintains a sense of beauty, narrative or not. We want fiction with an intriguing narrative or characters. Nonfiction should leave us seduced and thoughtful.

Whatever you write, bewitch us! Allow us to be absorbed in your world.

We do not, and will not, accept any works that promote any form of hatred, bigotry, or violence. Likewise, AI-generated works will not be considered nor accepted. Please do not send it in.

Format

• Length Fiction and creative nonfiction: 1 piece up to 7,000 words

• Comic strips: up to 15 pages

• Visual art submissions: up to 4 per submission

• Poetry: up to 5 poems per submission

Please only submit once per open call.

Genre

While we do not limit around genre, certain genres will have a lower chance of success. Those genres are: 

Sci-Fi
Erotica
Mystery
Thriller
Technical Specifications

Please submit your manuscripts in any legible 12-point font with double-spaced paragraphs, page numbers in the footer, and 1-inch margins.

Please ensure that all written submissions are in one document.

On page 1 please include the author’s name, submission title, genre, and 75 character bio.

If you are writing in genre fiction, please make a note of that genre as well.

How to Submit

We consider submissions online via submission portal only. Snail or e-mail submissions will not be considered.

We do not consider unsolicited submissions via email.

Simultaneous Submissions

We are happy to consider manuscripts that have also been submitted elsewhere. Though, please notify us immediately if your work is accepted by another journal.

Rights

Estrella House Publishing reserves First North American Rights to any work that is published on our platform.

We do not accept any work that has been previously published in a literary or arts journal, forum/archival site, or an online blog.

Payments

We are excited to pay our authors. Estrella House utilizes a revenue share system where authors get a portion of ad revenue generated from views to their work and a portion of submission fees. Because we are a new publication, we cannot yet guarantee any flat rates.

Fees

We are submission fee free for the first 100 writers. After that, we will have a small $3.00 fee to help pay our writers.

We offer a fee waiver for people who identify as a historically marginalized group. To apply: email us with the subject line: Fee Waiver – Your Name. 

Submit your work here.

Call for Submissions: The Rebis

 

Submissions are open January 18-February 17, 2026.

The fifth anthology of The Rebis will focus on The Moon (XVIII), and we are open for submissions from January 18-February 17 at 12pm PT.

As with previous issues, the work should be deeply intimate. We are looking for original writing, artwork, and any other form of creative expression that you dream up inspired by the 18th card of the Major Arcana. Send us work that is subversive, provocative, erotic, and deliciously alive.

We are interested in exploring: 

• nonlinear time, ancestral time, dream time

• ancestry, inherited memory & collective grief

• disorientation & bewilderment

• resistance to Western logics of coherence

• diverse cultural understandings of the Moon

• tidal intelligence & water stories (Tidalectics, flood states, brackish zones, amniotic memory)

• lunar states beyond Full/New Moon (progressed lunations, eclipses)

• subcultural spaces & underground worlds

• nonhuman consciousness, shapeshifting, anti-anthropomorphism, biodiversity

• themes inspired by Borderlands/La Frontera (Gloria Anzaldúa)

• protection magic

• decolonial, Black, feminist, and mythic frameworks

• work inspired by thinkers such as David Abram, Bayo Akomolafe, Octavia Butler, Gloria Anzaldúa, Edouard Glissant, Hélène Cixous, Clarissa Pinkola Estés, Robin Wall Kimmerer, Toni Morrison, Rebecca Solnit, Christina Sharpe, Simone Weil, Francis Weller

The ideas shared here are simply thought-starters. We encourage you to take an imaginative, deconstructionist lens. We are looking for diversity and originality in both creative techniques, artistic formats, and concepts explored.

To submit, please fill out this form.

Writing: We are especially interested in publishing experimental and genre-bending work (creative non-fiction, short stories, flash fiction). Personal memoirs, researched articles, interviews, and poetry are all welcome, too. For full guidelines, please refer to the submissions form.

Artwork: Photography, illustrations, paintings, comics/graphic stories, digital art, and collage art are all welcome. Multimedia work that weaves print + digital into an immersive and/or interactive experience is always fun. Artwork needs to fit into our vertical magazine orientation. For full guidelines, please refer to the submissions form.

Collaborative work: We enjoy seeing work incorporating multiple collaborators—art and writing that pair together, dual bylines, an epistolary project, etc. If you are submitting as a collaborative project, please submit one time only, but include the names, bios, and links to examples of work for all people involved.

Only submit unpublished work: Please submit previously unpublished work. By "unpublished" we mean that it hasn’t appeared in any print or digital publications beyond your own social channels or website.

To submit: Please fill out this form by 12pm PT February 17, 2026. Contributor decisions will be made in February, and complete/final work will be due in mid-April.

Questions: If you have any questions about the submissions process, please email:

submissions@therebis.com

We love workshopping ideas and helping you bring your concepts to life.

AI policy: We do not accept AI-generated content or artwork.

Payment: The Rebis believes in compensating writers and artists for their work. Right now, we can afford to pay each contributor $200 for longer-form essays or short stories, and two pages of poetry or artwork. We pay $100 for pieces of flash fiction, single page poems, and one page of artwork.

Disclaimer: By submitting your work to The Rebis, you agree to grant our publication first serial rights as well as electronic archival rights. If your submission is accepted, you’ll grant The Rebis a license to use the submission on all its assets; however, you’ll retain ownership. By submitting your work, you confirm that your work is original and does not violate copyright laws. Full terms will be sent out in a Contributor Agreement.

Writing Competition: Pride MicroChapbook Series

pride microchapbook series

During the month of June 2026, fifth wheel press will publish 22 queer single-author or collaborative microchapbooks (one each weekday). These small collections will be available to download digitally for free.

First, credit where credit is due: the idea to run this series is heavily inspired by the Ghost City Press Summer Series (Kevin Bertolero), which published my first micro-collection in 2023. I also owe credit to Katherine Fallon from Whittle Micro-Press for showing me the true power a tiny collection can wield, as well as Kendall A. Bell from Maverick Duck Press and Aldrin Badiola from Artists from Maryland for implementing similar micro publishing practices.

Send us anything—any genre, any style, any subject. The only restriction is a hard page count cap of 10 pages of content (not including title page, acknowledgments, etc). Please do include acknowledgments if there is anything previously published in your collection; a ToC is not needed. Pieces in the collection may have been previously published, but please don't send us something that's been published before as a whole.

Additional specifics

Selected manuscripts will be published digitally by fifth wheel press for $0+ on Ko-fi. Any tips received will be paid to you, the author, on a biannual basis at the end of June and December.

If selected, your collection’s cover will be designed in house style for your approval. We are not able to accommodate outside cover artists at this time.

This does not come with our standard publishing contract—for simplicity’s sake, we’re treating it more like a big issue of a literary magazine than a book. Your agreement to participate in the series upon acceptance will grant us first global electronic publishing rights to all works contained in the collection (or second rights, if they’ve been published before).

No waiting period for previous fwp authors! We’d love to get some of y’all in the mix.

Submissions are open and close on March 10.
Submit via Duosuma

Call for Submissions: Shadowplay

Shadowplay is currently OPEN to submissions.

Our reading window is from October 15th to March 15th.

How to submit your work.

We will only accept previously unpublished work—including digital/online content—submitted through email at:

shadowplaylit@gmail.com

Please put “Genre: FirstName LastName” as your email subject line (for example, Fiction: Elvis Presley). We aim to respond to submissions within six months.

Length and styling

There is no minimum word count, but please make sure fiction and nonfiction submissions are at 2,500 words or under. Poetry must be at or under five typed pages, with each new poem beginning on a separate page.

Keep submitted work in a single document, attached as a .doc or .docx. Do not copy and paste work into the body of the email and do not use .pdf unless the format requires it.

Bio

Include a third-person bio—100 word maximum—in the body of your emailed submission. A cover letter is not necessary.
Submission fee
Submitting material to Shadowplay is absolutely free.

Multiple submissions
You are welcome to submit once per period to each genre. If submitting to different genres, please do so in separate emails.

Simultaneous submissions
Simultaneous submissions are acceptable. We do request that you notify us as soon as possible if you intend to publish your piece elsewhere.

Feedback and payment
We regrettably cannot give individual feedback on submissions, nor are we a paying market. All contributors will receive one complimentary print copy of their contributing issue. Additional copies may be purchased from Amazon.

 

Permissions
We will consider all submitted work for the print journal; some work will additionally be featured on Shadowplay’s website. We acquire first North American serial rights for all accepted work.

Call for Submissions: Northwest Review

Thank you for your interest in the Northwest Review. We look forward to reading your work.

Founded at the University of Oregon in 1957, the Northwest Review publishes fiction, poetry, creative nonfiction, flash fiction/nonfiction, translations, and art. Located in Eugene, Oregon, the journal will always welcome work related to the Pacific Northwest, but we are a national magazine, open to writers beyond borders and limits. We love innovation in form and style, but prize literary quality above all. Surprise us, transport us, immerse us, entertain us, move us—give us your best.

We are open to both new and established writers. We have published Pulitzer Prize and National Book Award winners, but we also love nothing more than discovering new voices, particularly those from marginalized backgrounds.

Authors receive $25 per poem and up to $75 per short story/essay. Please allow six months before querying. Due to the volume of submissions, we may not be able to respond to individual queries.

For poetry, please send one to four poems at a time (and no more than 10 pages). Short fiction and creative nonfiction should range between 1,000 and 9,000 words. We also accept flash fiction and flash nonfiction of up to 1,000 words (please submit no more than three per submission).

We accept simultaneous submissions but please let us know ASAP if your work is accepted elsewhere. We only accept writing that has not been previously published. Do not resubmit work even if it’s been revised, unless a revision is requested by the editors. We do not publish current University of Oregon students.

Please submit your work via Submittable. The small submission fee we charge helps keep the lights on and ensures we can publish writers at all stages of their careers.

Our professional genre editors select all NWR content but work in close collaboration with both undergraduate and graduate student editors to produce each issue. NWR provides UO students with opportunities to gain valuable experience in literary editing and production. We also employ a team of volunteer editors, who help us find the best work possible. Most of the work we publish is found through the slush pile. Although we are a digital publication, we hope to eventually expand to publishing print anthologies and books of fiction, poetry, and creative nonfiction.

We believe that literary magazines build community. If you want to help us build our community, become a supporter here. 

Deadline: Feb. 16, 2026

Submit your work here. 

Call for Submissions on Theme of "Moral Injury": Unbroken Journal

We seek prose poems. We do not publish lined poetry. Our strong preference is for a single block of text (one paragraph/stanza), maybe two, per piece. More than that, we start arguing about whether it’s a prose poem! Don’t make us argue. Some of our editors are already dangerous.

Both traditional and innovative works are welcome. We want dark and disquieting, we want fanciful and funny, we want surreal and surprising. We want stunning and unusual imagery and language that compels.

To get some idea of the kind of content we like, check out current and past issues.

The editors of Unbroken seek prose poems that transcend the boundaries of conventional storytelling. Of course, we believe that submissions should be coherent and intelligible, but also that coherence can be achieved through style, tone, imagery, and even transgressive methods. Linear narratives with predictable situations and language will be discounted. We want prose that smolders in the ditch. We want it to cry. Maybe laugh at inappropriate times. We want it to knock on our doors in the middle of the night and demand to be let in, fed, given black coffee, and assured that life isn’t completely insane. We want prose poems that have been fired from multiple jobs and have gaps in their resumes that cause them to perspire in interviews. Poems that listened to “Venus in Furs” daily for the entire year of 1993. We want poems that are the perfect carrot cake at your aunt’s house. We want poems that need extensive dental work because of unfortunate incidents outside bars in Phoenix or Indianapolis or Mobile. Finally, we want submission guidelines that don’t read like Dale Wisely got his hands on them.

We publish quarterly online. We have a reading period of six weeks for each issue.

Feb 1-Mar 15 for our April issue 

Submit your work here. 

Call for Submissions on Theme of "Surprise": South 85 Journal

 

 

 

 

 

 

 

 

 

South 85 Journal will be open to general submissions January 24 ~ March 13 for its Spring/Summer issue through Submittable: South 85 Submissions Page. Additional reading periods will be announced for 2026.

ISSUE: SURPRISE US | UNTHEMED 

• Surprise: an unexpected or astonishing event, fact, or thing

• Surprise: the feeling caused by something unexpected or unusual

• What you hope will happen, what you dread will happen, what happened

• A surprise return, surprise departure, surprise attack; you were caught by surprise; it came as no surprise; that element of surprise

• Or truly surprise us: your piece has nothing at all to do with surprise! (We mean it…that’s legit.)

• Surprise us with your wit, your wisdom, your wild, your restraint; surprise us with form, image, metaphor; your character said/did/thought what?!; show us anew that thing we’ve seen 1000 times, or show us that thing we never knew we’d want to see.

• The possibilities are endless, and we want this theme that’s unthemed to feel open to countless interpretation, introspection, and examination. As always, we’re eager to read what you come up with.

Submission fee = $3

• We will publish novel excerpts, provided they can stand on their own. We do not publish genre fiction or children’s stories. We encourage you to read archives of South 85 Journal and acquaint yourself with the material we publish before submitting your work. We encourage the use of a content warning if necessary, in consideration of our manuscript readers.

• Type should be no smaller than 12-pt. font. Please use a standard font such as Times New Roman or Arial, and refrain from script or “flowery” lettering.

• All work will be considered for our Editor’s Choice Award of $100, which be given to ONE piece in the issue.

• Submissions should be saved in Word or Rich Text format.

• Number pages consecutively, double space, and use margins of at least one inch.

• Place your name, email address, and word count in an upper corner of the first page.

• We do not solicit work; each published piece comes to us through Submittable. 

More information here. 

Call for Submissions on Theme of "Spring": Altar Literary Magazine

We’re not a typical literary magazine, we’re your guide for the season. Yes you’ll find poems and beautiful stories but there’s also reviews, recipes, and rituals. We want to provide a space for creatives and help you navigate the energy of the season whether it’s through prose or some kitchen magic, we’re here.
What We Are Looking For

We want your offerings. A flower, a candle, a memory. Altar is a space for your mythic and elemental stories. We want poetry that isn’t afraid of the darkness and revels in the light. That understands tension and feels like an ancient whisper from the forest floor. Stories and essays that transport us to other realms. Art that could live in a grimoire. Reviews that introduce us to new perspectives. Recipes and spells that nourish and conjure.

All things spiritual, nature-based, and visceral can find a home at our altar.
Issue One: Spirals and Stars

Submissions Open: January 23rd

Submissions Close: March 1st

Publication: April 2026

Our inaugural issue explores Spring and all that comes with it. Buds breaking through willow trees. Fresh blooms scenting the air. The return of the songbirds and rabbits. Ferns unraveling on the forest floor. Fertility magic, fae, gardens. New beginnings.

While the season is filled with new life and bright energy, there’s also abandoned nests, a struggle to break free from the cold, the chance of getting whisked away by the fae and never being seen again.

Give us your spring offerings.

Free! No charge for submissions. You may either submit via Duosuma (pending launch) or email us directly! All those selected for publication will receive a $5 payment, we hope to increase this in the future but for now we are just happy we are able to acknowledge your work through some form of payment.

Submit your work here. 

Call for Submission to Anthology on "Vampires": Flame Tree Publishing

 

Flame Tree Publishing 

Vampires

A New Collection of Spine-tingling Short Stories of Vampirism in All Its Forms

 

Vampire-like creatures appear in almost every culture in some form: from ancient civilisations such as the Romans, Greeks, Hebrew and Mesopotamia, to the walking, blood-drinking corpses of mediaeval Europe and the Transylvanian tale of Vlad the Impaler, which of course gave rise to Bram Stoker’s Dracula. This anthology will include tales that reflect both these older legends and also the current view of modern-day vampires – as evoked in films such as Sinners and 30 Days of Night, as well as in literature such as Stephen King’s Salem’s Lot, the American Vampire comic series, George R.R. Martin’s Fevre Dream and Anne Rice’s Interview With a Vampire just to name a few. A gripping new anthology from the superlative purveyors of short stories, Marie O'Regan and Paul Kane. This is your chance to be one of the few selected from open submissions to join the selection commissioned and curated by Marie and Paul.

 

Submit to:

 

anthologies@flametreepublishing.com

• Terms: Multiple submissions are fine but must be in separate emails.

• Simultaneous submissions are fine but you must have the right to license your story in an anthology.

• Stories using AI-generated text will not be accepted.

• Please only submit unpublished/original/new stories for consideration. Reprints will not be accepted for consideration.

• For accepted stories we pay Science Fiction & Fantasy Writers of America (SFWA) rates of 8 cents/6 pence per word.

• We will aim to read each story and confirm its status within 4 months of the submission deadline.

• Payment for the chosen stories will be made within 30 days of the final advertised publication date (see our website flametreepublishing.com for details), although some may be paid earlier than that.

• Submission does not imply the right to publication. Each story will be read and assessed by the selection panel.

Important Notice about Submissions and Guidelines

We're always looking for better ways of working so we've tweaked our submission process to allow us to read more stories, and spend more time assessing the balance of our books.

• Submissions must use the dedicated email address.

• The subject line of the email must be the story title.

• The body of the email should state which anthology your story is being submitted to.

• The file with the story must be attached to the email (.docx, .doc or .rtf format).

• The name of the file must match the name in the subject line.

• If submitting more than one story, please submit one story per email.

Other useful tips for a more successful submission:

• The file name of the submission must be the story name only.

• Please just use spaces between words in the title (not _ or - ).

• If the story name starts with A or The, please use it at the beginning of the file name.

• Story length is most likely to be successful at 2000–4000 words, but we will still read stories slightly outside this range.

• If submitting a story that has recently been submitted to us for consideration to another anthology, please state this in the submission email.

Deadline for submissions is 15th February 2026

Call for Submissions on Theme of "Awakening": Prairie Schooner

The Spring 2027 issue will mark the 100th anniversary of the first issue of Prairie Schooner, so we are seeking poems, short stories, and essays on the theme of Awakening. Awakening, awareness, revival, rebirth. Our centenary coincides with overwhelming challenges to our freedoms, our cultures, our progress, our expression, and the next 100 years will be informed by the wisdom and invention of writers and thinkers, by strong voices, creative vision. We seek inspiring work that will carry us forward or reflect on the past, work that will pose questions or suggest answers. We want work that will invigorate with new understanding or break our hearts with it—all with insight and perspective, whether lyric or bold, quiet or insistent.

Submission window: February 1 – February 15 (or until submission caps are reached)

No submission fee. Please limit to one submission per genre. If the category is no longer available after February 1, we have met our submission cap and are closed to that genre. (Submit early!)

Submissions will be accepted via Submittable starting February 1; more guidelines can be found there and on our website.

Artists' Residency on Themes of "Climate Change, Climate Justice, and Environment": Foundation House Artist Residency

Foundation House Artist Residency Program Application

Please note that, due to the limited time period between the close of applications and the start of the residency session, we are no longer able to accept applicants from countries that would require obtaining a visa for travel.

Application is now open for our Spring 2026 Climate-Themed session!

Spring Session Dates: April 17th - April 26th, 2026

Foundation House, located in backcountry Greenwich, CT, will open its doors for 10 days to six residents, allowing residents the time and space for concentrated creation in beautiful and inspiring surroundings. Foundation House’s mission as a nonprofit center for learning is to focus on mental health, environmental, and social justice issues. To that end, we host residencies, workshops, lectures, and other meaningful gatherings on these topics.

At Foundation House, we believe that conversations about these critical topics are not complete without the input of creatives, and it is our privilege to be able to offer space for artists of all disciplines to work and therefore be a part of those conversations.

Please note: No applicants focusing on any area other than relating to climate, climate justice and environmental issues will be considered for this residency.

Each resident will be given a stipend, a private bedroom, and private or semi-private bathroom, all meals plus full kitchen access, and access to a studio space, a wide variety of common areas, and 75 acres of land to explore and enjoy. Residents will eat dinner together every evening to ensure that they are building relationships and familiarizing themselves with each other's work, facilitating feedback and collaboration. Our residency is a working residency. Accepted residents are expected to carry through with their proposed projects and create work that is aligned with Foundation House's mission and the themes of the session.

Foundation House is committed to diversity and inclusion, and we prohibit discrimination and harassment of any kind.​​

The Spring 2026 application will close on March 9th, 2026, at 11:59 PM EST. 

Accepted applicants will hear back from us in around two to three weeks. Applicants will hear back from us either way, so if you have not heard from us yet it only means we have not finished reviewing.

***We highly recommend writing your application in a separate document and pasting your answers into the form so as not to lose any work should there be any application issues.
Once you submit, please check your spam folder for the email confirmation before submitting a duplicate application.***

Thank you for your interest in Foundation House, and we look forward to reviewing your application!

Submit your application here. 

Writing Residency: Rabbit Island Residency

The Rabbit Island Residency provides financial support, time, and pristine natural spaces to challenge creative practices in a wilderness environment. Artists live and work on the island for 2-4 weeks, engaging directly with the landscape, responding to notions of conservation, ecology, and sustainability via their research and cultural works. The residency reflects on the American continent’s four hundred year history of settlement and division of land and stems from the idea that in a developed society intelligent organization of wild spaces is one of the most civilized things we can pursue.

The island itself, an unsettled and undivided space, enables artists to present commentary on these ideas, creating interpretations and solutions to issues of global importance–climate change, loss of natural habitat, the value of pristine watersheds, the environmental implications of entrepreneurship, and so forth. Modern understanding of our natural reality, as well as our cause-and-effect relationship to it, dictates a need for principles worthy of our time. If artists do not create the work that defines this new space, who will? Art is perhaps the purest form of creation and serves fittingly as a symbol for all human constructions.

To receive information about future opportunities and awards please follow us on social media (Instagram, Facebook) or subscribe to the mailing list.

The deadline for applications is February 22, 2026, 11:59 PM EST. 

2-4 weeks plus $4000 stipend

• Download and review the Residency Application Guide.

• Review the Frequently Asked Questions. Please prepare the following application documents: Artist Statement (1,200 character limit)

• Provide a brief artist statement describing your practice. For group proposals, provide a collective artist statement describing your collaborative practice.

• Proposal (2,000 character limit)

• Provide a proposal or outline of the work that you would like to pursue on Rabbit Island. This section should be used to demonstrate the applicant's understanding of the context-specific nature of the Rabbit Island Residency Program. More information describing this can be reviewed in our Residency Application Guide. Our residency exists to engender creativity in the context of contemporary environmental issues. PLEASE NOTE: Historically we have received many applications that could be referred to as "Time and Space Applications". In these, artists propose working on ideas unrelated to contemporary environmental thought and simply seek time and space in the island wilderness to complete work. These type of applications are unlikely to be awarded residencies. For further guidance we recommend careful review of our Residency Application Guide and Frequently Asked Questions.

Work Samples
Submit up to 5 work samples. The individual filesize limit is 8 MB. Please follow a file naming format that includes work sample number, name(s), title (optional) and date (optional), in that order. Not following the below file naming format may result in your work samples not being seen.

NAME YOUR FILES— 01-Firstname-Lastname-Artwork-Title-Year.jpg
02-Firstname-Lastname-Artwork-Title-Year.jpg
03-Firstname-Lastname-Artwork-Title-Year.jpg
04-Firstname-Lastname-Artwork-Title-Year.jpg
05-Firstname-Lastname-Artwork-Title-Year.jpg

REQUIREMENTS— 

• Visual (still image): JPG format preferred, please limit to 5 MB or smaller in file size.

• Writing: PDF format. Limit the TOTAL number of submitted pages to 5 (i.e. 1 page per work sample).

• Audio: MP3 file, up to 3 minutes in length per work sample.

• Film, moving image, performance: PDF format containing URL to clip/excerpt 3 minutes in length or shorter per work sample. Vimeo, YouTube, or similar platforms work the best. Make sure to include password information if the link is password protected.

PLEASE NOTE: With visual submissions, optional additional context (materials, exhibition, etc.) can be included in the image file, or by creating a one-page PDF containing the image and brief text. Do not submit multi-page PDFs for visual submissions. If required by the Selection Committee during the review process, applicants may be contacted to provide additional context about their work samples. 

More information and application portal here.

Call for Submissions to Anthology: We Hold These Truths to Be Self-Evident

We Hold These Truths to Be Self-Evident Anthology

In times of uncertainty, what truths do you hold closely?

Women Writing for (a) Change is calling for submissions for our 2026 community anthology: We Hold These Truths to Be Self-Evident, a collection of pieces from diverse writers and poets speaking to their truths in the stark light of the modern world.

We're looking for material that reaches deep, challenges, and bleeds. What truth hurts you before it heals? What truth raises up not just your voice, but the voices of others? What truth do you have now that you wish you had before? What truth sets you free?

Who can Submit:

We invite submissions from all communities and genders to engage with our theme. We especially encourage writers from historically marginalized communities and among underrepresented voices, such as Appalachian, BIPOC, LGBTQIA+, elders, and people living with disability, to submit their work.

What to Submit:

We are seeking submissions of poetry, short fiction, creative non-fiction, or personal essays relating to the title theme of the anthology. We do not accept previously published submissions. Fiction, creative non-fiction, and essays should be between 500-1,250 words. Poetry should not exceed three double-spaced pages.

A writer may submit only once, but may include multiple pieces in their submission. Writers can submit pieces in multiple genres.

When to Submit:

We will accept submissions between December 13th, 2025 – February 16th, 2026. After our jury of readers makes our selections, writers will be informed of their acceptance into the anthology by April 15th, 2026.

How to Submit:
A single document containing your submissions must be submitted in .doc, .docx, .rtf, or .pdf format.

Every submission may include brief biographical information about the writer, to be included at the conclusion of their piece.

Submit Your Writing Here!