Sunday, September 15, 2024

Call for Submissions on Theme of Water and Waterways: Saranac Review

Recent cover image or website screenshot for Saranac Review

Founded in 2004 as a print journal and published by students and faculty in the creative writing program at SUNY Plattsburgh, with the help of guest editors and readers, Saranac Review has relaunched as an online-exclusive publication. Our production schedule is dependent upon availability of personnel to teach our Editing and Publishing seminar.

We only accept submissions through Submittable during our reading periods; please do not email us your work. We will open again for Submissions on September 8. Check Submittable for more information.

Saranac Review pays $60 to each contributor whose work is selected and featured. (Please note: we charge a $3 fee to help keep our publication afloat. We do not consider work by current SUNY Plattsburgh students, faculty, or staff.)

We hope to be a good home for your beautiful, exciting, and surprising writing and art. We want to celebrate work by new and emerging writers, especially writers traditionally underrepresented in the publishing industry. Send us work you love, and we’ll feel lucky to consider it.

For Issue 20, we are especially (but not only) interested in writing and visual art about water and waterways, both literally and figuratively, and we're looking at this theme broadly:

Water as resource and source

Waterways as sites of movement and migration

Water and waterways as paths to connection, inspiration, and community

Please Note: You may submit to more than one genre, but we ask that you submit only once per genre. (If you receive a pass on a submission, please wait until the next open reading period to submit again in that genre.) We do not consider work by current SUNY Plattsburgh students, faculty, or staff.

Saranac Review pays $60 to each contributor whose work is selected and featured.

Our submission portal will remain open through October 31.


We look forward to reading your work!

Writing Contest and Call for Submissions from Undergraduate Students: Polaris Literary Magazine

Recent cover image or website screenshot for Polaris: National Undergraduate Magazine

Submissions are now OPEN for the 2024-2025 edition of Polaris

Deadline: Feb. 1, 2025

Note: Only previously unpublished work will be accepted. Polaris will only accept work from undergraduates.

We look forward to receiving your submissions!

Prizes awarded in each genre:

1st Place – $50
2nd Place – $25


Prizes are awarded by genre editors.

Winners will be published in Polaris and all contest entries will be considered for publication.

There is no monetary compensation for general acceptances. Only prize winners will receive the previously mentioned amounts.

Submission Guidelines: 

Fiction: Up to 2,500 words, open to anything with an interesting voice including absurdist, experimental, flash, et cetera. Multiple submissions of fiction will be accepted if all works together meet or are under the word count.

Poetry: Submit 1-3 poems, free verse, experimental, prose poetry, et cetera. If you do not include at least one poem in your submission, it will automatically be rejected.

Nonfiction: Up to 2,500 words, humor, travel narrative, et cetera. Multiple submissions of nonfiction will be accepted if all works together meet or are under the word count.

Visual Art: Up to 3 works per artist, .TIFF or .JPEG files, all media are acceptable. Artists should also include a Microsoft Word document containing their name, the titles and media of works submitted, and a brief artist’s statement. Keep in mind, if you want to be considered for the cover, our journal is horizontal.

Due to our magazine being only print, we cannot accept videos or media alike.

*Please do not attach any media in your nonfiction, fiction, or poetry submissions. Any other media besides the submission will not be published.

Please include a cover sheet that includes the following: Author’s name (should not appear anywhere else on the document)

  • Brief author biography
  • Genre & Title of Work(s)
  • Permanent Mailing Address
  • E-mail Address
  • Phone Number
  • Affiliated Undergraduate Institution

Simultaneous submissions are accepted, but the author must notify us immediately if his/her work is accepted for publication elsewhere. Contributors will be notified if their submissions were accepted by Polaris via e-mail.

Authors may submit to no more than two genres at a time.

Again, only previously unpublished work will be accepted. Submissions without cover sheets or from non-undergraduate students WILL NOT be accepted.
Tips For Success

Our aesthetic changes from year to year as our editorial staff turns over. However, we love fiction, poetry, non-fiction, and visual art of many kinds. We are open to traditional and experimental work. We also firmly believe that all aspects of the complex experience of being human are available to artists. However, we ask that you not submit work that glorifies sexism, homophobia, racism, transphobia, or sexual violence. Additionally, please do not submit AI generated work.

Fiction: Please feel free to submit fiction of all kinds, from literary realism, to mystery, horror, fantasy, science fiction, or experimental work, as long as it fulfills our other requirements.

Poetry: Please feel free to submit both free verse and formal poetry, as long as it fulfills our other requirements. We also note that our magazine is shaped like a postcard, so poems that rely on a form that is laid out over a whole standard page are not a good fit for our magazine.

Non-fiction: Please feel free to submit non-fiction of all kinds, as long as it fulfills our other requirements, with the caveat that we are not a research journal, so this isn’t an appropriate venue for an academic paper.

Visual art: Please feel free to submit visual art of all kinds, as long as it fulfills our other requirements.

Send questions to:
Fiction:

polarisfiction@gmail.com

Poetry:

polarispoetry@gmail.com

Creative Nonfiction:

polarisnonfiction@gmail.com

Visual Art:

polarisvisualart@gmail.com 

For general questions, contact us at:

onupolaris@gmail.com

Submission link here.

Call for Submissions: ellipsis...literature and art

Recent cover image or website screenshot for ellipsis… literature and art

ellipsis… literature and art is a nationally and internationally recognized journal published by the students of Westminster University since 1965.

Past ellipsis… contributors include Karen an-Hwei Lee, Jeanne Marie Beaumont, Monica Berlin, Nickole Brown, BJ Buckley, Lisa Fishman, Karen Garthe, Matthew Gavin Frank, Elton Glazer, William Greenway, Andrea Hollander, Elizabeth Murawski, Bianca Stone, and Elaine Terranova.

New issues of ellipsis… literature and art are published each April.

We accept original English language submissions in poetry, short fiction, creative non-fiction, drama, and art. Submit poems in one document, please. Our submission period is August 1 through November 15 for poetry, short fiction, drama, and creative non-fiction. We accept art submissions from August 1 through January 31.

Please include a 75 word contributor’s note and your address, telephone number, and email address.

Simultaneous submissions are welcome but withdraw your submission immediately if your work is accepted elsewhere. Note that we do not republish pieces, including work online.

We usually pay $10 per poem and page of visual art, and $3 per page of prose, plus two free copies of the issue. We cannot pay international contributors.

Submissions cannot be accepted via email.

Submit your work here.

Call for Submissions from Quebec Writers Ages 14-21: Quist

Quist is a new online magazine from the Quebec Writers’ Federation featuring the prose and poetry of Quebecers aged 14-21. Quist aims to showcase young writers with bold voices and fresh perspectives. We particularly welcome submissions by youth from diverse backgrounds, including BIPOC writers, LGBTQIA+ writers, those experiencing poverty and/or homelessness, writers for whom English is not their first language, as well as disabled and neurodivergent writers.
 
Give us your ghost stories and your gritty realism, your space operas and your mind-bending experimentalism! We want love poems and nature poems, poems about existential despair and poems about the contents of your fridge. Amaze us!
We accept:
  • Short fiction: one story of no more than 3500 words.
  • Flash fiction: up to three short stories, no more than 750 words each.
  • Creative non-fiction: one piece of no more than 3500 words.
  • Poetry: up to four poems. Each poem should not exceed 40 lines. Alternatively, you can submit fewer poems as long as the total number of lines does not exceed 160.
  • Art: up to five original artworks per submitter, up to 25 MB total. If submitting multiple artworks, please include an image list with your submission that includes the work’s title, date, and medium (if applicable). You can also include artist statements or additional contextual information (optional).
Quist pays $75 for each accepted submission of written work, which can include groups of poems or flash fiction. Please note that this amount covers the entire submission, not each individual piece.

Although we are working on providing monetary compensation to our arts contributors, we are unfortunately unable at this time to pay for artwork published in Quist. In lieu of payment, featured artists will be offered professional development opportunities, such as
  • A one-on-one mentorship meeting with our arts editor
  • An interview with our editor-in-chief or arts editor, to be published alongside your art
  • The opportunity to attend the launch in December and to present your work
Deadline: October 1, 2024  
 
Submission portal and more information here.

Call for Submissions on Theme of "Bloodlines: Lineage, Inheritance, and Legacy": The Santa Fe Literary Review

The Santa Fe Literary Review (SFLR) is published annually by the Santa Fe Community College. An in-print literary journal, SFLR features work by local, national, and international writers and artists. We use Submittable, an online submissions platform, for all submissions. From July 15 to November 1 each year, we invite submissions of poetry, fiction, creative non-fiction, and visual art. In recent issues, we’ve proudly featured the work of such writers as Tommy Orange, Layli Long Soldier, Kirstin Valdez Quade, and Darryl Lorenzo Wellington.

Our submissions period opens July 15, 2024, and closes November 1, 2024.

Our suggested theme for our 2025 issue is “Bloodlines: Lineage, Inheritance, and Legacy.” SFLR accept submissions of poetry, dramatic writing, fiction, creative nonfiction, and visual art. SFLR editors notify writers and artists of editorial decisions by December 25 each year. If you’ve submitted work and have not heard a reply by January 1, feel free to email us at:

sflr@sfcc.edu 

to request an update. During our submissions period, we accept submissions for free through Submittable, but first, please review the SFLR guidelines for prose, poetry and visual art. 

For your copy of the SFLR, visit any of the three public library branches during the months of August and September. You can also pick up a complimentary copy at the Santa Fe Community College Library or in the Office of Liberal Arts. Or, view all of our issues online.

SFLR aims to promote a diverse range of writers and artists, and to present a wide variety of stories, styles, and cultural perspectives. We’re especially committed to promoting voices that aren’t always empowered in the publishing world, so if you’re a writer of color, an Indigenous person, a non-native English speaker, a female, a person with a disability, a member of the LGBTQIAPK+ community, a trauma survivor, or anyone else frequently silenced or ignored by the modern media, please submit.

If you have questions, comments, or suggestions, please email SFLR at:

sflr@sfcc.edu

Submit your work here.

Calll for Submissions: Wild Peach Magazine

Wild Peach Magazine publishes work by unpublished and emerging creators, and features profiles and interviews with all kinds of people that thoughtfully explore the varying approaches to being a human.

Here’s what you should know before pitching us: We never charge a fee to submit

  • We accept multimedia submissions including writing, art, comics, illustrations, and photography; we also publish film/music projects, but will only consider them from an initial pitch
  • All work submitted should be original and unpublished
  • Simultaneous submissions are allowed! We just ask that if your work is accepted elsewhere you withdraw it from consideration promptly
  • We read and respond to every submission, so please be patient – we’re a small team and get a large volume of pitches – it may take a while to get back to yours, but we will. If you haven’t heard from us within 8 weeks you can (gently) follow up.
  • If you want to volunteer as a reader or guest editor, we’d love to hear from you (click here please).
Below we’ve outlined some things we like to see, and some we really don’t, but these are guidelines, and if you’re unsure we welcome you to submit anyway.

Submit |
We’re pining for

Hyper-local narratives; unexpected pairings of art/music/literature; unsophisticated photography; personal obsessions, beliefs, or commentary on anything that matters to you; sharp, witty takes on flash-trends; playful/critical reflections on the past; stories from behind-the-scenes (of anything); on-the-ground dispatches from unexpected or unusual places; short fiction; how-to’s for messy/absurd moments; sharp, insightful manifestos; any review of a book/music/film/product that is highly subjective.
 
We’re not excited about 
 
Self-indulgent introspection; positions that are incompetent, unkind, or evil; unhelpful “everything is doomed” pessimism; motivational platitudes; evidence claims with no reference to the original research; “wellness”; bad faith recommendations; mean-spirited criticism; capitalism/environmental think pieces on Taylor Swift; capitalism/environmental think pieces on Leonardo Dicaprio; anything that writes off or disregards people you disagree with; wanton/thoughtless violence; indecisive viewpoints.
 
Send your pitch to:
 
pitch@wildpeach.org
  • Attach your 1-2 page proposal as a docx or PDF.
  • If you’re interested in covering an event/release/occasion, keep in mind that we sometimes commission pieces far in advance, and plan to send your pitch 3-6 months ahead of time.
  • If you want to submit a film/audio project, send us your 3-4 paragraph pitch describing the format, and the story.
Submit your story to:

story@wildpeach.org
  • Fiction and non-fiction stories (no word limit).
  • We publish narrative non-fiction, reviews, flash fiction, and short stories.
  • For fiction, we accept all/most genres; we look for character-driven pieces.
  • Please include a short bio in the body of the email, and attach your work as a docx or PDF titled “title_lastname_firstname.”
  • Cover letters are nice, but not required!
Send your art/poetry/photos to:
 
art@wildpeach.org
  • Include a short bio in the body of the email.
  • For poetry – attach poems as one docx or PDF file.
  • For art and photography – you’re welcome to submit finished work or pitch your idea with examples of your previous work.
Interviews
 
We do a lot of interviews at Wild Peach. It’s kind of our thing. In every issue, we feature a big profile on one neat individual where we get to know their story and preoccupations a little more than usual. We call this series How to Be a Human Being. These people are chosen either because we think they’re cool/apprehensive/witty or because you do. Send us someone you want to see featured using this form.
 
What we pay

$100-500 for essays
$100-500 for fiction stories
$25 for poems
$50 for reviews
$50-700 for original art/comics/illustrations/photos
$25-200 for reprints


If your work is accepted we’ll send you our publication agreement and payment details. We also pay for original film/music projects – if your pitch is accepted, we’ll forward you paperwork and payment rates. For written pieces, we may request rewrites or light edits before publishing your work.

Call for Submissions: Toronto Journal

What do we publish?

We publish short stories from anywhere in the world.

We will also consider non-fiction pieces that are either set locally or explore some local history (Toronto, GTA, and surrounding). See the Stories from the City category, and the Toronto Feature category, respectively, for some examples.

Who do we publish?

We are firm believers in the idea that the writing should speak for itself. It’s irrelevant to us whether you’re a new writer or an established writer. All submissions to Toronto Journal are anonymous.

Compensation

We pay $50 per piece. All published writers will also receive a printed copy of the issue in which they appear.

Submission Guidelines

  1. Do not include your name or email on the pdf or word document with your content.
  2. Do not include a cover letter with your work.
  3. Word limit is 7,500 words.
  4. No strict formatting requirements besides legibility.
  5. Simultaneous submissions are ok. Please let us know if your work is accepted elsewhere.
  6. If your work is selected for publication, Toronto Journal has first serial rights only, and the author retains all other rights to the work.
  7. We cannot accept any work that has been published previously in English, either in print, online, in audio format, or otherwise.
  8. Should we happen to accept multiple pieces from the same author for a given issue, the accepted pieces may be postponed to subsequent issues. 
  9. If you are submitting for the Summer issue, expect to hear back from us by April 30th each year. If you are submitting for the Winter issue, expect to hear back from us by October 31st each year. If you don’t hear back from us, please get in touch: submissions@torontojournal.com.

We are currently accepting submissions for our Winter 2025 issue. Deadline: 1 October 2024.

Submit your work here.

Call for Volunteer Readers: The Adroit Journal

Prose Reader

Prose readers get the first crack at all submissions in their specified genre, and are expected to review fiction and nonfiction (and hybrid) submissions regularly and consistently. Reviewing submissions includes voting, providing comments, and participating in occasional discussions about pieces on the bubble. (Est. commitment: 3.5 hrs/week.)

Before applying please familiarize yourself with the journal by visiting our About page, and perhaps also an issue or two.

APPLICATION DETAILS:

I. STATEMENT

Please briefly (no more than a page double-spaced) explain what qualifies you for this position, and what you would add to the journal’s literary and/or artistic community. You are encouraged to include things such as experience in the specific field(s), writing publication, and other commendations and accolades, but this Adroit Statement should NOT read like a résumé.

At the end of the day, the statement should highlight your history, passion, and experience with the areas of the position and creative writing. Feel free to discuss other topics you feel are appropriate, as well as any specific connections, measures, or initiatives you might have (or aspire to have) with The Adroit Journal’s staff community.

2. PLEASE UPLOAD A WRITING SAMPLE (8-10 pages of poetry or 12-15 double-spaced pages of prose) *for all Editorial roles

ELIGIBILITY:

We are fully open to all readers and writers. At this time, for editorial roles, we are not open to editorial staff on the masthead of other internationally-staffed unaffiliated literary journals. Publications that consider solely campus work, or work with specific geographic eligibility requirements, do not apply to this restriction. Non-editorial roles are exempt from this proviso.
As we seek to fill open positions sooner rather than later, we consider applications on a rolling basis.
***Unless otherwise specified, all positions are volunteer and remote in nature & have a start-date of ASAP.***

~~~

Poetry Reader

Poetry readers get the first crack at all poetry submissions and are expected to submissions regularly and consistently. Reviewing submissions includes voting, providing comments, and participating in occasional discussions about pieces on the bubble. (Est. commitment: 3.5 hrs/week.)

Before applying please familiarize yourself with the journal by visiting our About page, and perhaps also an issue or two.
APPLICATION DETAILS:

I. STATEMENT

Please briefly (no more than a page double-spaced) explain what qualifies you for this position, and what you would add to the journal’s literary and/or artistic community. You are encouraged to include things such as experience in the specific field(s), writing publication, and other commendations and accolades, but this Adroit Statement should NOT read like a résumé.

At the end of the day, the statement should highlight your history, passion, and experience with the areas of the position and creative writing. Feel free to discuss other topics you feel are appropriate, as well as any specific connections, measures, or initiatives you might have (or aspire to have) with The Adroit Journal’s staff community.

2. PLEASE UPLOAD A WRITING SAMPLE (8-10 pages of poetry or 12-15 double-spaced pages of prose) *for all Editorial roles

ELIGIBILITY:

We are fully open to all readers and writers. At this time, for editorial roles, we are not open to editorial staff on the masthead of other internationally-staffed unaffiliated literary journals. Publications that consider solely campus work, or work with specific geographic eligibility requirements, do not apply to this restriction. Non-editorial roles are exempt from this proviso.
As we seek to fill open positions sooner rather than later, we consider applications on a rolling basis.
***Unless otherwise specified, all positions are volunteer and remote in nature & have a start-date of ASAP.***

Apply here.

Saturday, September 7, 2024

Call for Submissions from Students Ages 13-22: Blue Marble Review

 

Recent cover image or website screenshot for Blue Marble Review

Thanks for your interest in Blue Marble Review. We welcome submissions from students ages 13-22. Please take a look at our submission guidelines, and fill out the form below. Please use a personal, or parent email (or gmail) but not a school email. School email filters will often block our responses. We look forward to reading your work.

What to Send:

Blue Marble Review is published four times a year and accepts submissions of poetry, fiction, nonfiction, essays, opinion pieces, travel writing, photography and art on a rolling basis. We are looking for new work that hasn’t been published anywhere else either online or in print.

Fiction:

Send us your stories! Flash, short stories, hybrid forms-all in 1500 words or less. A maximum of three pieces per submission.

Non-Fiction:

We accept memoir, personal essays, travel adventures, and have been known to publish the occasional research paper and book review. One to two pieces per submission please.(1500 word limit)

Poetry:

Up to three poems per submission.

Art:

Four pieces of artwork (scanned, jpeg format) or four photographs per submission.

Payment:

Contributors published online in Blue Marble Review will receive $30 per published piece, $75 for cover art.

When you submit to Blue Marble Review you are allowing us First Serial Rights as well as the right to archive your work on our site. Copyrights of all work published in Blue Marble Review remain with the author.

Submit your work here.

Call for Submissions on Theme of "What Animals Can Teach Us About Being Human": Bellevue Literary Review

Recent cover image or website screenshot for Bellevue Literary Review (BLR)

Bellevue Literary Review seeks high-caliber, unpublished work, broadly and creatively related to our themes of health, healing, illness, the mind, and the body. We encourage you to read BLR before you submit.

Submissions are OPEN for our upcoming theme issue on “Animalia: What Animals Can Teach Us About Being Human” until December 31, 2024. We will also be accepting general submissions at this time. We can’t wait to read your work!

Animalia: What Animals Can Teach Us About Being Human

BLR is seeking creative writing about the ways in which animals figure into our lives and the way they live theirs. Whether companion or wild, predator or prey, animals’ experiences of health can shine a light on our own. BLR invites submissions that explore how health and healing both transcend and interconnect species, and what this can teach us about being human.

Fiction/nonfiction word max is 5,000 words (though most of our published prose is in the range of 2,000-4,000 words).

Fiction: We seek character-driven fiction with original voices and strong settings. We do not publish genre fiction (romance, sci-fi, horror). We have only occasionally published flash fiction. While we are always interested in creative explorations in style, we do lean toward classic short stories.

Nonfiction: We are looking for essays that reach beyond the standard ‘illness narrative’ to develop a topic in an engaging and original manner. Incorporate engaging and creative analysis that allows anecdotes to serve a larger purpose. (Please, no academic discourses or works with footnotes. )

Poetry: We encourage poems that are accessible to a wide audience. Characteristics we look for are vivid writing, strong narrative, and rendering the familiar new. We encourage you to peruse back issues in our archive to get a sense of our ethos. Please submit no more than three poems. Each poem should be on a separate page within a single document.

Guidelines

We happily consider simultaneous submissions, but please inform us immediately if your work is accepted elsewhere.

Manuscripts can only be accepted electronically via Submittable.

Fiction and nonfiction should not exceed 5,000 words (double-spaced, please). Most of our published prose is in the range of 2,500-4,000 words, which allows us to publish more authors.

You may submit up to three poems as one submission. Each poem should be on a separate page within a single document. Poems can be of any length, though shorter poems allow us to include more poets in our pages.

There is a $5 fee per general submission but it’s waived for current subscribers. (If you are not a current subscriber, you can subscribe when you submit your work and take advantage of free submission.) These fees help BLR fund publication of the journal, but if it’s a hardship for you, please contact us.

We strive to provide several reviewers for each manuscript and kindly ask your patience in this necessarily slow process. But if you have not heard from us within five months, feel free to inquire about your manuscript.

BLR pays $75 for poetry and $150 for prose. Published authors will receive two copies of the issue in which their work appears, plus an additional 1-year subscription to BLR. There is an author discount for purchasing extra copies.

All submissions must be of previously unpublished work.* BLR acquires First North American rights, and the right to reprint in anthologies and online. After publication, all other rights revert to the author and the work may be reprinted as long as appropriate acknowledgement to BLR is made.

Submit your work here.

Call for Submissions: The Temz Review

Recent cover image or website screenshot for The /temz/ Review

Prose (for the journal)
We publish prose (fiction and creative non-fiction) up to 10,000 words long. We will consider pieces longer than 10,000 words, but they need to earn their length.

We pay $20 per piece.

If your piece is longer than 1000 words, please submit only one piece. If your pieces are fewer than 1000 words each, feel free to submit several pieces at once.

We are looking for innovative short fiction from diverse voices. Our preference is for the strange, the experimental and the boundary-pushing, but we are open to a wide range of styles and voices.

Poetry (for the journal)
We accept submissions of 1-8 poems, depending on the length of the poems.

We prefer poetry submissions to be 10 pages or fewer. You can certainly send us longer submissions, particularly if you are submitting a long poem, but longer submissions need to earn their length.

We pay $20 per batch of poems we publish.

Our preference is for innovative verse that pushes the boundaries of poetry, but we are open to a wide range of styles and voices.

Please submit only once per reading period.

Reviews and Interviews (for the journal)

We do not accept reviews or interviews submitted through Moksha. If you are interested in writing a review for us or placing an interview with us, please query us first at:

thetemzreview[at]gmail[dot]com (Change [at] to @ and [dot] to . )

We are particularly interested in reviews of Canadian small press titles and of works in translation, and in interviews with the authors of this kind of work.

Simultaneous Submissions Welcome!
We welcome simultaneous submissions, provided you notify us and/or withdraw a piece that is accepted for publication elsewhere. 

More information and submission portal here.

Writing Competition: The Sarabande Chapbook Prize

The Sarabande Chapbook prize

SUBMIT September 1 - 30

In celebration of Sarabande’s 30th anniversary, the inaugural Sarabande Chapbook Prize will be awarded to two winners from our 2024 submission period. The prize includes $1,000, publication, and a standard royalty contract.

Genre

We’re looking for traditional poetry chapbooks and hybrid/experimental projects. (For examples of hybrid projects we’ve loved, see Hotel Almighty, Team Photograph, Thot, Bright, White Bull, A Twenty Minute Silence Followed by Applause, and more.)

ELIGIBILITY

This Sarabande Chapbook Prize is open to any poet or writer of English. Employees and board members of Sarabande are not eligible. Translations and previously published collections are not eligible. Works that have previously appeared in part in magazines or in anthologies may be included. 

SUBMISSION REQUIREMENTS

Manuscript must be anonymous

Manuscript must be typed, standard font, 12 pt., paginated

Between 20-30 pages, single spaced

Must be accompanied by a $25 submission fee

Must be submitted electronically through Submittable

Multiple submissions are permitted if submitted separately, each with a submission fee. Edits to submissions will not be permitted, but any publications resulting from this contest will undergo a full editorial and copyedit. Simultaneous submissions to other publishers are permitted, but please withdraw your manuscript if accepted elsewhere.

More information and submission portal here.

Fellowship: Paul and Daisy Soros Fellowships for New Americans

This fellowship supports thirty New Americans— immigrants or the children of immigrants—who are pursuing graduate or professional school in the U.S. Each Fellowship supports one to two years of graduate study in any field and in any advanced degree-granting program in the U.S. up to a total of $90,000.

Deadline: October 31, 2024 

To apply for the Paul & Daisy Soros Fellowships, you’ll need to create an account and start the online application. You’ll fill out eligibility and demographic questions, share information about your educational and New American background, and then you will have to submit relevant transcripts, a resume or CV, two essays, and then register three to five recommendations.

Once we receive and review the applications, the top 77 applicants will be designated “finalists” and will be asked to appear for virtual interviews in late January and early February of 2025. 30 of the the 77 finalists will be selected as Fellows and will be notified in March of 2025. The 2025 Fellows will be announced publicly in April of 2025 and they will begin to receive stipend and tuition support from the program in the fall of 2025, and they will also attend the Fellowship’s Fall Conference, all expenses paid, that October.

  • PD Soros supports all types of full-time graduate and professional degrees at accredited institutions in the United States.
  • You can apply when you’re applying to graduate or professional school, or when you’re in the first two years of the academic program you’re seeking funding for.
  • You can apply more than once and the application is free.
  • The first year of the Fellowship can’t be deferred.
  • All application materials must be submitted online through the online application.
  • We make no exceptions to the 2 pm ET application deadline on October 31, 2024.Our eligibility requirements include your status as an immigrant or a child of immigrants, your age, and your academic standing. We do not look at school, GPA, or test score range. All eligibility requirements should apply to you as of October 31, 2024. If named a finalist, you will be required to provide documentation of your eligibility.
More information and application portal here.

Call for Submissions: Wrong Turn Lit

What We Want

We’re always looking for literary work - fiction, essays, poetry, book reviews - that takes risks and demonstrates an excellence of craft. We want to be entertained, or made slightly uncomfortable, but most importantly, left in awe of what you can do with words. We’re word people. Send us what you’re too afraid to show anyone else.

What We Don’t Want

We are not interested in works previously published online or “curated” or in-print, except for translations. Nor do we accept any AI-generated text.

How to Submit

We currently accept submissions via Submittable or Duosuma.

Formatting Requirements

For prose: Submissions must be 1,500 words or less. Simultaneous submissions are encouraged, but let us know if your piece is accepted elsewhere. Send only one piece at a time and wait for a response before sending another. Multiple submissions will be deleted unread.

With your submission, include a standard cover letter with your contact information, word count, and a short, third person bio (50-100 words max). We read submissions blind, so make sure your name is removed from the file name as well as the document you submit. Format your work according to the standard MLA Guidelines: Times New Roman, 12 pt font, double-spaced, with page numbers and word count in the header. We prefer Word documents, for editorial purposes, but will accept pdfs as long as they follow the above format.

For poetry:

Submissions may consist of up to three individual poems. Single-spaced is preferred, Times New Roman. Your poems should all be included within the same word document. Each individual poem should be no longer than a page in length. We are not the right fit for long, epic, or funkily-spaced poetry (Sorry, Cummings).

We tend to prefer the lyrical, but take a look at what we’ve published in fiction and nonfiction, and if you think your poems fit our aesthetic, send them along.

Failure to follow any of the above guidelines will result in automatic rejection. Don’t waste our time, and we won’t waste yours.

If you have been published by Wrong Turn Lit, we ask that you wait one month after publication to send us more stuff.

Response Time

We try to respond as soon as possible, but depending on the volume of submissions, sometimes it may take a month or two.

Important Note: We are editors for a reason. We like to be very hands-on with the pieces we accept. No matter how much we like a piece, there is always room to improve. If you’re uncomfortable or unwilling to revise your work with our editorial team, then we are not for you.

For Book Reviews:

We're now accepting Book Reviews for publication in addition to our weekly regular fiction, nonfiction, or poetry. For this call, we want to focus specifically on books published by small presses. These can be chapbooks or full length novels, memoirs, story or poetry collections, etc.

In general, you should try to follow John Updike's guide for reviewing:

1. Try to understand what the author intended to write, and don’t punish him or her for something she or he did not attempt to do.

2. Provide enough quotations from the work to give the review reader a feel for the quality of the prose.

3. Confirm your description of the work with quotations and other evidence from it.

4. Limit your plot summary, and never give away the ending. Don’t spoil the experience for others.

5. When a book is deficient in quality, cite similar examples of good books (perhaps even by the same author). Try to understand and explain what went wrong; don’t just do a “hatchet job.”

6. Don’t review books you are predisposed to dislike or like (for instance, one written by a friend); don’t see yourself as a caretaker for some tradition or standard of literature; don’t try to put an author “in his place” with your critique; and always review the book, not the reputation.

We are not looking for hit pieces or vulgar takedowns. The ideal review will generously engage with the book and encourage further engagement. That does not mean the review must be overwhelmingly positive or positive in any way. But our goal here is to bring more attention to books that are being overlooked by the mainstream press and provide a space for further discussion of independent literature.

Follow our standard formatting guidelines. The word count on these can be a bit higher than our usual, somewhere between 2,000-3,000 words is probably the sweet spot, though we're happy to look at what you can do in a shorter span.

If you'd like to query about potentially reviewing a book (forthcoming or already published), send us an email or direct message.

Rights & Payment

You always retain the copyright to your work.

If we decide to publish your work, we require exclusive electronic rights to it for 30 days and non-exclusive rights for the duration of the journal so that it may appear in our archived issues.

Right now, we're unable to offer monetary compensation; however, we gift all our contributors a complimentary one-year paid subscription to our journal with all the bells and whistles.

If your work is subsequently published elsewhere, we would greatly appreciate your acknowledgement of Wrong Turn Lit as the site of first publication.

More information here.

Call for Submissions: Ninth Letter

Ninth Letter Print Edition Submissions

Ninth Letter is published semi-annually in print at the University of Illinois, Urbana-Champaign. We are interested in prose and poetry that experiment with form, narrative, and nontraditional subject matter, as well as more traditional literary work.

We do not accept previously published work, including self-published work on websites, blogs, etc. Simultaneous submissions are welcome! Please send a message withdrawing your poem(s) or flash piece(s) immediately upon acceptance elsewhere. Please only send only one submission per genre at a time. We ask that previous contributors wait three years from your publication date before submitting again.

We accept electronic submissions via Submittable. We do not accept submissions by email attachment. Email submissions will not be read.

To see what we publish, you can purchase our current issue or a subscription via Submittable. All issues (including back issues) can be purchased here.

General Print Submission Guidelines

Submission Period:

Ninth Letter accepts submissions to our print issues between Sept. 1 - Feb. 28.

For poetry, please submit 3-5 poems (max. 8 pages) at a time.

For fiction and creative nonfiction, submit one story or essay up to 8,000 words at a time. For flash, you may submit up to 3 pieces with a total word count totaling no more than 4,000 words.

If you classify your work as "hybrid," please submit to the genre category you feel your submission most closely applies. You are welcome to leave a note in the cover letter field with any details you think our reading team would find helpful. We will make sure your submission gets to the right team and receives the attention and consideration it deserves.

Submission Fee:

We charge a $3 reading fee to pay for Submittable and to contribute to our author payments. Fees are waived from December 1-31 or until we hit our cap of 300 submissions per genre.

Fee Waivers:

A limited number of fee waivers are available for writers for whom the submission fee would present undue financial hardship. Please send a short email to:
 
 
to request a fee waiver. No proof of income or other sensitive information is required.

Publication Terms & Payment:

Ninth Letter pays $25 per poem and $100 for prose upon publication and two complementary copies of the issue in which the work appears. Contributors also receive an exclusive subscription discount offer at the time of acceptance. Ninth Letter acquires First North American Serial Rights (FNASR). We ask that you acknowledge Ninth Letter upon reprint of your work.

Response Time:

We strive to respond to your submission within six months. Please wait until that time has elapsed before querying about the status of your submission.

Web Edition Submissions

Ninth Letter will be accepting submissions of fiction, nonfiction, and poetry for our winter web issue to be published at ninthletter.com. Submissions will be open from September 1 to November 1.

Theme-"de/composition":

The theme for this issue is “de/composition.” A bit biased, no? To think of decomposition as the dead opposite of the thing that used to be—its breaking down, its decay, its withering. Decomposition as merely putrefaction, a lesser of the former, a corpse, a husk. Let’s question this, then.

Send us your work that sees, in decay, something new. Send us work that, in content, in form, in spirit, decomposes as a way to recompose. Let us see your flies gather, the ants lick the wet bones bare. Send us your compost heaps as new seeds crack inside. Send us your landfills where night dogs strafe like dreams through plastic. Send us your taxidermy studded with jewels. Send us your shards, rearranged into a face. Send us your dead, your ash mixed with glitter.

General Guidelines:

You may submit up to three poems, or one piece of short prose (fiction or nonfiction) of up to 3500 words; please also include a cover letter that briefly explains how you see your work connecting to the theme. Note: work submitted without this information may be withdrawn. Acceptable file formats are .doc, .docx, .rtf, and .pdf.

Submit your work for this special feature at:
 
 
Submissions sent via snail mail will not be considered for this issue. Email submissions are not accepted and will not be read.

Unless otherwise requested, please submit only once per reading period. We do not accept submissions of previously published work (including work published on personal blogs or social media sites). Please do not send multiple submissions within the same genre.

Publication Terms and Payment:

Authors whose work is selected for this special feature will be offered payment of $25 per poem or $75 per piece of prose, plus an exclusive discount for a one-year print subscription.

Response Time:

We strive to respond to your submission to our web issues within four months. Please wait until that time has elapsed before querying about the status of your submission.
 
Thank you for your interest in publishing with Ninth Letter. We look forward to reading your work!

Call for Submissions: Electric Literature

Essays - Personal Narrative — Personal Narrative will open for submissions on Tuesday, September 3, 2024. The portal will close at 11:59 PM PST on Tuesday, September 17, 2024 or when we reach a cap of 750 submissions.

 Members of Electric Literature can submit year-round. Join today! 

  • Submissions must be full drafts of personal essays submitted via Submittable
  • While there are no restrictions on form or subject matter, submissions should center narrative and consider what it means to essay; in other words, write to interrogate, investigate, adventure, and introspect
  • Submissions must be between 2,000 and 6,500 words in length
  • Simultaneous submissions are accepted, but please let us know immediately if a submission is accepted elsewhere
  • Previously published work will not be considered
  • Response time is approximately six to eight months
  • Writers may submit once per submission period, but writers can have active submissions across other EL categories. (This does not apply to year-round submitting members. For more information on member submissions, please refer to the welcome email you received when you signed up as member, or email wynter@electricliterature.com.)
  • Upon acceptance, we can offer authors $100 for publishing rights, with 90-day exclusivity

For more information on what we’re looking for, please watch our salon on EL’s General Nonfiction Program

More information and submission portal here.