Saturday, April 5, 2025

Call for Submissions: The Pink Hydra

Recent cover image or website screenshot for The Pink Hydra

For this year, The Pink Hydra is publishing on a quarterly schedule. We aim to release issues in June, September, and December 2025. Therefore, our open submission periods will be as follows:

The whole of April — for the June issue. Because our fundraiser was slightly delayed, April submissions are being extended until 10 May 2025.
The whole of July — for the September issue
The whole of October — for the December issue

If your story is rejected for the Magazine, please don’t submit it to our Ko-fi or Novella calls.

Submission guidelines for the magazine

Genre: The Pink Hydra publishes tales of unreality. That includes—but is not limited to—all stripes of speculative fiction. It also includes tales where no magic happens. It’s more of a vibe than a genre. Stories need to have a fantasy-feel, to transport the reader to some different world. This can include literary, romance, or even nonfiction memoir.

You can check out our past issues (all free!) or browse our list of authors to see what we’ve accepted in the past, but don’t use these as a form of self-rejection. One of the main things we’re looking for is diversity. We’ve already published a range of tones and styles, from the whimsical to the grimdark, the philosophical to the unapologetically pulp. We’ve published urban romance, sexy smut, space horror, sword-and-sorcery, backpack fantasy, queer fairytales, drug-addled whimsy, an absolute mess of poetry, and more. We try to publish what the higher-profile zines don’t, so if you’ve got something that doesn’t seem to fit, give us a try! Our Head Editor’s favourite stories and poems so far are listed on her website here. (Some of these might be NSFW, depending on where you work.)

Because of our online format, we are not the best venue for unusually formatted poetry (poems that rely on spacing and margins to reproduce a certain shape). We also generally prefer not to publish these types of poems. Other than that, any form of poetry is fine.

Content: We welcome extreme content and do not require content warnings. Sex and bad language are fine. We do publish erotica, and especially queer smut.

Length: Up to 30,000 words for short stories. No line limit for poetry. Flash fiction and microfiction welcome.

Simultaneous submissions: Allowed and welcome. Let us know at the submissions email if you need to withdraw a story.

Multiple submissions: For stories over 5,000 words, only submit one at a time. If you have a bunch of stories below 5,000 words, send any number as long as the total word count is no more than 5,000. For poetry, send up to 10 poems at a time. You may mix poetry and prose as long as the total submission is under 5,000 words or 10 standard letter pages. If you have an epic poem that’s over 10 pages long, we’d love to see it, but again, only one at a time. Send all you want us to consider in a single document attached to a single email.

For this year, we will only consider one submission per writer per open period, so please make sure that you have sent us everything in one email! Whether accepted or rejected, you’re welcome to send us another submission when we reopen.

Reprints: All rights we ask for are non-exclusive, so we accept reprints as well as works that are still available elsewhere. In your submission email, please indicate the publication history of your piece: where it was first published, whether it’s still in print or online, etc. We welcome stories that have been self-pubbed someplace like Tumblr or Medium, but we are a bit less likely to accept work that is available at another free webzine.

Formatting: Send your submission as a document that can be opened and edited in MS Word (.doc, .docx, .rtf, .txt, .odt). Do not mark it read-only. No PDFs, no links to your Google Drive, and please do NOT paste the text of your submission into the body of the email. Email all submissions to:

submissions@thepinkhydra.com 

Put ‘Submission’ in the subject line of your email. Use whatever font or line spacing appeals to you, and please indicate your byline (the name you want to publish under).

Cover letter: A formal cover letter is not required, but we’d love to hear who you are and where you’re from. Please treat the editorial team like people, because we are. You should know that a completely blank email comes off as rather rude, and on top of that blank emails are more likely to be dumped into spam folders.

As mentioned above, please tell us if you are sending a reprint. This isn’t so that we can secretly discriminate against your story, but because we look rather silly announcing that something is ‘first published at The Pink Hydra’ when it isn’t.

Submission Confirmation: You should receive an auto-reply from us within 72 hours confirming that we have received and queued your submission. If you haven’t received it, send your submission again. If it’s still not arriving, please urgently contact our Chief Editor at her personal email: emmyktz (at) gmail.com. Do not use this address for submissions; offenders will be demolished, hung, drawn and quartered, sent in pieces to each of the twelve tribes, and ignored.

Response time: We aim to reply to all submissions within a month of receipt. Because of our new quarterly publication schedule, we have to finalize our seclections for the next issue at the latest two weeks after the submission period closes. If you don’t hear from us by then, please get in touch.

Feedback: At The Pink Hydra, we generally don’t send form rejections. Often we will provide detailed critique on a rejected story, but even if we don’t, we always give a reason for rejection. If you’d rather not know the reason why, or if you’re not interested in feedback on your writing, please tell us.

Editing: All the material we publish at The Pink Hydra is rigorously edited with attention to errors, inconsistencies, language use, and style. We always require the writer’s approval of any changes before publication. Sometimes these edits go beyond simple grammar: we might ask to restructure sentences, change passive conversation to active, or fact-check your terminology. We consider editing to be a dialogue between editor and author, and welcome your input during this process.

Rights and payment: The Pink Hydra asks for worldwide, non-exclusive electronic distribution rights. We pay on acceptance, preferably via Paypal, but alternative arrangements can be made if necessary, especially if you are living in Africa. Our template contract is here.

For 2025, we are compensating writers with a base pay rate of 1 ZAR cent – about 1/18th of a U.S. cent – per word, with a minimum payment per contributor of R50. Payments made by Paypal are rounded up to the nearest dollar, to help cushion fees.

Effectively, this means that all stories and poetry contributions under 5,500 words will receive $3, with longer stories receiving more, up to a maximum of $17.


Re-Submissions: Sometimes, we will ask for rewrites of a story we liked but didn’t think was ready for publication. There are also stories that we would be open to considering at a later date, if substantial revisions are made. If you sent us a story last year and we asked you to re-submit, you are more than welcome to send the revised story again this year.

Illustrations

The Pink Hydra is looking for black-and-white cover art and illustrations, reprint or original. We’re open to any artistic style or genre, including photography, as long as it suits the vibe of the magazine. As with writing, erotic art and taboo subjects are welcome.

Guidelines: Email 1 to 10 art samples to:

submissions@thepinkhydra.com 

In your email, please indicate whether the pieces have been published by another market, and if so, when and where. (We don’t mind if you’ve posted the pieces on your own site or social media.) We are unlikely to purchase a piece which has been used as cover art for another online magazine. We offer R180 per piece for cover art, and R80 for interior art, rounded to the nearest dollar if paid by Paypal (effectively, $10 and $5). 

Simultaneous submissions are allowed.

Response: Your art submission will receive an auto-reply, to confirm that we have received it. We’ll get back to you within 60 days. You may submit illustrations and writing at the same time.

Novel excerpts

The Pink Hydra has the space to run a short novel excerpt in every issue. We often use these for self-promotion, but we’d like to feature any book our readers might be interested in. Because this excerpt is intended to function as a free advertisement, there is no payment.

Guidelines: Send an excerpt between 1,500 and 5,000 words to:

submissions@thepinkhydra.com 

In your cover letter, please include your penname and bio, a link for readers to find your novel, and a short blurb describing the overall plot. Excerpts do not have to stand alone – ideally, they should make the reader want to head on over to your book to read the rest! The novel must be available to buy or pre-order – no works-in-progress! Free novels, of course, are welcome too. You’ll receive a response from us within 30 days.

Don’t: send us AI work (ugh) or stuff that you otherwise don’t hold the copyright to, like fanfiction (characters who are in the public domain, like Dracula, Odin, or Alice in Wonderland, don’t count as fanfic). Don’t send us things if you’re under 18.

The Pink Hydra is a proudly nerdy, female-led, sex-positive, queer-friendly, international, young publication. We hate fascism and oppression in all their various forms, and we won’t accept work that we view as imperialist, discriminatory, or anti-sex. Take your Nazi fanfic, MRA manifestos, and rants about the evil Chinese elsewhere. You may also be tempted to send us ‘stories’ that make fun of bullied kids, rape victims, refugees, the mentally ill, or other vulnerable classes of people. Don’t.

The Pink Hydra accepts submissions from all crevices of the globe, from New York to Nairobi, Berlin to Bombay, Mississippi to Maseru. We will consider all submissions on their own merits, but we are particularly interested in stories by and about women (including trans women), stories that take place somewhere that isn’t Everyman City, and all things LGBTQ+ and (gender)queer.

Send us your stuff, your art! Don’t self-reject!

Call for Submissions: The Los Angeles Review

Los Angeles Review

Submission Information

Reading Period Status: With the new online format, the Los Angeles Review will be open for submissions year-round!

Submissions are open to all and are not limited to residents of Los Angeles

Submission Methods:
 
We only accept unsolicited submissions online via Submittable. Online submissions are subject to a $3.00 reading fee.

Current subscribers and former contributors may submit online free of charge by emailing their pieces directly to the appropriate editor. However, it is ultimately up to the genre editor’s discretion whether to accept submissions through email. Submit Online: Submittable Simultaneous submissions are accepted if noted in the cover letter. Please do not send multiple submissions unless an editor has invited you to do so. Response time is two to four months.

Compensation: Writers published in the print edition of the Los Angeles Review will receive one contributor copy in exchange for first North American rights. No reprints, please.

Subscription: We encourage submitters to read our journal, and if you order a copy of LAR, your submission is free. You can find ordering information here. Contact the Managing Editor for international shipping rates, information about classroom subscriptions, course adoption, and bulk discounts.

Online: Accepted submissions are eligible to be published in the new online format and will be considered for the yearly best-of print edition.
Submission Guidelines

**Please note that all submissions under all submission categories must be previously unpublished. Any already published work will not be considered for publication with the Los Angeles Review.

Fiction: We’re looking for hard-to-put-down sequences of shorts or stand-alone lengthier stories in the 1,000 – 4,000 words range. Regardless of length, we always hope to see lively, vivid, excellent literary fiction.

Flash Fiction: We’re looking for shorts under 1,000 words that we want to read again and again. We’re looking for work that is lively, vivid, and leaves us wanting more. Additionally, please note our one-story limit per submission. While authors are more than welcome to submit multiple stories to LAR, we ask that they please submit them individually.
 
Nonfiction: Please submit an essay, memoir, or commentary told as compelling, focused, sustained narrative in a distinctive voice, rich with detail. Send 1,000-4,000 words or delight us with flash nonfiction that cat-burgles our expectations.

Poetry: Please submit 3-5 poems that will surprise us, wow us, and make us wish we’d written them ourselves. We are open to form, free verse, prose poems, and experimental styles. Our only criterion is quality.

Translation: Please submit no more than 5 poems (single-spaced) or 5 pages of prose (double-spaced). Include biographical notes for both the author and the translator. Your submission must be accompanied by 1) the original text and 2) a letter from the rights holder stating that you have permission to translate and publish the work in the United States. If you cannot provide #2, we will not be able to print your work. We look forward to reading your submission.

Book Reviews: We welcome reviews of new and recent books of poetry, fiction, creative nonfiction, and hybrid work, particularly those titles that have not received the critical attention they deserve. Please send completed drafts, no more than 1,200 words, to:
 
review@losangelesreview.org

Before submitting, please review our book review guidelines here.

Call for Submissions: Four Way Review

Recent cover image or website screenshot for Four Way Review

Four Way Review accepts poetry and fiction from both established and emerging authors. We look for work that demonstrates fine attention to craft while retaining a powerful and compelling voice. We want writing that showcases the imagination's unique ability to refine the raw materials of human experience.

We encourage submissions from diverse voices.

Unsolicited submissions are considered year-round. Before submitting, please see our latest issue and ensure your work is a good fit. Please wait to hear back from us before submitting again.

We accept .pdf (preferred), .doc, and .docx. You may also include a cover letter with your contact information and a brief bio in the "comments" box. Simultaneous submissions are welcome, but please note this in your cover letter and let us know immediately if a piece is accepted somewhere else. Due to a high volume of submissions, we cannot respond individually to withdrawal requests.

In order to offer our writers a small honorarium, we now charge a small submission fee of $3 for part of the year. In January, April, August and November, all submissions are fee-free. During these months, we might close submissions for one or more genres, should the submission maximum be reached. This is done to ensure that our readers are able to read and respond to each submission in a timely manner.

Poetry

— We are interested in all styles and forms of poetry.

— We ask that writers submit poetry no more than three times per year, with three to five poems in a single submission.

— Please email us to withdraw individual poems.

Fiction

— We're looking for finished stories that are both whole and surprising.

— Keep longer submissions below 6,000 words. Submit only one piece at a time and no more than three pieces a year.

— Short shorts should be under 1,000 words. You may submit up to three flash pieces in one submission.

Translation

— We are interested in all styles and forms of writing in translation.

— We ask that writers submit work no more than three times a year, adhering to our guidelines for poetry, fiction and nonfiction (i.e., no more than three to five poems in a single submission and keeping prose below 6,000 words).
— If possible, please include the original piece with your translated submission.

— Please confirm that you have obtained permission, either from author or rights holder, to publish the translation.

Creative Nonfiction

— We're looking for pieces that surprise us, pieces that push at the corners of the form.

— Keep longer submissions below 6,000 words. Submit only one piece at a time and no more than three pieces a year.

— We do accept flash nonfiction. These should be under 1,000 words. You may submit up to three flash pieces in one submission.

All submissions must be previously unpublished. We request first North America serial rights for any work that we accept. All rights revert to the author upon publication, though we ask that you acknowledge Four Way Review if the work is published elsewhere.

You can withdraw your work using our submissions manager. To withdraw part of a submission, email us at:

fourwayreview (at) gmail [dot] com (Change (at) to @ and [dot] to . )

We try to respond within 90 days. Please note that our submissions manager is separate from the manager for Four Way Books. We will not respond to manuscript submissions.

We accept submissions through our online submissions manager. Unsolicited email submissions will be discarded unread.

THE BASICS

Submit through our Submissions Manager

Up to 5 poems or 6,000 words

We'll respond within 90 days

Call for Submissions from Writers Age 13-22: Blue Marble Review

Blue Marble Review 

Submissions open from April 1st to May 1st.

Thanks for your interest in Blue Marble Review. We welcome submissions from students ages 13-22. Please take a look at our submission guidelines, and fill out the form below. Please use a personal, or parent email (or gmail) but not a school email. School email filters will often block our responses. We look forward to reading your work.

What to Send:

Blue Marble Review is published four times a year and accepts submissions of poetry, fiction, nonfiction, essays, opinion pieces, travel writing, photography and art on a rolling basis. We are looking for new work that hasn’t been published anywhere else either online or in print.

Fiction:

Send us your stories! Flash, short stories, hybrid forms—all in 1500 words or less. A maximum of three pieces per submission.

Non-Fiction:

We accept memoir, personal essays, travel adventures, and have been known to publish the occasional research paper and book review. One to two pieces per submission please.(1500 word limit)

Poetry:

Up to three poems per submission.

Art:

Four pieces of artwork (scanned, jpeg format) or four photographs per submission.

Payment:

Contributors published online in Blue Marble Review will receive $30 per published piece, $75 for cover art. 

When you submit to Blue Marble Review you are allowing us First Serial Rights as well as the right to archive your work on our site. Copyrights of all work published in Blue Marble Review remain with the author.

Submit your work here.

Call for Submissions: Apus


Apus

Genres: Fiction, poetry, interviews, nonfiction, and visual art.

Word Count: Prose submissions are recommended to be no longer than 15,000 words. Poetry should not exceed 200 lines.

Pay:
- Prose: $10 USD per 1,000 words
- Poetry: $1 USD per line
- Visual art: Payment will be determined based on the format and quantity of the submitted work.
 

Submit: via Email:

submit@apuslit.com or Duotrope 

Deadline: June 30, 2025

Writing Competition: The Andy Warhol Foundation Arts Writers Grant

The Andy Warhol Foundation Arts Writers Grant

The Andy Warhol Foundation Arts Writers Grant supports emerging and established writers who write about contemporary visual art. Ranging from $15,000 to $50,000 in three categories—articles, books, and short-form writing—the grants support projects addressing both general and specialized art audiences, from short reviews for magazines and newspapers to in-depth scholarly studies. We also support art writing that engages criticism through interdisciplinary methods and experiments with literary styles. As long as a writer meets the eligibility and publishing requirements, they can apply.

Writers are invited to apply in one of the following categories:

  • Article
  • Books
  • Short-Form Writing

The program is excited to announce the launch of the Arts Writers Translation Grant for book projects about contemporary visual art from other languages into English. For guidelines and eligibility criteria for this grant, click here.

Due to legal constraints we can only fund U.S. citizens, permanent residents of the United States, and holders of O-1 visas. For guidelines and additional eligibility requirements, click here.

The 2025 application is now open.

The application deadline is May 7 at 11:59pm ET.

We have an open application process; all writers who meet the eligibility requirements can apply. The general eligibility requirements are listed below. For eligibility requirements and writing sample instructions for each project type, click here.

We recommend that you read through the Application Guide, available for download on the right-hand sidebar, before filling out the online application. To view the application questions click here.

To access the SlideRoom application, click here.

The program now offers a translation grant for book projects about contemporary visual art from other languages into English. For guidelines and eligibility criteria for this grant, click here.

To be eligible for this grant, an arts writer must be an individual;
  • applying for a project about contemporary visual art;
  • an art historian, artist, critic, curator, journalist, or a writer in an outside field who is strongly engaged with the contemporary visual arts;
  • a U.S. citizen, permanent resident of the United States, or holder of an O-1 visa (if your application advances to the final round, you will need to submit current documentation);
  • at least twenty-five years old by Oct 1 in the application year;
  • a published author (specific publication requirements vary depending on grant category; see the project-specific eligibility requirements).
By “contemporary visual art,” we mean visual art made since World War II. Projects on post-WWII work in adjacent fields—architecture, dance, film, media, music, performance, sound, etc.—will only be considered if they directly and significantly engage the discourses and concerns of contemporary visual art.
  • An arts writer is NOT eligible for this grant if they are applying on behalf of an organization;
  • applying for a project in which their primary involvement will be as an editor;
  • a full-time student in a degree-granting program (with the exception of those students who are simultaneously maintaining professional careers as arts writers);
  • an artist, writer, or curator writing an interpretive essay on their own practice;
  • applying for a project that is primarily fiction, poetry (including ekphrasis), or memoir;
  • applying for a project based on a PhD dissertation or MA thesis;
  • applying to conduct a Q&A interview (or series of Q&A interviews);
  • applying to assemble an archive or database;
  • applying for a project on Andy Warhol;
  • applying for a project that will be published by a commercial gallery;
  • applying for a Creative Capital Award for any project in the same grant year (including as a collaborator);
  • applying with the same project for which they have received a Creative Capital Award (including as a collaborator);
  • applying with the same project for which they have received a curatorial research fellowship from The Andy Warhol Foundation for the Visual Arts (including as a collaborator);
  • a grantee of The Andy Warhol Foundation Arts Writers Grant;
  • a recent juror of the program (evaluators are eligible to apply after one grant cycle; panelists are eligible after two grant cycles);
  • a current employee, consultant, board member, or funder of Creative Capital or The Andy Warhol Foundation, or an immediate family member of such a person.

Call for Submissions: Merganser Magazine

Merganser Magazine is a free online literary magazine, featuring a variety of prose and poetry.

Debuting in winter 2024, we aim to publish many writers and artists whose work transcends disciplines and genres.

We are now accepting submissions - we encourage you to submit!

Submissions

Please submit prose (fiction or creative non-fiction) and poetry by email to Jake Ott at:

editor@mergansermagazine.com

Include submission files as attachments.

Include as many stories and/or poems as you like. We'll consider every piece you submit, although we prefer not to publish more than one piece from the same author within a 6 month period.

Standard formats (e.g. standard manuscript format) are preferred, but not strictly required.

No hard editorial guidelines. We're eager to find strong, well-written pieces across a wide range of material. That said, our business model prioritizes shorter works, as well as those which are suitable for online reading (avoid long paragraphs). Anything longer than 2,000 words is likely a hard sell.

We allow simultaneous submissions. Email:

editor@mergansermagazine

if your submission is accepted elsewhere.

No reprints.

For prose, we pay the SFWA pro rate of $0.08 USD per word. For poetry, we pay $1 USD per line.

We aim to respond to all submissions within 1 month of submission. If you have not heard from us after 1 month, please reach out for an update.

Works translated, written, or developed by AI tools are strictly not allowed.

If your submission has been accepted, please wait 6 months before submitting again. This will ensure your next submission receives full consideration.

To increase chances of acceptance, read the magazine! You will see what has been accepted before. Typically, we publish what we feel were the most tightly written and creative pieces we received.