Saturday, December 13, 2025

Call for Submissions: Fresh Words: An International Literary Magazine

Fresh Words: An International Literary Magazine

We are open for submissions. We invite poems, short stories, essays, plays, diaries, excerpts from books (published or upcoming submitted by author only), book reviews, interviews and travelogues. Please send all submissions to:

freshwordsmagazine@gmail.com

as per the following guidelines:

Poetry:

3 to 4 poems (all themes and forms).

Short Stories: 

  • Maximum 2 stories
  • Word limit for each story (maximum 500 words)

Essays:

  • Topic must be literary.
  • Maximum 2 essays
  • Word limit for each essay (maximum 1000 words)
  • Send a summary of the work

Plays:

  • Maximum 2 submissions.
  • You can send one-act play (Maximum 15 pages for each work).
  • Also send a summary of the work.

Diaries:

  • You can send parts of your daily diaries and your observations about life.
  • Maximum word limit 1000 words

Excerpts from books. For Upcoming books:

  • You can send maximum 5 pages of your novel
  • You can send maximum 5 pages of your full length/ one act play
  • You can send maximum 2 poems of your poetry book 
  • A note (maximum 100 words) about the publisher and website from where it will be available

Book Reviews:

  • Two book reviews at a time (maximum 500 words for each)
  • Book review must mention (on the top right hand corner)the name of publisher, ISBN (if any), year of publication, total pages of book, weblink of book or website of publisher

E-Interviews:

The interested author/s may send an email to us with detailed literary achievements for consideration.

Travelogues:

  • Share your travelling experiences with the world
  • maximum word limit 1000 words
  • Do not forget to include your website and social media links at the end of text
  • You may share up to 10 pictures of your travel, in case they are available.

General Guidelines:

All submissions must contain a cover letter and a short literary profile (Maximum 70 words) of author in third person narrative.

All submissions must be sent typed in MS Word or PDF doc as attachment with the email.

The author should mention:

Legal Name:

Pen name (if any):

Snail mail address:

In the Subject line of your submission email please clearly mention the category like 'Poetry Submission' or 'Short Story' submission etc.

The author must send a high resolution photo of self as a separate attachment with the submission.

Simultaneous submissions are welcome but please immediately inform us in case they are accepted elsewhere.

Call for Poetry Submissions: Belmont Story Review


BSR 9 Cover.png 

What We're Looking For 

Belmont Story Review seeks to publish new and established writers who are passionate about their craft, fearlessly encounter difficult ideas, and seek to surprise and delight readers through an eclectic mix of storytelling at the intersection of faith and culture. We feature works of fiction, creative nonfiction, and poetry. Please see our FAQ page for common questions we receive regarding submissions.

Terms and Conditions

Within your submission, please include a brief author bio. If applicable, include the following in your bio:

Major publications and awards

Any association or past correspondence with a guest or staff editor

Past publications in BSR

Due to the volume of submissions we receive, we ask that authors submit only ONE piece of prose total (choose to submit either Fiction or Nonfiction, not both). Poets may submit up to FIVE poems maximum. Please submit poetry in a single document.

Belmont Story Review pays honorariums in the form of a check in US dollars ($100 for prose, $50 for poetry). In addition to this pay we are also happy to provide a complimentary copy of the magazine. More copies can be purchased at bookshop.org.

The honorarium payment to selected contributors can only be offered to those who are able to receive a US check. Because we are a university-sponsored magazine, we must request a W-9 form from all our contributors in order to be paid by check. For those who cannot receive US checks (i.e. outside of the US or Canada), we can pay in kind with additional copies of the magazine (three total) but cannot issue monetary payment.

Submissions will not be accepted after the deadline. We do not accept pieces that have already been published or revised submissions.

You should expect to receive word on your piece’s status by April 1 during the year of volume publication via the email you provide with your submission. If you have not received an email by that date, please feel free to contact us. Our volumes are published annually in the fall.

Submit your work here

Deadline: Jan. 21, 2026

Call for Submissions on Theme of "Labor": The Arkansas International

Recent cover image or website screenshot for The Arkansas International 

The Arkansas International invites the world’s best writers and artists into conversation with each other and with readers who yearn for depth, complexity, and delight. We are eager to read your work!

We welcome previously unpublished general submissions of fiction, poetry, essays, comics, and works in translation. To get a sense of what we publish, read previous issues on our website.

Submit to Issue #20, the Labor Issue.

We are now open for submissions for themed issue #20, due out in the fall of 2026. This issue will be both online and in print.

Send us your stories, poems, comics, and non-fiction about all the ways we labor, whether emotional, physical, or mental. How does labor form and inform our lives? What does our work say about what we love, or about what or whom we care for? What does it reveal about what we hate or fear? Hired labor, hard labor, labors of love, or laborious revenge, all of it creative fodder. Send us your best work by January 15, 2026!

General Guidelines

  • For all submissions, include a brief cover letter and bio.
  • Prose submissions should be no more than 8,000 words, poem packets no more than five poems, and we ask that excerpts from longer works be self-contained. Please submit all work in one document.
  • Simultaneous submissions are welcome, provided we are notified in the event that a piece is accepted elsewhere. Please do not submit more than a single story, essay, or poem packet until you have heard back from us about your previous submission.
  • Submissions of translated works must include a copy of the original text. Before submitting translations of works that are not in the public domain, translators should identify the rights holder and obtain a statement that the rights to publish an English translation are available.
  • We assume you are human and do not accept work produced by artificial intelligence (AI) generators or similar.
  • If you need to withdraw any or all parts of your submission, please withdraw via Submittable For partial withdrawals of poetry submissions, add a message to your submission.
  • While we no longer offer free submissions, we are happy to provide waivers to those identifying as BIPOC or in need of financial assistance. For more information on how to apply, please email editor@arkint.org.

Response time:

On average, we respond within three to six to months, although sometimes longer due to the volume of submissions received. We continue to review submissions and will be in touch as soon as we can. We are unable to respond to general status queries. Should you need to be in touch with the editorial team, Submittable message is the best way to do so.

Beginning with issue #19 in spring 2026, the unthemed spring issue will be online only, while the themed fall issue will be both in print and online. Fiction contributors will be paid $25 per 500-word page and poets will be paid $25 per page, with payments capped at $200. All contributors will receive a one-year digital subscription. In addition, contributors to a print issue will receive two complimentary copies of the issue. 

Submit your work here. 

Writing Competition: The "London" Literary Prizes: The /tEmz/Review

Recent cover image or website screenshot for The /tEmz/ Review 

Cost to enter: zero. Free entry!

Submission dates: Nov 1, 2025 to December 31, 2025

Results: Announced in April, 2026

Categories: Poetry and prose

8 Awards:

First Place Poetry (Canadian)
Runner-Up Poetry (Canadian)

First Place Poetry (International)
Runner-Up Poetry (International)

First Place Prose (Canadian)
Runner-Up Prose (Canadian)

First Place Prose (International)
Runner-Up Prose (International)

First-place entries will receive a $200 (CAD) cash prize and publication.

Thanks to a generous anonymous donor, runner-up entries will receive $100 (CAD) cash prize and publication.

Rules: You can submit up to three poems in the poetry category (please submit them all in one file), and a maximum of one short story in the fiction category. Short stories must be a maximum of 5000 words. You can submit to both the poetry and fiction categories.

You must submit original work that has not been published in any other context and that has not won any other contests.

AI is not allowed in any capacity for this contest.

All submissions will also be considered for publication in Issue 35, so please do not submit the same piece both for the contest and for that journal issue.

Theme: There is no theme. It's thematic and formal anarchy! Just submit something that's really good!

How to submit: Please submit through our Moksha submissions portal. Include a short bio as your cover letter, and clearly indicate in it if you're Canadian or not (for our purposes, you're Canadian if you're a Canadian citizen OR if you are currently living in Canada).

Call for Submissions on Theme of "If/Else": Notch Magazine

Notch Magazine latest issue 

Notch Magazine

We welcome meditations on conditionality and nested possibilities. Please send essays on the foundations of computational logic and stories that capture capillaries of reasoning. Share art that seizes visual polarity, cultivating contrast or queering light vs. dark. Track the evolution and architecture of decision trees—particularly when neat root systems spawn a Dantesque forest of disorientation. Consider temporal parallels, alternative paths that tug at the seams of the present. Capture the essence of elseness, being as/in/of otherness. Inhabit the space between If and Else; a clearing in which to grapple with potential.

We accept all mediums–from operatic scores to tattoos.

If submitting across multiple genres, please send separate emails with the genre in the subject line.

For writing: Pieces up to 1500 words are preferred. Longer work is considered on occasion. Works in translation are welcome.

For the visual & sonic: Please send a high resolution image, audio file, or link to your art. Artist statement optional.

Please note that, given the high volume of submissions, we can respond only to those selected for publication.

Submissions close January 7, 2026.

Contributors will be compensated.


To submit, email your work and a brief bio to:

submissions@notch.ink

Call for Submissions: Barnstorm Journal

Barnstorm publishes only previously unpublished nonfiction, fiction, poetry, and experimental work work. While we welcome submissions in multiple genres, please wait to hear from us before submitting twice in the same genre. We also accept visual art which accompanies each written piece published.

Submission Schedule

We only review submissions sent through Submittable. Submissions are accepted on a rolling basis and published from September through May. Work submitted during the summer will not be read until the fall.

We make every effort to respond in a timely manner. If your work is accepted and published elsewhere, please withdraw submissions in your submittable account.
Submission Guidelines

For all prose, please send one piece no longer than 5,000 words.

For poetry, send no more than three poems.

For art, we publish digital representations of visual work, including photography, graphic design, drawings, illustration, animation, and high quality pictures of sculpture, mixed media, paintings. Please visit our Submittable page for more information.

A note on our submission fee: This small financial resource will provide support for new possibilities: it can support the work of Barnstorm staff; it may fund future projects such as writing contests, prizes and awards, or a live reading event. Ultimately, it will help us achieve our mission: to publish the best personal and creative nonfiction essays, short stories, poetry and art that is playful, takes risks, and, as our motto says: harnesses energy.

We only review submissions sent through Submittable. Writing and art sent through our contact form, or email will not be reviewed.

Submit your work here

Call for Submissions: Lamp Lit

Lamp Lit publishes quarterly at the moment, though we would love to publish more frequently, and hope to do so as we pick up steam. We are looking for work we love, and that expands the capacity of our hearts. If you like, you can read our previous issues to see what we’ve chosen in the past, but we also eagerly look forward to reading work that looks nothing like what we’ve published before.

Submitting to Lamp Lit is free and we don’t have plans to change that. We accept submissions of poetry, flash fiction, personal essays, short stories of any genre and cover/other art for our issues.

We accept previously uncurated work, meaning that if you published it on your own website or social media in the past, that’s fine, but please do not submit work that has been accepted or published by another journal.

We also accept simultaneous submissions, but do tell us if your submission is being submitted elsewhere, so we can jump on your pieces if we love them. Please notify us immediately if your work is accepted elsewhere, and accept our hearty felicitations! If we do accept your work, please withdraw the piece from consideration by other publications.

We reserve first serial publishing rights, and the right to reprint or use quotes or excerpts for promotional use. All other rights revert back to you on publication.

We do not, at this time, pay contributors — this is a labor of love.

We will nominate for The Pushcart Prize and Best of the Net.

We do not accept submissions that denigrate other people of any description on the basis of race, gender, sexuality, religion or ability. Please do not send us anything gross. Submissions of this kind will be summarily deleted without response.

We do not accept work produced by AI. Please do not send any to us. Let’s not outsource our creativity to our tech bro overlords.

Submissions are accepted via email only at:

lampliteditors@gmail.com

Find us, or track your submissions on Chill Subs.

A cover letter is nice and we do hope you will say hello when you submit, but please don’t stress about it. What we really need is your short, third person bio and the titles of your pieces in the body of your email (separated by commas, please, not bullet points). Without a bio, your submission is incomplete. There’s no need to get fancy, just tell us who you are and where to find your work/socials so we can big it up when we publish.

You will receive a response from us within 3 months of your submission, and very likely much sooner.​ If you have not heard from us within three months, please feel free to request an update, and please keep it to the same email chain, that way everything is together, nice and tidy, and we won’t lose our minds searching the inbox.

More information here.

Call for Submissions: Smokelong Quarterly

Please note that we are currently in our quarterly free-submissions period (November 16th - December 31st). Our next paid-submissions window is January 1st to February 15th.

SmokeLong publishes flash narratives--fiction, nonfiction, and hybrid (somewhere between fiction and non-fiction)--up to 1000 words.

Include the word count and a print-ready, third-person bio with your cover letter. We prefer a simple cover letter.

Please remove all identifying information from your story’s document. Guest Editors and staff Submissions Editors read anonymously and have no access to bios. Also note that submissions editors have no access to Submittable messages. If you need to make changes to your submission, please withdraw and resubmit your work.

During unpaid submissions windows, you may send one previously unpublished piece at a time and wait until you hear our decision before sending another, or for a fee you may choose to send up to three submissions in one document through the Multiple Submissions form. The Multiple Submissions option comes with a discount code for The SmokeLong Shop and a promise to respond within three days. Paid multiple submissions are read by Christopher Allen, the publisher and editor-in-chief of SmokeLong, and passed to the senior editors for comments if Christopher decides they deserve further consideration. If we are considering your submission for publication, we'll let you know that we need a few more days to discuss your work.

For free submissions, please allow us up to four weeks to respond. We try to respond to paid submissions within one week.

Simultaneous submissions are considered. Please inform us immediately if your work has been accepted elsewhere for publication.

We pay $100/story or $150/story with audio, upon publication in the quarterly issue. Payment will be issued via PayPal or Zelle, and in rare cases the writer may be responsible for any associated fees if applicable.

If you are seeking feedback on your submission, please see the forms "SmokeLong General Submissions with Feedback" or "Senior Editor Critique." These services are subsidized by SmokeLong so that the editors giving feedback earn more than you're paying. This is one way SmokeLong is trying to keep feedback reasonably priced while also providing income for talented editors. If you are taking part in SmokeLong Fitness, please be sure to use the links for discounted links in the workshop.

If you choose to make a donation to SmokeLong using the tip jar feature, thank you so much! Your contribution will help the journal pay six senior editors (all freelance editors, so please look them up), artists, reviewers, interviewers, writers, and our webmaster, who has graciously stepped in to clean up our messes for more than 10 years. We sponsor up to four Emerging Writer Fellows each year, and we also support worthy causes, which you can find on our We Support page. While your donation will not influence our decision regarding your submission, it will influence our love for you. We also offer readers the possibility of donating to SmokeLong directly on the website.

We can't wait to read your words.

--The SmokeLong Team

Submit your work here

Friday, December 5, 2025

Artists' Residency: Monson Arts' Residency

Monson Arts’ residency program supports emerging and established artists and writers by providing them time and space to devote to their creative practices. During each of our 2-week and 4-week programs throughout the year, a cohort of 5 artists and 5 writers are invited to immerse themselves in small town life at the edge of Maine’s North Woods and focus intensely on their work within a creative and inspiring environment. They receive a private studio, private bedroom in shared housing, all meals, and $500 stipend ($250 for 2-week programs). The Abbott Watts Residency for Photography offers access to the photography studio and darkroom of Todd Watts in nearby Blanchard, adjacent to the former home of Berenice Abbott. Click here to read more about this unique opportunity specifically for photographers.

Applications for a residency at Monson Arts are open to anyone at any stage of their career, working in visual arts, writing, and related fields (i.e. audio, video, photography, woodworking, movement, screen and playwrights). Open calls for residency applications currently take place 3 times throughout the year with deadlines on January 15, May 15, and September 15. Each application period corresponds to specific residency offerings 3-6 months out.

Residents’ studios are located in newly renovated Main Street buildings that have been designed specifically for visual artists and writers. All of our studio spaces are outfitted to be as flexible as possible so that we can accommodate a variety of creative practices. Our visual arts studios are spacious and light-filled with large work tables and sinks. Shelving and portable storage carts are available as needed. Access is available to woodshop and metal shop facilities in nearby buildings for any fabrication needs. Our writing studios are comfortably furnished with work tables, office chairs, bookshelves, and reading chairs. For those working in time and sound based media: apply to the Writing category if quiet contemplation would be best for your project or the Visual Arts category if you need room and the opportunity to make and play sounds out loud.

Residents live in newly renovated historic homes throughout town, within walking distance to studios and everything that downtown Monson has to offer. These are mostly 3 bedroom structures that are fully furnished and comfortable all four seasons of the year. Houses all have shared kitchens, bathrooms, and common areas with laundry machines, telephone, and other amenities as well. Wifi is available in all of our buildings through high speed fiberoptic service.

Application Requirements include: 

  • Up to 5 images / 5 minutes of media OR 5 pages of writing examples
  • A letter of intent for your time at the residency
  • C.V. or Resume (limited to 6000 characters)
  • Two reference names
Spring

3/30 – 4/23 – Residency – (With Abbott Watts Resident)

4/27 – 5/21 – Residency

*5/26 – 6/5 – Residency – (With Abbott Watts Resident) 2 week residency (Tuesday start for memorial day)

Our next application period will be open December 1st – Jan 15th for residency sessions taking place in the Spring of 2026. 

More information and application portal here.

Call for Submissions: The Writing Disorder

The Writing Disorder Fall 2025 cover image 


The Writing Disorder 

CURRENT NEEDS:
Fiction, Poetry, Nonfiction, Art, Reviews, Interviews, Comic Art and Experimental work.
We would like to see more poetry, long fiction, nonfiction, artwork, reviews and interviews.

FICTION & NONFICTION:
“Welcome all. We are open to content and subject matter. Please send us your best work. We seek traditional as well as experimental submissions. Our staff enjoys reading all kinds of work. As always, there is no limit on word count.” — C.E. Lukather, Editor

POETRY:
“A new season, a new issue, a new crop of poetry. As your poetry editor it is my pleasure to offer this harvest. This harvest which is impossible without you. Impossible without your careful crafting, grafting, sowing of words. Without your words nestled like seeds on the paper, peas on a page. So send us your free verse, your experimental, your form. Send us the flowers, the fruit, and the hay.” — Juliana Woodhead, Poetry Editor

ARTWORK:
We showcase artists and photographers as well. Features typically include 10-15 images (minimum 1200 pixels wide, 100 ppi, RGB, jpeg files) Include artist statement, bio, links to work, list of shows, and titles of art. We can also include video or audio clips.

MANUSCRIPTS:
We are currently accepting manuscripts of nonfiction work for publication: biographies, autobiographies and unusual life stories. For more information, please contact us at: 

info@thewritingdisorder.com 

FORMAT:
The Writing Disorder accepts Microsoft Word document (storytitle.doc or .docx) submissions by email. However, we can’t promise that it’s going to look exactly the way you had it (we are Mac users). Please attach it to your email.

NOTE: Please include your last name in the title of your Word document.
Send your fiction, nonfiction and artwork to:

submit@thewritingdisorder.com 

Send your poetry to:

poetry@thewritingdisorder.com 

Our Submission Policy
The Writing Disorder is published four times a year: new issues are posted at the beginning of Spring, Summer, Fall and Winter.

Needs:
We seek work of the highest quality, but do not have specific guidelines for style or subject matter. Check our website before submitting for any announcements. Although we look for short stories and poetry, we also publish personal essays and memoirs. Novel excerpts are acceptable, if self-contained. Reviews, nonfiction pieces, humor, comic art, and criticism are also welcome. And we love experimental work. For poetry, please submit THREE to EIGHT poems. Also, let us know what type of work you are submitting. Sometimes it’s difficult to tell whether a piece is fiction or nonfiction.

Format:
Submit one prose piece or three to eight poems. A notation of publications and awards, if any, is helpful. Poems should be individually typed either single- or double-spaced on one side of the page. Prose should be typed double-spaced on one side and can be as many pages as you need.

Deadline:
Our reading period is all year long. Submit your work at any time during this period; if a manuscript is not timely for one issue, it may be considered for another.

Submitting Your Work:
Send only one manuscript at a time online. Do not send duplicate or multiple submissions. There is a limit of four total submissions per writer per reading period (season), regardless of genre, whether it is by mail or online. Do not send a second submission until you’ve heard about the first. We cross-reference our database periodically, and if we find more than one active submission, or a fifth submission (or more) during the reading period, all submissions will be immediately rejected unread. Simultaneous submissions to other journals are amenable as long as they are indicated as such and we are notified immediately upon acceptance elsewhere.

NOTE: We accept previously published work—as long as it is not currently available online.

Submissions by Email:

Email one file to:

submit@thewritingdisorder.com

— containing one prose piece or three to eight poems. If you have a legitimate association with a staff editor you may address that editor by name in your email. You should also include a brief citation of publications and awards (less than 50 words), if any. A longer citation of credits or a cover letter may be included as the first page of your submission document. Submissions must be sent as a Word (.doc or .docx) file. Any files that don’t adhere to our guidelines will be withdrawn from consideration. In general, you will receive a faster response by email versus by regular mail.

Call for Submissions: Prism Review

Recent cover image or website screenshot for Prism Review 

We are open--send great work!

Generally, all accepted authors are paid, and all non-contest submissions are considered for our $200 Staff Choice Award: an accepted submission chosen by our staff as best embodying two things we love and respect about writing: stylistic ambition and social engagement. One author each issue will receive this award, announced with the issue's release (usually in May).

As always: we hope to read your very best, we're excited to read it, and we want more, we hope for more, we quietly plead for/demand more. Simply: we love great literature, especially literature that is urgent and/or strange, and we love all voices, be they new, emerging, or established - certainly those from underrepresented groups. We always put samples from past issues on our homepage if you'd like to get a sense of our sensibilities.

Note: Submissions are being read for our spring 2026 issue. They must be previously unpublished, and simultaneous submissions are totally fine (but please withdraw accepted pieces immediately; the lack of this practice has increased far too much for us lately). Only one submission (in any genre) at a time.

Note 2.0: We generally charge a two dollar fee so that we can do something we hope all agree is a good thing: pay all our authors, at least $40 per writer; usually we have free submission windows in early Dec and May ... and during most of June and July, we're happy to provide free submissions to any authors who self-identify as being from underrepresented or minoritized communities or simply can't afford the $2 fee. Just email our editor at:

sbernard (at) laverne (dot) edu (Change (at) to @ and (dot) to . )

for more information.

-->Excepting the student contest, current students and employees of the University of La Verne are not eligible to submit. Sorry!

Note 3.0: We are not Prism International, a fantastic journal in Canada.

Submit your work here

Call for Submissions: Ninth Letter

Ninth Letter accepts submissions to our print issues between Sept. 1 – Feb. 28.

Genre Guidelines:

For poetry, please submit 3-5 poems (max. 8 pages) at a time.

For fiction and creative nonfiction, submit one story or essay up to 8,000 words at a time. For flash, you may submit up to 3 pieces with a total word count totaling no more than 4,000 words.

If you classify your work as “hybrid,” please submit to the genre category you feel your submission most closely applies. You are welcome to leave a note in the cover letter field with any details you think our reading team would find helpful. We will make sure your submission gets to the right team and receives the attention and consideration it deserves.

Submission Fee:

We charge a $3 reading fee. Fees are waived from December 1-31 or until we hit our cap of 300 submissions per genre.

Fee Waivers:

A limited number of fee waivers are available for writers for whom the submission fee would present undue financial hardship. Please send a short email to:

ninthletter9@gmail.com 

to request a fee waiver. No proof of income or other sensitive information is required.

Publication Terms & Payment:

Ninth Letter pays $25 per poem and $100 for prose upon publication and two complimentary copies of the issue in which the work appears. Contributors also receive an exclusive subscription discount offer at the time of acceptance. Ninth Letter acquires First North American Serial Rights (FNASR). We ask that you acknowledge Ninth Letter upon reprint of your work.

Response Time:

We strive to respond to your submission within six months. Please wait until that time has elapsed before querying about the status of your submission.

Submit your work here.

Call for Submissions: The Lemonwood Quarterly

The Lemonwood Quarterly latest issue 

What to Submit

The Lemonwood Quarterly seeks the best English language short stories and plays we can find. We do not publish poetry, flash fiction, nonfiction prose, book reviews, or interviews. We are looking for superbly written stories and play pieces between 2,000 and 10,000 words. Please submit a double-spaced Word document.

We especially seek out stories with female protagonists who are well into adulthood. There’s no minimum age requirement, but if your protagonist is not at least over thirty years old or so, it could be difficult for them to carry forward the type of stories we aim to publish. We definitely are not looking for coming-of-age stories. We are excited to showcase stories with protagonists who have already passed through those earlier milestones or hurdles and are at a different point in their life.

Who Should Submit

We welcome and encourage submissions from writers of every gender, age, race, ethnicity, sexuality, and nationality —including writers without fancy degrees or previously published work, and whose perspectives might be underrepresented in the literary world. Please do not send us work that includes machine-generated or AI text.

How to Submit

We accept only online submissions through the link below. Please do not send us emails or hard copies of your manuscripts. An online submission fee of $4 to help cover administrative costs is required to complete your submission.

Submissions are read anonymously, so please do not include your name anywhere on the word document itself. You will provide your identifying information in the submission form.

When to Submit

Our magazine is quarterly, so we are frequently considering new submissions. Our submission period may close if we reach our submissions capacity, so submit early. Please submit only one story or play at a time and wait to hear back from us before submitting again. We aim to respond within one to six months. If your story is selected for publication, please wait until the issue with your piece has been published before submitting another story. If your story is rejected, please send us new work; do not resubmit previously rejected stories.

Simultaneous Submissions to other Publications are fine, but please indicate in your submissions form that the work has been submitted to another journal. If work that you have submitted to us is accepted elsewhere, please notify us immediately via our contact form to withdraw your submission.

All work should be previously unpublished in any form, including online, in blogs, or in print.

Translations are accepted. Translators should acquire translation rights from the copyright holder before submitting. In the submission form, in addition to your translation and your own information, you will be asked for a copy of the original work, the author’s name, the work’s original title, a note stating the original language in which it was written, as well as a short bio about the author.

Revisions

Please send us your work in its final fully edited form. We do not have the staff available to consider individual revisions. If you feel you must revise, please contact us via the contact form to withdraw your submission, and resubmit the newly edited piece. It may take several days for your withdraw request to be processed.

Refunds of the submission fee cannot be made after the piece has been submitted, even if you need to withdraw the work. If you withdraw a submission and you want to submit a different piece, you cannot swap them out; you must make a new submission.

Compensation to Authors for their Work 

  • The Lemonwood Quarterly pays all of our contributors a flat rate. The current rate is $200 for every story or play published in our magazine.  
  • We will nominate as many pieces as we can to annual literary prizes such as The Pushcart Prize, The O. Henry Award and The Best American Short Stories.  
  • Contributing authors will be featured on our website and will have the opportunity to submit an updated bio, a photo, and any links to their social media.  
  • Authors will receive a contract upon acceptance and payment upon publication. The Lemonwood Quarterly’s publishing agreement includes the following rights: First worldwide electronic publication rights; non-exclusive online rights on our website, and other limited rights. Copyright is retained by the author. Authors are free to resell the work, although we do ask for a 90-day exclusive from our first publication of the work. We ask that whenever an author reprints a piece that first appeared in our magazine, The Lemonwood Quarterly is given acknowledgement as the work’s original publisher. 

Submit your work here

Call for Submissions on Theme of "The Great Unknown": Wild Greens

Wild Greens is looking to publish art, commentary, essays, poetry, short fiction, handmade items, and music for our January issue.

The theme is "The Great Unknown."

Grab your hat and your scarf and embark on a journey toward the inviting horizon. Does a better tomorrow await? Take the plunge into the endless possibilities of what could be.

Submissions open through December 15. 

Submit your work here

Writing Competition: The Richard Mathews Prize for Poetry

The Richard Mathews Prize for Poetry

Book Publication • $2,000 Award
Selected Poems published in Tampa Review


1. Manuscripts must be previously unpublished. Some or all of the poems in the collection may have appeared in periodicals, chapbooks, or anthologies, but these must be identified.

2. Manuscripts must be at least 48 typed pages; we prefer a length of 60-100 pages but will also consider submissions falling outside this range. Manuscript pages should be consecutively numbered.

3. Entries should include a separate title page with author’s name, address, phone number, and e-mail address (if available).

4. Entries must include a table of contents and a separate acknowledgments page (or pages) identifying prior publication credits.

5. Submissions are due December 31. Simultaneous submissions are permitted, but the University of Tampa Press must be notified immediately if the manuscript is accepted elsewhere.

6. A nonrefundable handling fee of $25 is required for each manuscript submitted. Submissions are not complete until this fee has been sent using any major credit card via our secure online service. (There is an additional small electronic payment processing fee.)

7. The winning entry will be announced in the subsequent fall. Online submissions will be acknowledged by email.

8. All entries receive one free issue of Tampa Review. (Mailed to any U.S. address; international subscribers will receive a digital issue.)

9. Judging is conducted in accord with the Council of Literary Magazines and Presses Contest Code of Ethics by the editors of Tampa Review. Submissions are not accepted from current faculty or students at the University of Tampa. Editors will recuse themselves from judging entries from close friends and associates to avoid conflicts of interest.

Submit your entry here

Writing Competition: The C. Michael Curtis Short Story Book Prize

The C. Michael Curtis Short Story Book Prize is open to emerging writers in thirteen Southern states. Submitters must currently reside in Alabama, Arkansas, Florida, Georgia, Kentucky, Louisiana, Mississippi, North Carolina, South Carolina, Tennessee, Texas, Virginia or West Virginia, and must have no more than one previously published book.

The C. Michael Curtis Short Story Book Prize includes $5,000 and book publication for a debut book of short fiction. C. Michael Curtis served as an editor of The Atlantic since 1963 and as fiction editor since 1982 and discovered or edited some of the finest short story writers of the modern era, including Tobias Wolff, Joyce Carol Oates, John Updike, and Anne Beattie. He edited several acclaimed anthologies, including Contemporary New England Stories, God: Stories, and Faith: Stories. Curtis moved to Spartanburg, S.C. in 2006 and taught at both Wofford and Converse Colleges, in addition to serving on the editorial board of Hub City Press. This prize is made possible by a generous contribution from Michel and Eliot Stone of Spartanburg.

A $25 submission fee will accompany each submission. Manuscripts will be taken through online submission only. All manuscripts will be read anonymously by paid screeners. This contest is guided by the CLMP Code of Ethics.

Deadline: Dec. 31, 2025

Submit your entry here.  

Sunday, November 30, 2025

Call for Submissions: Guernica

 Guernica latest issue

Guernica is Open for Submissions!

We are excited to consider your work for publication. Please carefully review our submission guidelines before submitting.
 
General Guidelines
  • Submission Platform: All submissions must be sent via Submittable. We do not accept submissions via email or postal mail.
  • Familiarize Yourself: The best way to understand our editorial approach is by reading recent issues of Guernica. We encourage you to explore the magazine before submitting.
Accepted Genres: We welcome submissions in the following genres:
  • Fiction
  • Nonfiction (personal essays, reportage, etc.)
  • Poetry
  • Visual art (illustrations, photography, etc.)
  • Interviews
Please note: we do not accept pitches. Only completed pieces will be considered.
 
Original Work: We consider only previously unpublished work. (Note: We do consider previously unpublished translations of work that has been published in another language.)
 
Length: While we have no strict word limit, most pieces we publish fall within the 2,000–7,000-word range, with the majority around 4,000–5,000 words.
 
Cover Letter: Please include a brief cover letter with your submission that contains:
  • Your name
  • A short bio
  • Contact information
  • The title of your submission
Simultaneous Submissions: Simultaneous submissions are accepted. However, please notify us immediately if your work is accepted elsewhere.
 
Response Time: We aim to respond to submissions within 6 or so months.

Thank you for considering Guernica for your work. We look forward to reading your submissions!
Submit your work here.
 
Payment: $100 

Call for Submissions on Theme of "Thresholds": Multiplicity

Recent cover image or website screenshot for Multiplicity 

We invite submissions for our Spring/Summer 2026 issue:

THRESHOLDS

We halt at thresholds; we step over them. We edge back from thresholds; we move past them. We can reach our thresholds; pain and hurt can exceed them. Thresholds become a marker—in space, time, and metaphor—sometimes a pause point, sometimes a pressure point, sometimes a passing point. Some thresholds are doors. Others are platforms. Some are arched gates, strung with colorful beads or lights, promising magic on the other side. Others are darkened hallows that fill us with dread.

For this issue of Multiplicity, we want to hear about all manner of thresholds. We want to learn about the moments of standing in-between or on the verge, the moments of choosing not to enter or turning back, and the moments of pressing forward to reveal what's on the other side. Take us to the threshold. We accept essays, profiles, and narrative nonfiction up to 2,999 words, poetry (up to three poems per submitter), and original photography (up to five photographs) inspired or connected to our theme.

For accepted work, we pay $45 for prose, $15 per poem, and $15 per photograph. 

Submission Dates: November 20, 2025–January 31, 2026
Acceptances Sent: March-April 2026
Anticipated publication: June 2026


Our $3 submission fee is our way of protecting human writers and editors. It is waived without question for any writer experiencing financial difficulty. Please contact us through our website if you require a waiver.

SUBMISSION GUIDELINES:

Our literary magazine first-round review process is blind. Please do not include your name or other personally identifying information on any of the pages of your submission or in the file name of the document you submit. Your cover letter and bio will be reviewed if your work enters our final round of review.

Be aware that curation of the magazine happens inside Multiplicity Studio, where Bay Path MFA faculty and students work together during the spring semester to review submissions. Notification of accepted work typically occurs in late March or early April. For this reason, we don't expect exclusive submissions, but do let us know if your work is accepted elsewhere, so we can remove it from our cue. (And congratulations!) 

  • Prose submissions should be double-spaced, formatted in Times New Roman or a similar serif font, 12 pt., with one-inch margins all around. Please paginate and include the title of the work on each page. All work should be carefully proofread before it is submitted. 
  • Poetry submissions may include up to three poems per issue; stanzas should be single spaced and there should be no more than one poem per page. 
  • Photographs (up to five) should be original, royalty-free, and thematically relevant. Please submit in a format that can be displayed on a Web page and opened in Photoshop. JPG and PNG are preferred. Submitted images should not include vectors or layers. You may include captions, or a brief narrative to illuminate the thematic content. 
  • We will not knowingly publish submissions that are slanderous, libelous, racist, sexist, ageist, or otherwise intentionally discriminatory or offensive.
  • All works must be original and must not be subject to copyright restrictions. For each issue, the journal publishes one submission per selected author/artist. Once our final review is complete, our Editorial Board will notify each submitter of the status of their work. Please see our Usage Rights page for information about the rights we request upon publication.
Submit your work here

Thank you for submitting.

Call for Submissions: The Ranger's Almanac

Submission Guidelines

Share your stories, poems, artwork, photographs, or music inspired by any national or state forest or park. No limit on genre, so long as the location serves a prominent role.

Selected works will appear in our annual Forest & Park Service literary journal.

Compensation 

$10 — stories (1,000+ words), artwork, or music 

$5 — stories under 1,000 words, poems, reprints, or photographs

Requirements 

  • Short stories: 500–10,000 words
  • PG-13 or below
  • Text: Times New Roman, 12pt, double-spaced
  • Work must relate to a forest or park

Additional Notes

  • Multiple & simultaneous submissions welcome
  • Priority given to current/former park & forest staff
  • Music shared via QR code in final journal

Submissions may also be emailed:

rangers.almanac@gmail.com

Deadline: **February 28, 2026**

Publication: Memorial Day, 2026

Submit your work here. 

Writing Competition: The Amity Literary Prize

The Amity Literary Prize is an award honoring authors of unpublished non-fiction, fiction including novels, YA, collections of short fiction, and poetry collections. Authors writing in English—regardless of nationality, residence, or publication history—may enter the competition.

The Award winner is offered publication and a $1000 cash prize. Though only one winner will be chosen, we may offer to publish other manuscripts submitted to the competition in addition to the prize winner.

Entry Fee: $25.00 

 AMITY: Friendship. 15th Century; Middle English amyte, amiste, borrowed from Anglo-French amité, amisté (earlier and continental Old French amistet, amistiet), going back to Vulgar Latin *amīcitāt-, *amīcitās, … of Latin amīcitia, from amīcus “friendly, well-disposed” — more at AMIABLE merriam-webster.com

SCHEDULE

Accepting Submissions: October 1 through December 31, 2025.
Winner will be announced April 2026.

ELIGIBILITY REQUIREMENTS

  • Authors writing in English, regardless of nationality, residence, or publication history may submit to the competition.
  • Only previously unpublished novels, YA novels, collections of short fiction, and poetry collections are eligible. Poetry manuscripts may be a collection or a single long poem but must include at minimum 60 – 120 pages of poetry.
  • Fiction manuscripts, including collections of novellas, must be 70,000 words minimum.
  • YA must be 50,000 words minimum.

All submissions must be submitted online through the Anamcara Press website. Manuscripts should be formatted 12-point type, double-spaced, and with a decent margin all around (1” is nice).

If your manuscript is accepted by another publisher while under consideration for the Amity Literary Prize , please withdraw it from the competition by notifying Anamcara Press. Entry fees cannot be refunded.

Our books are produced as print-on-demand trade paperbacks and distributed to the trade by Ingram Book Group and its distribution partners at the standard discount. For more information, click here. They are made available to bookstores, libraries, and online retailers everywhere. Additionally, Anamcara Press distributes directly to Amazon, and has wide distribution of both eBooks and Audio books through Draft2Digital, and Dreamscape Distribution.

Fees are used as prize money for the winners, to pay for publication of the winning manuscripts and any other manuscripts chosen for publication, and to pay for promotion. No one establishes a literary press to make money. It’s a labor of love.

We practice Good Karma and look forward to receiving your submissions. Thank you for your contribution to Anamcara Press!

Submit your entry here

Writing Competition: Longleaf Press Poetry Book Prize

The prize will be administered by the editors of Longleaf Press. The winning manuscript is to be selected by Roger Weingarten, and will be published by Longleaf Press in January of 2027.

Along with publication, the winning author will receive a $1000 prize, 25 author copies, and a virtual reading.

The submission deadline is Jan. 15, 2026 through Submittable. A decision will be announced by March 15, 2026.

Submission Guidelines

  • Please submit an original manuscript in English of at least 50 pages.
  • Intimate friends, relatives, or current and former students of judges are not eligible to submit.
  • Multiple submissions are acceptable as long as they are submitted separately with separate entry fees.
  • Simultaneous submissions are fine, but please be sure to withdraw your submission via Submittable if your work is accepted elsewhere.
  • Please update any changes in contact information via your profile on Submittable.
  • No revisions to submitted manuscripts will be considered. The author of the winning manuscript will have the opportunity to edit mistakes and suggest revisions prior to publication.
  • Be sure that your document is complete and formatted correctly before uploading.
  • Individual poems in a manuscript may have been previously published in magazines, journals, anthologies, or chapbooks, but the work as a whole must be unpublished. If applicable, include with your manuscript an acknowledgments page for prior publications.
  • There is a non-refundable submission fee of $27 payable through Submittable.

Process and Ethics

Longleaf Press endorses and abides by the Ethical Guidelines of the Council of Literary Magazines and Presses (CLMP): “CLMP’s community of independent literary publishers believes that ethical contests serve our shared goal: to connect writers and readers by publishing exceptional writing. We believe that intent to act ethically, clarity of guidelines, and transparency of process form the foundation of an ethical contest. To that end, we agree to 1) conduct our contests as ethically as possible and to address any unethical behavior on the part of our readers, judges, or editors; 2) to provide clear and specific contest guidelines–defining conflict of interest for all parties involved; and 3) to make the mechanics of our selection process available to the public. This Code recognizes that different contest models produce different results, but that each model can be run ethically. We have adopted this Code to reinforce our integrity and dedication as a publishing community and to ensure that our contests contribute to a vibrant literary heritage.”

After the submission deadline, manuscripts will be divided among the Longleaf Press editors, who will select approximately 20 semi-finalist manuscripts. Roger Weingarten will then select the winning manuscript. We will announce the winner by March 15, 2026. The winner will be notified by e-mail or telephone.

Submit your entry here

Call for Submissions: The Orange Rose

The Orange Rose 

SUBMISSIONS OPEN UNTIL December 15, 2025

Send all work to:
 
theorangeroselitmag@gmail.com

We are currently accepting Fiction, CNF, Flash Fiction, Micro Fiction, Poetry, Art, and Photography.

We ask that you submit to only ONE of the listed genres at a time, and that you wait for a response before submitting again.

You may submit from one of the following:
  • One fiction or CNF piece (1,001 to 3,000 words)
  • One flash fiction piece (401-1,000 words)
  • Up to three micro fiction pieces (maximum 400 words)
  • Up to three poems (each poem should start on its own page)
  • Up to three pieces of art and/or photography All work must be previously unpublished
We are open to any genres, but will automatically reject any work that includes graphic imagery or hateful content.
 
We ask that any photography submitted not include people due to our inability to verify their consent.
 
Simultaneous submissions are allowed, but please notify us immediately if your work is accepted elsewhere. We want to congratulate you!
 
Please attach submissions as a .doc or .docx file only
 
Include a short third-person bio in the cover letter of your submission, along with any social media handles or personal website links.
 
Please refrain from telling us about your story in the cover letter – let your stories speak for themselves. The cover letter is for us to learn about you.
 
In the email subject line, use the format “SUBMISSION: [Genre]”
 
We ask for First North American Serial Rights. All rights revert back to the author after publication. If your work is reprinted elsewhere, we ask that The Orange Rose be acknowledged as the site of first publication

Call for Submissions: Blanket Gravity Magazine

What We're Looking For

Deadline: Jan. 10, 2026 

Blanket Gravity Magazine is a journal for fiction, creative nonfiction, and visual art. We are interested in moments of emotional intensity, and how their effects ring out in the bigger picture of our identities. We are looking for writing and art that explore mental health or emotional life. By "mental health," we mean art that tries to make sense of emotional struggle or uncertainty, as well as our thoughts about who we are, what other people mean to us, and the nature of the world.

For nonfiction, we hope to receive personal essays by people with lived experience of mental illness or emotional struggle.

We curate submissions for writing and art that will offer readers experiences outside their emotional pain, or a moment of interest or connection. We're not trying to erase or replace negative moods—we’re trying to show an expression of care.

How to Submit

You can read our first issue to get a sense of writing and art we are interested in.

Complete the form below for fiction and nonfiction works. We are open to simultaneous submissions, but please let us know immediately if your work has been accepted elsewhere. We accept previously unpublished writing only. Writers retain copyright after granting non-exclusive First World Electronic Rights to Blanket Gravity Magazine. The maximum length we consider is 5,000 words. Writers may indicate if they want to publish under a pseudonym or anonymously.

Payment upon publication is $40 USD per accepted submission. Unfortunately, we are not considering poetry. Works must be developed and written without use of AI.

For visual art, please email 3-7 high-quality attachments to:

blanketgravitymag@gmail.com

as well as a link in the body of the email to the artist's portfolio if available. Blanket Gravity Magazine asks for non-exclusive license to reproduce the artwork in the online and digital magazines and social media. Artists may indicate if they want to publish their artwork under a pseudonym or anonymously. Payment upon publication is $40 USD per accepted piece. Works must be developed and created without use of AI.

Optional Theme

For the second issue, we welcome fiction and nonfiction works that explore the optional theme of "Technology and Love." Selected pieces will be featured in a special collection within the issue.

Prompt: A snippet of old text history kicks off memories of an extinguished friendship. The nightly video call between a long-distance parent and their kids. A college student confides details about romancing their crush into ChatGPT. Technology has become the site of intense shared moments, in some cases fully an additional participant in a relationship. We are looking for fiction and creative nonfiction pieces that explore the role of technology in intimate relationships today, whether by facilitating connection or misunderstanding, capturing a moment in time, or other imaginative forms of engagement. How are we molded by the people we choose, and how has technology shaped the ways we love them?

Complete the submission form for fiction and nonfiction here. For visual art submissions, please email directly to:

blanketgravitymag@gmail.com

Call for Submissions on Theme of "SMUT": ELA Literary Magazine

 ELA Literary Magazine

A “new” way to look at old relationships.

We’re tired of reading the old tropes, and we’re tired of seeing the same tropes saturate the market. If we’re honest, we’re just a little tired of romance.

We want to see what happens if the one night stand doesn’t go to plan, if the second chance romance goes just as badly the second time, if the fake relationship is a little too convincing. What happens when the forbidden love is actually something horrifying, if your crush never finds out you exist, if you actually decide to date a werewolf… and we’re sure there are more!

We are looking for stories that fuel the fire, that bring passion back into the romance genre in new ways, that, true to our brand, subvert and surprise. So take those tired tropes, old and new, and reinvent them. Take the romance genre, take the concept of relationships, and turn it upside down. This is a collection of Stories Made Uncomfortably Tender!

For this issue, we are accepting smut. We are encouraging a little spice here and there; for this reason, submissions for this magazine are strictly for those over the age of 18. However, we ask as always that you include trigger warnings when submitting and we will not accept any stories that actively abuse characters, sexually or otherwise, or go to extremes when it comes to explicit content.

If you want to get a feel for what we’ve previously accepted, feel free to check out our Spotlight Series or read through our previous publications here!

Deadline: Dec. 31, 2025 

WHAT WE’RE LOOKING FOR

The joy of language is that every word has 101 different meanings. Some are obvious, as clear as written on the page. For others, you have to look a little bit deeper. Then, there are those meanings which lurk in the shadows, just out of the corner of your eye, waiting to reveal themselves only once you give them your full attention.

No matter what kind of writer you identify as, we want to read the stories that have been gathering dust in drawers and hard-drives from all over the world. So if you have a story that subverts expectations, plays on the idea of tired tropes, is a little bit twisted, or a representation of something you’d like to see appear in your genre, we want to read it!

Each of our issues will be centred around a particular theme. These are broad and will be announced when our submissions open. We encourage you to get creative with it - we want to be surprised with what we read!

SUBMISSION PROCESS

Before submitting your work for the latest issue, please check if our submission window is open.
We are a UK-based magazine and so the date is written: DD / MM / YYYY.
We will not be taking submissions for the magazine outside of this window.

To submit to our latest issue, send it as an attached Word file to:

elaliterarymagazine@gmail.com

with the subject line: Submission: NAME OF THEME.

In the main body of the email tell us a little bit about yourself, your writing process, what the story is about, and why you think it would be a good fit for the magazine! If you think your work might require trigger warnings, can you also let us know in the email. It won’t effect your chances of featuring if you have them or not, but we want to make our readers aware of any potentially sensitive material.

We aim to get back to you as soon as possible to let you know we’ve received your submission, and aim to have chosen our featured pieces two-three weeks after the closing date. We’ll then notify all of the successful authors, and give an honourable mention to our runner-ups on our social media.

After this, we begin the editing process and will keep you updated with the progress and the eventual publication date for the magazine.

Our magazine will then go live on the website and will be free to download!

PAYMENT

Unfortunately, we cannot offer payment for successful contributions; however, it is free to submit to the magazine.

Saturday, November 22, 2025

Call for Submissions: RCC MUSE Literary Journal

 Colorful abstract landscape painting with the word 'MUSE' vertically aligned in white letters.

RCC MUSE - General Submissions - SUBMISSIONS OPEN SEPTEMBER 15 THROUGH JANUARY 31

Genres (PLEASE NOTE THE LIMITS):

  • Fiction – Submit one short story (up to 1500 words max)
  • Creative Nonfiction – One piece (up to 1500 words max)
  • Poetry – Submit up to three poems
  • Art – All kinds of art accepted for print. Preferred format: JPG, 300 DPI resolution, 8 inches on the long side

Email submissions to:

muse@rcc.edu 

  • Submit poems as an email attachment in .doc, .docx, or .rtf formats only
  • Include contact information in your submission file
  • Use this subject line format: Last Name – Genre – Title of Submission (e.g., Smith – Poetry – “In Summer”)
  • No handwritten submissions accepted
  • Simultaneous submissions are allowed. Please notify us if accepted elsewhere
  • No creative work created with the assistance of AI will be accepted

In the body of your email, include: Your full name (as you would like it to appear in the journal)
Email
Phone number
Mailing address
Short third-person bio (approx. 50 words)

Authors and artists receive one complimentary copy of the issue; additional copies may be purchased. MUSE acquires First North American Serial Rights and non-exclusive reprint rights (for promotional use only).

If published elsewhere in the future, please acknowledge MUSE as the original publisher

We appreciate your patience; we try to respond to all submissions within six months.
Mail submissions to:

RCC MUSE Literary Journal
James Ducat, Editorial Advisor
Riverside City College
4800 Magnolia Avenue
Riverside, CA 92506

Call for Submissions: Neon and Smoke


Neon and Smoke latest issue

What We’re Looking For

Neon & Smoke is a home for bold fiction. We’re especially drawn to: 

  • Stories that move. Not just emotionally, but narratively. Give us stakes. Give us story.
  • Stories that mean. The kind where a sentence lands and you need to sit with it for a second.
  • Stories that sound. Bold voices. Quiet voices with teeth. Characters who command attention.
  • Stories that blend. They might wear the clothes of genre—revenge, horror, speculative—but underneath, they’re about something deeper: grief, identity, morality, transformation.
  • Fresh perspectives. We elevate marginalized voices, including BIPOC, LGBTQ+, and incarcerated writers—but we welcome all voices.
  • Unforgettable characters. Give us flawed humans (or monsters) navigating strange, beautiful, or broken worlds.
  • Emotional resonance. We love stories that linger—whether from laughter, heartbreak, terror, or awe.
  • Emotional range. Give us sorrow and joy. Stillness and chaos. Anger, love, weirdness, release. We want fiction that reflects the full spectrum of being alive.
  • Clarity with depth. We value accessibility. You don’t need to write for a panel of editors. Write for the reader who feels it in their chest.

What We’re Not Looking For

  • Fiction that relies on harmful stereotypes or gratuitous violence without narrative or emotional purpose
  • Work so abstract or insular that it leaves readers adrift—if the meaning is buried under a dozen metaphors and only visible to the writer or a lit journal editor, it’s probably not for us.
  • Stories that dwell in a single emotional register without transformation. We've read enough grief without movement, rage without reflection, or sorrow without spark.

Submission Categories & Guidelines

Flash Fiction

  • Submit 1 story up to 1,000 words (1,100 if it earns every word).
  • Standard manuscript format (.doc, .docx, or .pdf).
  • We do not accept reprints.
  • Simultaneous submissions are allowed—just notify us immediately if your piece is accepted elsewhere.

Payment: $20 flat rate for accepted original stories.

Poetry Submissions

  • Submit 1–2 poems totaling no more than 60 lines or 600 words.
  • We prefer work that fits on 1–2 printed pages.
  • The theme is a guide, not a rule—surprise us.
  • Submit as a single .doc, .docx, or .pdf file with no identifying information.
  • No previously published poems (online or in print).
  • Simultaneous submissions allowed with prompt notification upon acceptance elsewhere.​

​Visual Art

  • Submit up to 3 original, unpublished pieces.
  • Include only high-resolution files.
  • Do not include any identifying information in the files or file names.
  • We accept photography, illustration, digital art, collage, and mixed media that fits the Neon & Smoke aesthetic.​

Rights

For accepted work, we request First North American Serial Rights and First Online Rights

All rights revert to the author or artist upon publication. We ask for credit as the original publisher if the work appears elsewhere in the future.

Submit your work here

Deadline: Dec. 31, 2025 

Call for Submissions on Theme of "Para/Social": Exposition Review

Recent cover image or website screenshot for Exposition Review 

Exposition Review is an independent, multi-genre literary journal that publishes narratives by new, emerging, and established writers in the genres of fiction, flash fiction, nonfiction, poetry, scripts for stage & screen, experimental narratives, visual art, film, and comics (see guidelines below).

Wondering what to submit to us? We like to be surprised; we like writing that is razor-sharp, immediately transporting us with a strong voice and sense of place. We like work that’s thoughtful and cathartic, work that embraces conflict and isn’t afraid to take risks. We love pieces that blur the boundaries of genre. To get a better idea of what we look for in submissions, please read our previous issues. You can also follow the Expo blog to get news about latest submission and contest openings.

ANNUAL ISSUE SUBMISSIONS:

Every issue has a theme from which writers and artists can draw inspiration. We encourage those who submit to think outside the box; we look for stories that fit the theme yet make us think about it in different ways; we want work that satisfies and challenges traditional forms of storytelling.

The theme for our eleventh annual issue is "PARA/SOCIAL."

Read more about how to submit below!

PARA/SOCIAL:

Issue XI begins with an infinite tension.

Para – altered, beside, beyond, against.
Social – the networks of intimacy, recognition, and belonging we carry with us.

Joined together, these words suggest closeness without reciprocity; connection without contact. We hear it most often in the context of celebrity, cashiers, counselors, and colleagues – unreturned attachments we form out of unmet needs.

But what if PARA/SOCIAL is more than a warning label? What if PARA/SOCIAL signals possibility?

To write into PARA/SOCIAL is to explore:The tenderness of feeling known by someone who does not know you.
The estrangement of being “with” people while remaining apart.
The creative sparks that fly in parallel play — lives brushing close, never fully merging.
The edges where community becomes illusion, and illusion shapes community.

For this issue we invite work that traces the edges of intimacy and illusion. We seek longing projected across distance, the distortions of connection, and the gifts of being alongside – with or without perception and recognition.

This theme is not a verdict, but an invitation: to consider how we live beside each other, how we build connections through shadow, screen, and story, and how we might reimagine the boundaries of the social altogether.

Let PARA/SOCIAL pull you, softly or wrenchingly, in opposite directions. Let the word unravel and remake itself through your work.

Submissions for Vol. XI will be open September 15–December 15.

All work is read and given fair consideration by our editorial staff. Guidelines for individual genres are as follows:

  • Fiction. Short stories and stand-alone novel excerpts up to 5,000 words.
  • Flash Fiction. Up to three pieces of flash or microfiction. Each piece should be no more than 1,000 words; there is no minimum word count. The shorter, the better!
  • Nonfiction. Memoir, personal essays, and creative nonfiction up to 5,000 words.
  • Poetry. Up to three poems of any form and in traditional or experimental styles. Translations are accepted as well.
  • Stage & Screen. One-act plays, scenes, or short film and screenplay excerpts up to 15 pages. Please format according to the standard unpublished playwriting or screenwriting format.
  • Experimental Narratives. We love narratives in all forms. Whether it’s digital poetics, a video, or a genre-bending transmedia piece, if it tells a good story, creates compelling characters, and/or tickles our literary senses, we want it. Consider the limits of other categories and our online platform for length guidelines.
  • Visual Art. Up to five pieces of art and/or photography per submission. If submitting more than one piece of art, please compile into one file (PDF or otherwise). Please include a brief artist’s statement or statement about the work (1–3 paragraphs), and include appropriate credit lines for all pieces (Artist Name, Title of Work, Year. Medium, Dimensions.)
  • Comics. Comics should be self-contained, up to three pages per piece, with no more than three pieces per submission.
  • Film. Short films in live-action narrative, documentary, or animation up to 15 minutes in length. Please include a brief summary and credits list in the cover letter of your submission.

Author receives $50.00 USD for accepted work.

Submit your work here. 

Call for Submissions: Allium: A Journal of Poetry and Prose

Recent cover image or website screenshot for Allium 

Fiction, Nonfiction, Poetry, and Multimedia submissions are now open through February 15, 2026.

Fiction, Nonfiction, and Poetry Submission Guidelines

Allium, A Journal of Poetry & Prose publishes three issues each year: two online issues (Fall and Summer) and one print issue (Spring).

Allium uses Submittable to manage our submissions. There is a $3.00 reading fee

Allium’s submission window opens November 14. We read work February through May. Accepted work will appear in one of three future issues: Fall Online 2026, Spring Print 2027, or Summer Online 2027. Placement will be at the editor’s discretion.

Allium accepts simultaneous submissions. If your work is accepted elsewhere, we ask that you notify us immediately. Previously published work (social media, blogs, personal websites) and AI-generated work will not be considered.

For POETRY, Allium requests a maximum five poems (up to seven total pages) with no more than one poem per page.

For PROSE (fiction, creative nonfiction, craft essay, hybrid), Allium requests a maximum of fifteen pages (3,750 words, double-spaced, 12-point Times New Roman font). Extra poems or pages will not be read.

Please do not submit more than once in each genre for each reading cycle.

Submit your work here.

Call for Submissions: Rat Bag Lit

To answer your first question and save you some scrolling: we are a semi-pro paying market with a rate of 1c USD per word, up to a maximum of $20 per short story.

We are open for submissions for Print Issue #2!

We will be accepting submissions for creative non-fiction flash, poetry, fiction flash and short stories up to 5k (varies by call). We accept reprints for Flash and Short Story. We will also have optional paid submissions for short stories up to 5k when free subs fill and our new “unhinged rat-jection feedback” option.

We publish a new microfiction or drabble piece Monday through Friday on the Rat Bag Lit substack. Stories are available for free for 4 weeks, before switching to a subscriber-only archive.

Our first print issue is currently in the works and is expected to be released on March 15, 2026 in both print and digital formats.

We will OPEN for unthemed micros (up to 300 words) and our monthly drabble themed call “Anti-Resolutions” on December 1st.

Keep an eye on our socials or joining our mailing list for exclusive surprise, unscheduled calls. Follow the submission manager link immediately below for our most up-to-date calls and payment information:

Fiction that crosses genres and blurs the lines between literary and genre. Work that keeps us up at night, stories that make us laugh, and the strangest dreams that pop out of your odd little noggin. Bold ideas, tight prose, snappy dialogue, speculative elements. Something we haven’t seen and, hell, maybe something we’ll wish we hadn’t. Mysterious, haunted mansions, crackling campfires, electric space stations, lonely abandoned farmhouses. That story that you hold close to your heart but has been rejected a billion times, but you keep sending it out because you believe in it, damnit? Yeah. Send us that one.

Yes to aliens, alternate worlds, apocalyptic game shows, bigfoot, blue collar, cats, cemeteries, coming-of-age, cosmic, cryptids, cults, cursed objects, dark, dating fails, dystopian, elder millennials, embarrassing moments, female narrators, food service, gen x, ghosts, girl power, gothic, grim reapers, grumpy unicorns, fairytale revamps, found family, haunted mansions, hidden worlds, horror, humor, liminal spaces, mermaids, modern-day wizards, mythology revamps, occult, ordinary people finding portals, paranormal, post-apocalyptic, sad robots, secret societies, squishy soft science fiction, shitty roommates, snark, social commentary, silly, steampunk, stoners, swapped gender roles, supernatural, talking animals with bad attitudes, teenagers, time travel, tongue-in-cheek, underdogs, unreliable narrators, urban fantasy, weirdos, witchcraft

Probably no to action / adventure, all vibes no story, boring stories, children’s stories, celebrities, cliches, cozy, dead wife/husband/parent/partner, emotional manipulation, espionage, excessively purple prose, hate of any kind, historical fiction, humor that denigrates, kids with cancer, military fiction, modern politics, mystery, political satire, rage bait, religious fanaticism, sappy romance, sword & sorcery, thriller, tired tropes, tragedy, werewolves, vampires, zombies (Have a story that you think we’ll like despite it being listed as a no? Try it anyway. We love being surprised and have accepted at least one story including one of these.)

We don’t want:

No AI-generated stories. If it didn’t come from the depths of your own weird brain, we don’t want to read it. We will not consider stories written, co-written, created, or assisted by AI and machine-learning languages such as ChatGPT. We do not use AI-generated images.

No hate speech. We aren’t interested in your bigotry, homophobia, racism, sexism, or transphobia, or anything along those lines. We are an inclusive publisher.

No fan fiction. We won’t publish anything that violates someone else’s copyright. We’d prefer you come up with your own characters and worlds. The exception to this being mythological fiction, in which case, make it modern and interesting as you breathe new life into old (public domain) tales.

No song lyrics. Song titles are usually fair game in fiction, but song lyrics require permissions that we rats aren’t able to obtain. We’d prefer not to have to reject a great story because of song lyrics.

No hard-core erotica. I mean, if you send us something hot, we’ll read it, but if you make Ratty blush, we probably can’t publish it. That being said, we are not prudes. If you can walk the line without crossing it, by all means, send it in if you think it fits our vibe. (To save you a rejection: we are very unlikely to publish your penis poetry, which we see far too much of in our queue.)

No hard-core violence and gore. We don’t want to read it, even with a trigger warning. Keep it off-page please. This includes violence directed at animals.
A NOTE ON CONTENT WARNINGS

Our first readers don’t necessarily need content warnings, but we would appreciate you including them if you feel like one might apply for a general reader. If you worry that a content warning might be a spoiler, you can include it either at the bottom of your manuscript or in your cover letter. This helps us as we decide which pieces should have a content warning for publication and has no impact on our submissions process. We plan to use the list in this article as a starting point.
don’t self reject

If you love your story and think it fits our vibes, why not take a shot and send it our way? Worst case, you’ll get another rejection to add to your pile, and maybe we’ll love it. We are an inclusive publisher and welcome submissions from writers of all demographics. We especially want to hear from underrepresented voices

PUBLICATION SCHEDULE

We publish a new drabble or microfiction piece every weekday (Monday – Friday) on the Rat Bag Lit substack. (We know this platform is a bit problematic, but we hope you’ll forgive us until we find a better option that suits our needs and technical abilities.)

Our first print publication has a scheduled release date of March 15, 2026. Issue #2 is scheduled for October 15, 2026. We will post any updates to our publication schedule here and on our social media.

We accept unsolicited submissions written in English. Most submission categories are free, but we do have a paid option for longer short stories and/or when free short story submissions are full for the month. We also have a paid “rat-jection” feedback option. We appreciate your tip jar submissions.

We do not charge our authors any fees for publication beyond the optional fees listed above. If free submissions are closed and paying a submission fee presents a financial hardship to you, email us for assistance.

We accept fiction, creative non-fiction, and poetry in the following categories:

Drabbles – monthly themes, exactly 100 words, no more, no less, with a maximum 15 word title. For digital publication – Pays $1. You can submit up to two at once. No reprints.

Micros – maximum 300 words. For digital publication – pays a penny a word up to $3. No reprints.

Flash – 1000 words maximum. Pays a penny a word for print/digital publication, up to a maximum of $10, Reprints half-rate, up to a maximum of $5.

Creative Non-Fiction – 1000 words maximum. Pays a penny a word for print/digital publication, up to a maximum of $10. No reprints.

Short Story – 1001 words up to a maximum of 5000* words. Print/digital publication, Pays a penny a word, up to a max of $20, Reprints half-rate, up to a maximum of $10. (*3.5k-5k stories are limited to the paid submissions category for originals and the reprints category for reprints).

Poetry – We’ll be honest, we aren’t super familiar with poetry, but we’re willing to take a look at what you’ve got. Experimental, speculative, non-rhyming, non-traditional… Sure, why not? We won’t know any better. Make it weird, keep it short, maximum 300 words. Pays a penny a word up to $3 for print/digital publication. You can submit up to 3 at once. No reprints.

More information and submission link here. 

Writing Competition: Robert H. Winner Memorial Award

Robert H. Winner Memorial Award: $2,500

For a manuscript of 10 pages by a mid-career poet who has not had substantial recognition. Open to poets 40 and over who have published no more than one full-length collection of poetry. Poets who have not published a poetry collection are eligible.

Previously published poems are acceptable; include acknowledgment of publications on your cover sheet. Poems entered as part of a Winner manuscript may be entered individually in other PSA awards, if they haven’t been previously published.

Judged by Michael Dickman

Established by the family and friends of Robert H. Winner, whose first book of poems appeared when he was almost fifty years old.

Submission Details & Instructions 

  • Awards are free for Poetry Society of America members.
  • The fees for non-members are: single poem awards are $10, and multiple poem awards are $15.
  • Personal identification cannot appear anywhere in the submission document, including in the file name.
  • Only one entry per award.
  • You cannot submit the same poem to more than one award.
  • The exception: Individual poems submitted to the Alice Fay Di Castagnola Award or Robert H. Winner Award may be submitted to another PSA award.
  • The submission must not have been previously published or accepted for publication.
  • The exception: Individual poems submitted to the Alice Fay Di Castagnola Award and the Robert Winner Award may have been published.
  • Simultaneous submissions are fine; if the poem is accepted elsewhere for publication, please withdraw the submission.
  • Submissions written by more than one author are not eligible.
  • Translations are not eligible. All poems must be original and primarily in English.
  • A poem that has previously won a Poetry Society of America award cannot be resubmitted to any of the awards.
  • We cannot accept corrections after submission.
  • Submissions from Poetry Society employees, officers, advisory board committee members, or their immediate families are ineligible.
  • All submissions are judged anonymously.

Notification 

  • We cannot confirm receipt over the phone or email.
  • We cannot accept any corrections or revisions to submissions.
  • The winners will be announced in late spring.
More information and submission portal here